Follow Your North Star [on KS Friday]

We are on a hummingbird watch. There’s an app that plots their migration. They’ve been spotted to the north of us.The little hummingbird symbols on the map show a veritable cavalry of hummingbirds approaching from the south. Our hummingbird feeders are poised and ready, filled with sugar water. Gay, Jay, and Kerri have an agreement: the first to spot a hummingbird in their yard gets a celebratory margarita.

One of my heroes, my great-aunt Dorothy, had multiple hummingbird feeders on her mountaintop yard. I remember sitting in the sun watching the hummingbird posse dart from feeder to feeder. Dorothy’s little plot of grass was a magical place. Blue bottles caught the sun, special rocks glittered, Poncho the dog lazed in the shade, Del’s old army jeep teetered on the edge of the abyss. A ride in the jeep was certain to take us up the mountain into wild, unimaginable adventure.

They did not live in the world of hurry-up and get-there. Their world was the opposite. They were not trying to be-somewhere-else. They designed their lives on experiencing the here-and-now. Their intention was to appreciate-the-fullness-of-this-moment. It was the only place in my childhood, other than my studio/bedroom, that made sense, though it’s taken me a lifetime to recognize why.

They didn’t split themselves. They chose simple living over anxious striving. When I was young I often looked at Dorothy and wanted to know what she knew, wanted to live as she lived. I loved taking walks through the mountain trails with her. I’ve only recently recognized that Kerri and I walk as Dorothy walked. Slowly. Open to what crosses our path and calls our attention. We are capable of walking the same trail each day and experiencing it anew each time.

My north star has been there all along, even in the times when I jumped into the race because it was what I thought I was supposed to do. Yesterday, I went into my upstairs office, sat at my drafting table, and drew cartoons, modifying scripts generated from chatGPT. “I can’t continue to just apply for positions,” I told myself, “I have to do something different as well.” Cartoons.

I laughed. I was full-to-overflowing with ideas. I’ve not been so happy in weeks. Something different; something sane. Something now.

This morning, while I washed dishes, I gazed out the kitchen window, watching for the hummingbirds. I remembered something Susan said to us at breakfast last week: your yard is a sanctuary. She told us that she makes a pilgrimage to our yard each year to recharge. Our yard is like Del and Dorothy’s mountaintop, not by accident, but through intention. It is the place we sit-in-the-here-and-now. To rejuvenate. To enjoy the chipmunk colony living in Barney-the-piano, the chatter of the squirrels, that flash of the cardinals. To await with great anticipation the arrival of the first hummingbird.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about TINY FEATHERS

i didn’t know/this part of the journey © 1998 kerri sherwood

Restore The Heart [on KS Friday]

Last night I sat on the floor in the corner of the bathroom. It was very late and I couldn’t sleep. I said to no one, “Something, sometime, some way, has to tip in our favor.” I was disheartened after a day of exceptionally discouraging news.

“Disheartened” is an interesting word. Heart removal. An empty cavity where the energy should be. The thought made me laugh and laughter is always good for the disheartened. My laughter brought me back to my senses. I sat on the floor, shifted my focus from woe-is-me and placed it squarely on all that I am thankful for. The list is long and runs through creature comforts like hot showers and electric light to soul-comforts like a crazy Aussie dog to heart-comforts like an incredible wife. Also, there is wine on the deck. Walks in nature which imply good health, walks through imagination which imply an artistic spirit, walks with awe which imply an insatiable curiosity. Through the right lens, my life-view from the bathroom floor is remarkable.

My empty cavity filled to overflowing.

I find it’s a good practice, when fresh from a bout with self-pity, to wander the house slowly. To intentionally touch the stories that live in the furniture or the glasses or the plants. To step out of the fear-mongering and into the riches of the present moment. Laying on our dining room table is a bundle of branches Kerri gathered from a fallen pussy willow. The furry catkins glowed silver and caught my attention. They warmed me with a memory. A walk with dear friends on ground so muddy that we laughed and hopped in search of solid footing. It was cold. Trees were down; the day before the wind and rain was brutal. Finding the pussy willow branch on the ground made both Kerri and Jen giggle with delight. A treasure! So simple. Their excitement turned toward possibilities. Vases or ribbon?

Enhearten: to restore strength and courage to a saddened spirit. The memory was good medicine and sent me to bed where I fell into a deep sleep, paradoxically enlivened and peaceful. Heart restored.

Kerri’s music is available on iTunes or streaming on Pandora

read Kerri’s blogpost about PUSSYWILLOWS

watershed/as it is © 2004 kerri sherwood

See The Awesome [on KS Friday]

Our favorite Wander Women posted the next installment of their through-hike on the Arizona trail. They are 300 miles in and passed through a burn zone that impacted a Saguaro cactus forest. Some of the giant cactus had perished. Many were burned yet somehow, survived. New growth pushed through the top of the blackened resilient plants. I was awestruck.

