Reach Back [on DR Thursday]

prometheus resurrection morsel copy

Artists are constantly reaching backward and forward through time. They daily pay visits to the work of the masters. They periodically revisit their own past creations. Their work sends ripples of inspiration and opportunity far into the future.

When Beethoven was young he wrote a ballet called The Creatures of Prometheus. It calls for a legion of dancers and is way too big for most contemporary ballet companies to attempt. Contemporary symphonies, on the other hand, desire to play the music because Beethoven, for the rest of his life, reached back into his ballet, mining for musical phrases, developing some of the phrases into his most famous work.

How to play the music from a ballet written in 1801 as a symphonic piece in 2009?

Yaacov Bergman, the visionary and laughter-filled director of the Portland Chamber Orchestra had an idea. Why not tell the story of the ballet. A storytelling would provide the connective tissue, weaving the music together into a cohesive symphonic performance. Because Beethoven wrote a ballet, 207 years later, I had the great good fortune to write and perform the story of The Creatures of Prometheus with the PCO.

And, since we were crossing time boundaries, why not cross a few artistic genres, too.  Yaki hired artist Liz Gil-Neilson to paint and produce a visual storytelling that was projected during the performance. Music, storytelling, contemporary visual art. Ripples, ripples, everywhere.

But, that was not enough. Since I am also a visual artist, Yaki asked that I translate my story into a visual statement. So, I painted three large canvases (Creation, Garden, Resurrection), one for each movement of the symphony, that hung with Liz’s original images during run of the symphony at the George Broderick Gallery in Portland.

Reaching forward. Reaching back. Today, more than a decade after our collaboration, I mine my experiences and paintings for inspiration. As new collaborations arise, as I stand at the base of a new series of seemingly impossible tasks, I’m fortunate to have my Creatures of Prometheus to remind me of the possibilities. They nudge me forward.  Like Beethoven, I reach back into my past work to find a path forward.

It makes me smile to know that in 1801 Beethoven, with a quill pen and ink, scribbled notes at his desk and those scribbles turned into dances and symphonies that inspired stories and paintings and a wacky multi-media collaboration (a phrase that did not exist during his lifetime). And more: a morsel image digitally altered for a blog post written on a computer keyboard. Pen and ink are hard to come by. Reaching backward. Reaching forward.

 

 

read Kerri’s blog post about Prometheus morsel

 

arches shadows k&d website box copy

 

prometheus resurrection ©️ 2008 david robinson

Yearn [on KS Friday]

last i saw you songbox copy

 

Kerri breaks my heart regularly. I listen to her play and I have to put down my brushes. She is a magician who can transport me in a moment to another time, another place. She can take me to the top of a mountain. She can leave me lost and yearning.

LAST I SAW YOU is the magician at her finest. What or who do you long for? This composition will take you there. It will break your heart in all the best ways.

Out there in the field of possibility, Yaacov Bergman conductor and past collaborator of mad, mad symphony projects, is considering including Kerri playing her PEACE in a future concert. I’ve pitched the notion of a sequence of her pieces, a longer program.  In that future evening in the concert hall and my imagination, if it ever comes to pass, LAST I SAW YOU would be included. It is magic.

 

LAST I SAW YOU on the album THIS PART OF THE JOURNEY available on iTunes & CDBaby

 

read Kerri’s blog post about LAST I SAW YOU

 

moon website box copy

 

last i saw you/this part of the journey ©️ 1998 kerri sherwood