Look Out The Window [on Two Artists Tuesday]

I came down the stairs, having just finished work for the day, and found her staring out of the bedroom window. “You have to come see this!” she said.

Atop John and Michele’s house, hundreds of birds, starlings, jockeying on the roof, taking turns diving into the gutters. And then, in heartbeat, the entire murmuration whirled as one into the sky. The visual impact of their singular launch nearly knocked us over.

And then, they were in the trees and swooping down to the pond. We ran to the sunroom where we could see the backyard. Dozens and dozens of birds and, we realized, not just starlings, great-tailed grackles were in the mix. The starlings, apparently late for a date or not willing to wrestle the grackles, swirled into the sky and disappeared, leaving the great-tails to enjoy the pond.

For a few moments it was like watching a bird ballet. The pulse of bird dancers, rising and falling in groups to the water, according to a symphony that we could not hear but could see in their choreography. And then, like the starlings, in a heartbeat, they were gone.

We looked at each other to confirm that we actually saw what we just saw. No dream or hallucination. It happened and we were lucky enough to look in the right direction at the right moment.

It’s not that it’s rare. This ballet happens all day, everyday. It’s rare that we are privy to the performance or are captured by the play happening around us.

“What if I hadn’t looked out the window?” Kerri asked.

read Kerri’s blogpost about STARLINGS AND GRACKLES

Make It Beautiful [on Merely A Thought Monday]

The media center was in the basement of the library. I left behind the bright New Mexico sun each day as I descended the stairs to my work-study assignment. In the days of cut-and-paste layout, 5 years before I touched a computer, part of my duties included readying the weekly campus newsletter. X-acto knives, glue sticks, blue non-photo pencils, liner tape were the tools of my day. I loved my work-study, not because of the work, it required hyper-attention to detail and ask anyone, I am not a detail-guy, but I knew my life was being changed under the careful tutoring of my boss, Brother Bill. His instruction had little to do with media and everything to do with orienting to life.

Each day at 3:00, Brother Bill would push a cart into the workroom laden with fresh strawberries or cookies and a pot of tea. “Tea time!” he’d announce and we’d stop work. We’d enjoy a cup of tea together.

It wasn’t the tea or the break in the day or even the laughter and enjoyment of each other’s company. Brother Bill was teaching us to make an event of the ordinary moments of our lives. To attend to the quiet beauty available in the details. Presentation mattered. The plates we used for our snack mattered. How we oriented ourselves to each other mattered. It wasn’t the grand gestures but the attention to the daily routines that transformed a life.

Occasionally he took his work-study students to dinner. Always to a fine restaurant so we might have the experience of – an experience of dining. Linens and wine pairing. Food to savor instead of snarf down. Lingering over coffee with laughter and conversation. Being no where else. Taste the moment. It was his single lesson, offered without instruction but by simple demonstration. Feel the sun. Take the time to fully fill out the experience. Fully attend to your moments and your attention will fully fulfill you.

Kerri and I end our work day with happy hour. A glass of wine and crackers and cheese, maybe a pear. Tapenade. One evening we realized that we had a cupboard full of beautiful plates and trays. “Why aren’t we using these for happy hour?” we asked. “What are we saving them for?”

I heard the voice of Brother Bill, “Make it beautiful,” he said. “It matters.”

read Kerri’s blog post about BEAUTIFUL PLATES

Delay and Seem! [on saturday morning smack-dab.]

I’m one of those people who doesn’t hear lyrics. When I sing in the car or the shower it is generally gibberish or a rude approximation. Except, when I’m singing along with Kerri. I’ve learned that, with a nanosecond delay, I can sing what she sings and seem like I know the lyrics.

I know there’s trouble when she asks me – me, the man who has the ears of a goat, the man who knows no lyrics, “What does that lyric mean, anyway?” I quickly tap my inner Philistine and respond, “What does any lyric mean?” Artists! Puh! They can’t be trusted. They just make stuff up! What’s the use of asking about meaning when an artist is involved! I am one! I should know!

