Consider The Intention [on Merely A Thought Monday]

My least favorite character in Romeo and Juliet is Capulet, Juliet’s father. A few years back I thought it would be a good exercise to tell the story from his point of view. In his world of privilege and order, he has an out of control daughter, a teenager no less, ignoring the rules of the house and society, having sex with the son of a sworn enemy. He imagines a better future for her (and himself) and has worked hard to protect her and match her with royalty. Like every parent I know, he just wants his daughter to behave and thrive.

Every story has an agenda. That’s true of the stories we tell of ourselves at parties, it’s true of the stories we shout at each other when we are having fights, it’s true of the stories we tell when we are falling in love, it’s true of the stories we tell when breaking up. Every story has at least two sides and each side has an intention.

Stories are never neutral or passive. It’s precisely why Blind Justice is so important to the health and well being of a society: between two opposing/competing stories there is a point of equilibrium that we call “fact” or “truth.” Blind Justice carries a scale to symbolize that place of story-equilibrium, ideally free of status, privilege, sway…weighing the stories to arrive at fairness and equity.

Health is the capacity to consider the other side of the story.

It is the truly despicable character that steps with intention into the gap between competing narratives solely to create discord. To lie for gain. Iago is just such a character. He creates an illusion with no greater intention than to hurt, to destroy. Desdemona dies. Othello murders because he cannot see through the lie Iago is telling. Othello’s love turns to hate. He cannot or will not hear the other side, the love story, the truth of Desdemona.

Hatred is a territorial flag planted in a one-sided story.

The modern GOP is Iago. Othello is a cautionary tale relevant in our times. What or who will be murdered before the lie is laid bare?

I have always been a lover of myth and parable, stories that reach with intention to deeper truths. It is why I stepped into the theatre in the first place. Art, like Blind Justice, uses story to reach deeper truths, truths that can rarely be captured in words. It’s the paradox of art and truth is always found there.

No story has a single point of view. No truth is singular – that is the hallmark of the truly important challenges that every society faces. It is why successful governments tell their story with truth as their intention. It is why successful relationships sail through stormy seas. The intention is pure. The desire to stand in the shoes of the other-side-of-the-story is genuine and necessary in order for the relationship, the community, the country to thrive.

Capulet is not a bad man. He has good intention. The play ends when he becomes capable of standing in and considering the other side of the story. Hope and equity is the promise rising from the pain.

Iago, on the other hand, is a wholly different story. His play ends in a cage with a nasty celebration of the pain, death and havoc he’s wreaked, gloating about his capacity to snare others in his big lie. All are made fools.

read Kerri’s blog post about THE OTHER SIDE OF THE STORY

Consider The Circumstance [on Merely A Thought Monday]

Easy Way Down. We laughed. The sign only makes sense in the context of winter and deep, ski-able snow. Just out of the frame of this photograph is a chair lift. There is an easy way down because there is an easy way up. Later, as we knew we would have to do, we matched our easy walk down with a breathless slog back to the top.

Circumstance is everything. Sense-making requires a context. Stories only make sense within a specific context. Plunk a choice or a story line into an unrelated context and it seems like madness. Or stupidity. Yank Romeo and Juliet from the context of a society deeply divided by conflict and there is no story. There is no obstacle. It becomes the story of two delusional self-absorbed teenagers. Their choices would seem ridiculous without their circumstance.

I’m certain that Captain Obvious is yawning at my pedestrian observation. Circumstance is everything to sense-making. “So what!” the good Captain sighs.

Well, stop for a moment and consider this: we are in the grips of a worldwide pandemic. That is our circumstance. On this day in these once-united-states, roughly 8 months into our pandemic circumstance, over 220,000 of our citizens have perished from the virus. More than 8 million Americans have been infected. There are 42 million cases world-wide with more than 1 million deaths.

I might agree that a mask mandate – absent the circumstance of a global pandemic – might seem like an infringement on my personal liberties. It would make no sense. However, within the context of a global pandemic, railing against simple public protective measures – mask-wearing, social-distancing, washing hands – seems like so-much-lunacy.

