Dump The Suit [on DR Thursday]

“When you are content to be simply yourself and don’t compare or compete, everybody will respect you.” ~ Lao Tzu

Lately, I’m on a Lao Tzu quote kick. Have you noticed? An advocate for a simple life, his words – or those attributed to him – appeal to me at this moment in my walk.

The outstanding characteristic of my working life is that I have mostly been a sore thumb, the person in the collective who doesn’t belong to the collective. That’s been my value: I am the consummate outsider. I do not sit on the mountain so I can more clearly see the mountain. The alternative perspective. I’ve not always found that to be a comfortable role. For instance, alternative perspectives are invited into conversations but the alternative perspective, when voiced, is rarely welcome. The first response to the alternative perspective is almost always an emphatic whisper, “Conform!”

I have, my entire life as the sore thumb, been told that, “Our people will never do that!” or “They don’t think that way, therefore you must conform-modify-edit…” The emphasis is placed squarely on the limit, the notion that “They can’t…” or “They won’t…”

And, I’ve never found that to be true. In fact, that’s precisely the perception that a sore thumb is hired to challenge. “They” can. “They” will. The job of the alternative perspective is to emphasize the possible, to open paths to the not-yet-imagined, to the revelation of, “We didn’t know we could do that.” Or see that. Or feel that.

In order to walk in an alien world, the sore thumb necessarily steps into the unknown. The first step is to listen and learn: to open to the possible within themselves, to challenge the inner-limiter. The alternative perspective lives on a two-way-discomfort-street with their client.

It is never comfortable to “not know.” It’s never comfortable to say, “I have no idea what that means.” However, it’s a great exercise, a necessary practice. And, it’s actually what the alternative perspective is paid to do and to model. “We didn’t know we could do that,” are words that come after a step into discomfort, a step beyond the known limits. “We step together because we both know how this feels.”

The alternative perspective is never right or wrong, it is simply an alternative. “These are the patterns I see. They may be useful or not.” Conformity bristles when the unknown beckons. Conformity is safe, and the emphatic whisper, while meant to maintain comfort for all, is the line that a sore thumb is hired to help the whisperer cross, “The possibilities we seek live beyond this line.”

The first day I put out my consultant shingle, I bought a suit. It’s what I thought I was supposed to wear. I bought my suit because I’d snagged a client, a financial advisor who wanted me to work with his staff. He’d seen my work – he’d seen me work – in another context. After the job, he asked me, “What’s up with the suit?” I’d always been told by well-meaning teachers that I should “dress for the job I wanted,” so I told my client that I’d dressed for the job. He gave me some great advice: dump the suit. “I want you to show up as you are, not as the person you think we want to see.”

His words became my mantra.

Truth: I hated that suit. I felt like an imposter wearing it. My client gave me a great gift. Be content to be yourself. Challenge the inner-limiter. Inner-limiters are very loud, and like outer-limiters, are generally not worth listening to; they will always advise you to conform, say nothing, and put on an ill-fitting suit.

[Happy Thanksgiving]

read Kerri’s blog post about GOURDS

tango with me © 2018 david robinson

Lose The Rant [on Not-So-Flawed Wednesday]

I wrote a post and decided not to publish it. I was deeply disturbed by the news. A parade. More violence. Senseless. More and more. And more. Jim wrote that he was going to chisel into his sidewalk the now ubiquitous (to us) phrase: I just can’t believe it.

I wrote about my escape fantasy. A quiet place. A place where people know how to hold differences of opinion as a constructive force for good instead of a destructive pout to be right.

This weekend, people gathered at the gallery to see art. To experience art. Painting and sculpture and photography. I have not been in a crowd since the pandemic began and I was both wary and encouraged. I wonder about the new normal.

After the opening we made dinner for 20. Kerri’s inner composer broke through and we saw, for the first time in a long time, the light and warmth of her artistry lift and shine. She turned up the sound and asked us to listen. The music soared. I cried. It was nice to see her again.