“Google it.” she says. I married a consummate researcher. Were she not a musician, she’d have been a crack private eye. A world-class investigator. It’s impossible for me to get away with anything! No lyrics cover-up for me!

And then, sweet-Google-relief. We’re both singing gibberish. Something made-up. “Wait!” she exclaims, “You mean I’ve been singing that wrong all my life? Didn’t you think you were singing the right lyric, too?”

I smile. “Yes.” I nod emphatically. “I’ve been singing it wrong my whole life, too!” A strange path to an obvious truth.

The next song begins. I lean in, sounding good with a nanosecond delay.

read Kerri’s blog post about LYRICS

smack-dab. © 2022 kerrianddavid.com

See The Signs [on KS Friday]

Although it is not quite here, I know spring is coming. How do I know? The blinds are open on one side of the room. They are closed on the other side.

During the winter, the blinds are closed on both sides of the room. During the winter, we turn in. We close out the world. All of the energy goes to the root, beneath the soil, to recharge our lives. Hibernation. And then, one day, though it is still cold, the birds return, we wake to their song, the sun plays hide-and-seek. In the morning, well rested, we open the blinds to the east.

We’re watching the squirrels. They gather the fallen leaves in their mouths and adeptly climb the maples and oaks to high notches, deposit their load, and return to the ground to gather more. Up and down. Over and over. Preparing their nests. The birds are courting. It looks like a hearty game of chase but we know the females are dodging the insistent pesky males.

Life is returning from the deep. Preparation for Persephone’s homecoming. Restless buds appear on branches. It’s close, but not quite yet.

Not quite yet. The third covid springtime. We are not yet past it and are fidgety.

We sat in the car staring at the door to the store. “I’m so goddamn tired of putting on this mask, ” I said as I put it on. We know we’ll be among the few wearing masks as we shop. No matter. It’s not over yet, this long winter of pandemic. As much as we want it to be spring, as much as we can see the signs, it’s not here yet. Not yet. Blinds open on one side of the room. Blinds closed on the other side.

kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about BLINDS

that morning someday/blueprint for my soul © 1997 kerri sherwood

Create Something [on DR Thursday]

“Here we are, trapped in the amber of the moment. There is no why.” ~ Kurt Vonnegut

I’m on a Vonnegut bender. Lately, I’ve fallen into his quotes and I think I’m about to re-read everything he wrote. Standing on the threshold of synesthesia, he submitted his master’s thesis in anthropology on the shapes of stories. It was rejected by “the committee” as being too simplistic, but embraced by the world after he achieved success as a writer. The man was as witty as Quinn and a definite stander-on-the-margins of society, reflecting back both its beauty and brutality.

Trapped in the amber of the moment. Gorgeous. And, standing at the center of the moment, all the explanations necessarily fall away. There is no “why” because there is no separation, no other place to be or person to become. The committee would reject the notion outright since committees are dedicated to explanations and justifications. The elevation of one idea above another. The writer, the artist, serves a different master. “Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake.” Yes, another Vonnegut quote. Create something. Soul growth rather than reasoning.

At the center of the moment there is no why. There is no space for puzzling-it-out. There is simply this: a rousing and rowdy “why not!” Blue sky. Tall grasses dancing. Feel it. All of it. No single explanation can possibly contain it.

read Kerri’s blogpost about GRASSES AND SKY

prayer of opposite © 2004 david robinson

Make ’em Laugh [on Not So Flawed Wednesday]

“I know what I want!” she exclaimed. “I just saw it.” Little-Baby-Scion whipped a sudden u-turn and we drove back into the park. We’d just finished a hike around our favorite loop and were discussing the choices for this week’s Melange. We had a problem day, a prompt that could only go one way: a rant. It would evoke a topic we’ve already beaten to death.