The pandemic is our circumstance. Despite whatever noise and misdirection is being circulated within the fox-bubble, the pandemic is our circumstance. Denying the existence of a pandemic while the rates of infection break records daily is the madhouse equivalent of dumping Frodo and his mission into a Hallmark movie [a Hobbit with a mission finds himself in Christmas town where nice looking citizens offer him hot cocoa and the opportunity to find love in a tree farm]. It makes those within the fox-bubble crying “HOAX!” seem angry, petulant, delusional, and self-absorbed. It makes their dedicated resistance to mask-wearing and social-distancing infantile. It makes their gun-toting, testosterone-riddled protestations puerile.

The pandemic is our circumstance. It is the circumstance of the world. Denying it does not make it go away. As Doug might have said, “Wow! Every goddamn country in the world is pretending to have a deadly pandemic just to throw an election in the USA! I’ll bet that took some serious diplomacy!” [note: his language would have been much more salty]. Denying our circumstance creates worldwide incredulity at our utter stupidity and, above all, facilitates the spread of the virus.

I’m certain that theatre companies across this land are planning productions of Romeo and Juliet set in America 2020. Romeo is a child of the Blues, Juliet is the child of the Reds. The two youngsters, for a moment, with hearts full of new love, transcend their circumstance. Their society’s dedication to division will, of course, kill them both. Remember, too, that other cherished family members die along the way. Mercutio. Paris. It’s an old story asking a current question: how many will have to die, what [or who] is the loss so great that it/they will finally and at last open our eyes?

The pandemic is our circumstance.

read Kerri’s blog post about EASY WAY DOWN

Draw The Symbol [on DR Thursday]

sketch image copy

Sometimes drawing is like free writing. I capture the lines and images as they arise without edit or evaluation. It is more akin to following than leading. It’s a meditation. I draw for the surprise of what shows up. Often, in my free flow, symbols arise and I only see them after I put down my pencil. The symbols that floated to the surface in this drawing are Heart and Strawberry.

When symbols pop up for me I make it a practice to investigate, even if they appear obvious or I think I already know. I assume that I do not know anything. It’s a way of continuing the conversation. These two, heart and strawberry, are intertwined symbols. Venus, the goddess of love. Purity and perfection. Sensuality. Eros. Happiness. Good fortune. Compassion. Joy. Charity. There are cultural lenses and religious interpretations but across all cultural variance, both symbols are rivers that lead to love in one or all of its expression.

Yaki asked me to rewrite THE CREATURES OF PROMETHEUS – a storytelling to accompany Beethoven’s symphony – so that it might speak directly to the realities of our day. He wants it to be more obviously relevant. I have been sitting on it, watching and waiting, since we seem to be living in a swirl of chaos. My grasp of relevance in the morning is obsolete by sundown. The only consistency that cuts through the mayhem is that the circles in our communal Venn Diagram no longer intersect. Not only is there no crossover, the circles no longer share the same page. We define ourselves according to our differences rather that reach toward our similarities. Romeo and Juliet is an example, a cautionary tale of what happens when the communal circles stubbornly refuse to find crossover. The children easily transcend the division. The society crushes them for daring to love. And then the adults realize they’ve sacrificed the greater for the lesser and in their grief they reach to grasp hands.

There are hearts and strawberries in every tragic tale. The tragedy arises because the characters refuse to see it. Maybe that is the theme of my rewrite? Maybe hearts and strawberries are the tender sprouts that will emerge in our nation once the fire ceases to rage?

 

read Kerri’s blog post about HEARTS AND STRAWBERRIES

We are still in the Facebook penalty box. It is possible that Kerri’s posts may never reappear so, if you enjoy reading Kerri’s word, consider subscribing to her blog. I know we publish waaay too much but, with the minor exception of us, ALMOST no one reads everything that we write – except for Lydia and Horatio and Malta-Alex and for their dedicated perseverance, we are most grateful.

 

 

dogdog babycat paws touchingwebsite box copy

 

*Shared Fatherhood evolved from a sketch about Polynices & Eteocles, brothers that killed each other in combat over control of the throne. Somehow I traveled from senseless war to shared fatherhood.

 

shared fatherhood 2 ©️ 2017 david robinson