Dare To Read The Label [on Bonus Saturday]

I was awake much of the night staring at the ceiling fan and I had a mini revelation.

Earlier in the evening I had a conversation with my mother about medication and the need to check labels. The doctor had prescribed something for my father that would have been harmful for him to take. We discussed the need not only to be vigilant but your own advocate when dealing with healthcare.

And then our conversation wandered into the swamp of politics and current events. Tumbling out of her came a river of Fox News scare topics – “SOCIALISM” she cried! “MEXICANS WILL POUR ACROSS THE BORDER” she howled, “AND MY MONEY WILL HAVE TO PAY FOR THEIR HEALTH CARE!” “I WANT MY COUNTRY BACK!” she bayed. “WE GOTTA OPEN THIS COUNTRY BACK UP!” she yelped. “THEY’RE PAYING PEOPLE TO RIOT!” And, my personal favorite, “THERE’S EVIL POURING ACROSS THIS GREAT NATION!”

You’ll not be surprised to learn that I pushed back. Mexicans pouring over the border was her response to my question, “What do you mean by socialism?” Someday I will learn that it is impossible to reason with the absurd.

And so, I found myself staring at the ceiling fan, asking myself the same question over and over: why would someone be vigilant about checking the labels on their medication and not apply the same vigilance to the stories they consume? Why would they check the efficacy of what they put into their body but not check the truthfulness of what they infuse into their thought?

That is perhaps the single most important question we as a nation should ask. Why are so many of us so willing to swallow poison?

As I’ve previously written, Fox News will kill someone I love, so egregious is their dedication to misinformation. In a pandemic, it’s only a matter of time. Go here to read the label on their bottle. Here’s a snippet: strongly biased toward conservative causes through story selection and/or political affiliation. They may utilize strong loaded words (wording that attempts to influence an audience by using appeal to emotion or stereotypes), publish misleading reports and omit reporting of information that may damage conservative causes. Some sources in this category may be untrustworthy.

Misleading reports. Influence by appeal to emotion or stereotypes (in other words, scare tactics). Untrustworthy. It’s propaganda, brainwashing, hype, and (my personal favorite synonym) the big lie.

Why would anyone swallow the big lie when the warning on the label is written in big bold red letters? Or, more to the point, why work so hard to ignore the label?

My revelation watching the ceiling fan go round and round: I can’t possibly fathom why. Nor do I need to. I’ve pushed back again and again and whirl to nowhere just like the ceiling fan. I can let it go now. No one is forcing the angry fearmongering down their throats or coloring their sight with so much hate. It’s a choice, their choice, her choice to ignore the warnings so clearly printed on the label.

read Kerri’s Bonus Saturday Donkey Wowza-Paluzza

Check Your Sources [on Flawed Wednesday]

red and blue america copy

When I hung up the phone I turned to Kerri and said, “I have to make peace with the fact that Fox News is going to kill my parents. I have to make peace that Fox will inevitably kill someone I love.”

I remember writing research and opinion papers in high school. Beyond giving shape to thought, the lesson was about citation. Know your sources. Know the difference between a fact and an opinion. Perspective is just that, a point of view. When the internet roared into being, as a teacher, I hammered the same nail into my students, “In a world in which anyone can assert anything, it is vitally important, more so now than ever, to discern what has merit and what does not. You have to protect yourself and know what is perspective and what is fact.”

An educated person asks questions about what they are told. An educated person asks questions about what they are telling themselves.

A three minute Google search of media bias rankings will provide an number of links to follow and all issue relatively consistent reports: there isn’t a media watch agency in the world that considers Fox News a source of news. It is ranked as a solid source of right wing propaganda.  Sifted information with an agenda. And yet, so many of the people I love have rooted their hard perspective in this flimsy pseudo soil. The rankings will also point the curious to news outlets that are more neutral and fact based.

If it is so easy to discern, to check whether or not it is drek that you swallow, why are so few adults interested in doing what every middle school student is taught as an essential?

Fact is proclaimed as false news. “Alternative facts” are elevated as truth. Anger is strummed in a fearful populace. Absolute loyalty is demanded for tribal membership (do not question…). Conspiracy theories create a wall of white noise punctuated by cheer inducing blame games and name calling.  Deep state bogeymen and enemies-enemies everywhere. Feed the anger. Hype the fear. Think no thoughts in the face of blaring discrepancies. An unassailable thought-free-firewall is firmly erected in the Fox-votary.

