Drop In [on Two Artists Tuesday]

We stopped on the boardwalk. The sentinel tree stood solitary in the field. Its presence stopped us in our tracks. It was a bone keeping watch over the marshes. It felt forgotten. Unreachable. Made beautiful in its dedication. It inspired quiet. Suddenly, we found ourselves witness to the witness. Look-at-me-look-at-you.

Perhaps it was the boardwalk but I was thrust back in time to a pier. Long Island Sound. It was early morning. The sound and vibration called me to the pier’s end. I stood for a few minutes, eyes closed, and listened. Hundreds of birds, pigeons, chattering beneath the boards, their voices amplified by the wood and soundbox of the structure. I felt them through my feet. Kneeling, I tried to catch a glimpse of the cacophony-makers. They, too inspired quiet.

“Hawk!” Kerri said, pointing and bringing me back to the boardwalk. Beyond the sentinel a hawk threaded masterfully through branches.

I used to think that these magical moments took me out of the real world. Stopping time. Now, I believe the opposite is true. These moments snap me out of my mind-chatter and drop me into the real world. Achingly beautiful. Alive. No story necessary.

pigeon pier. 46x46IN

read Kerri’s blogpost about THE SENTINEL

pigeon pier © 2007 david robinson

Hold Space [on Not So Flawed Wednesday]

I just realized why the stripped forest is having such an impact on me. While opening the back door to let Dogga out, my dials spun and it slapped me in the face. I am like the forest.

For several minutes, staring at the photograph, writing then rejecting, then writing and again rejecting what I’d written, I decided to get up and let Dogga out. This picture was making me anxious. Moving around has always been good for me when I’m thought-wrestling.

I am like this forest. Exposed. Chips and debris are everywhere. Water is overtaking the trees.

I was writing about a question Justin asked one night at dinner. “What’s your stance about secular Calvinism?” he asked.

“I don’t think I have one,” I replied. Justin’s eyebrows hit the ceiling and I made a snap decision not to follow my reply with an explanation. He was sorting his belief and searching his heart. Empty space was more useful than cramming my erudite-and-empty justification into the moment.

Insight requires space. Lots of space.

I wish I could express how rare it is for me to keep my mouth closed when I have a thought on a topic. Kerri will laugh aloud when I read this to her. “No joke!” she’ll say. I wanted to say to Justin, “I don’t have a stance because I think it’s a given.” His question was akin to asking about my stance on the existence of the moon. No culture sees itself clearly.

No person (me) sees himself clearly.

Chips and debris. The river has overrun its banks. One half of the photo is the result of natural forces. The other half is man-made. Choices. Circumstance and intention. This landscape, once so familiar, will never be the same.

I’ve spent my life cultivating my capacity to see pattern and metaphor. It’s an artist’s prerogative to make the strange familiar and the familiar strange. I am the forest. Familiar, yet completely unknown. Stripped for rejuvenation.

Insight requires space. Perspective requires distance. Perhaps the reason I left open space in my conversation with Justin is something I need do for myself, too. Searching my heart, I am the forest. Stripped of invasive plants I can see all the way to the river. So much space.

What is my stance? Right now, thankfully, I don’t think I have one. I’m holding the space for insight to come.

read Kerri’s blogpost THE FOREST

See The Cycle [on Not So Flawed Wednesday]

I want to re-read Hermann Hesse’ book Siddhartha. Lately I’ve been thinking about cycles of nature, cycles of growth, cycles of life. Chaos-to-order and back again. Daylight-to-dark-night and back again. Nature, Hesse writes, is a self-fulfilling continuous cycle.

In the book, Siddhartha “achieves” illumination when he realizes the lesson of the cycle: that inside every “truth” is the potential for its opposite. Arrival is departure. Birth is death. Both/And.

The demands of language necessitate slicing single moments from the cycle. Isolating a “truth” from its opposite thereby fragmenting the wholeness inherent in the cycle. Slicing the cycle stops the fluid motion and calcifies the “belief,” making it hard, rigid in separation.

And then there’s this, the reason I want to re-visit the book. At the end of his life Siddhartha, as the ferryman, watches the river in full knowledge that what he sees moment-to-moment is never the same river. In the cycle, the moment is always unique. Both/And.

Standing on our trail, having stopped and witnessed many, many sunsets, the thought was so pure it swept the dullness from my eyes. This sunset is Siddhartha’s river. I’ve never seen THIS sunset or this forest or lived this moment. Quietly electric, I watched Kerri, caught in the beauty of the moment, point her camera as if for the first time toward the trees and the setting sun.

read Kerri’s blogpost about SUNSET

Ask A Better Question [on Merely A Thought Monday]

I just erased the post I’d written for today. We often write a few days ahead so we have time to reflect on or edit what we’ve written. We’ve learned that it’s a good practice to consider what you are about to spill into the world.

It’s a good practice because it affords us the opportunity to ask, “Is this what I mean to say? Is this what I really want to say?” The post that I’d initially written was bothering me. A lot. Sipping coffee, I confessed my discomfort to my chief editor and life-collaborator (Kerri) and we followed the trail until we found the source of my chagrin.

