Now We Must Ask [David’s blog on Flawed Wednesday]

Posted on November 5, 2025 by davidrobinsoncreative

“The more you know yourself, the more clarity there is. Self-knowledge has no end – you don’t achieve, you don’t come to a conclusion. It is an endless river.” ~ Jiddu Krishnamurti

In these times it is difficult not to write about the ubiquitous inanity and daily horror show produced by the current administration. We are writing a few days ahead, so it has become our practice to acknowledge that we might have to dump our initial posts if the latest outrage, the intentional starving of citizens, the kidnapping of people off the streets, the dissolution of congress to protect pedophiles…is too much to ignore. In truth, it’s all too much to ignore and it’s too toxic to focus on all of the time. We look away to remind ourselves that the goodness in people far outweighs the malicious spirit that currently claims the national narrative.

To that end I have this paradoxical reflection to offer: to all of you out there who voted for this but now daily proclaim that this is not what you voted for, I want to 1) roll my eyes and shout, “While you were cheering and waving Mass Deportation signs, did you not read your sign?” Did you think this was a sitcom? Project 2025 explicitly articulated this horror show in minute detail; you have no excuse – other than laziness – to now claim that this is not what you voted for. Yet, 2) it is never too late to wake up. It is never too late to realize that you’ve been duped. Saying, “I made a mistake,” is a step on the path of self-knowledge.

In waking up ever so slightly, there are two questions to ask: 1) “How was I so easily duped?” And, 2) “What will I do with my new awareness?” Knowing that this is not what you voted for does not absolve you from responsibility. You opened the cage and let loose the monster. It is not enough to divest yourself of culpability. People in fishing boats are being murdered, people with brown skin are being beaten and disappeared, millions are losing their healthcare and it is estimated that 50,000 people will die each year because of this loss…Saying, “It’s not my fault,” is akin to sticking your head back into the sand. Saying, “I made a mistake,” needs to be followed with a second step: corrective action. Self-knowledge is a bit of a misnomer; self-knowledge is inert until activated when it becomes dynamic: responsibility.

This ugly white supremacy has been a part of our national identity since our inception. A few days ago I told Kerri that it is my belief that our national mask is slipping. This terror-face is not new, it is merely revealing itself (again). We are seeing this part of our national identity with renewed clarity. Past generations, having seen this part of our national face, have been successful at restoring the mask, suppressing but not eliminating the ugliness.

Now we see it. And the two questions to ask ourselves are akin to those who claim that this is not what they voted for. We see it. What will we do with our new awareness? We claim to be a democracy yet we are currently witness to our rabid inability to reconcile ourselves with our history of slavery, of the genocide of native peoples…We continue to entertain a political party that actively – and perpetually – suppresses the vote of people of color and of women. It is unmasked. It is in full view. It is fascism and has no place in a multi-cultural democracy. It is no longer enough to say, “We see it.” If we stop there the cycle will once again repeat itself. The ugly face will be driven underground until if pops up as the reincarnation of The Confederacy or Jim Crow or MAGA.

We see it. Now we must ask ourselves how we translate our seeing, our self-knowledge, into responsible action. We claim to be a democracy: how do we close the gap between our rhetoric – who we claim to be – and our lived actions as translated into policy and daily practice – and into history?

read Kerri’s blogpost about THE RIVER

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Popcorn Trail [David’s blog on KS Friday]

Posted on August 15, 2025 by davidrobinsoncreative

Late at night, standing on the platform awaiting the train to take us home, the moon and clouds gave us a spectacular show. I knew that the moon was a waxing gibbous and realized that, although I’d known and used the word since I was young, I had no idea what the word “gibbous” actually meant. It sounds like something related to gibbons, small apes that swing through trees. Is the moon gibbous because it swings through the sky? No! The moon is gibbous because it is greater than a semi-circle yet less than a circle. Gibbous describes the shape! Bulbous. Convex. Protruding.

Yesterday I unrolled many small canvases and pinned them to the wall in my studio. They are like a small flame I’ve kept for alive for over 35 years. They refer back to a large odd shaped canvas I stapled to the deck of my apartment on a sunny day, overlooking Hollywood. I had a very limited paint supply, a few cans of paint used for animation (computer animation was not yet possible so artists painted images on cells with acrylic paints), grey, blue, and white. I had a small jar of cadmium red. I taped a few housepainting brushes to long sticks and made myself a promise to “have fun and not think too much.” And I did. I had fun. I didn’t think too much. I played. In those few short hours, I painted the single piece that would influence my work for the rest of my life. I knew it was special. It was pure. It sold before I could adequately document it (remember the age before the ease of digital cameras?). It sold before I had the opportunity to install it in a gallery and show it.

