Wrap It [on DR Thursday]

Christo wrapped mountains in fabric. He wrapped coastlines. He populated passes with umbrellas. When I saw the candlesticks wrapped in plastic and ready to roll out the door, I thought, “Little Christo.” Wrap it and it becomes something else. Visible, invisible.

My favorite part of Christo and Jeanne-Claude’s website was found way at the bottom. Click on the words, “Projects Not Realized.” There were so many ideas! Whacky and wonderful visions that, for one reason or another, never made it off the drawing board. Why was one building wrapped and another rejected? Why did the mountain of barrels never block the intersection? What sense is there to be made of projects that are not invested in sense-making?

Sense-making follows experience and, in these times with so much media shouting for attention and propagandizing belief, it’s very hard to have a direct experience. I suppose that’s why Christo wrapped mountains. It takes an extreme act of non-sense to shock us into silent what-the-heck-ness.

I saw his umbrellas popping vibrant yellow along the pass from Bakersfield to LA. Giant dandelions stretching for miles. What I most remember as I stopped to get a closer look: children found it impossible not to dance at their bases. Make sense of that.

read Kerri’s blogpost about CANDLESTICKS

greet the world © 2011 david robinson

Take Note [on DR Thursday]

Although it may not be at first apparent, this is a map for product development. A single stout stalk that supports shoots of replication that explode in support features. One clear central intention. Multiple expressions that return nutrient to the stalk.

Although it may not be at first apparent, this is a map for healthy community. A single stout story stalk that supports shoots of replication, diverse paths that explode in seeming individual expression. One clear central narrative. Multiple expressions sending sunlight back to the root.

Who hasn’t seen the time-lapse films of plants growing, forms expressing and then retreating, the accelerated motion of people commuting on a city street, what seems like chaos is, at speed, cooperation. Those people on the street in real time, walking to work, a to-do list on their mind, are mostly unaware of their symphony of togetherness.

It’s easy to forget the stout stalk when standing at the individual expression point. I have been witness to the demise of many organizations who turn against the stalk in favor of the feature. For instance, the fastest way to kill a non-profit organization is to attempt make it run like a for-profit business. It will forget its story-stalk and lose its heart and mind in a spreadsheet.

The quickest way to destroy a community is for its branches to forget that they are individual expressions of a single stout story. They are not separate as much as extensions. To focus on the multiple tiny expressions as if each small branch is a stand-alone truth is absurdity-creation. Chaos masked as convention. Inverted, the plant dies.

In our literature we are riddled with advice to turn toward nature. Existential crisis? Lost? Go to the meadow, find the woods, take a hike. Get quiet. We go there because…we are there. Alan Watts wrote,”We don’t come into the world, we come out of it.” We are not separate from the stalk; we are expressions of it. Occasionally, the map to sanity that we seek is hiding in plain sight dressed as a platitude. Go to nature. You cannot do otherwise. Realize it.

When I’m running abstract questions of design in my dreams, I know it’s time to take a walk. It’s time to stop, look around, take note of nature’s design, the perfection of a plant. A perfect yoga, branch-fingers reaching for the sun, root-fingers reaching deep into soil.

read Kerri’s blogpost about PARSNIPS

sam the poet, 48×48 (painted and sold a long time ago)

sam the poet © 2004 david robinson

View The World [on DR Thursday]

Dogga is a wrecker of backyards. He’s a destroyer of pristine spaces. His joyful enthusiasm propels him in rapid circles and his circles have become etchings in our smallish yard. Initially, we tried to cover his etching path in stone. Were you to visit you’d find flat stones covering a wide spiral around the pond, his first velodrome. To no avail. He is a living Spirograph, a dervish of delightful circles. Viewed from the air, I’m certain our backyard smacks of alien visitation, mysterious crop circles.

We’ve learned. Rather than resist nature, attempt to control it or cover it up, it’s a much better plan to work with it. I knew we’d crossed a thought-bridge the day Kerri suggested we install a round-about sign. We had to be direction-correct so we bought one for right-sided drivers. The details matter. If Dogga was to suddenly switch and run in the opposite direction we’d have to issue a citation or get a new sign.