A decade or so ago, when life was hard, when I least believed in human kindness, I set out each day on my walk across the city determined to count acts of generosity. The acts of benevolence were everywhere and by far outnumbered the aggressive honkers and the impatience of frustrated commuters. By the time I reached my studio I wondered how there could be so much kindness, so much benevolence in the world, unseen. I wondered why our shared story was of a scary-angry-world rather than a world of munificence. The evidence did not support the narrative.

Looking for kindness in others inspired acts of kindness in me. Sometimes, after I witnessed a generosity, I approached the person who gave of themselves and acknowledged their act. I essentially said, ‘I saw that and it was awesome.” You may or may not be surprised to learn how impactful a simple acknowledgement can be. People smiled and blushed. People waved it off as if it was nothing.

Kindness is everything.

My walks across the city were more than a decade ago. The shared narrative of scary-angry-world is louder now than ever yet I wonder if I took a walk across my city-of-yore would I see a different result or the same? Kindness flies mostly under the radar, people wave it off as small gestures; it doesn’t pull high ratings like bullying or blood or scandal. We live within the narrative we feed.

I suspect kindness is as pervasive as fear-mongering but kindness doesn’t care if it gets the headline.

A sentinel stands on our trail. A tall stump, long ago burned by fire, perhaps a lightning strike. Perhaps its blackened scars are from a controlled burn. It reminds me of Shel Silverstein’s The Giving Tree. The birds use it for perching. The squirrels burrow at its base. Life teems around and because of the blackened stump. It always captures our attention. I imagine it is kind since so many creatures and living things find support in its watchful presence. New growth will never push through the top of this stump. It is no longer self-generating. It is, however, like a standing nurse log, new life teems around, on top of, and through it. A silent giver. I am always tempted to step off the path and whisper, “I saw that and it was awesome.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE STUMP

transience/right now © 2010 kerri sherwood

Unroll And Tune In [on KS Friday]

I did a stupid thing. A few years ago I rolled several of my canvases and stacked the many heavy rolls. Stacking them was my crime. The weight crushed the bottom rolls, potentially leaving ripples in the paintings. I know better. I’m unrolling each, one roll at a time, weighting the flat canvas so any potential wave is pressed. So far there is no damage.

I have opened three rolls. I have three more rolls to go. The opened rolls remain flat on the ground with the next roll layered on top. A new type of stack. Sedimentary paintings. Each layer provides weight to help flatten the previous roll. It’s slow going. I am being careful. I am treating the canvas – my paintings – with the respect that I should have afforded them long ago.

We took a walk on the road when we were up north. It was snowing and the world became snow-quiet. As without, so within. I became snow-quiet. The gang walked ahead as Kerri took a photo of the silent woods. I turned my face to the snow and felt the sting of each flake. Sometimes, when deep in the snow-quiet, the life-canvas is blank and affords the opportunity to discover the world anew; snow on my face for the first time. This earth is heartbreakingly beautiful.

Unrolling each roll of paintings is like turning my face to the falling snow. It makes me quiet. I am seeing paintings – my paintings – that I have not seen for a few years. I am afforded the opportunity to discover my world anew. I’m finding, as I carefully weight them, hoping the ripples are not permanent, that I have new eyes and new appreciation for my life and work. Unrolling the rolls, caring for the pieces, evokes peace in me.

I painted each of these paintings for the same reason. Standing before my easel quiets my mind and tunes me into something bigger than my tiny frets and future worries. It connects me – and that is whole point of the arts. It connects us. Unites us.

With each roll revealed, just as with each new painting, I become clear, if only for a moment. Like a walk through the woods on a snowy day.

[Peace is one of my favorites of Kerri’s compositions]

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SNOWY WOODS

peace/as it is © 2004 kerri sherwood

Release The Seeds [on KS Friday]

“Creative people are driven to periodic symbolic self-annihilation and rebirth, much like the mythic phoenix.” ~ Alex Grey, The Mission of Art

I loaded my truck with my paintings. I drove to the beach where there were large fire-pits. I burned the paintings, bonfire style. I had so many paintings that it took three days, three truckloads, three successive nights. People helped, strangers who held vigil for me. Only one tried to talk me out of it.

Those nights on the beach were over 20 years ago. All along I’ve understood the conflagration. What I only now understand is the necessity of fire to release the seeds. Not just one seed, but hundreds. Thousands. And not all the seeds found rich soil. Only a few. And, once rooted, most of the seedlings were trampled, overshadowed or eaten. They never made it to the sun.