I call the many small canvases my “narrative paintings”. They are a popcorn trail that I dropped as I wandered into the forest of my artistry. Some of the pieces are studied and lifeless. Some are playful and shallow. Some are raw and heart-full. I tacked them all to the wall to guide me back to the original impulse, that moment of artistic purity.

I am gibbous though, at this age, I am no longer waxing. I am greater than a semi-circle but have not yet completed my full life circle. In my time on earth I have been what Kerri calls a “strider”, someone trying-too-hard to climb the ladder of success. I have pursued my artistry like it was a wild animal, setting traps to capture what I could not easily understand. I have finally learned, or have lived long enough to realize, that I am and have always been what I chase. No traps necessary.

I follow the popcorn trail back to what I experienced that day in Los Angeles: the simple joy of being alive. A conscious moment enthusiastically expressed through a little grey, blue and white paint, punctuated with some surprise cadmium red.

IN THE NIGHT on the album THIS PART OF THE JOURNEY © 1998 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE MOON AND CLOUDS

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I Wonder [David’s blog on KS Friday]

Posted on October 25, 2024 by davidrobinsoncreative

“We can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.” ~ James Baldwin

Our Melange posts generally begin with a visual prompt, usually one of Kerri’s recent photographs. Today, for the first time in our Melange history, she offered me a quote. The photograph, the stone heart, came second.

My dad used to tell me that I’d educated myself into stupidity. He was, of course, regurgitating the sentiments of his fox-news source; those were not his words or his thoughts. He was an educated man, early in his life a schoolteacher, yet his entire life he yearned to return to the simple life he remembered, growing up in a small town in Iowa. His yearning was sincere and pervasive. He was kind to his core and generous to everyone he met. He had no idea what to do with the complexity of the contemporary world and so he found solace in rejecting it.

One of my cherished memories of my dad was the day we spent in the cemetery of his small town. He was far down the road of dementia and wanted to visit his beloved small town one last time. I was taken aback that he had no desire to wander the streets but wanted, instead, to wander through the graves – so that is what we did. He’d point to a headstone and tell me the story of the person buried there. To him it wasn’t a graveyard, it was a reunion. He could not remember what he ate for breakfast but he remembered in vivid detail the people that populated his young life, the names on the headstones.

My dad worked most of his life as a foreman of a concrete construction company. His crews were mostly illegal immigrants. For a few summers I worked on his crew and I have never been more proud of him – or learned more from him – than I did watching his dedication to the men who worked for him. He understood their plight, he valued their hard thankless work, and they were as loyal to him as he was to them.

I can only imagine what he would think of the rhetoric of mass deportation, the radical dehumanization of the men he spent his life working with, the racist lies. I wonder if his yearning for simplicity would cloud his perspective or would he recognize the ugly authoritarianism masked in the maga mass-deception.

He was, at his core, kind. Generous. I cannot imagine he would sign on to the oppression and denial of basic humanity that runs rampant through the maga rhetoric. And, since I am “woke”, a progressive, a man dedicated to learning and asking questions, a believer in open minds and hearts, I am now one of the vermin populating the fox-maga-storyline. I doubt he would sign on to that.

I wonder, if we were sitting on the patio drinking a beer, if he’d question, as I do, how his rural America, his imagined simplicity, became so ugly, so lost in the rantings of a fascist. So un-American.

I wonder if he, from his resting place in the graveyard, wishes now for a better story for his small town, for all small towns – the story of generosity and kindness he remembered as hallmarks of the people who populated his early years, the people and narrative who shaped him, his goodness, his life.

Legacy from the album Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about OPPRESSION

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A Perspective Giver [David’s blog on DR Thursday]

Posted on October 24, 2024 by davidrobinsoncreative

I could have sat all day on the porch and stared at the sculpted landscape, the fingers of Lake Powell reaching into the canyon. My artist’s soul rejuvenates in the southwest. It excites my imagination while quieting my mind. Just as the high desert sun warms me to the core of my being, the geography invigorates the core of my artistry.

It’s been two weeks since I sat on that porch and looked with awe at the horizon and watched the colors transform from hot orange to dusty purple as the sun progressed across the sky. It was akin to looking at the ocean surf, a rolling touch of the eternal. A perspective-giver.

While sitting on the porch I pondered our nation’s inability to fully reconcile with its past. It’s impossible to drive through tribal lands and not consider the full history of our nation. It’s been much on my mind recently since it is a central theme of my latest play, Diorama.

Think about it: just this week the maga-candidate-for-president suggested he would stop funding schools that taught about slavery. Nikki Haley, while running for the Republican nomination for president, said that there’d never been racism in the United States of America.