Tomorrow is the day – just a day – isn’t that odd – that is set aside for giving thanks. I am thankful to have had a glimpse of the composer. The artist. The lift of her music. I am thankful for people who gather to share art. I am thankful for a dinner with 20, laughter, and our shared nonsense. I am thankful for Mike who finds a way forward against all odds. I am thankful that Bruce passed this way and stopped to say, “Hello.”

I am thankful that I believe that the people of the world are better than the news leads us to believe. I am thankful that I did not publish my rant. I am thankful for my escape fantasy, my quiet place.

read Kerri’s blog post about THE PATH

Attend To Beauty [on Two Artists Tuesday]

We are fans of ornamental grass. They line our walkway and populate the area along the fences. DogDog’s round-about sign is now nearly obscured, standing in the middle of tall grasses.

Some folks cut back their grass plants at the end of the season but we let ours stand through the winter. The reason has nothing to do with the health of the plant and everything to do with aesthetics. There are few things more beautiful than ornamental grasses aglow in the winter sun. I have been brought to tears watching the dance of the grasses, alight in pink and orange against the cold blue of a snowy afternoon. Magic beings swaying. [My grass-inspired-tears brought Kerri to consider that my heart just might not be made of cardboard (single ply) after all].

We attend to beauty, not because we are artists but the other way around: we can’t help but attend to beauty and that is what makes us artists. Yamaha paid Kerri a great compliment when she said of our home, “Everywhere I look I see something beautiful.”

Saturday, while raking the leaves, the air was crisp and birdsong, so unexpected, called to me to listen. As I stood listening to the birds, a breeze caught the grasses and they bristled, caught the wind and swayed. I dropped my rake and watched the performance, birds singing to the modern dance of grasses.

Our mail carrier broke my revelry with a greeting. She said, “I’d rather be doing my job than yours. I hate raking leaves!” I laughed. The color of the leaves, the sound, the fall smells. The performance. At that moment, I felt like the luckiest person alive.

“Oh, I don’t mind it,” I replied. “Actually, I’m enjoying it.”

“Well,” she said, “It’s a good thing then. I think I’ll stick to the mail.”

Yes. It’s a good thing. A very good thing, indeed.

read Kerri’s blog post about GRASSES

Connect [on Merely A Thought Monday]

Last night we watched a documentary on the launch of the James Webb telescope, The Hunt for Planet B. One of the scientists said (I scrambled for a pencil but didn’t get the direct quote), “There’s something deeply human that needs to connect.” True. So true. So, we launch a miraculous telescope into space, far beyond the moon, and aim it at planets that might, just might have life forms capable of looking back at us. Not science fiction. Science. To connect.

There’s a prerequisite to connecting: an intentional step into the unknown. It is as true when shooting telescopes into space as it is when trying to grasp “Who am I?” “Lao Tzu wrote, “When I let go of what I am, I become what I might be.”

Our ancestors painted the walls of caves, not for decoration, but for connection to “something greater”. It is the same reason folks fill up synagogues and mosques and churches and temples. To connect.

Art, science, and religion all serve the same deeply human impulse. To connect. To reach across time, to reach across space, to plumb the depths of inner and outer space, in order to connect. Legacy and imagination. Identity, tradition, progress toward…connection to something bigger, something better. We reach to grasp and breathe life into our best ideas, both future and past.

The first step of the entrepreneur, the artist, the scientist, the explorer, the dreamer…the human, is a step into the unknown, to question the limits of the known. What else? Leeches were once believed to be good medicine until some bright inquiring mind observed and asked, ‘I wonder it that is really true?”

Einstein dreamed a dream and, so, he reached through the math to connect to the inconceivable: light is the only constant. Time and space are malleable. Picasso, initially, hid his first cubist painting, not yet ready risk ridicule. And then, needing to connect to “what might be”, he turned it around, stepped into new unknown territory, and invited the world to see.

read Kerri’s blog post on the UNKNOWN

Say ‘Hello’ To Humble [on saturday morning smack-dab.]