But the one seed, the single seed, released in fire, without will, intention or knowledge; the fortunate seed, flung into the air by heat and flame, caught the wind at just the right moment and fell to the earth haphazardly in an opportune spot. It took root. It drank in the sun. It survived the hungry deer nibbling close-by. And over decades, through harsh winter and sunny drought, it slowly, ever-so-slowly, grew.

A thousand seeds. One strong tree. New cones, loaded with millions of seeds. Ideas ripe for the wind.

A cycle that cannot be rushed. Each loop, lovingly and faith-full, takes time.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SEEDS

part of the wind/blueprint for my soul © 1997 kerri sherwood

Spot Her [on KS Friday]

We decided to go off trail. There was a stand of birch trees that she’s always wanted to photograph but getting to them meant crossing the marsh. An untenable task in the warm months, but since it was a cold day, below freezing, the grasses and ice made a step-selective pathway possible.

We zigged and zagged our way toward the birches, my eyes cast down, carefully choosing the next step. I hoped that she was following my path but inevitably the crunching and crackling behind me ceased. I knew I needed to stop and prepare myself for a rescue. Something caught her eye. To get the photo she’d forget about the marsh.

Every artist needs a spotter. The dangers may not be as readily apparent as a gymnast but they are no less real. My friend Albert used to pull me from my studio when I was there too long. He saved my life more than once. Artists are given to self-doubt that congeals into dark despair. I’ve learned to be ready to throw light into the cave just as Albert did for me.

Artists are also myopic when the muse grabs hold of them. Before I met her, Kerri, looking through the lens of her camera, stepped backward off a cliff. Her muse is powerful. Her capacity for instant-hyper-focus is unparalleled. My muse clutches me in safer places like a studio or on a stage. Kerri’s seizes her in marshes and on cliff side. I am her spotter.

“Isn’t this cool!” she giggles as the ice beneath her feet groans.

“Maybe take a step to the left onto the tall grass,” I say. She takes a brief look at her feet, adjusts to slightly safer footing and then returns to the camera. “Maybe one more step?” I suggest.

Later, when we return to the car, she asks in all seriousness, “Are your boots wet? Why are my boots wet and yours are dry?” She studies her soggy boots, indignant.

“I don’t know,” I shrug. “Show me your pictures,” I suggest, deflecting her focus from her wet feet and back toward the muse.

“Oh, you’re going to love this!” she sits next to me, flipping through the many close-up shots of cattails, narrating her experience getting the photographs. Her narration does not include cracking ice, sketchy edges and near missteps into knee deep water holes. “Don’t you just love it!”

“Yes,” I smile. “Yes, I do.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about CATTAILS

untitled interlude/released from the heart © 1995 kerri sherwood

Reminisce [on KS Friday]

Staring at a waterfall throws me into reminiscence. The rushing water pulls me into the past. I never know where I’m going to land, who I will remember, or what moment I’ll revisit. Waterfalls are time machines. They are also great reminders that time-does-not-stand-still.

While Kerri took photos of the falls, I was transported back to the ranch. A long time ago. Sunset over the fields. Tom and I sipped wine while he told stories. He was a great teller of stories. He was a great saver-of-lost-boys and it had only just occurred to me that I was among the lost boys that he’d saved.

Applying for jobs is akin to staring at a waterfall. Reminiscence without the romance. I was preparing material for a position that involved mentorship and, to stir my cover-letter-thinking, Kerri asked me a question, “What was the single most important moment you’ve experienced with one of your mentors?”

I responded with the first memory that came to mind. And, in truth, it didn’t come to my mind; it hit my heart like thunderclap. Tom came for a visit. I was living in Seattle and he flew in to spend some time with me. It was so simple. A visit. This man that I so admired went out of his way to hang out with me. I mattered. It altered the path of my life.

Time flows by. The waterfall of my life is rich beyond measure. I am now the age Tom was the evening that we sipped wine on the deck at the ranch. I am forever grateful that he altered the course of my life-river – by simply showing up.

Tom and me a long time ago.

read Kerri’s blogpost about THE WATERFALL

[this piece reminds me of THE LOST BOY and Tom]

Kerri’s albums are available on iTunes and streaming on Pandora

riverstone/as it is © 2004 kerri sherwood

Appreciate It [on KS Friday]

“…where there are people, there is art.” ~ Alex Grey, The Mission of Art

Have you ever Googled the definition of art? I have: (noun) the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

It’s necessary to pay attention to the two phrases comprising the definition: 1) expression or application of human creative skill and imagination…2) to be appreciated primarily for their beauty or emotional power. Appreciated expression. The value measurement is beauty or emotional power.