I sometimes wonder in these divisive times if the USA is like an alcoholic that refuses to admit that it has a problem. Why so much denial? Why so many blatant lies? In fact, it’s not new. Take a gander at the Lost Cause narrative propagated throughout the south (and the nation) following the civil war, a tale of happy slaves and benevolent slave owners. You might recognize it as it has resurged as the official curriculum in the state of Florida (and other states) in 2024. Twelve generations of brutality white washed and to what end?

Of course, it is the white-washed America that the reds aspire to inhabit – and to achieve their fantasy they necessarily need to ignore the full scope of our history. There’s no responsibility in a white washed history. In cowboy brain there are only good guys and bad guys so the good guys need never question their actions or confront their shadows. It’s an infantile narrative, not only unworthy of a maturing nation, but crippling to its growth.

The fourth step in the AA twelve step program suggests that, in order to restore our sanity – in order to grow up – we must be willing to make a searching and fearless moral inventory of ourselves. We must not be afraid to admit when we are wrong or recognize when we have strayed from our ideals.

A fearless moral inventory. An honest look at our complete history, the good, the bad and everything in between. As Aldous Huxley wrote, we are in a race between education and destruction. An educated populace would never tolerate the lies of the would-be-autocrat and would easily see through the crazy revisionist history that he manufactures and spews. Perhaps that is why he vows to dismantle the Department of Education.

The question before us in November is whether or not our democracy will prevail and mature or will the white nationalist monster, in a celebration of ignorance, eat our collective freedoms and send us swirling into the immoral (and infantile) fascist nightmare outlined in Project 2025? A fearless moral inventory or the path of the Lost Cause cowards?

The choice is ours to make. The story is ours to tell.

Waiting & Knowing, 48″x48″ mixed media

read Kerri’s blog about PERSPECTIVE

http://www.kerrianddavid.com

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Scratches On The Wall [David’s blog on Two Artists Tuesday]

Posted on October 15, 2024 by davidrobinsoncreative

Scratches on the wall. Petroglyphs, the only evidence that remains of a people who once lived in these canyons, who lived by the river we’ve named Fremont. We do not know if they had a name for the river. We do not know if they had a name for themselves. We call them the Fremont, after the river. A location name.

The Fremont River is named for an American explorer, John Charles Fremont, so the people who scratched pictures into the rock over 1,000 years ago also carry his name. As is the nature of history, we locate them from our point of view. We build an identity-structure and civilization-story about them based upon our story of them. We’ve placed them in our narrative timeline, 1 – 1300 CE. We have no idea how they thought of or marked their time.

We have no idea what became of them. They disappeared into time. We have no idea what the petroglyphs mean or why they scratched them into the canyon walls. We wonder at the semiotics, the inner symbolic life that produced such strange (to us) images that remain on the red rock walls.

This morning, through my COVID aches and chills, I watched the news. I would like to say that I am mystified by the civilization-story currently being spun and supported by half of my nation but I am not. I would like to say that the hatred and fear-mongering of the red hat tribe is as much a mystery to me as the way of the Fremont, but it is not. The concurrent xenophobia and wild-eyed-creation of an internal enemy (anyone not in a red hat) has roots that are all too easy to see. It’s a fascist popcorn trail, a page from Hitler’s handbook. The language is identical. The images, scratched into the red-fox-walls of our time are all too easy to interpret. A frightened and misinformed populace is easily manipulated. Fooled.

What is a mystery to me is the inner symbolic life of my nation’s conservatives that seem so ready to trade our sacred democracy for a populist authoritarian. What scratches on the walls of their minds are so easily storied into hatred. What has so hardened their hearts that they embrace with cheers the repulsive bile spewed by their candidate? It is as incomprehensible to me as the petroglyphs of the Fremont.

All societies disappear into time. Ours, relative to the Fremont, is still in its infancy. We can only hope that an explorer in some distant future finds our petroglyphs – and although a mystery to them, we will have known that we transcended the authoritarian threat and overcame the fox-fear-fantasy, manufactured hatred and dark lies. And, over the next thousand years, our scratches on the wall tell the tale of how we matured to fulfill the promise of our sacred ideals. Out of many, one.

read Kerri’s blogpost about PETROGLYPHS

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Water, Water [David’s blog on DR Thursday]

Posted on April 25, 2024 by davidrobinsoncreative

‘For in the end, he [Huxley] was trying to tell us that what afflicted the people in Brave New World was not that they were laughing instead of thinking, but that they did not know what they were laughing about and why they had stopped thinking.” ~ Neil Postman, Amusing Ourselves To Death

The water rises.

