Accept The Gift [on Not So Flawed Wednesday]

Years ago Tom gave me a bit of career-advice that I’m still trying to take: “Unlike most people,” he ominously said, “your path will never be about plugging into life. Rather, you must find how life can best plug into you.”

Joyce, a healer and mystic, got that look in her eyes, and told me that I was never going to pursue a single profession. Mine-to-do was to see into hearts; mine was to guide people to their truths.

These days, their words ring loudly in my ears. In the past 24 weeks, since the start-up collapsed, I’ve applied to over 100 positions. Each morning I open my email and find the latest thanks-but-no-thanks. And, each morning I ask myself the same question: How do I – this time – once again – at this stage in my life – find how life might plug into me? I’ve received plenty of ideas-for-jobs and more than a heaping spoonful of advice. “Seeing into hearts” and “Guiding people to their truths” is not stellar resume fodder, even when it includes owning businesses and fixing businesses and coaching people all over the world and painting paintings and directing plays and repairing broken theatre companies. Those “ways” feel finished.

I’m working very hard to find ways to plug into life.

It was a great relief to unplug from the fruitless pursuit for a few days. To gather with my family, to say good-bye to my dad, to eat and drink and play at a farmhouse that will forever represent the time and place an era ended and a new age began. Sitting on the porch in the morning sun I felt spacious for the first time in many months. Standing in the yard watching the sunset, I was quiet inside. Rooted. Easy.

I hadn’t realized how compressed I’d become. How air-less. The farmhouse served as a gift from my father: take a deep breath. Nothing more. Nothing less. This life is quickly passing. Relax. It will find you.

I stepped into the morning sun and practiced my tai-chi. These words from the Buddha came to mind: “Joyful participation with the sorrows of the world,” The accent is on the word “joyful.”

read Kerri’s blogpost about FARM SUNSET

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Unroll And Tune In [on KS Friday]

I did a stupid thing. A few years ago I rolled several of my canvases and stacked the many heavy rolls. Stacking them was my crime. The weight crushed the bottom rolls, potentially leaving ripples in the paintings. I know better. I’m unrolling each, one roll at a time, weighting the flat canvas so any potential wave is pressed. So far there is no damage.

I have opened three rolls. I have three more rolls to go. The opened rolls remain flat on the ground with the next roll layered on top. A new type of stack. Sedimentary paintings. Each layer provides weight to help flatten the previous roll. It’s slow going. I am being careful. I am treating the canvas – my paintings – with the respect that I should have afforded them long ago.

We took a walk on the road when we were up north. It was snowing and the world became snow-quiet. As without, so within. I became snow-quiet. The gang walked ahead as Kerri took a photo of the silent woods. I turned my face to the snow and felt the sting of each flake. Sometimes, when deep in the snow-quiet, the life-canvas is blank and affords the opportunity to discover the world anew; snow on my face for the first time. This earth is heartbreakingly beautiful.

Unrolling each roll of paintings is like turning my face to the falling snow. It makes me quiet. I am seeing paintings – my paintings – that I have not seen for a few years. I am afforded the opportunity to discover my world anew. I’m finding, as I carefully weight them, hoping the ripples are not permanent, that I have new eyes and new appreciation for my life and work. Unrolling the rolls, caring for the pieces, evokes peace in me.

I painted each of these paintings for the same reason. Standing before my easel quiets my mind and tunes me into something bigger than my tiny frets and future worries. It connects me – and that is whole point of the arts. It connects us. Unites us.

With each roll revealed, just as with each new painting, I become clear, if only for a moment. Like a walk through the woods on a snowy day.

[Peace is one of my favorites of Kerri’s compositions]

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SNOWY WOODS

peace/as it is © 2004 kerri sherwood

Attend To The Quiet [on KS Friday]

My studio is a place of quiet. Inside and out. It is the place where I go – where I’ve always gone, when I need to recenter myself of exit the crazy-brain. Lately, my studio has been blown to bits. Water has been a near constant invader, either from the ceiling when the pipe broke in the spring or from the floor when roots clogged the sewer main. Twice. It seems as if water wants me to take a break from painting. There’s a metaphor in there somewhere.

Each time the water rises, the paintings rise, too. We scramble to move everything up the stairs. Mostly, they are stored on blocks so live protected above the rising tide – but pulling up carpet or clearing space for the plumbers has meant a perpetual studio deconstruction. Kerri stubbed her toe – okay, broke her toe – on one of the bigger paintings that now populate our sitting room. It’s a maze of paintings out there. Yet, she is wise. She’s insisting that we leave the paintings where they are, scattered here and there. At least for now. At least until we can clear out and rethink our space.

Kerri is much more sound sensitive than I am. I am much more spatially sensitive than she is. The sign on our deck, “Shh” addresses her need for sound-quiet. It’s all about space-quiet for me. Space-quiet means open space. It’s been that way all of my life: if there’s too much stuff, I shut down.

The water, as it turns out, is trying to tell me something. Lately, when I go down into the blasted-apart-and-now-empty-studio-space, I can breathe. I feel it every time I descend the stairs. I breathe. My space had become too impacted. Too many paintings, too many tables, too little space. “Shh.”

