Split Your Bark [on merely-a-thought Monday]

merely words framed copy

Angels come in all shapes and sizes and Jonathan is my latest proof. Appearing from nowhere, disappearing into the ether, impossible to nail down on what he does each day (“I spent the day packing,” he says every-single-time-I-ask), he has an uncanny way of  dropping a much needed thought-bomb at just the right moment. Boom.

Lately, Kerri and I have been steeped in the angst and frustration of the latest inevitable drought that comes with an artist’s life. The well has run dry. There is no rain in sight. The Artist’s Almanac forecasts drought.  Feeling defeated we showed up at rehearsal wearing hang-dog faces and found angel-Jonathan already there, practicing his bass.  He greeted us with laughter and a smile. He regaled us with hysterically funny stories of his weekly foibles. He got us laughing. He transformed our self-pity and woe into a conversation about necessary change and growth.

That’s when he velvet-hammer-smacked us with the metaphor: trees must split their bark to grow. There is pain. Matter. Of. Fact.

Contrary to popular mythology, angels do not take away your pain. They do, however, help you see it for what it is: an experience of life. They punch through the horror story spinning out of control in your mind and guide you back to the present moment. There is growth so there are unknowns. There is today. “Isn’t it great!” he laughs. “You two kill me,” he says smiling.

Yep. Angel.

 

AngelsAtTheWell framed copy

angel at the well

 

www.kerrianddavid.com

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where’s chicken?

Take Another Step [on KS Friday]

in transition song box copy

In the past year I’ve been reading books a few pages at a time. Some days I only read a few paragraphs at a time. I’m not reading to get through a book. I’m reading to ponder. It’s become a form of reading meditation.

A few weeks ago, I began a slow read of my own book, The Seer. I published it nearly five years ago and immediately abandoned it. Today I read this: change never comes from the direction of what you know. It is a prerequisite of learning, growth and change to step away from what is known, from what is comfortable. From what feels safe. Learning and change are always in the direction of the unknown.

Kerri’s IN TRANSITION is a musical mantra for stepping into the unknown. As is true of all transitions, it is a yearning in two directions. Yearning for what was. Yearning for what will be. But more than yearning, it is a river of determination. Take another step. And another. And another. Discover.

If you are in transition, as we are, stand still for a moment and listen to the yearning, steep yourself in the simple encouragement of IN TRANSITION.

 

IN TRANSITION on the album RELEASED FROM THE HEART available on iTunes & CDBaby. The physical CD is available here.

 

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read Kerri’s blog post about IN TRANSITION

 

www.kerrianddavid.com

 

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in transition/released from the heart ©️ 1995 kerri sherwood

Skip The Handbook

We walked some great beaches this summer. In this post are my three most recent paintings. Kerri calls them the start of my Beach Series. This one is called, They Draw The Sunset In The Sand

I just made myself laugh out loud. “Lol!” I’d have texted to myself had I not been breathless from my guffaw. No one can accuse me of needing to be entertained.

I was writing about my history with curators, galleries and their consistent criticism of my work: I am stylistically all over the map. And, it’s a valid criticism! I am stylistically schizophrenic. I was overcome with laughter by what I wrote after using the words ‘stylistically schizophrenic:’ If I didn’t know myself (and, most of the time I am the last person to see in myself what is obvious to all – so it is a solid argument to make that I do not know myself)…. Wow. I might have made a good lawyer had I not been so dedicated to seeing things from multiple points of view. My paintings reflect my dedication (as it should be).

When I was younger I tried repeatedly to squeeze myself into a stylistic box. I thought that the advice and feedback I was receiving from gallery representatives meant that I was somehow lacking or out of control. In the handbook of real artists it must say in bold print something about possessing a consistent style. The youthful me looked all over creation for a copy of the handbook but could find it nowhere. How could I call myself an artist if I had not first read the handbook?

This one is titled, A Day At The Beach

My attempts ‘to fit’ into the single style rule made me miserable and, worse, made my work stale. In my mind, achieving real-artist-status meant I must learn to contort myself yet the price of contortion was very high. Twice in my life I took a year long hiatus because my attempt to fit into a single-style-box left me with deep aches and no creative fire. Once, so burdened was I by the pain of my contortion, I burned most of my paintings.