From outside the Fox bubble we ask, “Are they really that gullible?” From inside the Fox bubble, they ask, “Are they really that blind?”

The divide is complete. Two warring narratives. And so we are conquered. The pandemic does not care whether we are in a bubble or not.

Outside the Fox bubble we practice social distance. We are told that it is the only tool we have in the box – in the absence of  adequate testing – to slow the spread. We see the comparison data and recognize that, given the hubris in the other narrative, that the USA is on track to repeat the horror that is now overrunning Italy. We listen to the the CDC and the WHO for our information. We see Spain converting ice rinks into morgues. We challenge the mind numbing notion put forward by a feckless president that this is “like the flu.”

The peace I need to make? The people inside the Fox bubble, many people that I love, are not gullible or stupid – not by a long shot. But, they’ve forgotten what they learned as a baseline to being an educated, curious and responsible adult: check your sources. They wouldn’t wholeheartedly buy the story of a used car salesman. They’d check out the car before they bought it. In this day and age, the same rule applies to news. They are making a choice.

Blind belief is a lemmings game. Human beings have the capacity to open their eyes and to question.

 

read Kerri’s blog post about RED AND BLUE

 

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Unify

a watercolor from 2003, House On Fire

a watercolor from 2003, House On Fire

Stay with me. I actually have a point.

If ever I teach actors again, or coach people in any endeavor, or communities/businesses seeking betterment, I will only have two things to teach: 1) Grounded-ness and 2) Focus placement on the unifiers. These two concepts are really  one looping concept but for ease and the sake of being understood, I will offer them independent of one another.

As focus placement goes, an actor on the stage has two options and depending on the focus placement they choose, they will either create the play or destroy it. A focus on how they look or sound or feel destroys the play. It is a self-focus in an art form of relationship (all art forms are made vital in relationship). A self-focus breaks the relationships and effectively locks the audience out of participating in the story. It makes the actor giddy with fear, easily distracted, alone. Conversely, the actor can focus outside of themselves, on the other actors on the stage, on the energy between, on their pursuit. An outer-focus creates relationships and serves as a magnet that pulls audiences into the story. It facilitates participation, creates relationship, and shared experiences. It unifies. Literally.

The actor who listens to him/herself pulls up their root. They unground themselves. The actor whose focus is outward, who is actively pursuing relationship, creates grounding. In fact, they must be grounded to create vital relationships. It is a first principle. Grounded-ness begets grounded-ness; it unifies. It strengthens. It invites. It clarifies truth.

The same principles apply off the stage or out of the studio. It is, however, more complex off the stage. It is much, much, more sticky.

And here’s the point: It has been said that nothing is better at uniting a community than having an enemy. It’s true. A common enemy provides an outer focus. It provides another team to defeat. It works so well that leaders across the ages, leaders who would otherwise look insipid, leaders who, like a bad actor, have a self-focus, a control need, have concocted all manner of enemies. It is a deflection. It works for a short while but what starts as false unity strips a community of its true binder. It separates and splits. It diminishes. It destroys.

Here’s the sticky part. One of the oldest tricks in the book for controlling a community is to split them, to locate the enemy within the community. And then, for good measure, magnify the split. In the early colonies – that ultimately became The United States of America – it was a strategy known as The Giddy Masses (see Ronald Takaki’s excellent book A Different Mirror). Make the people giddy with a false enemy. Uproot them. Deflect them so they cannot join in relationship and be strong as a community. Self-focused leaders cannot survive a unified, healthy populace. It is a strategy: separate the people so they cannot see the movement of power.

Today I started to read the news but stopped after only a minute. Building walls. Expelling Muslims. Enemy creation everywhere! Fox news and MSNBC are great giddy creators. It’s a bad story poorly told. It weakens all players. The primary actors do harm to their audience. Grounded-ness, a first principle, can only come to all when the actors choose to focus on the relationships, see the unifiers, to create rather than destroy. Groundedness comes when the audience engages, questions what they are being told and open (rather than close) their minds.

Grounded-ness. Focus placement on the unity. The principles that make great art also make great society. Fear, the province of the bad actor, the lot of a passive audience, although temporarily effective, can only destroy the play.

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