Arrive At The Essence [on Two Artists Tuesday]

This past Saturday we passed a milestone. We began writing our Melange on February 12, 2018, four years ago. We’ve published 5 days a week, every week, no matter what chaos or crazy storm blew through our lives.

Our Melange has moved through many phases. Originally, we wanted to regain some control over the publication of our music, paintings, plays, children’s books and cartoons. In our first post I called it our “pile of creative perseverance.” Also, we wanted to make a living from our mountain of work so we set up Society6 storefronts and spent hours each day developing products based on what we published. It was a blast and a total bust.

Eventually, the stores fell off, the daily themes changed, and we arrived at a pure essence: we love to sit together and write. Each day. There’s always a visual prompt, mostly from photos Kerri’s taken during the week. There’s only one rule: we can’t read or know what the other is writing about until we’ve completed our drafts. And then we read to each other, talk about our posts and clean them up. It’s my favorite thing to do. It feeds our hearts, energizes our artistic souls and that is more than enough.

Somedays I feel as if we are writing ourselves into existence. Our Melange is the story we tell each other – and you – of our life together. It’s a continuation of the Roadtrip, the daily emails we wrote to each other before we met. And, if the Roadtrip was a narrative offering of “this is me,” the Melange is a narrative offering of, “this is us.”

We launched the Melange with this Chicken Nugget (below). I wrote, as an introduction in the inaugural post, that this Nugget – and the Melange – was “a quiet reminder that the universe of feelings was – and is – so much bigger than words can possibly contain.” Ironic, yes? Coming from two people who, each and every day, write words as their way of reaching into this vast universe of feelings.

Thank you for reading what we write. We appreciate every step you take with us on our journey.

read Kerri’s blog post about 4 YEARS

chicken marsala © 2016 kerri sherwood & david robinson

the melange © 2018-22 kerri sherwood & david robinson

Fill The Pot [on Two Artists Tuesday]

It’s food week at the Melange. Well, truth be told, it’s always food week here. When we’re not in our studios we meet in the kitchen and either eat food or talk about eating food. Sometimes – okay – everyday, when I am up in my office working, Kerri sends me a midmorning text: “Are you staaaaarving?” My reply never waivers: “Yes. Yes I am.” Snacks appear and happiness ripples throughout the house.

It’s winter and it’s covid so our circle of experience has shrunk mightily. Kerri injured her foot so our daily winter walks through the frozen tundra are on hiatus. As our recent photographs have betrayed, we are explorers in our own house. Photos of Dogga. Photos of the moon. Clever shots of candles and glasses of wine. And food, food, food.

Because it is winter, the big pot has re-emerged. Soups or spaghetti sauce are often simmering on the stove. During the warm months, the big pot goes on vacation but faithfully returns when the temperatures drop. There are weeks when the big pot never makes it back to the cabinet. It’s a workhorse.

I appreciate the reappearance of the big pot because, in addition to being essential for soups, it evokes stories. It never fails. The pot comes out. The chopping commences. And the stories start to roll. Our big pot has been around for a very long time so it is alive with story. Big pots bring memories of parents and grandparents, holiday meals, Dorothy cooking on the cast iron stove. It evokes remembrance from childhood, steam rising from the pot and fogging the kitchen window. Once, as a boy, I couldn’t breathe and leaned over the big pot. The steam helped.

This week we are excited: we have a new soup to try. Last week we made a simple vegetable soup, a recipe we lifted from 20. The big pot also helps us to dream. We remember a pre-covid world when we had gatherings and dinner parties, when we squeezed people into chairs at the table, elbows negotiating heaping plates of pasta, crusty bread, and wine. Laughter. “It’s the first thing we’re going to do,” Kerri says, “when this is all behind us.” The pot will come out. A vat of sauce will bubble on the stove. Friends will pack into the kitchen, asking, “When do we eat?”

read Kerri’s blogpost about BIG POTS

Climb That Mountain [on saturday morning smack-dab.]

Once, after sleeping through the sunrise at a rest area, we drove through a Starbucks without stopping at the order kiosk. The kind young woman at the window, after politely telling us that we hadn’t yet ordered, brought us vats of coffee for free. She said we looked like we needed it. And, we did. We needed it.

I suppose we don’t really know what is good for us. That might be the reason we regularly step into the ridiculous and only recognize that it is ridiculous after-the-fact. My favorite part of our folly is the paradox that makes it all possible: we have the spirit of feral cats but were raised to be polite and clean our plates. It’s this inner collision that makes possible each and every attempt at scaling Mt. Pancake.