There is a question, a much more important question, behind and beyond clarifying what I really want to say. It is this: “Is this who I want to be?” My post was making me uncomfortable because it was the opposite of what I profess to be. It was the opposite of who I understand myself to be. Of who I want to be.

I’ve often written and taught about “the spaces between.” Relationship. Intuition. Heart. Facts and data require interpretation and live on the spectrum at the farthest point away from wisdom. Focus on the spaces between, the movement rather than the noun, and an entirely different life opens. Wisdom is more like water than stone.

Most cliches touch a truth-root and today that is the case for me: We teach what we most need to learn. Thank goodness my editor was around to gently slap open my eyes and help me ask myself a better question.

read Kerri’s blogpost about THE SPACES

Step In [on DR Thursday]

I’ve read that the purpose of the gorgeous soaring cathedrals, built in the middle ages over many lifetimes, in the age before power tools and hydraulic lifts, was to transport the worshipper from the harsh realities of their everyday lives. To give them a small glimpse into their notion of heaven. A sanctuary. A taste of peace.

We made it a point to stop. The road home from Chicago runs past the small village square with the gazebo awash in the light of a tree, the brilliant green and blue spheres beckoning. It was late at night and very cold but we had to stop. We wandered, breaking the cold silence with crunchy footfall and took photographs. For a few moments time stopped. Rather than being transported from our lives, we stepped fully into our moment. We entered our present-cathedral, alive with many moons, and absorbed its quiet peace.

Open to all the stars in the universe, this sanctuary filled us with beauty and hope.

That night, all we needed to do to fill ourselves with hope was make it a point to stop. To step out of our warm car and step into the cold night. No stonemasons needed. No toil-over-lifetimes. Just a simple decision. Stop. Open the door. Step in.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE SQUARE

face the rain © 2019 david robinson

joy!/ joy! a christmas album © 1998 kerri sherwood

Stay On The Root [on Merely A Thought Monday]

I wrote a note to myself and put it on the stairs. Later, I’ll carry the note up to my studio/office. It reads: standing still in the sacrament of uncertainty.

I know well this sacrament of uncertainty, this thing of mysterious and sacred significance. I’ve been here before, many times. Standing still is becoming easier.

This morning these words caught me so I underlined them in pencil: They are fully aware that their common ancestors, the Tairona, waged fierce but futile war against the invaders. In their mountain redoubt, lost to history for at least three centuries, they chose deliberately to transform their civilization into a devotional culture of peace.” ~ Wade Davis, The Wayfinders.

Deliberate transformation into a devotional culture of peace. Imagine it if you can.

She was so wise! Karola’s advice to the 30 year old version of me: let the glass go empty. That was terrifying advice to my younger self. At that age, I feared losing myself in the emptiness. At 60, having been empty (and emptied) more than a few times, her advice is sage. As she knew, empty is the only place that you have a chance of finding yourself.

I know now that I used to go into my studio to escape the noise. It was the only place where I could make sense – or find sense – of this crazy world. Studio as fortress. As armor. I will, at some point, re-enter my studio. I wonder what I will paint now that sense-making is no longer a priority. I wonder what I will imagine now that the armor is off.

I tell myself to “stay on the root.” Advice from Saul. That means to stay in the moment. Even in the intense discomfort of uncertainty I do not want to rush through a day of my life. Uncertainty and loss are life experiences, too. Colors on the palette. No less valuable than joy or conviction. When I listen to myself, when I sit solidly on the root, the circumstance remains but the discomfort disappears.

I’m doing what I’ve so often advised others to do: when you cannot see, ask those you trust to tell you what they see. Perspective requires some distance and I am sitting squarely atop my event horizon. I cannot see. These days I’m happily borrowing perspective. My friends have wise-eyes. They tell me – each in their own way – to stand still. Honor the sacrament. Listen. Empty and make space for imagination.

read Kerri’s blogpost about BEGINNING

Stay On The Root [on KS Friday]

“Energy cannot be created or destroyed; it can only be changed from one form to another.” ~ Albert Einstein

Saul’s words have been ringing in my memory: “Stay on the root.” He was a tai chi master.

He might have said, “Stay grounded,” but his reference to “the root” is more dynamic. When on “the root” there is absolutely no resistance to circumstance. Nothing can knock you off center. You are solid, rooted; not for resistance or fight but for flow. No kinks in the energy-hose.

Presence is a requirement of being on “the root.” If your mind jumps into fear-of-the-future it will pull you off center. If your heart dives into regret of the past, it will yank you off balance. Saul might remind us that our bodies are always present. What else? Our minds story us into stress and, mostly, the horror stories we tell ourselves never actually occur. Or did occur.

Here’s the most important part of his instruction: when staying firmly on”the root,” a place of no-resistance, flow is possible. In fact, anything is possible. That may, to some, sound like new-age nonsense but it is actually age-old wisdom. It’s a practice of getting out of your own way. Assume nothing. Lilies-of-the-field, etc. There’s a timeless fable about a farmer and a horse…

A week ago we walked our trail and the leaves were vibrant with color, electric. Now, they are mostly on the ground. Transforming. Nutrient for the soil. I doubt the leaves felt fear of falling or spent an ounce of life-energy in regret.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE LEAF

figure it out/right now © 2010 kerri sherwood

Find Your Flower [on Two Artists Tuesday]

“A good traveler has no fixed plans and is not intent on arriving.” ~ Lao Tzu

Lately I am learning that I don’t need to immediately accomplish every task. Our house has been an excellent teacher and I have gained the useful phrase, “delayed maintenance.”

