Be The Storm [on Chicken Marsala Monday]

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“It is a sacred art that deals with revelation rather than observation.”~Jamake Highwater, The Language Of Vision

Tom used to say, “A writer writes and a painter paints.” Those are wise words grounded in the mechanics of art. Simply show up. Do the thing. Nuts and bolts. That’s the first step. Show up at the easel, on the dance floor, at the piano, at the writers desk and begin. Tom was a teacher and over his life heard an overabundance of excuses, reasons ‘why not.’ Said another way, he advised his students to stop thinking about it and do it. “Get out of your own way,” he’d counsel. That’s the second step. Horatio calls this step ‘trust-your-work.”

Show up. Do the thing. Get out of your own way. Trust your work.

And, what happens with trust? When the artist can get out of his/her own way, the sacred art, the art of revelation becomes possible. It’s a beautiful paradox. Show up and get out of the way. And, between those two actions, those crackling oppositions, a greater force, inspiration, gathers and releases like a storm.

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inspiration is a gathering storm ©️ 2016/18 david robinson & kerri sherwood

 

See Simply [on DR Thursday]

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Kerri’s morsel choice often surprises me but none more than this week. She took a close up photo of my painting We Watch The Setting Sun, flipped it over, made two copies, left one untouched and manipulated the other. “I want to use both!” she announced with THAT look in her eyes. “It reminds me of a hillside in the fall.”

I write this often, perhaps too often, but it matters: through the morsels I am discovering simplicity.  In her Autumn Hillside set I see the freedom of my brushstrokes. I see the collision of thick paint and thin washes. I see simple color that, in its movement, serves as a suggestion. Less is more. Nothing else is needed. I understand Mark Rothko. I appreciate Ad Reinhardt.  I am seeing their work through new eyes.

New eyes. Could there be a greater gift for an artist, for someone who has worked his entire life at ‘seeing?’

“Don’t you love it?” Kerri asked of the morsels. I smiled. Yes. I love it.

 

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autumn hillside/autumn hillside night ©️ 2018 david robinson & kerri sherwood

 

 

Believe In The Impossible [on Chicken Marsala Monday]

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All of my life I’ve been surrounded by people who believed in the impossible. At a school for developmentally disabled children, there were therapists who believed against all odds that they could help a child catch a ball. And, one day, after ten thousand tries, extraordinary therapies on frozen muscles, endless encouragement for the child and for each other, those little hands closed around the ball at just the right moment. A catch. Cheers, celebration dances and tears erupted, this feat greater than winning a Super Bowl. The impossible became possible. And then, as if there was not a moment to waste, the next impossibility was named: ball catching could become routine!

Artists, who go day after day to the studio or the stage, their lives an impossibility of economic headwinds and community disinterest. They create. They find a way. They keep the doors of deep humanity open, mythology alive. In this age of dedicated differences and echo-chamber-information, they reinvigorate the experience of a shared story. The impossible becomes possible, even if only for a moment. And the next day, they do it all over again, refreshed with inspiration and improbability.

Teachers who walk into classrooms every single day, their budgets cut, their student load swelling, their hands tied with standardized-testing-madness, and yet they reach. They try. They inspire. Like icebreakers, they cut new paths through impossibly frozen circumstances to locate and nourish the minds and hearts of their students. To free them from disbelief. To embrace the challenge of an obstacle. To encourage discovery of self and other. The impossible becomes possible. And, the next day, they do it all over again.

Inspiration. It’s all around us. It makes people do crazy things.

 

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inspiration makes people do crazy things ©️ 2016/18 david robinson & kerri sherwood

Stop At The Beginning [on DR Thursday]

Aqua Agua Mit Rouge. Kerri laughed and clapped her hands when she named this morsel. It is a process snapshot of the early under-painting, the base layer of what would become Earth Interrupted VII. It is loose, fluid and free. It is a special layer – a visual marker of what happens before my thinking mind kicks in. Free. Fluid. Loose. Flow. For me, the first moments of painting are all intuition.

More and more I am learning from these morsels. I’ve spent countless hours gazing at finished paintings asking myself how I might grow, become a better painter. Reach into deeper pools of experience. It is only recently – because of the morsels – that I am spending time gazing at my process, the previously unconscious parts, and asking the same questions. How do I grow? Become better? Become more Fluid? Loose? Free?