Suffering indignity is one of the surprises of aging. For every forty-something out there who feels on top of the world, for every thirty-something who feels invincible, for every twenty-something who feels immortal, I recommend that you enjoy it while it lasts. It does not last. Some day in your too-soon-to-come-future, you, too, will plan your travels according to the availability of bathrooms. Even a trip to the store will necessitate careful consideration. Monitoring fluid intake relative to the plan for the day will become a high priority – so much so that you will normalize it. “Is that all the coffee you’re having?” Kerri asks.

“We’re going to Chicago later,” I reply.

“Oh, right,” she says, putting down her cup.

You’ll arrive at your new-normal because, along the way, you’ll have surprise panic moments. There’s nothing more humbling than wetting yourself in public. There are few greater stress inducers than, “I gotta go now!” with no place to go.

And, the greatest indignity of all: at the time of your life that you need to run the fastest, your joints will creak and your muscles hesitate. Your sprint into the woods will look to others like…

Humble, humble, humble.

read Kerri’s blog post about KNOCKING ON THE NEIGHBORS DOOR

smack-dab. © 2021 kerrianddavid.com

Throw Some Light [on KS Friday]

“The principles of true art is not to portray, but to evoke.” ~Jerzi Kosinski

Out of seeming chaos, pattern is found. And, from pattern, chaos is born. It’s a creative cycle. I spent some time this week swimming up the river of systems theory, synthesis instead of analysis. The means of production in an agrarian economy; the means of production in an industrial economy; the means of production in an information economy. The relationship between the methods and materials, the behaviors and the purpose, systems take on a life and energy of their own. The toil to feed more people led to toil to automate to relieve manual toil, led to automation to relieve intellectual toil, will lead to… we can only imagine. And, we do imagine: imagination is the relationship between the present and the future. Stand back and you’ll see, amidst the mess and chaos, we attempt to evoke a better world.

It is not a coincidence that a banana taped to the wall is considered art in an age in which Tucker Carlson is considered a source of truth. Ironically, in the golden age of information, we are befuddled by vapid minds and empty suits. Bananas and duct tape. Shock without substance can only evoke anger and will illuminate nothing. Anger for anger’s sake can only destroy. There’s no nourishment in all of this anger candy but it is certain to lead to national-diabetes and rot our teeth.

Marcel Duchamp, at the beginning of the last century, entered a toilet as sculpture in an art exhibit. He lived and worked in the age of industry at the threshold of mass production. His gesture had purpose and aesthetic framing. What was formerly craft and individual creation was now stamped into being on an assembly line. That’s old news to us but, in his time, it was a shocking revelation. A world war was raging. The collision of old practices meeting new technology was playing out on the battlefield. His exhibit entry evoked questions about loss and gain in the dawn of a new world order.

Sometimes it seems that we are spiraling into chaos. Polynices and Eteocles, brothers who will not compromise, kill each other in a battle for dominance. All lose. A father’s curse fulfilled. In our great art, the work that evokes truth and throws light to our hearts and minds, we have all the guidance we need – if we choose to pay attention. Yesterday I wrote to Mike that it seems we will need to walk the path of Romeo & Juliet: “Two households, both alike in dignity…”will lose their children to violence rather than sit down at a table and earnestly talk. And, when it is too late, when the primary is lost, the formerly indignant will sit and mourn together.

Chaos. Pattern. Sometimes the pattern is chaos. The children die. The mother takes her son across state lines with a big gun and pretends, after he murders people with his big gun, that his crime was self-defense. Bananas taped to a wall. A judge who broadcast to all that a guilty verdict might trigger his decision for a mistrial. He’ll just wait and see if he agrees with the jury. So, here we are. Lady Justice takes off her blindfold and takes sides. Is there a more profound statement of ethical collapse? In the age of information, misinformation gets equal billing; anger-candy.

What might Duchamp put on his pedestal today? What might evoke an honest conversation, throw some light and love, on what is lost and what is gained?

read Kerri’s blog post about FIRE AND SMOKE

Kerri’s music is available on iTunes and streaming on Pandora

Follow The Twine [on DR Thursday]

[Day #2 of no image upload capacity so, for the melange image, see Kerri’s post or visit the Melange]

Follow the thick neon pink twine, winding through the park, and you’ll eventually come to a giant ball of string. I delighted in the thought that an enormous barn-sized Kitty, had recently been at play. Across the park giant flowers towered into the blue sky. Strolling beneath the stems and petals gave us an ant’s perspective.

