Kerri Sherwood | The Direction of Intention

Celebrate The Metal [on KS Friday]

Posted on June 4, 2021 by davidrobinsoncreative

Quinn used to say that Dodo, his mother-in-law, was a warrior. This slight gentle woman was a quiet post of stability. Her daughter, Ann, inherited her mother’s metal. Both women held their worlds together even when it seemed irreparably fractured. Gentle, graceful, kind. Both avoided the limelight and required no accolades. They were strong and made stronger in hot water.

Marcia was the sturdy foundation that Tom McK and Demarcus built their artistic careers upon. Neither would have succeeded were she not stabilizing and elevating their work. Her life has been a study of adversity and she’s met every new tsunami with deep-river-courage-and-clarity.

My first impression of Melissa was of a quiet mouse. What I didn’t know, what I was grateful to witness, was the utter audacity that roared to the surface in her struggle to bring real learning opportunities into her classroom when the system was hell-bent on strangling education. She was a lion-of-possibility and, to this day, inspires me.

My grandmother was a tiny joyful woman. She might have weighed 90 pounds soaking wet with bricks in her pockets. And, she was a force to be reckoned with. Our metaphor for her mischief, our defining story of her, was the day the neighbor sold his horse to the glue factory. She knew the truck was coming for the horse. She ran to it, led it from its pasture (i.e., she stole the horse). She hid the horse in her kitchen. Once, I attempted to grab the check for lunch and she pinned my hand to the table with her fork. And then she laughed.

Laughter. Joy. It’s what binds all of these stories, these remarkably strong women, who reveal the depth of their strength only when circumstance demands it of them. The hotter the water, the more potent their response. The hotter the water, the greater their laughter. Compliment them on their brass and they’ll wave it off, deny they are doing anything special. Honestly humble and humbly honest.

In the past two years, the water that Kerri and I have found ourselves in has been steaming hot. Kerri is, like Dodo and Ann, Marcia and Melissa, my grandma Sue, a warrior. She inherited her mother’s metal. The hotter our water, the greater her capacity to stand still, to find light, to laugh at our (my) spinning foibles. She melts down, to be sure, but push her to her boundary and you’ll find that your horse has gone missing. And, while you stand perplexed in your pasture, you’ll hear a certain hearty laughter coming from the kitchen in the house next door.

Boundaries on the album Right Now – and all of Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post on WOMEN LIKE TEA BAGS

boundaries/right now ©️ 2010 kerri sherwood

Filed under: Gratitude, Heroes, KS Friday, Power | Tagged: clarity, courage, david robinson, davidrobinsoncreative.com, Eleanor Roosevelt, female, feminine, feminine power, grace, inner strength, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, kindness, story, strength, studio melange, the melange, women | Leave a comment »

Choose Your Way [on DR Thursday]

Posted on June 3, 2021 by davidrobinsoncreative

“Everything can be taken from a man but one thing: the last of human freedoms – to choose one’s attitude in any given set of circumstances, to choose one’s own way.” ~ Viktor Frankel

I always feel a bit disappointed in myself after writing a post like the post I wrote yesterday. It was a near-rant, an ugly system becoming more ugly as it fights to protect its ugliness.

It’s been a battle all of my life, wrestling with what to do or say when my desire to focus on the life-giving runs headlong into the harsh realities of the life-denying. To shine a light on the life-denying is sometimes the most life affirming thing to do, it just doesn’t feel very good. “Look at the ugly. No, really look.” Last night, I listened to a conversation – in all seriousness – about the collapse of our democracy. It’s been a minor fascination of mine to witness how self-destructive people and organizations – and nations – will become before they admit that they need to change. Before they turn and say, “I’ve been lying to myself and to you.” Sometimes they destroy themselves rather than turn and face their truth. That was the crux of the conversation. It seems more and more likely that we’ll set ourselves on fire before we embrace the truth of our dysfunction.

One of Kerri and my greatest losses during the time of pandemic was our weekly ritual dinners with 20. Thursday night we’d cook at his condo. Sunday night we’d cook at our house. We’d cook for each other. Sometimes we’d cook with each other. Always we’d drink wine, laugh, and reaffirm what is most important about life. Each other.