The car screeched to a halt in front of the stop sign. “It’s not possible!” she said. “You can’t stop and go one way all at the same time!” She jumped out to take a photo of the sign. I smiled at the irony. We were about to replace a problematic blog-prompt, an image/topic that could only go one direction, with a stop-one-way combo sign. Our new replacement prompt would be the universe’s message to us.

I’ve received – we’ve received – this message more than once and at times far more weighty than an upcoming blog prompt. Stop. This can only go one way. Or, the more hopeful variety: Stop. There is only one way to go.

As Kerri likes to say, “We have good angels.” Our good angels employ a special hammer on our heads when we need to stop. It is a full abrupt stop. Those whacky angels have great senses of humor. They giggle to see us mistake the wall for a door. I’ve quietly suggested to our angels that they consider using airbags with us but so far they are sticking to the hard-stop-no-cushion strategy.

And, the door that opens is never subtle. We sit in the hallway for a long time. No doors to be found. We lose all hope of doors, resigning ourselves to life in the hallway. Suddenly, out of nowhere, a door pops open. It’s a definitive, “Take this door or continue to sit where you are.”

Those whacky angels. All of those Renaissance painters led us astray, portraying gentle, harp playing, soft robe wearing winged guides. I suppose some people might have that variety. Not us. Our good angels are pranksters. Billiard-playing-Harley-riding-pastrami-eating-blue-jeans-wearing-tricksters who let us run blind toward the cliff and hit us with a stop sign at the last possible minute. “Hold on there, artists-types,” they snicker. “Stop. This can only go one way.”

An angel in the back row whispers, “That looked like it hurt.” The entire chorus of angels guffaws.

read Kerri’s less random blogpost about STOP!

Step Off [on Two Artists Tuesday]

“A tree is not made of wood, it is wood.” ~ Alan Watts, The Watercourse Way

Language is powerful. It’s a drum I have beat for a long time, the notion that we insist that the narratives we wrap around ourselves are somehow “reality.” We are told that 50% of Russians believe the hell wrought on the Ukraine is merely propaganda. A made-up story. Not true. It is the narrative they are fed and, in order to eat it, they must ignore any evidence to the contrary. Their economy crumbles. The ruble falls. How could they not see it? Don’t laugh. 40% of USAmericans still believe the last presidential election was stolen, a plausible story only if wearing blinders with fingers placed firmly in ears. Burying your head in the sand is not a Russian or American trait, it’s uniquely human. We see what we believe, not the other way around. Our language makes it so.

Years ago I read that the word “wild” could only come from a people who believe all things must be tamed. Wild makes no sense without the concept of tame. Wild, bad. Tamed, good. So, a people afraid of their own “nature” must become tamers. A people who think “nature” not only can be but must be managed. To be “above” it all, in charge and atop the pyramid, giver of names. It is the necessary narrative for such tamers of the wild, those who story their very nature as corrupt. Tamed, good. Above it all. Separate. Is it any wonder the intrinsically conflicted human world rarely embraces peace? Our narrative leads us to believe, amidst so much inner and, therefore, outer conflict, peace is something to be created because we are naturally conflicted. What else?

Where, exactly, does wild end and tame begin? Where’s the line that delineates nature from civilization? What if nature is neither good nor bad? What if your nature was neither good nor bad? Perhaps self-love would be within reach and, as a natural extension, the love of others, too. It’s an alternative narrative though not possible in a belief-story that fears the wild. Wholeness begins with a step off the pedestal.

It’s in the language. Somehow separate from the world in which we live, not “in” nature or “of” nature , we are deluded to believe we are made of different stuff. Above it. Divinely manufactured. Made.

Manufactured. Made. Trees made of wood.

And, just what are we made of? I guess it depends on the story we decide to tell. Wild stuff.

read Kerri’s blogpost about TREES

Stack The Impossible [on Merely A Thought Monday]

We watched the video of Jaxon climbing the ladder of the red plastic slide. His momma said, “Is that your big boy slide?” Jaxon said, “Big boy slide.” Pandemonium. “He said it!” his father exclaimed, “I think he said it!”