Imagination. It’s working all of the time. And, sometimes it takes a giant ball of pink neon twine to make it visible. When we look forward to an event or dread a meeting, we are in full imagination. What else? When we desire a certain future or run fast from an opportunity, we are deep in our imagination. Kerri’s toes curl every time she drives under the train trestle while a train passes overhead: she imagines disaster.

I wish I had a nickel for every time I’ve heard in my life, from students or clients or friends, who’ve said, “I don’t have a good imagination.” The greatest figment of imagination is the notion that there are greater or lesser degrees of imagination. Sense making, personal story, idea generation, brainstorming, hypothesis checking, retirement planning…are all processes of imagination. We sense the world and then story it and the story always begins with the generation of an image. To be human is to be a wild. imaginer.

I’m privy these days to many thought models and process maps. I’ve spent the past 48 hours in a deep conceptual exercise. Emerging from my office at night I squint at Kerri and say, “My brain is tired.” The lovely paradox about the models and maps and conceptual paths is that they are not real. A map of the city is not the city. A model for product development is not product development, it is a map at best, a place to locate the imagination. The imagination uses itself to discover itself.

And, therein lives the paradox: imagination is as much about “discover” as it is about “invent.” We imagine our future so we can walk toward what we already see. As every artist knows, the canvas tells you where to go, the character tells the writer where the story turns. We discover ourselves in our imagination. Follow the pink twine far enough and you’ll eventually come to a giant ball of string.

read Kerri’s blog post about PINK NEON

watercolor fun: dog dreaming © 2010 david robinson

Decide To Learn [Flawed Wednesday]

[No image today. My technology is having a rough morning]

I spent my day yesterday thinking about lines of perception. I’ve known for a long time that where a focus is placed will largely determine the dynamic reality, the movement, that is created. For instance, a focus on opposition will always produce a chaotic, explosive pattern. The moving energy locks up, tension builds, explosion. Repeat again and again. Focus on the relationships, the spaces between, and the movement, the energy, will harmonize around a common center. The behavior of a system is visible if you know where to look.

Points. Spaces between. Analytics or Synthesis? Break it into parts or look at the whole. Is it a particle or a wave? Both/And.

Tom used to say, “Teaching is a relationship.” It’s not about the material-to-be-covered. It’s never about the test. It’s always about the spaces between. Learning, at its best, is not about coverage. It’s about incorporation. It’s about meaning made from relevant experience. Experiences made relevant.

Every action has an intention, even if the intention is to stir the pot, to see what happens.

A few blocks from our home, outside the courthouse, protestors face each other across a perceptual dividing line. The energy is locking up. Tension is building. Last year a boy, too young to legally order a beer in a bar, legally brought a big gun to a protest. His mom brought him to the protest, big gun and all. He killed two people and maimed a third just a block or two from where he now stands trial. In the year since, he has been made a symbol, a well-financed icon of those who desire a dividing line. The pressure builds, just as the system demands. We await the explosion. It will be here, a few blocks away, or elsewhere, but it is coming just as the system requires.

There’s a less understood truism when the focus is placed on the points & oppositions: the tension builds and the explosion happens again and again because no one ever learns. It’s a repetitive pattern that perhaps feels like progress but is actually an eddy. Empty movement.

The only way out of the eddy is to attend to the relationships, to turn the focus to the spaces between.

read Kerri’s blog post about DIVIDING LINES

Go To The Shoe Room [on Two Artists Tuesday]

When I managed the theatre conservatory at PCPA Theaterfest, I occasionally gave backstage tours. It was great fun because the favorite stop on the tour – on every tour I gave – was the shoe room. Visitors always enjoyed standing on the stage, they were impressed with the scene and costume shop, they delighted to watch the prop master at work, but the moment we entered the shoe room, they were transcendent. Wide-eyed and giggling, pulling period shoes from the shelves to show their companions, it was as if they’d entered a candy store. The magic was released through the shoes.