Post-vaccination, after a long year of isolation, we recently, gratefully, returned to our ritual. We cook. We talk about our days. We laugh. 20 and I tease Kerri. She feigns indignance and loves every moment. We talk about art. We share the curiosities that have crossed our paths and screens. Sometimes we talk about the nation’s self-immolation but only briefly as we very quickly realize that it pulls us from what is really important. Each other.

Tonight is dinner with 20. We can’t wait and are making our menu, designing our day around what will be the most important thing to happen all day. Time with each other.

As a nation, “We have the wolf by the ears, and we can neither hold him, nor safely let him go. Justice is in one scale, and self-preservation in the other.” ~Thomas Jefferson, in a letter discussing slavery.

How a question is framed determines the answers/paths-forward one sees or does not see. It could be said of our national trauma that we’ve framed our dilemma with justice pitted squarely against self-preservation, or, to be clear, self-preservation will be at the cost of justice-for-all. It’s too bad. As the bottom of Maslow’s hierarchy, self-preservation will always negate a reach toward justice. You’d think that we’d someday recognize that the wolf we have by the ears is of our own creation and that justice-for-all is the only path to self-preservation, national self-actualization. You’d think that it might occur to us, rather than do the same old thing in the same old way, to ask a different question.

If I had a magic wand I’d ding the noggin of this nation with the one strength we share, the one thing that 20 and Kerri and I know without doubt, the only real path to laughter and support and all the other good things we can offer: time with each other. A good meal made with heaps of love. A ritual born of a simple desire to each week make the world a bit better for each other.

read kerri’s blog post about DINNER WITH 20

Filed under: DR Thursday, Family, Gratitude, Identity, Love, Perspective, Possibility | Tagged: 20, choice, covid, david robinson, davidrobinsoncreative.com, dinner, discord, division, freedom, isolation, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, love, maslow, maslow's hierarchy, questioning, questions, ritual, self knowledge, slavery, thomas jefferson, time together, togetherness, unity, Viktor Frankl | Leave a comment »

Turn And Take A Hard Look [on Flawed Wednesday]

Posted on June 2, 2021 by davidrobinsoncreative

Systems are living things and like all living things will fight to the death when threatened. It is, I believe, what is at play in these un-united-united-states.

I love the irreverence of the questions taken from a mock conference agenda, published in the October 2017 issue of Real Simple Magazine. Who bears the bulk of moral responsibility and what’s the appropriate punishment? Beneath the humor, the real question is made clear: why are women expected to mold their bodies, often in torturous ways, to fit an impossible ideal? It is a centuries old phenomenon.

There is a very telling photograph from 2017 of an all male White House task force discussing health benefits that included women’s health issues. This photograph is nothing new. The ideal represented within it, is ubiquitous. A headline from The Guardian reads “These 25 Republicans -All White Men – Just Voted To Ban Abortion In Alabama.”

A system is a living thing. It will fight to the death when threatened.

This paragraph from Rolling Stone Magazine [May 17, 2019] captures the essence of the fight, the core of the system that is under threat: The Republican movement behind forced-birth bills is truly ignorance allied with power, as James Baldwin once warned us about. The rhetoric may be more vociferous and reckless now than it was when the religious right was first revving up, but it is no less cynical. Even if it escapes the lips or is written or signed into law by women like Governor Kay Ivey of Alabama, the primary goal of that revanchist talk has always been to take America back to a time when the word of white men went all but unquestioned.

“The unquestioned word of white men.” The system as designed is now being questioned. And so, ignorance allies with power. The Big Lie. The Republican party is afraid to investigate-and-talk-about what happened on January 6th because of what an investigation will reveal. Ignore-ance.

Taking America back to a time when the word of white men went all but unquestioned. We never actually left that time but had certainly broached the subject of progress toward the promise of equality for all. And so, the system is fighting. It is threatened like never before so it is fighting like never before. Voter suppression laws. The legal assault being mounted on a woman’s right to choose. Fearmongering BLM rhetoric like Ron Johnson’s inanity.

Black Lives Matter. Women’s Rights. Voters’ Rights, Civil Rights…all embodiment of the ideals that we espouse and yet, all are threats to the system. All ask questions of the unquestioned white men.