Big boy slide. A first phrase. The moment when what’s necessary becomes what’s possible. It’s something we take for granted every day. The utter impossibility of spoken language. Sounds uttered in sequence that somehow make sense. Of course, we’re also quite capable of stringing together sounds that make nonsense, too. Soon, Jaxon will ask his parents for the keys to the car and a wholly different kind of pandemonium will let loose. From climbing a ladder to driving the Volvo. The impossibilities stack one upon the other.

My mother is adjusting to life without my dad. She says often, “I don’t think I can take it, this loneliness.” She is doing what is necessary. In our last chat, she spoke of playing pickleball, of taking a walk, of meeting a friend for tea. Moving with intention out of the apartment to meet other people. The moment when the necessary becomes what’s possible. She will, I am confident, live her way into the impossible.

The impossible rarely happens in a snap. We live our way into it. Jaxon’s pronouncement and subsequent trip down the big boy slide was a long time coming, a step in the process worthy of celebration. And then, the miracles will keep coming. Full sentences. He’ll learn to write. Someday he’ll write love letters and drive the car to pick up his date. He’ll ask someone to marry him. The art of the impossible. This life.

And, the most amazing of the impossibilities, as we stack our lives with the formerly inconceivable, we grow less and less capable of seeing it. Perhaps that is necessary? How would we exist if we saw each other as keepers of the impossible? Experiencers of the unimaginable?

read Kerri’s blogpost about THE IMPOSSIBLE

Bargain With Bacon [on saturday morning smack-dab.]

Kerri is the true fan of bacon in our house. If I’ve pinched her last nerve, if she’s having a hard day, bacon for breakfast will always turn the tide. All of this is to say, this cartoon is less about bacon than it is about bargaining.

Have you ever made a deal with the universe? If this, then that? I don’t know about you, but I am notoriously bad at keeping my end of the universe-bargains. There’s always another piece of flourless chocolate cake. That whiff of bacon is sure to invoke another bargain-on-top-of-the-last-bacon-bargain.

I suspect the universe smiles when we bargain. Silly humans, tossing up imagined obstacles in the name of good behavior. And, you know what they say, every obstacle is an opportunity!

Bon appetit bacon mi amore!

read Kerri’s blog post about BACON!

smack-dab. © 2022 kerrianddavid.com

Gaze At The Seam (on KS Friday)

Some things are hard to grasp. When that’s the case, it’s a good time to look at the sky. You’ll not find many explanations up there but gazing at the seam between us and the infinite-universe can, in moments of clenched fists, bring some perspective. As Kerri says, “It just keeps rolling.” No problem can remain large when measured against the seam, that fragile ozone layer that makes breathing and every current dilemma possible.

Sometimes when I look at the sky I wonder how many people across the ages have engaged in seam-gazing.

I imagine, one day in Kansas, 1932, as his fields turned to dust, a farmer looked to the sky. All his appeals for rain exhausted.

I can’t imagine how many women looked to the sky over the 100 years of protests and parades before being afforded the right to vote.

Can you imagine how many African-Americans looked to the sky as slaves in a nation that boasted to the world about its freedom and equality?

I look to the sky every time another state in the union passes legislation prohibiting discussions about our history, so fearful are we of critical race theory and the equality that we profess.

I find nothing in the seam that explains anything, but the clouds remind me that it just keeps rolling and, since I believe we tend toward wholeness, I catch a whiff of hope in all the blue and moving puffy white.

Someday, somewhere down the historic road, someone will look to the sky, in a post-nonsense era, and will, perhaps, imagine me staring back. To them, from their perspective, my unanswerable questions will have found resolve. They will have questions of their own, no doubt, but won’t it be nice to have a new set of questions to thrust at the seam?

read Kerri’s blogpost about THE SKY

Little By Little (©2022 Kerri Sherwood featuring Dogga)