We’ve yet to summit. But, never fear, the next time all-you-can-eat crosses our fancy, we’ll get out the ropes and pitons, the special forks and belts that loosen-a-notch or two, and we’ll climb that mountain until I collapse in the booth and Kerri glazes over in a pancake-coma. Some nice serving person will gently take our plates and tell us to take our time. “No rush,” they will say, “You look like you need to sit for a while.” It’s a wonder they don’t take our car keys.

read Kerri’s blogpost about PANCAKES

smack-dab. © 2021-2 kerrianddavid.com

Feed It [on KS Friday]

“The devaluation of music and what it’s now deemed to be worth is laughable to me. My single costs 99 cents. That’s what a single cost in 1960. On my phone, I can get an app for 99 cents that makes fart noises – the same price as the thing I create and speak to the world with. Some would say that the fart app is more important. It’s an awkward time. Creative brains are being sorely mistreated.” ~ Vince Gill

I am the first in line to tell you that everyone has a creative mind. Everyone. That river of ridiculousness running between your ears is nothing other than creativity-run-amok. What else? Telling yourself that you are not creative is, in itself, a creative act. Seeds planted early in life grow into mighty obstructions. Creative wastelands are created. If you want to hear a terrific appeal to educators to nurture rather than stifle the creative mind, listen to Sir Ken Robinson’s 2006 Ted Talk. It’s appropriately titled “Do Schools Kill Creativity?”

I’ve listened to numerous school boards tell me how much they truly value the arts – until it’s time to pay for it. Sadly, it’s not a question of whether or not they value the arts; it’s that the arts, the creative minds, do not fit any of the standards of valuation against which all things are measured. They do not know how to value the creative minds that they steward. Arts organizations and artists, mostly, are not money makers. Creative minds, creative acts, do not fit in the boxes and are not measurable on standardized tests. Thinking outside of boxes is, after all, the point of a creative mind. Metrics and goals stop a creative mind and heart in its tracks. The cruelest thing you can ask any artist to do is write a grant.

And yet, an artist has to make a living. Yaki asked me if I had to choose between making a living and making my art, which would I choose? I answered, “Art, of course,” but that it was really a question of Maslow’s hierarchy: it’s hard to make art when you are not surviving. What I didn’t say is that his question perfectly captured the reason schools kill creativity and creative brains are sorely mistreated: it is assumed one must choose between. Making a living and thriving creativity are understood as oppositional.

How many parents have tried to dissuade their children from following their passion for the arts? How many times have I heard Kerri say of the stacks of music on her piano waiting to be recorded, “What’s the use?” How many times have I sat in my basement studio looking at my stacks and rolls of paintings and wondered, “Why bother?” We do it to ourselves, too.

And then, the phony metric falls and we breathe, pick up our brushes and sit at our keyboards. There is a river of riches that runs deeper than money. It is, after all, a creative act to kill a passion. It’s also a creative act to feed and nurture an artistic soul. Both. It’s what the school board doesn’t understand: the choice is not between making a living or living as an artist, the choice is between feeding inspiration, expanding a creative mind, or smothering it.

read Kerri’s blogpost about CREATIVE MINDS

Kerri’s albums are available on iTunes and streaming on Pandora

watershed/as it is © 2004 kerri sherwood

Make A Savory Day [on Two Artists Tuesday]

“I don’t believe in guilty pleasures. I only believe in pleasures.” ~ Ira Glass

Among other things, covid has been a great disruptor of our patterns. Our life today barely resembles the life we knew two looooong years ago. Yesterday, while driving through the farmlands en route to buy a loaf of bread at Simple Bakery in Lake Geneva, Kerri said, “It’s all so weird.”

Among our new patterns is more appreciation of our time. We are less willing to stuff our day with things to do, rather, we’ve established a slower rhythm and points during the day to stop, sit together, and savor the events of the day. It began at the onset of the pandemic with our covid-table in the sunroom. A place to sit and watch the sunset at days end. Soon, there were snacks. And then a glass of wine. It became a ritual. Now, there is nothing more important in our day than to meet at our table. Talk. We call friends and family from the table. Dogga leads the way. He meets us there, positioned just behind our chairs with his bone or a few mauled toys. Sometimes we sit for hours – far beyond sunset. We eat our meals there.