In a speech yesterday, President Joe Biden said that America is based on an idea. “It’s the greatest idea in the long history of humankind. An idea that we’re all created equal in the image of Almighty God. That we’re all entitled to dignity, as my father would say, and respect, decency, and honor. Love of neighbor. They’re not empty words, but the vital, beating heart of our nation.“

Division is the control-mechanism designed into the system to keep the word of the white men unquestioned. Colonists everywhere installed the same mechanism in their colonies. Powerful women, powerful citizens of all colors and sexual orientation, united, are a threat to the system. And so it fights. It lies. It blocks scrutiny. It screams that Black Lives are a more dangerous threat than a white insurrection on the capitol. Antifa! Socialism! Fear! Divide the people. Keep them fighting each other. It’s a strategy that’s worked for centuries.

It is more than time that the idea of America, at long last, punch through the wall of the system and fulfill its promise, its highest ideal. What is there to fear in equality?

Pre-torn jeans made of elastic. Who bears the bulk of the moral responsibility? Beneath the humor, the real question comes clear: do we have the capacity, at long last, to stop molding ourselves in tortuous ways to fit an impossibly conflicted system? Can we turn and take a hard look at our empty words and fill them with the promise, the beating heart of the idea? Equality. United.

read Kerri’s blog post about Pretorn Jeans

Filed under: Flawed Wednesday, Identity, Random, Two Artists Tuesday | Tagged: abortion, BLM, civil rights, colonists, complex systems, david robinson, davidrobinsoncreative.com, division, equality, ideals, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, Memorial Day, President Joe Biden, Real Simple Magazine, rhetoric, Rolling Stone Magazine, Ron Johnson, systems, systems change, The Guardian, voters rights, white males, white supremacy, Women's Rights | Leave a comment »

Come Home [on Two Artists Tuesday]

Posted on June 1, 2021 by davidrobinsoncreative

“I search for the realness, the real feeling of a subject, all the texture around it…I always want to see the third dimension of something…I want to come alive with the object.” ~ Andrew Wyeth

The first time I walked into this house, I felt that I’d come home. It was a potent moment because I’d never felt that before, not in my entire life. I was a wanderer, even as a small child.

I’d come to meet this woman named Kerri. I’d been writing emails to her daily for the previous six months. A job afforded me the opportunity to stop over and meet her face-to-face. She picked me up at the airport [she was the one holding the daisy], we held hands and skipped to the car, talked non-stop during the hour-plus drive from O’Hare airport. When we arrived at the house, I laughed when she asked me to wait at the front door. She wanted me to come into the house through the front door but the key hadn’t worked in years, so she ran around back to come through the house to let me in. When the door opened, with my rolly-bag in tow, I stepped into the house and caught my breath. I almost started to cry but inhaled my overwhelm back into my body. Home. I knew this place.

It was a festival of texture. Raw wood exposed through the aging, flaking paint. Immediately I could see that this woman populated her world with stories, surrounded herself with rocks and wood and tin. She lived in a tangible world, loved the raw and the real, and had a designer’s eye. The dining room was a miracle of tortoise-esque pattern made when she stripped the wallpaper. She loved it so much that she abandoned her plan for paint and left the marks exposed.

This was an artist’s house. The hardwood floors creaked. Some of the antique door handles popped off if you pulled too hard. “It’s an old house and has its quirks,” she explained as she pulled a screwdriver from the silverware drawer to tighten the screw that holds the screen door latch in place. I learned over time that there are somethings you fix and others that you don’t because to fix them would interrupt the relationship with the house. Now I, too, weekly pull the screwdriver from the silverware drawer and tighten the aged-nearly-stripped-screw that holds the screen door latch in place.

Shabby-chic. They gave her style a name and she beamed the first time she heard it. “That’s me!” she exclaimed, “Shabby-Chic!”

When my dad came for our wedding, he stood on the back deck and said to me, “If you don’t put a finish on this deck, you’re going to lose it.” I told him that Kerri liked it that way. In fact, she’d throw herself in my path, she’d break my fingers, if I attempted to clean it, let alone paint it. He nodded and said, “Well, that’s all that matters really.”