Last week, at dinner, disconcerted by the headlines, 20 asked if I could explain the politics of our day. “Entertainment,” I thought, but did not say. We – the community – talk about politics – the news of the day – as if it was serious business – because we want it to be – we need it to be – but we seem mortally blind to the emptiness of the chatter. Song and dance. The purpose, after all, is not to inform us but to keep us hooked.

“Water, water, everywhere. Nor any drop to drink.” ~ Samuel Taylor Coleridge, Rime of the Ancient Mariner

Thirst. Purpose.

It’s not an insignificant question to ask, “What is the reason for being?” We seem puzzled by our purpose or at least conflicted, as made apparent by our insatiable division. My theory is that our division is a distraction, it’s an old colonialists trick, baked into our national dna. A magician’s sleight of hand. There’s no better way to control a populace than to divide them. A people united – and not distracted – demand purposeful and responsible governance. Honest discourse. They demand it of themselves, too. They live from and in-service to a cohesive and shared narrative. The deep root of integrity. Purpose, after all, when clear and meaning-full, is always about others; it is always about service to the community. The betterment of all.

“You drown not by falling into a river, but by staying submerged in it.” ~Paulo Coehlo

May You, 55″x36″, mixed media

read Kerri’s blogpost about WATER WATER

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See The Awesome [on KS Friday]

Posted on April 7, 2023 by davidrobinsoncreative

Our favorite Wander Women posted the next installment of their through-hike on the Arizona trail. They are 300 miles in and passed through a burn zone that impacted a Saguaro cactus forest. Some of the giant cactus had perished. Many were burned yet somehow, survived. New growth pushed through the top of the blackened resilient plants. I was awestruck.

A decade or so ago, when life was hard, when I least believed in human kindness, I set out each day on my walk across the city determined to count acts of generosity. The acts of benevolence were everywhere and by far outnumbered the aggressive honkers and the impatience of frustrated commuters. By the time I reached my studio I wondered how there could be so much kindness, so much benevolence in the world, unseen. I wondered why our shared story was of a scary-angry-world rather than a world of munificence. The evidence did not support the narrative.

Looking for kindness in others inspired acts of kindness in me. Sometimes, after I witnessed a generosity, I approached the person who gave of themselves and acknowledged their act. I essentially said, ‘I saw that and it was awesome.” You may or may not be surprised to learn how impactful a simple acknowledgement can be. People smiled and blushed. People waved it off as if it was nothing.

Kindness is everything.

My walks across the city were more than a decade ago. The shared narrative of scary-angry-world is louder now than ever yet I wonder if I took a walk across my city-of-yore would I see a different result or the same? Kindness flies mostly under the radar, people wave it off as small gestures; it doesn’t pull high ratings like bullying or blood or scandal. We live within the narrative we feed.

I suspect kindness is as pervasive as fear-mongering but kindness doesn’t care if it gets the headline.

A sentinel stands on our trail. A tall stump, long ago burned by fire, perhaps a lightning strike. Perhaps its blackened scars are from a controlled burn. It reminds me of Shel Silverstein’s The Giving Tree. The birds use it for perching. The squirrels burrow at its base. Life teems around and because of the blackened stump. It always captures our attention. I imagine it is kind since so many creatures and living things find support in its watchful presence. New growth will never push through the top of this stump. It is no longer self-generating. It is, however, like a standing nurse log, new life teems around, on top of, and through it. A silent giver. I am always tempted to step off the path and whisper, “I saw that and it was awesome.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE STUMP

transience/right now © 2010 kerri sherwood

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Look In [on Not So Flawed Wednesday]

Posted on March 22, 2023 by davidrobinsoncreative

“I want to stand as close to the edge as I can without going over. Out on the edge you can see all kinds of things you can’t see from the center.” ~Kurt Vonnegut

Yesterday I applied for a job that is all about narratives told from the edges of society. I’m not sure why it surprised me to find such a cool-to-me job; our community seems addicted to shattering so there are plenty of small edges to be found. Small edges are fallacious and serve a myriad of false centers. Our survival will depend upon whether or not we can awaken from the shatter-narrative and make the decision to direct our broken focus toward a common center. No small feat.

It is the role of the shaman, the explorer, the artist, the researcher to stand on the edge and report back to the community what is seen and unseen. The voice from the edge is rarely welcome since the report is capable of popping delusions or pulling the sheep’s clothing from the wolf. Page one of the autocrats’ handbook instructs the elimination of artists and educators. Making an enemy of the eyes-that-see, demonizing educators and thinkers – the people who recognize pattern and metaphor. The game of Us-and-Them necessitates silencing the voices capable of calling out the wolf. Autocrats require blind sheep that follow without question.