Fire is cleansing. Creative fire is clarifying. I have learned through my fire that the real handbook is internal and uniquely personal. As John once said to me, “Your job is to paint the paintings not to determine how or where they fit.” The painters I admire and feel a kinship with are stylistic pantheists. They are more visual explorers than technical geniuses.

There is a bridge that every artist must cross. It comes in the moment when the inner compass is no longer at odds with the necessities of learning technique, when the well-meaning comments of teachers and mentors and agents and representatives are just that: well-meaning comments. The compass, your internal rulebook, will let you know without doubt whether the comment needs to be considered or discarded. Growth happens either way.

This one is untitled at the moment…

visit www.davidrobinsoncreative.com to see the full extent of my stylistic pantheism.

 

 

 

Protect Our Diversity

Many years ago, sitting in a Starbucks, my brother told me that I should be careful because not everyone wanted the diversity I was promoting. His warning struck me as odd. At the time I was partners in a business that facilitated diversity training and change dynamics. I was traveling to many places in this nation, north, south, east, west, and places in the middle, to work with people in corporations and schools and communities who’d come up against the startling reality that all people do not share the same reality, that equality is an ideal not yet realized, that we are a nation defined by our other-ness.

When I was in school I was taught that the USA was a melting pot, a hot crucible into which people of many backgrounds, creeds, and colors were transformed into something stronger. I was taught that we were a nation of immigrants. It is printed on our currency: e pluribus unum. Out of the many, one. Why, then, would I need to be careful? Diversity was not something I was promoting, it was (and is) our circumstance. It was an identity I was helping people navigate in their workplaces and communities.

I read somewhere that the real challenge of the American Experiment is that we have to reinvent ourselves everyday. Because we are not (and never have been) able to share a common ethnic-religious-origin story, we must strive everyday to create a shared story. We create our story. We were, at our inception, an experiment in other-ness. To insist that we were meant to be singular – white and Christian – is a concoction. Our shared story begins with the single common thread that runs through most of our ancestral paths: we came from some other place seeking freedom in one form or another: religious freedom, freedom from persecution, the freedom to pursue opportunities. What binds us, the single story-blanket under which we can all crawl, is our diversity. Out of the many, one.

There is and always has been a tension in our story creation. Each new wave of others is resisted and often persecuted by the previous wave. When, in a nation of diverse backgrounds, in a country made strong by its multiplicity, does one actually become an American? And, what does an American look like? And, how far are we from living the ideal of all being created equally? With liberty and justice for all? It’s a moving target at best. It is a worthy ideal and worth the struggle.

The Experiment, like all experiments, has had some miserable failures. It has taken some giant strides forward. It is riddled with paradoxes and often runs into a hard wall of hypocrisy. We’ve torn ourselves in half and pasted ourselves back together. We’ve had our share of hate-mongers and xenophobes. We have one now. And, we always transcend them because we do not run on fear or anger but on promise and opportunity. The conservative impulse is always at odds with the progressive desire. It provides the heat for the crucible. It provides the tension for creativity and growth.

The greatest centers of innovation and entrepreneurship in the history of humankind have all been crossroads, places where many cultures cross paths and come together. Difference is a great opener of eyes and minds. We are an intentional crossroads, a meeting place by design. Our make-up of differences might be the single reason why we have grown as a nation of invention, advancement, and possibility.

In one aspect my brother was right: I should be careful, we should be careful to protect and keep the ideal in the center. It is worth marching for, it is worth challenging the fear-mongering and stepping in the way of a leader who plays on anger to create division. We should be careful to honor and steward The Experiment forward to the next generation of diverse Americans.

 

 

 

Focus On The Important Stuff

an offer from TwoArtistMakingStuffForHumans

an offer from TwoArtistMakingStuffForHumans

A note from the temporary site of TwoArtistsMakingStuffForHumans:

The waxing moon was muted with fog. It made the air shimmer. Avalon was near. Although it seemed too soon, there was a hint of autumn in the air. We sat next to a chiminea talking to friends. Monica told us of her daughter working in villages in South America. She told Monica that, by our standards, the people there have nothing. They are possession poor. But, they were happy, genuinely happy. They didn’t have much money or stuff but they had the essential thing that many of us lack: peace of mind. They focus on different, more important stuff.