I’ve often written about the time, after I moved to Seattle, that I burned most of my paintings. I needed space. I felt like I couldn’t breathe. I was tired of hauling and storing paintings. I didn’t know what else to do. I needed air and fire brought it to me.

And, so, the water pours from the ceiling. It bubbles up through the floors. Again. What feels like a catastrophe comes with a cautionary message. No fire is needed this time. To attend to the space is to attend to the quiet. Stop. “Shh.” Breathe.

SILENT DAYS on Kerri’s album BLUEPRINT FOR MY SOUL, available on iTunes or streaming on Pandora

read Kerri’s blog post about SHH.

silent days/blueprint for my soul ©️ 1997 kerri sherwood

Run Through Norway [on Not So Flawed Wednesday]

DogDog is a very vocal pooch. He sings his body electric, he gives full voice to his soul. There are times that I, with great delight, watch him run fence to fence, barking for the simple pleasure of making sound. He is a vocal hedonist.

Sometimes he barks and listens. He wants some dog out there to bark back, a pooch call-and-response. There is no better gift for DogDog than when one of his neighborhood pals barks in response. Pure pleasure, he runs circles around the yard. When his call does not evoke a response, he waits a few minutes and tries again. He is an eternal optimist.

DogDog knows when he’s NOT supposed to bark. Inside the house is a no-bark-zone. When Tim, the neighbor gets in and out of his car. When Lucky, the dog that recently showed up in the yard behind ours, comes to the fence. When we are in the car, going on errands, and he sees another dog; his body quakes with full-bark-desire but he knows better. Kerri taught DogDog a bit of Norwegian. “Hold Kjeft,” she says, when we he winds up for a good bark-in-the-car. DogDog hears Hold Kjeft and he moans and whines and complains. He performs a melodramatic Medea until something else captures his attention.

Initially, she didn’t use the phrase in any other situation. Norwegian was reserved for the car. Hold kjeft, in translation, means shut-up but for us it has become a preemptive command, “no bark.” Norwegian was so successful in the car that it has now spilled out into all other situations. She never has to raise her voice. She simply opens the back door, says, “Hold Kjeft,” and all barking turns to enthusiastic circle-running. It’s magic. It’s Norwegian.

It doesn’t work when I use it. For some reason that I can’t explain, my “Hold Kjeft” elicits howls of laughter from DogDog. He looks at me and, as if to make a point, “Your Norwegian is no good!” he barks in reply. And then, to sear in his criticism, he barks again. I revert to my Frankenstein English “No Bark!” DogDog immediately complies. “That’s more like it,” he wags and runs for the back door.

Language is a mysterious and magic beast. Lately, I’ve noticed, that when I am whining and complaining and feeling like performing my version of melodramatic Medea, a tiny voice in the back of my mind whispers, “Hold Kjeft!” So taken aback by the sudden whoosh of Norwegian, my performance is short-circuited. My mind shuts up.

I look to Kerri to suss out whether that tiny voice is hers or coming from some other mysterious source. She always appears to be innocent and asks, “What?” to my inquisitive stare. “Nothing,” I reply and look to DogDog, who wags and rolls for a belly-belly.

I suspect that, rather than DogDog, it is I who am being trained. Belly-belly. Hold Kjeft. I am suddenly suspicious about my overwhelming desire to wash the dishes. What is going on here?

There is only one thing of which I am certain: my path to inner quiet runs through Norway. Hold Kjeft! On me, Norwegian works.

read Kerri’s blog post about HOLD KJEFT!

Pause And Listen [on KS Friday]

A pause. Unspecified length. Fermata. It reads like poetry. I, a consummate non-musician, am learning and loving new musical terms.

We live in a world of noise. Too much noise. Too much talking. Too many screamers competing for our shrinking attention spans.

So much noise blocks access to the still small voice, the soul voice. That whisper-voice of inner truth never shouts. It is very hard to hear things-of-depth in a world so enamored with the superficial, so consumed by the marketing-moment. The breaking news. The voguish sale. The hip. The hop. The latest tweet. The newest outrage. Tik-Tok, Facebook, Instagram, spin-your-noggin-round-and-round.

This morning I’ve heard and read a thought surfing atop all the noise-feeds: we have to find a shared truth. Without it, we will enter the ranks of the failed states, if we are not there already.

Standing on the streets shouting at each other is guaranteed to further gape-our-void. Running deeper into fact-less-“news”-bubbles that spit blather 24/7 will send us deeper and deeper into banana-republic-status.

Our hope of unity lies in the fermata. The pause of unspecified length. Quiet.

It is from the silence that we might recognize that shared truth never pops out of its hole in the middle of a street fight. Truth stays clear of cacophony. It is in the silence that we have a slight prayer of hearing some truth.* We’ll know when we’re ready to share truth again when, out of the shared silence, we begin our conversation with some form of this simple question: “What did you hear?”