Home. All that matters. Alive with stories that reach back and back and back. Texture and piles and projects everywhere I look. The lock on the front door still doesn’t work. And, like my wife, Kerri, I wouldn’t have it any other way.

read Kerri’s blog post on SHABBY-CHIC

Filed under: Family, Gratitude, Love, Seeing, Story, Two Artists Tuesday | Tagged: andrew wyeth, artistry, artists, david robinson, davidrobinsoncreative.com, design, home, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, raw, shabby-chic, stories, story, texture | Leave a comment »

Practice It [on Merely A Thought Monday]

Posted on May 31, 2021 by davidrobinsoncreative

“…our brains are prime to notice and remember negativity – things we don’t like or abhor doing – while barely registering the positive. Because of this negativity bias, we have to make a special effort to get our brains to notice, register, and savor the good.” ~ Kristine Klussman, Connection

It is not some special gift nor is it reserved for the select few. Seeing the positive is a practice. It takes practice. It requires cultivation.

I am fortunate. I am surrounded by people who point their cameras at beautiful sights, special moments, a lovely meal…the point is not capturing the photograph. The point is to practice seeing the positive, the gorgeous, the moments of gratitude and appreciation. A camera is a great support in practicing seeing the positive. “This blossom is elegant!” Kerri whispered. Master Miller regularly sends me photos of finger painting discoveries or sunsets over the river. Judy paints the most exquisite flowers; she is a master of seeing the sunshine.

I am fortunate. I am surrounded by people who, in the middle of difficult circumstances, point their minds and hearts at the positive. Mike’s Changing Faces Theater Company is a master-class of making lemonade from a pile of lemons.

Read any poem by Mary Oliver. Each verse a suggestion to see the magic in this mystical world, to place focus on what is too easily missed. The grasses in the breeze. The kind gesture. The geese in formation. “I ask you again: if you have not been enchanted by this adventure – your life – what would do for you?” Evidence

It is very easy to focus on the negative, too easy, to latch onto the one critical comment in the midst of an avalanche of praise. To dwell on the single moment of wound in a lifetime of helping hands. It’s too easy to sit in the dark alone and complain about being lonely. It’s too easy to miss the precious moments of this life [they are everywhere] mired in a dedicated misery. It’s a hard step to rise out of the misery-chair and decide to place your focus on what is bright, what is right in the world, to offer a helping hand, to accept one. To practice savoring. It is hard to step from a darkened mind into a gathering of strangers, a new world, by bringing unguarded kindness with intent to see the best in others.

It’s hard, no doubt, at first, to refocus the eye. But it is much harder not to make the effort. It is so much harder to live a life bound by a practice of seeing only the negative.

There’s a simple truth, a secret, to seeing the positive, found in The Beatles lyric, The End, “And in the end, the love you take is equal to the love you make.” Bring it and you will receive it. Practice the positive and you will evoke the positive. No one walks this path alone unless they choose to. The positive, just like the negative, is created in your mind, by where you decide to place your focus, by what you decide to bring to your life.

read Kerri’s blog post about UNPRESCRIBED SINGING

Filed under: Heroes, Identity, Merely A Thought Monday, Pattern, Possibility | Tagged: changing faces theater compnay, connection, david robinson, davidrobinsoncreative.com, Evidence, focus, focus placement, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, Kristine Klussman, Mary Oliver, positive change, practices, The Beatles, The end, yoga | Leave a comment »

Fill the Gap [saturday morning smack-dab.]

Posted on May 29, 2021 by davidrobinsoncreative

As Shakespeare wrote, “The truth will out.” Kerri makes certain that I remain humble. Keeping me in proper perspective is a difficult job. I, for one, am delighted that I won out over the parakeet.

read Kerri’s thoughts on this smack-dab saturday

smack-dab. ©️ 2021 kerri sherwood & david robinson

Filed under: smack-dab, Uncategorized | Tagged: cartoons, children, david robinson, davidrobinsoncreative.com, empty nest, family, grown children, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, marriage, middle age, relationship, second chances, smack-dab | Leave a comment »

Root Into The Worth [on KS Friday]

Posted on May 28, 2021 by davidrobinsoncreative

As Tom Mck used to say, “There are only three people in the United States qualified to review plays and none of them live in Stockton, CA.” His point: it’s best not to read your reviews but, if you must, don’t invest in what you find there. Good or bad, the review has little to say about the work of the artist and everything to say about the mind of the reviewer.

To be an artist is to be vulnerable. Vulnerability is an especially complex skill to master when the work of an artist is an open invitation for commentary.

The worst play I’ve ever seen got a standing ovation the night I saw it. Some of the best work I’ve ever done drew little or no audience. I directed a play that regularly had half the audience storm out of the theatre in anger while the other half was on its feet cheering; which half should I believe?