It brought to mind my experiences in Bali. When I arrived all I could see was the poverty. By the time I left several weeks later, I’d have given everything I own or will ever own to have what they have: presence. Ease of mind. They weren’t looking for fulfillment, status, or living for retirement. They were living. Life was fulfillment. In a world where all things are sacred, status is gained by the quality of your giving and not by the size of your piece of the limited pie. It is a different focus.

There is a hidden cost to what dominates our focus, the things that take our attention…as opposed to the things we pay attention to.

As artists, both Kerri and I believe the work of our lives has been, one way or another, to help people focus on the important stuff, to see the extraordinary in the ordinary moment, to find inside what people seek outside. We’ve both worked across the boundaries of business, art, and the fine art of living everyday, there is no lack of necessity to refocus the eye, mind, and heart.

In a few weeks we will be launching our business (details to follow). All the many aspects of our work – if you can call art a product and performing a service – are intended to support, exercise and pay forward a focus on the important stuff, the important moments…sometimes the teeniest things that in the chaos pass unnoticed.

We want to do for others what we do for each other. Check out our pre-launch coaching offer. Take us up on it! Or, if you know someone who might benefit from working with us, pass it on, pay it forward.

Step Into The Unknown

Step Into Unknown with Sig

FOR TODAY’S FEATURED PRINT FOR HUMANS, GO HERE…

Step Toward Faith

My latest. An unusually small canvas.

My latest. An unusually small canvas: Will Is Belief.

I began writing this post a few weeks ago, just before the run to Florida and the launch of Beaky’s book. It was a very busy week and I’d forgotten that I started but did not finish the thought. This morning, wanting to get back into the rhythm of writing, I opened my iPad and found these words already written and awaiting my return:

I’m sitting in the choir loft watching the evening sun illuminate the stained glass window. I’m tired tonight and listening to Kerri, preparing for the Maundy evening service, rehearsing Nancy’s solo. Nancy’s voice is like a warm cello, deep and rich, and is working like a sound-massage on my tired bones. I’m giving over to it.

This cycle of services on Easter week is relatively new to me so I’m paying attention to all of the symbols and rituals of this story of rebirth. As is true of every great story cycle, the night is darkest before the dawn (thus, the cliché). This night, called Maundy Thursday in the cycle – I’m told that Maundy means mandate – is the night of the last supper and all the betrayals that followed. It is the segment of the story that is chocked full of crises of faith. If, like me, you are a lover of story you will recognize that some form of betrayal usually precedes a crisis of faith and, in turn, a crisis of faith always leads to growth and new direction; it always leads to sunrise.

Others betray us. We betray ourselves. Betrayal happens on the edges of the dark forest and forces a step into the unknown. Betrayal happens when we fall asleep (that is most often how we betray ourselves – sitting in front of the television to numb us to the richness of our lives). Things crumble: the relationship that we believed was secure, the truth into which we rooted our belief, the career that we thought would carry us to retirement. Security dissolves, identity dissipates, and then what? All the fears bob to the surface. All the dragons come out of the closet.

This was the unfinished thought I found this morning. I have no recollection of where I was going with it. Now, two weeks and a lot of life later, I read it as if someone else wrote it. However, there was one other sentence, detached from the others. It now reads like a mystery to me. When writing, I routinely float a sentence at the bottom of the page because it is the point of what I’m trying to reach. My floating sentence read:

A crisis of faith often has very little to do with faith.

And, as I try to resurrect my thought of a few weeks ago, I can only smile and write the first thing that occurred to me when I scrolled down and found the floater: Faith, like love or truth or time or anything else, is not something fixed. It moves and grows as we move and grow. A crisis of faith is really a step toward faith renewed. It enlivens. It helps us retire old dragons or let go of empty promises. It gets us out of our easy chair and helps us fully feel the day.