[*this highly idealistic and slightly naive thought assumes the restoration of respect for facts & science in all parties, a shared baseline for all inner-listeners]

read Kerri’s blog post on FERMATA

find all of Kerri’s albums on iTunes

Listen To BabyCat [on Not So Flawed Wednesday]

babycat in a box copy

Everyone has there safe spot. The place where they can relax, let their guard down. Rest. Mine is the chair in my studio. For years my dad’s safe spot was his reclining chair. He’d melt into it and fall fast asleep. Safe spots are contained spaces. Quiet. Known. Cocoons.

BabyCat has many safe spots. He moves with the sun from safe spot to safe spot around the house. He recently added another to his holdings. It is not fancy. There is nothing designer about his tastes though this choice surprised us: a toothpaste box from Costco.

Moments before it became a BabyCat safe spot, the box was loaded with coffee, eggs, a bottle of wine.  It had no importance. We tossed the box to the floor merely to make space on the counter. A discard en route to the recycling bag. And then BabyCat occupied it. We knew immediately that this was not temporary housing by the way he settled in. This was the real deal. He purred.

Though we’ve moved it to a less trip-able spot, the toothpaste box remains one of BabyCat’s favorites in his safe spot rotation. Watching him move from zen to zen I realized he is never far from a safe spot. He has constructed his life according to maximizing his inner quiet and comfort. It is his top priority.

There must be a lesson to be learned in there somewhere. This year, as I run from place to place, from one stress spot to the next, enrapt in my all-too-important list of things to accomplish, I will stop (periodically) and remember the power of a toothpaste box, the lesson of BabyCat and the real  possibility of moving through life prioritizing my peace  instead of raising my blood pressure.

BabyCat Lesson One: identify more than one safe spot. Then multiply.

 

read Kerri’s blog post about BABYCAT’S BOX

 

chicago market dec 2018 website box copy

Wait Here [on KS Friday]

waiting song box copy

Last night when we came out of rehearsal it was snowing, just barely. There is something immediately meditative about a gentle snowfall. We stopped and stood for a moment watching the flakes flutter like tiny feathers to the ground.

Sometimes snow stops time. Or, better, it interrupts the rush through life and drops us into time. It drops us into the present moment. No other place to be.  Nothing more important to do.

Kerri’s WAITING has the same power as a gentle snowfall. It calms the rush and quiets the noise. It opens the door into this moment, the present moment, and asks nothing more from you than be witness to the stillness, the silent emergence of those tiny flakes traveling through infinite space to the place on earth where, at just the right moment, you happen to be standing. Just in time.

 

WAITING on the album JOY – A CHRISTMAS ALBUM is available on iTunes & CDBaby

 

 

 

 

read Kerri’s blog post about WAITING

 

bong trail, wisconsin website box copy

 

waiting/joy-a christmas album ©️ 2004 kerri sherwood

ks designs/products ©️ 2018 kerri sherwood & david robinson

Taste It Fully

ice circles on the lake

ice circles on the lake

We heard the angry barking of crows before we saw them. They were haranguing an owl. It flew into a tree only a few yards in front of us. For several moments, through the ruckus of the crows, we stared at the owl and it stared at us. Time stopped. Nothing else existed. The owl’s eyes, our breathing, the crow’s chorus.

For our wedding gift, H and Teru sent several collections of poetry, “Manuals on marriage,” they wrote in the note that came with the poems. Kerri and I are savoring the poems, reading one or two aloud to each other every day. They are a source of warmth and inspiration during these cold dark winter months. A poem cannot be rushed or read merely. It must be slowly tasted. It is meant to be entered like a meadow; to be experienced. Try to make sense of a poem and you will miss it. Just like life.

She said, “inner quiet is low maintenance,” and I laughed. Yes it is. The trick is in getting quiet. It is not something that can be found or achieved. It is not a place or a state-of-being. It is what happens when you stop looking for it. Like the hermit says to Parcival when the Grail Castle suddenly reappears, “Boy, it’s been there all along.”

For years Sam the poet was afraid of his poems. Like all great art, his poems, his art, revealed the artist, and so he kept them locked up, un-tasted. He came alive and supremely dissatisfied when he finally unleashed his poetry. He let himself want more but also refused to let himself experience more; one foot on the gas, one foot on the brakes. To taste fully one must be willing to be tasted.

A snippet of a poem (a koan imbedded in a poem), RELAX by Ellen Bass:

The Buddha tells a story of a woman chased by a tiger.
When she comes to a cliff, she sees a sturdy vine
and climbs halfway down. But, there’s also a tiger below.
And two mice – one white, one black – scurry out
and begin to gnaw at the vine. At this point
she notices a wild strawberry growing from a crevice.
She looks up, down, at the mice.
Then she eats the strawberry.

Taste your moment. Taste it fully.

I wrote in my black and red notebook a simple recognition. The field of possibilities cuts both ways: in your despair you must remember that anything is possible. In your joy you must remember that anything is possible. Tiger above (the past), tiger below (imagined future). Do not reject your moment or attempt to hold on to it – both are methods of missing the moment. Taste it regardless of the circumstance. Taste it fully.