Kerri and I have two different operating styles. Mine is a straight line and hers is a circle. She can start a project and leave it and think nothing about it. On the other hand, if I start a project, I can’t stop thinking about it until it is complete. I am only now learning that I tend toward the obsessive. I have a gift for the myopic.

I thought I was kind of a zen guy, easy going, and am shocked to discover that I can be a hot mess of fixation. Thus is the nature of self-discovery. Life is helping me loosen up.

We sat on the deck last night and talked of our childhood homes. The games we played. I drew pictures on typing paper with a #2 pencil for hours and hours. The world disappeared. I’d wait until the rest of my family was asleep and then I ‘d get up and paint on my wall. I thrived in the quiet of the night. I suppose myopic comes naturally to me. Single focus. Disappearing into my work.

I marvel that butterflies seem like drunken sailors, careening this way and that, yet they always clear the fence. They always alight on the flower of their intention. My career has been like the flight of a butterfly. I dare anyone to make linear sense of my resume. Drunken sailor. Yet, somehow, I clear the fence. I find my flower.

People ask me if I like my job and I tell them I love it. They, of course, want to know why I love it and I tell them that I never know in the morning what I am going to do that day. Each day the work is good. I fall into my myopic ways, sail into my conceptual universe, but have no expectation of completion. It’s like wrestling with a shape-shifter. And, so, to keep in the match, I, too, must shift my shape. I’m honing my inner chameleon.

There is a post-it note on the wall next to my desk. It reads, “Live as if the universe was tipped in your favor.”

Fly like a drunken sailor. Like Dogga, run in circles of delight. Learn to love your myopic ways, yet do as the Balinese taught: know that “it’ll happen when it happens.” What else? Sight – seeing the flower (myopic and otherwise) – is fully available when practiced without expectation.

read Kerri’s blogpost about WHITE MOTHS

Make A Mess [on Merely A Thought Monday]

One cannot know life’s ups without experience of life’s downs. The quality that defines order is chaos. And, vice-versa.

In the same vein, Horatio hit me with a thought that gave me the shivers: wisdom is the blossom of regret.

Regret is one of those special words that is both a verb and a noun. To lament. A feeling of sorrow. It comes from experience. When he was young, Roger told me that he wanted to live a life with no regrets and although we’ve lost touch, my great hope is that he was incapable of living the life he wanted to live. He is made of deeper stuff.

Hermann Hesse’ novel, Siddhartha, is a story of arriving at wisdom. So, too, is his novel Narcissus and Goldmund. Far beyond the lands of understanding and knowledge, the fields of wisdom are born of messy life. Mistakes made. Fears confronted. Loss and awe. Illusions pierced. A protected life may fill your cup and bank account with information but will leave you with a limited palette of life experience. A full closet of clothes for the ghost that wears them.

Coincidentally, last week, Horatio and I both spent some time on sterile medical beds looking up at the bright lights on the ceiling. Doctors looking down. Suddenly filled with gratitude for the regrets that we’ve racked up in this life.

Sitting by the river, watching the river flow by, we compared notes. We shared life stories. How on earth did I get to be so lucky?

read Kerri’s blogpost about CATERPILLAR ON A ROPE

Drink It In [on Two Artists Tuesday]

…and then, I have nature and art and poetry, and if that is not enough, what is enough?” ~Vincent Van Gogh

We stood for a long time staring at the quaking aspen trees. Initially, we went to the nursery to look at grasses to plant against the fence. Tall grasses. Pampas. Oddly, Colorado called and we were drawn as if hypnotized by the siren song of the aspen stand. In the breeze, the leaves make this sound…

Like all things in our life, our backyard has been blasted to bits by the force of the events of past few years. We are now, slowly, pulling the pieces back together again. We’re working our way toward blank canvas, clawing our way back to zero. We are, at long last, beginning to dream the dreams that percolate beyond mere survival. To design life with more than duct tape solutions.

The aspen quaked for us and we quaked for it. We exchanged a silent promise. Not yet. There are too many things on the list that need to be done. But the promise is made and a design is taking shape.

The gift of free fall is that it indelibly sears appreciation of the small moment, the passing kindness into your soul. It’s a great perspective giver. Precious life is the thing that passes while wishing and moaning to be safe and secure somewhere else. If you’re lucky, as we are, you hold hands and experience the full palette of life experiences.

“The grasses remind me of the beach and Long Island,” she said. “Someday, we’ll bring the aspen and the grasses together. Both of our birthplaces in the backyard.”

A design intention. A new experience. A promise to a vibrant stand of trees made on a sunny day in a quiet nursery. Drinking it all in. Beautiful.

It is enough. More than enough.

read Kerri’s blog post about the ASPEN STAND