Let The Outside In [on Merely A Thought Monday]

Civilization excels at manufacturing anesthetics.” ~Declan Donnellan

“What are you waiting for? Snow?” 20 was sweating. It was July, hot and humid, and he wondered why we had yet to put the air conditioner units in the windows. Our house was built in 1928 and central air is something we can only imagine. In truth, we’d been asking ourselves the same question all summer. Why are we suffering the heat and, yet, so resistant to putting the ac units in the windows?

Finally, the penny dropped. We realized why we had no desire to plug up the windows, shut the door, and manufacture cold air. Last summer, as the pandemic numbers soared, as our city burned with civil unrest, we shut the world out. We isolated. We turned on the cold air and made certain we felt as little of the heat as possible. This summer, even though we are still keeping our circle small, we want to feel the summer. We want to breathe the real air, not the manufactured stuff.

The real air is hot. Humid. Uncomfortable.

I made breakfast after reading the news. Poor Kerri had to listen to my epiphany-rant: While cracking eggs I realized that the horror story of the GOP wouldn’t be able to perpetuate their pandemic-denial-march if the people listening to them wanted to hear truth. “If I was born in 1700,” I said, “I’d have an excuse for being ignorant. I’d be illiterate and have very limited access to information. I’d be easily led because I wouldn’t have the capacity to check the story that I was being fed. That’s not true today.” We have, unlike any time in human history, immediate access to information. I rarely participate in a conversation that doesn’t involve someone pulling up information on their phone, checking a fact or the veracity of a story being shared. How then, in the middle of the national pandemic hot spot, can the governor of Florida block every science-based mitigation measure and whip up a fruit smoothie of fear – how can he manufacture so much empty air – without his constituents crying foul? The answer is easy: they would rather not feel or know what’s really going on outside their comfort-bubble. They are choosing fluff over fact, anger over curiosity.

In our day and age, ignorance is a choice. Denial is a choice. Plugging the windows is a choice. Insular is a choice. The device carried in every pocket could, in a heartbeat, puncture the gasbag-foolishness.

Reading this post, MM will be compelled to once again send me this quote, so I will preemptively include it: “(Humankind) would rather believe than know.” E.O. Wilson, Sociobiology.

I know. I know.

Belief, like sugar, is easy to consume. Knowledge takes some effort and self-reflection. Anger and fear and division are easy, too, especially when the target audience of the fearmongers has no desire to challenge the narrative. It is the great paradox of our times that those waving their flags and screaming the loudest about their freedoms are so ready and willing to abdicate their freedom of thought. They parrot the fox. They inhale the anesthetic, the manufactured air.

Last night we watched a great short documentary, Lessons From The Water: Diving With A Purpose. Black divers searching for the shipwrecks of slave ships. One of the founders of the projected said,“Here in the US, our (African American) history has been ignored,” he adds. “They don’t really teach anything about slavery in schools. And I think if you don’t teach your history, you’re bound to repeat it.”

They dive to find the artifacts, to tell a fuller story. They dive. They look for artifacts. Facts. A complete narrative.

It made me think about the enormous resistance to critical race theory, the intense counter-narrative to climate change, the ferocious dedication to perpetuating The Big Lie, the ubiquitous conspiracy theories and global rise of authoritarian voices…all of it an appeal to an insular story. Close your eyes. Trust without question what you are told.

The real story is uncomfortable. It is hot. It needs telling. Fingers out of ears, eyes wide open. Forward movement, growth, health, is never the result of suppression, distraction or numbness. Health, equilibrium, always follows the revelation and acceptance of the full story. It’s open windows. It’s letting the outside in.

read Kerri’s blog post about LET THE OUTSIDE IN

Get To Work [on Two Artists Tuesday]

On page one of the despot’s handbook is this instruction: silence the artists. Mute the intellectuals. Authoritarians have power only when people become sheep. Silence in the face of abuse is tacit agreement. Permission to bully.

If I had a nickel for every time I’ve stood before a school board and explained that art is supposed to be powerful, that it plays a very important role in a healthy society, I’d have a lot of nickels. I was generally called to speak when a play or a painting upset the apple cart, when the art made the community confront a truth or look at a reality. Brecht’s Epic Theatre or the plays of Artaud were/are meant to shake the irrational in people, force them into discussion and revelation.

Art can be beautiful, poetry can soothe, but that is only one side of the coin. It can also shine a light and expose an ugly truth. It can give voice to what is not-being-spoken. It can work out problems on the stage instead of sending the violence into the streets. It can ask us to take a hard look at ourselves and our motives. Picasso’s large painting, Guernica, a response to horror wrought by fascists on the people of a town in Spain, is a powerful art-mirror.

The conscience of a community, like the conscience of every individual that comprises the community, lives beyond the superficial, it bubbles in the place beyond words. An artist’s job is to reach into that place, pull the veil for a moment, root or re-root the community in its values.

A despot’s job is to secure a unanimous vote, no questions asked. Sheep.

Art is not superficial. It is not the image or the words on the page. It is what the image, the words, the dance, the music, touch. Hearts. Souls. Conscience.

Without it, what remains is propaganda. Propaganda is never news, it is the opposite of art. It snuffs the question, it prevents the quest for meaning and deep-felt-truth. Without it, communities flatten, lose their center, wither, and fall apart. Silence, eyes downcast or sideways glancing. Permission to bully. Sheep.

It’s time for the artists to get to work.

read Kerri’s blog post about ARTISTS