Many years ago I directed a play. One of my leading ladies had a family friend who was the theatre reviewer for the local paper. After opening night, my actress’ fine performance started to twist and sour. It was a mystery to me how her good work could go so bad. Later I learned that she was taking notes from the family friend. She lost herself in the cloudy opinion of an other and her performance suffered for it. She suffered for it.

Artists – not unlike everyone else – like to be liked. Most wait tables or teach lessons so they can pursue the thing they love. I use the word “love” purposefully. Most are regularly asked to give away their love/work for free on the empty promise of “exposure.” As Kerri says, “It’s hard to pay your rent with exposure.” It’s very, very easy for an artist to feel undervalued in a world where money defines value – while constantly being asked to perform for free. It makes being-liked an especially dangerous value-default.

Some of the greatest artists I’ve known lived marginal financial lives; financial success evaded them – but they knew without doubt the single secret that kept their work vital all of their lives: they alone were the judge of whether or not their work was good. They alone knew the pure driver of their pursuit. They knew the real danger of an artist’s life is to lose the purity of their artistic driver in the swamps of “being liked” or getting good reviews. They worked hard to stay centered and avoid becoming dancing bears at the circus.

It was Tom’s greater point: only you – the artist -will know if your work is good or not, if you’ve truly found and pushed your edge or discovered new territory. You will know when your work is shallow. No accolade can change that. You will also know when your work is exceptional. No criticism can change that. Its best to root into the worth of your pursuit, to grow and learn, rather than gorge on the ever-abundant-opinions of others. Good or bad. Moose or pig.

read Kerri’s blog post on MOOSE IN HEAT

all of kerri’s albums are available on iTunes & on Pandora

Filed under: Art, Creativity, Edges, KS Friday | Tagged: artist, artist's path, artistry, critics, david robinson, davidrobinsoncreative.com, Kerri Sherwood, kerri sherwood itunes, kerri sherwood on itunes, kerri sherwood yamaha artist, kerrianddavid.com, kerrisherwood.com, opinions, reviews, Tom McKenzie, vulnerability, vulnerable | Leave a comment »

Set It Free [on DR Thursday]

Posted on May 27, 2021 by davidrobinsoncreative

Horatio told me that, according to the happiness index, the good folks in Iceland sit atop the happiness-mountain. One reason, he explained, is that they’ve removed failure from their national equation. They cheer the effort, not the outcome.

Removing failure from the equation is the main ingredient for fun and success in all arenas, especially the arts. It is impossible to learn color theory without making some extraordinary messes. Ask a dancer how many times they tried and fell before they made that astounding leap look easy. Throw many pots and, over time, mastery will come – and mastery is nothing more than the understanding that there is no such thing as failure. It is the feel and touch of a long relationship with clay that can only come from not being afraid to throw it, to see what happens if…

Sometimes, no matter how hard I struggle with it or adjust it, a painting just isn’t working. Usually it doesn’t work because I’ve forgotten the rule about failure-removal. My brush is too timid. My brain is in the way. And yet, sometimes, in the middle of a painting that isn’t working, there is a small piece, the actual inspiration for the painting, that isn’t stilted, that remains alive and free of my fear. It’s easy to see. It captivates my eye, a warm island in the middle of a frozen sea. Every so often, rather than paint over the whole thing, I’ll lift the island, cut it out, set it free from it’s too-labored surroundings.

“Brutal,” Kerri said. “I liked that painting.”

“I’ll do another,” I replied. And maybe, I thought, another and another and another. Who knows, learning to cheer the effort takes some not-so-serious practice. It’s the only road back to the freedom of finger painting and the joy of playing in the sand.

read Kerri’s blog post about CUT OUT

Filed under: Art, Creativity, DR Thursday | Tagged: Art and fear, david robinson, davidrobinsoncreative.com, failure, happiness, Iceland, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, mixed media, painting, practice, removing failure | Leave a comment »

Imagine It [on Flawed Wednesday]

Posted on May 26, 2021 by davidrobinsoncreative

Malidoma Somé wrote that a society with locks on its doors is a sick society. Something has broken down when a home needs protection from the other members of the community. Acquiring stuff takes precedence over honoring your neighbor. Can you imagine living in a community built upon mutual respect and trust, that valued and protected its members over its acquisition of stuff? Pie-in-the-sky? That might be the problem: we can’t imagine it.