We’ve also established patterns of anticipation within our patterns. My favorite, the silliest but most effective, is french fries for snack. There’s nothing more satisfying on a cold winter evening, than hot salty french fries. We make sure that it’s not a common, every night affair. We save it for the tough days or as a surprise. “Is it french fry night?” Kerri hops and claps in anticipation when she notices that the oven is preheating. Yes. Oh, yes.

The new pattern, of course, is not the table or the fries. It’s the decision to make moments special. We decided amidst the pandemic, the broken wrists, the job losses, the civil unrest, the loss of family and friends, to make lemonade from this time of abundant lemons. We decided to accent the pleasures. To walk slower. To meet our days, not with a list of things-to-do, but with the intention of making a most savory day from the ingredients found in our pantry.

Pattern disruption. Within the hard breakdown of the known, the loss of the comfortable, we are fortunate. Many times, sitting in our sunroom, the happy-lights reflecting in the windows, Dogga quietly behind us chewing his bone, Kerri says, “I love this space.” I nod my head. Me, too. The literal and the metaphoric.

read Kerri’s blogpost about FRENCH FRIES!!!!

Color The Language [on saturday morning smack-dab.]

In the cartoon version of our life, Kerri cleans up my language. I never use the word “beeswax” when there are more colorful options available. I’m an artist. Color is my thing.

It’s hard to explain the inner imperative that drives an artist to spend their precious life composing or painting or dancing, even amidst the knowledge that heeding their inner call might never pay the bills. I know many, many people who’ve snuffed their artistry because it simply doesn’t make financial sense. They are now like boiled fish. The ‘”good living” that they make doesn’t replace the vitality-in-life that they ignore. Source is source.

I also understand that the answer, “Because I have to…” must sound childish to someone who has never operated out of an inner necessity or something more meaningful than making-money. I actually understand their eye-roll and less-than-subtle-but-always-predictable response about the need to “take responsibility…” They’re really saying, “Grow up.”

What I’ll never understand is the gap. For instance, Kerri’s music is all over the world. She is regularly stopped on the street or contacted by people who reach to tell her that her music moves them, touches their souls, makes their day, opens their hearts, calms their fears… And, then, she’s asked what’s she’s really going to do (for a living). Or, better, if she’ll play for free. Or why it bugs her that Pandora or Spotify make money – lots of money – on her music – and that is the reason why she is not. The gap between those two poles is…mind boggling. And, into the gap, the question is always dropped: What are you really going to do?

So, I paint the question with vivid colorful language because it makes my love laugh but definitely needs scrubbing before publication.

read Kerri’s blog post about BEAUTY

smack-dab. © 2021-2 kerrianddavid.com

Deny and Arrive [on saturday morning smack-dab.]

Kerri often has a difficult time sleeping which means that I, too, have a difficult time sleeping. Left to my own devices, I am a champion sleeper.

I don’t mind, though. Some of our best conversations happen in the dead of night. There’s nothing like a sleepless wife and a midnight snack to bring up the real stuff. I delight when, in the quiet of a slumbering world, we talk of dreams and disappointments, hopes and heartaches. Nothing is solved. Everything is revealed. The gift of the night is to clear the clutter.

I confess that I sometimes meet her, “Are you up?” with an intentional show of snoring or a delayed response, staged mumbling or, “What, huh…” There is a necessary transition zone from champion sleeper through denial to the arrive at the acceptance that sleepless for one is sleepless for both.

And, then, the great conversations begin.

read Kerri’s blog post on saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Grow The Grove [on DR Thursday]

To most people, this silver ornament nestled in branches of green needles, signals the holiday season. For us, not so much. We have silver ornaments suspended in all kinds of branches 365 days a year. They are generally – though not always – accompanied by white twinkly lights. Kerri calls them “happy lights.”

It’s true that most of the branches and most of the silver ornaments originated as our version of a christmas tree. A few years ago, we sprayed white paint on interesting branches found on a walk, stood them in cool pots, wrapped them in happy lights and, yes, placed silver bulbs throughout. We liked them so much that, to this day, they glimmer in our living room. Several years ago we found a sturdy, very straight stick for our holiday tree, adorned it with lights and silver balls, and suspended a star over it. The stick, sans star, now lives in the corner of our bedroom. It is versatile and moves through the house according to our fancy. Our current tree, the single star, will probably be with us for some time.