If there is a devil in the details there must also be an angel. As I’ve previously noted, I am not naturally a detail-guy; my head is at home in the clouds. I’m conceptual and can see great distances. It’s why metaphors are my currency, movement and pattern my friends. Please do not ask me to write a grant or make sense of the world through a spreadsheet. I can. I have, mostly out of necessity. But the cost to my soul is mighty. Luckily, as this great world spins, and the draw to a comfortable center is the force-at-play, I’m currently surrounded by teachers-of-detail, Kerri and Dogga are my favorite two but there are many in my circle. Angels, all.

Kerri runs to show me the photo she’s just taken. A close-in shot. A texture. A bud. An entire world in minutiae. See the beauty in the detail. For me, that’s the passage to the center. There’s entire universes to be found in the smallest detail. The up-in-the-clouds and close-in are relative terms. There’s a whole other worldview available from the grasses.

Lay on the ground and the Dogga will run circles of joy around you, his center point. There’s nothing better and that’s the kind of detail that’s not to be missed.

read Kerri’s blogpost about FROM THE GROUND UP

face the rain © 2019 david robinson

See The Signs [on Not So Flawed Wednesday]

Religions around the world and across time have personified this moment. The return of the green. From one day to the next buds appear on trees. The signs of life’s vibrant enthusiasm returning (again) from long winter, barren earth, metaphoric death. Persephone’s homecoming from the underworld and Demeter, her mother, goddess of the earth, allows the return of life.

It’s a very, very old story told in many, many different ways. Human beings, storytellers all, making sense of death and life, generalized across the real experience of cycles and seasons, all pressed through the lens of this-causes-that. Reduce us to an essential oil and we are makers of metaphor and seers of pattern.

I told Kerri that I got out of the wrong side of the bed this morning. An idiom. Imagine the power in brains that utilize idioms! The meaning cannot possibly be carried by a literal interpretation of the individual words. We pull the meaning out of or inject it into the collection of words. We know what it means because the meaning has a long history. The Romans, I’ve read, believed there was a correct side of the bed. Arising on the correct side of the bed would ensure good luck. The right side of the bed was positive, the left side was dubious. Jump out of bed on the left side and the day was ruined!

Superstition: making sense of the happenings of a day or a life, pressed through the lens of this-causes-that.

Mostly, I am restless. It snowed all day yesterday. I yearn for the moment when I can, for the first time of the returning (pattern) spring, lean against the wall and feel the warm sun on my face. I will, like I did last spring, enjoy the moment to the point of non-thinking. I will drink it in with no need to wrap a story around it or make sense of what I am feeling. I will appreciate it to my bones and revel in the return of warmth, new growth, and light.

read Kerri’s blog post on GREEN

Stack The Impossible [on Merely A Thought Monday]

We watched the video of Jaxon climbing the ladder of the red plastic slide. His momma said, “Is that your big boy slide?” Jaxon said, “Big boy slide.” Pandemonium. “He said it!” his father exclaimed, “I think he said it!”

Big boy slide. A first phrase. The moment when what’s necessary becomes what’s possible. It’s something we take for granted every day. The utter impossibility of spoken language. Sounds uttered in sequence that somehow make sense. Of course, we’re also quite capable of stringing together sounds that make nonsense, too. Soon, Jaxon will ask his parents for the keys to the car and a wholly different kind of pandemonium will let loose. From climbing a ladder to driving the Volvo. The impossibilities stack one upon the other.

My mother is adjusting to life without my dad. She says often, “I don’t think I can take it, this loneliness.” She is doing what is necessary. In our last chat, she spoke of playing pickleball, of taking a walk, of meeting a friend for tea. Moving with intention out of the apartment to meet other people. The moment when the necessary becomes what’s possible. She will, I am confident, live her way into the impossible.

The impossible rarely happens in a snap. We live our way into it. Jaxon’s pronouncement and subsequent trip down the big boy slide was a long time coming, a step in the process worthy of celebration. And then, the miracles will keep coming. Full sentences. He’ll learn to write. Someday he’ll write love letters and drive the car to pick up his date. He’ll ask someone to marry him. The art of the impossible. This life.

And, the most amazing of the impossibilities, as we stack our lives with the formerly inconceivable, we grow less and less capable of seeing it. Perhaps that is necessary? How would we exist if we saw each other as keepers of the impossible? Experiencers of the unimaginable?

read Kerri’s blogpost about THE IMPOSSIBLE