A deeply personal expression that touches the universal. The art in a small child scribbling is not in what’s “produced” – it’s in our witness to the beauty of a new-human being discovering the joy of expression. Moms, full to overflowing with appreciation, hang the scribble on the refrigerator. There is no purer experience of art.

Very few children survive the moment when free expression tangles with expectation: now we make art. Scribble meets intention. Appreciation is less easy to attain when the circle grows beyond mom’s refrigerator. “Art” meets a bottom line valuation where beauty and emotional power sometimes take a back seat.

It sounds bleak until you look around and recognize what you see. People pointing cameras everywhere. Painted rocks on the trail. A chalk drawing on the sidewalk. Homes decorated. Magazines with recipes and gorgeous shots of possibility. Sculpture on the beach. Youtube videos abound. Architecture and the design of apps. Music! My god, the music. I passed a man whistling a tune that lifted his step and mine.

Expression. Appreciation. Imagination run amok. Mom’s refrigerator is everywhere. What could be more human?

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about ICE

nurture me/released from the heart © 1995 kerri sherwood

Shape The Story [on KS Friday]

“It’s amazing how a little tomorrow can make up for a whole lot of yesterday.” ~ John Guare

Jen’s question sparked a many-days-conversation between Kerri and me. She asked about my favorite childhood birthday memory. I stared into space. My memory pool was empty. There was nothing but white noise between my ears. I sputtered something about awkward valentines in elementary school. Later, on the drive home, I confessed to Kerri how unnerved I was to have little or no distinct memory to recount. Both Jen and Brad had palpable stories to tell – and many of them.

Since that evening we’ve talked about the power of reminiscing. Neither of us has lived near our families. We’ve had relatively few opportunities to sit around a table and tell stories of childhood, recount foibles, ask questions, laugh at where we’ve been and what we’ve done with the people who shared the experiences with us. During our recent trip to Florida I was startled at Bill’s precise memories of his time in Vietnam. Each year he gathers with the surviving members of his squad and they tell stories of their service. His memories are clear because he regularly tells and hears the stories. It’s a ritual meant to keep vital the thread of connection to the past. Shared story is the glue that holds together a family, found-family or otherwise.

Last night we were wide awake at 3am. We turned on the light and returned to our conversation about the power of reminiscence. The power of enlivening stories with others who hold the same memory. Kerri can tell me stories about raising her children but I wasn’t there. We were not parents together so I am able ask questions but I am unable to spark a visceral memory with, “Do you remember when we…” A one way street is not as accessible as a memory street shared by two.

Inevitably, as the sun began to rise on our sleepless night, our conversation turned toward what we want to create. Together. What are the shapes of our dreams? We began to tell stories in the other direction. We imagined and, so, we created. The power of reminiscence balanced by the power of aspiration. We laughed and built metaphoric houses. We populated studios with creations. Kerri challenged me to paint in a new way, not images but to give color and shape to my feelings.

Feelings. Suddenly, I remember a birthday from a time I was very young, single digits. In the basement, made from refrigerator boxes, Columbus built a birthday surprise. A train or an airplane? I can’t remember. But I felt like it was yesterday, the thrill of running down the stairs to see what my father had made for me.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE TRACKS

meander/as it is © 2004 kerri sherwood

Meet Sketchy [on KS Friday]

One of my favorite budding traditions is our Sunday walk with Brad and Jen followed by a foray into a sketchy unknown bar for an end-of-hike-drink. We live in Wisconsin so there’s no end of sketchy bars to explore. Many sit close to trailheads so our options are abundant.

Years ago I participated in a similar tradition though I can’t remember what we called it. Dubious lunch? Someone in the group chose a suspicious lunch spot and together we’d give it a try. Very few diners lived up to their facade. Most were terrific discoveries. Diamonds in the rough.

Our post-hike-sketchy-bar-tour has produced surprisingly warm memories. Treasures in coarse wrappers. The cliché is, of course, to never judge a book by its cover and, as is always the case, what we consider “sketchy” says more about us than the roadhouse we’re dubious to enter. Ultimately, our fear is the that the good folks inside, the regular customers bellied up to the bar, will look at us and think that we are sketchy.

And, so far, that has been true! They do. And, we do. Sketchy meets sketchy. It’s like the moment in the movies when the cowboy enters the saloon and the music stops. Eyes narrow. Scrutiny abounds. And then, the tension breaks, the music picks up where it left off, and everyone has a good time. The cover of the book disappears when the saloon doors swing open and everyone shares a tiny-bit of their story, sketchy together, under one roof.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about OUR TRADITION

time together/this part of the journey © 1998 kerri sherwood