I know it sounds as if our house is slowly becoming a forest of branches, bulbs and happy lights. We are certainly eccentric enough to make that vision come true but, for now, the grove is (mostly) confined to the living room. We are given to ending the day, sitting in the dark, illuminated by happy lights and silver ornament reflections.

I cherish ending our day in quiet appreciation and also our dedication to spilling holiday goodness throughout the other eleven months of the year. The forest makes us feel good. It keeps us grounded. It reminds us – no kidding – that human kindness and generosity need not be confined to a season. It reinforces that how we treat other people matters – in all situations, at all times of the year. And, it helps us remember that happy lights are everywhere – and they have names- and lives – and move through our story as friends and family and neighbors and strangers we meet along the way. Our living room forest, you see, is a metaphor. Perhaps I lied: I think we do intend for the forest grove to fill all of our spaces.

read Kerri’s blog post about SILVER ORNAMENTS

angels at the well © god-knows-when-but-certainly-another-century david robinson

Dump The Mystic [on saturday morning smack-dab.]

Years ago a woman broke up with me because, “Dating a mystic was too hard.” What she really meant but-was-too-polite-to-say was that I was broke and artistic and the stuff that came out of my mouth was not normal. I’m just not good at cocktail parties where office politics and investments drive the dialogue. I spend my time wondering why I – and now we – were invited. That, and I can’t help but ask questions that go beneath the blather-layer. I am an artist with a weak-inner-editor. I want to know what makes people tick. You’d be amazed – or not – at how frightened people become when asked what passions lurk behind their portfolio. It’s a conversation stopper every time.

It was a great relief in my life the day I met Kerri. We were at O’Hare airport. I locked fingers with this woman I’d never met and, together, we skipped out of the airport. Our hearts were singing so skipping seemed natural and appropriate. Apparently adults are not supposed to skip through airports. People took cover. They scowled and stared. She didn’t care either. We laughed. We skipped.

It’s probably among the reasons we don’t have a portfolio (well, not the financial type). But, at the end of my days, when weighing my choices, I’ll be most grateful that I skipped. We skipped. And laughed. And asked real questions at polite parties. And climbed through the window onto the roof to have a glass of wine – because, for us, that is normal. I will also be grateful for learning – after a lifetime of introspection – to simply give voice to the real stuff BECAUSE it always comes to my mind.

read Kerri’s blog post about NOT NORMAL

smack-dab. © 2021 kerrianddavid.com

Await The Return [on KS Friday]

This time of year I do a lot of staring into the night sky, pondering vastness. Reflecting on the year. It’s what we’re hard-wired to do as we approach the darkest night of the year. And, along with the darkest night of the year, comes the turning point. The return of light. This fact of earth’s orbit has spawned ritual, religious metaphor, and all manner of contemplation, letting go, setting new intentions, since humans first started, as I did last night, looking into the sky. We feel our smallness looking into the face of starry infinity.

This year there’s a delightful serendipity associated with the solstice. We cross the line from darkest night to return of the light on December 21. On December 22nd, as we creep our way back into light, the James Webb telescope will be launched into space and, when it unfurls and points its lens into other star systems, it will be looking for life on other planets. It will be looking for other beings staring into the night sky who might also be pondering their relationship with the universe. I look at you, you look at me.

We are candle people. We light them all the time for various reasons, marking auspicious occasions or simply to lift our spirits. We bought a menorah this fall. Kerri’s clan is religiously complex and we wanted to celebrate Hanukkah with her cousins. I read a bit since I am fond of finding the roots of rituals. I learned that the menorahs with seven branches, among other things, represent the five visible planets plus the sun and the moon. The rounded shape of the branches represents their trajectories across the sky. We lit the candles each night, singing poorly but with love and conviction the prayers. Connecting with her cousins, connecting with the light and pondering our place in a spinning universe.

Sitting at my desk, upstairs, too long staring at a computer screen, I heard her at the piano. I crept halfway down the stairs not wanting to break the spell. She played a carol, quietly. It’s rare these days that she plays. Broken wrists. Resistant fingers. Bruised heart. Yet, the piano calls. The lighting of the candles, the quiet pondering of “what’s it all about”, has made a crack in the darkness. There is a vast inner universe, too. We shoot telescopes into our selves. I look at you, you look at me. Smiling on the steps, I realized that I am anxiously awaiting the return of the light.

read Kerri’s blog post about LIGHT