Some famous edge sitters: Galileo. Cesar Chavez. Rosa Parks. Nelson Mandela. Susan B. Anthony. Albert Einstein. Frederick Douglass, a former slave and leader of the abolitionist movement, wrote extensively about what we call Critical Race Theory; it was clear in his view from the edge. It’s not a new theory. It’s an old pattern with a new name. I think he might denounce his Republican party affiliation were he alive today; they would certainly silence his voice. He would be fired were he a professor in Florida today. As would Martin Luther King, another famous voice from the edge.

Voices of reason are often voices from the edges. Voices of the future are always voices from the edges. Galileo was silenced for suggesting that the earth circled the sun and not the other way around. Over time, the voices from the edge, when authentic, always make the center better, the community stronger. Susan B. Anthony spent her life on the edge, lobbying the center, to secure for women the right to vote.

Progress. Growth. They are rarely inspired from the tight grip at the center. Silence the edges and the community atrophies. Stop the movement and the body dies. That page was left out of the autocrats’ handbook for obvious reasons.

read Kerri’s blogpost about EDGES

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Move The Eye [on Two Artists Tuesday]

Posted on January 3, 2023 by davidrobinsoncreative

“If you think good work is somehow synonymous with perfect work, you are headed for big trouble. Art is human; error is human; ergo, art is error.” ~ Art & Fear, David Bayles & Ted Orland

The winterberries came as a shock. Vibrant red pops in a bleak landscape of brown and grey. “They look like maraschino cherries!” Kerri laughed as she waded into the brush to get a photograph. In Wisconsin, the mere mention of maraschino cherries invokes immediate and widespread mixing of brandy old-fashioneds. Even though it was early in the day, I imagine people for miles around sensed the invocation and sprang toward their liquor cabinets.

“Sour or sweet?’ I asked, trying to be clever, but she was too engrossed in her photograph to hear my quip.

Watching her crouch to capture the shot, I thought, “Red makes the eye move.” It’s a lesson I learned beyond the abstract and used in my narrative paintings – a series that I’ve had on the back burner for ages. Limit the palette, move the eye with winterberry red. It’s a director’s thought. Guide the eye. It’s a playwright’s plot; tell the story through the anomaly. Create movement through curiosity rather than control.

Explode the idea. Run toward the edge. Extol the sore thumb!

I let my eye roam across the fields. Winterberry shock to Winterberry shock, electric reds pulling my eye across muted purple and drab green. The wind rattling branches, antlers clacking in the sky. I breathed it all in as she waded through the grasses back to the path. “Make big mistakes,” I heard Quinn whisper.

“The bigger the better,” I whispered in reply.

read Kerri’s blogpost about WINTERBERRIES

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Take A Closer Look [on Two Artists Tuesday]

Posted on October 25, 2022 by davidrobinsoncreative

“Knowledge is rarely completely divorced from power, and interpretation is too often an expression of convenience.” ~ Wade Davis, The Wayfinders

Discussing our project, Yaki and I agreed that we needed to step lightly. “We wouldn’t be allowed to perform this piece in Florida,” I quipped. Yet, sadly, it’s true. The piece is Beethoven. Nothing controversial there! I’ve written and will perform the narrative, an update of the piece from 2008. Yaki asked me to rewrite the narrative to speak to the issues of 2022.

It’s odd. Were we to perform the new script in the world of 2008, it would be benign. No one would deny or take issue with the fact that slavery is part of the history of the United States. It would have been laughable to challenge the era of Jim Crow or that the struggle for Civil Rights was and is a part of our story. Our division is not new. It’s institutional, systemic. Yet, in 2022, in red states, the dark side of colonialism is being scrubbed from curricula. They’re attempting to rewrite our nation’s history as a Hallmark movie.

Things are rarely what they appear. It’s one of the reasons why art is so powerful and necessary in a healthy society. When a community goes off the rails, claiming truth is fiction while aggressively promoting fiction as truth, the truth deniers always attempt to shut down and/or shout down all conversation. The theatre, the arts, during turbulent times, can reach into dark fiction, and resurrect the soul of truth.

Things are rarely what they appear. Staring out the kitchen window I was amazed that the bird perched on the wire fence was so still. It was so uncanny that I walked out back to get a closer look.

It’s the only way for people, for ideas, for communities, for nations, to grow. To question. To be curious enough to have a closer look. To laugh at themselves when the bird is discovered to be a leaf. To not be afraid to have their illusions popped, their history unpacked, or to welcome another point of view.

read Kerri’s blogpost about THE BIRD

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