The answer of the moment is as funny as it is clear: stop at the beginning. See through the eyes of intuition, feel your way forward. Stop before that talky brain weighs in with all manner of blah blah blah.

 

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earth interrupted VII,    mixed media, 48 x 36IN

 

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aqua agua mit rouge/earth interuppted vii ©️ 2018 david robinson & kerri sherwood

Pivot [on Two Artists Tuesday]

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I learned many things following Skip through the curious world of technology entrepreneurism. Peculiar terms like ‘incubator” and “accelerator,” once reserved for premature babies or the gas pedal in my car, were reassigned to ideas: ideas in need of nurturing or, more remarkable, ideas pumped up with steroids and released ravenous upon investors (who were also ravenous but more composed by virtue of their power position).

Among the most important lessons was this: despite the best incubation, even with warp speed acceleration, the best idea, the best product, was probably obsolete the day it hit the market. Someone, somewhere in the world, had already improved upon it. A better mousetrap has little or no shelf life. And so, I also added to my vocabulary a new understanding of the word ‘pivot.’ I love how similar an entrepreneur’s terminology is to a ballet dancer. Pivot, move, fluid, flow, swivel, turn, revolve. Keep your center. Keep your eyes on the spot or you will grow dizzy and fall. The spot is not the individual product, the single idea. It is the business spawned from the idea. It is the ongoing relationship with relevance/obsolescence.

Those in my age group are distinguished by our dance with obsolescence. Graphic designers, publishers, musicians, educators,…artists. We are distinct in having one foot in an analog world – I prefer easel and canvas to stylus and computer screen –  and the other foot in the digital tsunami. The art is innate. Relevance is another story entirely. Reinvention (another word for pivot) is a necessity. Entrepreneurs and artists are not so different.

After seeing our melange post on Surfing Uncertainty, Master Marsh  reflected that surfing uncertainty was more than a design, it was my credo. Horatio jested that I was either a dilettante-from-hell or a bodhisattva. I laughed. Illumination seems a bit out of my reach. I think technology makes dilettantes of us all!

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i was came into the world with art already in me ©️ 2016/2018 kerri sherwood & david robinson

 

Open, Open, Open [on Chicken Marsala Monday]

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“I found that I could say things with colors and shapes that I couldn’t say any other way – things I had no words for.” ~ Georgia O’Keefe

The first time Jim, one of the most brilliant actor/directors I have known, played the role of King Lear, he told me that he didn’t have enough colors in his paint box to do the role justice. He had more to learn.

It is the common thread and what I love about all the great artists. mentors, and teachers that have had so much impact on my life – they know there is always more to discover. They know that ‘it’ – whatever ‘it’ is – is unachievable. So they look, engage, experiment, play, expand, reach, open, open, open…. Artistry is a life-long practice. It is a relationship with life.

“No one sees a flower – really – it is so small it takes time – we haven’t got time – and to see takes time, like to have a friend takes time.” ~ Georgia O’Keefe

 

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there aren’t enough crayons in the world ©️ 2016/18 david robinson & kerri sherwood

Sandcastle With Me [on DR Thursday]

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My favorite ongoing series of paintings is called The Narrative Series. I’ve been adding to the series since 1989. It is my least popular series if sales are the determining factor of popularity. Mostly people respond with, “I don’t get it.” When I painted my first, I loved it and thought to myself, “I don’t get it.” So, I’ll spend my life trying to get it, all the while, knowing that it is impossible to get. However, when I birth another in the line, I know it is the closest I come to the center (whatever that means). These paintings are stories in broken time or, in the cubist frame of reference, they are stories in multiple time.

A few years ago I attended a lecture series featuring Brian Greene and Stephen Hawking, theoretical physicists. They have two different theories of multiple universes and it was mind blowing to try and grasp both theories (who am I kidding, trying to grasp one was mind blowing). Brian’s was all about strings and Stephen’s was all about bubbles. The math works for both and I left the lecture with eyes crossed and reaching for sense. And I was thrilled. That day they were narrative painters, too.