The shoes, I suspect, harkened back to a time of dress-up. Childhood. The shoes touched their spirit of play. They beckoned to be worn and, as any actor knows, the shoes will inform how a character moves. The sooner you don the shoes, the sooner you will “find” the character. The shoe room was a portal to possible-other-lives.

I am more enamored by sketches than I am by final drafts. I delight in watching master craftsmen and craftswomen work. Theatre artists do not create illusions, they provide access to other worlds, unknown paths. They invite us to the shoe room to try on another life, even for a moment. The process, to me, is more beautiful than the performance.

As we walked the paths of the Botanical Gardens, the technicians were preparing for the festival of lights. Walkie-talkies crackled. Connections were checked. Battery packs were carefully placed. Multi-colored light strands ran like rivers up the trunks of trees. E-candles on armatures floated in the waterways. Magic was in the making. During the daylight, the entire expanse of the Garden is backstage – exposed wires and explicit design. At night, the mechanics will fade behind the light curtain. Backstage will become fore-stage. The light will invite us into another world. The light will touch the spirit of play.

I have always believed that people, lurking behind those serious faces, really just want to play. It’s the reason I kicked off my shoes every time I entered a room to do a facilitation. Lose your shoes and it’s no longer a serious affair. Play threatens. Play is suddenly a real possibility. The spirit of play cracks even the most harden entrenchment. Play necessitates collaboration and sharing. Pirates and Princesses need mates and parrots and knights in order for the world to be complete. Lawyers will take off their ties and wear them as headbands when the shoes come off and the serious topics are approached in socks and bare toes.

I recently – as we all have – been privy to an endless contentious debate about what this nation needs to do to get back on track. I believe it is not so complicated. We can carry on our oh-so-serious-division, but the single rule should be that no one can open their mouth – politician, pundit, and pedestrian alike – before first taking off their shoes.

read Kerri’s blog post about LIGHT STRANDS

See The Dance [on Merely A Thought Monday]

“Life and death are one thread, the same line viewed from different sides.” ~Lao Tzu

We had a hard time choosing the prompt for this day. Traditionally, on Monday, we use a quote, something we’ve heard or come across in the week prior. We had plenty of thought-provoking quotes and appropriate images from which to choose. A few would have inspired rants. We also had a few ready to go that would have required more time than we have this morning to do the thought justice. They were heart-thoughts. And, so, we sat and stared at our screens. We pulled the original choice just before we published our picks for the week. “Let’s wait on this one,” Kerri said, “I feel like I want to give it more time.”

More time. Yes. In a few weeks time, we will cross the four year mark of our Melange. Five days a week. Four years. It’s a significant body of writing. At least to us.

When Kerri offered this image as an option, she said, “Maybe we should write about silence.” The mums bow their head. It is the end of their season. The flower drops and dies but the plant lives on, readying itself through the cold winter for a blossom resurrection in the spring. The buds will appear to be new life and we will celebrate them as a new beginning. The plant will smile at our surface-worship. Life did not disappear with the drooping blossom.

The phone rang last night in the early evening. It was my mom calling, just to chat. We talked of our disbelief that my dad, Columbus, was gone. We talked of her exhaustion and need to be still, like the mum in winter. We talked of the emergence of new friends and, someday, the discovery of a new purpose. All in good time. Good time. She is heroic walking through this chapter of her good time. When energy turns to the root, when it moves to an internal focus, it necessarily feels lonely.

Some things cannot be rushed. Most things, those with the greatest import, cannot be pushed. They must be lived. Experienced. The blossom droops and drops. The plant knows just what to do. It is winter and energy must go to the root – that is precisely why the blossom dropped. The plant is not separate from the season. It’s a dance that only seems to be a movement with two but, in truth, is the motion of one, a push-me-pull-you. The inner focus, hibernation, once recharged, will, someday soon, feel the sun and turn its attention outward. New buds are certain to answer the call.

read Kerri’s blog post about MUMS