Societies betray themselves. Despite the values inscribed in library cornices, despite the commandments we hold up as sacred ideals, we lock our houses against each other. We turn away when we see a person in need, their cardboard sign an appeal for help. The gap between the espoused and lived value-set is wide. In a society that claims greatness but practices mediocrity, is it no wonder that so much energy is dedicated to perpetuating a big lie? The lie is not the exception, it is the norm. The lock on the door.

Apparently, there is so much road rage on a particularly beautiful stretch of road rolling into Aspen, Colorado, that signs are posted giving travelers the number to call when the need for help is dire. Societies betray themselves. Why would a road through so much beauty, a road that dead ends in to some of the world’s great ski areas, a place where the elite retreat for some peace and quiet, why would there be so much rage on the road to such a place?

It must be a metaphor.

We tell a good story, that all are created equal, but we fight like hell to keep the full story untold. It’s happening now. Again. Still. Why are we so afraid to tell the whole story of a nation touting equality but built upon slavery and a rolling metamorphic racism? Like an individual, a society can’t address its problem until it admits it has one.

Gaps between espoused and lived values usually fill up with rage. Our gap is textbook. So many guns, so many locks on the door, so many patterns of violence and suppression that repeat over and over again.

Can you imagine living in a society that was proud of its story and need not dunk it in a lie? Or feast on an orgy of guns in order to feel potent and protected? Or post signs warning of the ubiquity of rage? That just might be the problem: we either can’t or won’t imagine it.

read Kerri’s blog post on ROAD RAGE

Filed under: Flawed Wednesday, Identity, Metaphor, Perspective | Tagged: aspen, community, david robinson, davidrobinsoncreative.com, espoused values, history, imagination, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, lie, lived values, Malidoma Some, racism, Rage, respect, road rage, slavery, society, the big lie, values | Leave a comment »

Look Closer [on Two Artists Tuesday]

Posted on May 25, 2021 by davidrobinsoncreative

Arnie recently sent me a book, Connection by Kristine Klussman. As is my practice these days, I’m reading it slowly, a few pages at a time. I recognize much of what she’s writing about: focus placement, meaning making, cutting through the ‘should’s’…all in the process of re-connecting to what is really important in this life. The book offers specific exercises and process steps to help readers take a closer look at their lives. To identify the gaps between espoused and lived values in order to make different choices and close the gap. Alignment.

In art school, the most valuable lesson (for me) was to learn to see beyond what I ‘think.’ I’ve written about the professor who asked us to look at our yellow #2 pencils and tell him what color were the pencils. A riot of eye rolling ensued but, in the end, he helped us to see that the simple yellow pencil was alive with green and purple and red. Our minds generalize. It requires a bit of slowing down and, dare I write, a bit of presence, to see and experience how rich and alive even the simplest things, a yellow pencil, really are. The dictum applies to each and every day of life, especially the days we generalize into boredom or “same-old-same-old.” Slow down. Look again. There’s more to the yellow pencil than you think.

When Kerri and I arrived home from our trip to move my mother into an independent living community, we poured a glass of wine and opened the box my parents had kept with the artifacts of my life. Old newspaper clippings of play reviews, playbills, gallery opening announcements, elementary school report cards, photographs that reached back through proms and school portraits to blurry black and white infant prints with “David, 4 months” scribbled on the back. It was a poignant exercise of pulling the life-camera in for a closer view. Life-fragments in a box are like the yellow pencil. They require a closer look.

I’ve always appreciated Kerri’s tendency to pull the camera in closer. She is forever taking photographs and then pulling the image this way and that, like so much taffy, looking for the most interesting slice, the most dynamic composition. In her photographic-push-me-pull-you, there is often a discovery. “Look at this color!” she’ll exclaim. Or, “Did you see this! Look at the spines on this plant!” She cultivates surprise. She understands that a closer look will always reveal tiny not-yet-seen-miracles.

Expecting surprise. Taking the time to look beyond yellow-pencil-expectations. Closing the gap between lived and espoused values. Slowing down just enough to realize that there is no such thing as “same-old-same-old.” These are age-old sage suggestions for living a rich and meaningful life. All of it, born of a tender, quiet suggestion to take a deep breath and have a closer look.

read Kerri’s blog post about A CLOSER LOOK