Sandcastles and Me is a morsel of a recent addition to the narrative series, titled Spoons & Sandcastles (though you’ll find it in the Beach series folder on my site). If after looking at the morsel and the full painting you find yourself thinking, “I don’t get it.” Take heart. You are in good company.

 

 

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sandcastle with me/spoons & sandcastles ©️ 2018 david robinson & kerri sherwood

Count On You [on KS Friday]

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Occasionally we’ve intentionally organized our weekly melange around a theme. Mostly, however, we choose the individual pieces according to a scientific method, a very precise criteria. It’s called ‘Oh, I like this one. Me, too.” And, sometimes our very precise criteria bumbles into a theme that we only notice when building the web page. That was the case this week. This is called the ‘happy accident’ method.

Our happy accident reads like a self-empowerment seminar: unleash the power of your crayon, living without fear, break away from the flock, pray in the field of opposites, and today’s KS selection: count on you. Kerri told me that this song was not her favorite and I reminded her that no artist likes all their work. She scowled at me and nodded her head at the same time.

It is especially difficult for an artist to reach back almost two decades and appreciate, let alone recognize, the work they did at another time, during another era of exploration. I famously look into my archives and grimace. A very few pieces stand out, the connection still strong, the exploration still alive and vital. The rest look foreign like someone else created them.

But this is what Kerri knows and always tells me when I am in full artistic grimace. The pieces serve as markers, important reminders of where you’ve been, reminders of how far you’ve traveled. And, as the artist, it is never my place to decide for others what is best and what is not. It’s the artist’s job to share. And so, in a grand moment of blow-back, I reminded Kerri of her own words when she grimaced at this song.

Blow back has blow back. No one ever accused me of being smart. It is not by intention that I now find myself sharing the crate with dogdog as I introduce to you this song of wise reminders. It’s a marker of Kerri’s past but her message is never dated.

COUNT ON YOU on the album SURE AS THE SUN available on iTunes & CDBaby. You can buy a physical CD here.

 

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count on you/as sure as the sun ©️ kerri sherwood

Pray In Opposites [on DR Thursday]

 

I love this painting and for some reason have never included it in a show. An early version of it hung for a few years in the undergraduate offices of Antioch University, Seattle. After returning from Bali I took it down, hauled it back to the studio and repainted it.

On my gallery site I wrote about this painting that paradoxes and oppositions are lively topics for me. Truth is always found in the “in-between” spaces. Truth is connective tissue.

Separation is only the beginning of the life-story. The rest of the story is a search for connection. It is lived as a quest to find the common center – through a prayer of opposites. As the Balinese would say in shorthand, many faces, one god.

 

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a prayer of opposites ©️ 2002/2018 david robinson & kerri sherwood

Unleash Your Crayon [on Chicken Marsala Monday]

unleashthepower WITH EYES jpeg copy“…art is a staple of humankind – never a by product of leisure or elitism – and so urgent, so utterly linked with the pulse of feeling that it becomes the singular sign of life when every other aspect of civilization fails.” ~ Jamake Highwater, The Language of Vision

Many years ago I was excited to move into a new studio. Many people in my circle responded to my news in the same way: “Oh God! That’s too much pressure! Now you’ll have to use it!”

I wish I could say that I was dumbfounded by the common response but I wasn’t. As a coach, I wish I could count the number of clients I had who spent many hours and huge dedication of resources to fulfill their dream of having a studio – only to fear walking into it. They thought the lack of a studio was the obstacle and discovered that the real challenge was the banishment of their imagination, the leash they’d placed on their full expression.

Taking off the leash is a daunting affair. It means facing the reasons the leash seemed necessary in the first place. An imagination placed on a leash does not go away, it turns to dark imaginings. It eats itself. It separates. It isolates.

Art is not something that can be approached through reason. It is much more essential, much more primal than intellect alone can reach.  It is accessed through the heart door. The intuitive knowing. Yoda would call it the force.

So, thankfully, the leash cannot be taken off by thinking about it. Experience. Express. Follow. Listen. Feel. Breathe. Reach. Do. And, feel some more. In feeling, in an unbridled imagination, there is connection. There is possibility. There is expansion of spirit and capacity. There is – and this is the power of art – the force that creates community.

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unleash the poser of your crayon ©️ 2016 david robinson & kerri sherwood