Be A Zebra [on KS Friday]

The Post-It note beside my desk reads “Zebra.” It is a reminder to be more like the zebra. After a near miss with a lion, the zebra does not return to the herd and perpetuate their stress by recounting the story over and over to any other zebra that will listen. The zebra shakes off the adrenaline rush and moves on. No extra stress necessary.

For many years I’ve known that most actions are relatively easy to perform, the stress we experience comes from the story we wrap around the action. There’s a full range of stress stories, from “I can’t do it” to “I have to be…” The it-has-to-be-done-now story is pervasive. At some point in my youth I got it into my human head that faster was better. It’s not a good story since it requires the lion to be on your heels all the time. Watch people sitting in a traffic jam: the story of stuckness has otherwise rational people red-faced and pounding on their steering wheels. The I-have-to-be-there-now story is a recipe for never being present. Running, running, running. Lion on your tail.

Zebra.

When I moved in Kerri cautioned me that the to-do list would never be done. We live in an old house and, like an old body, extra care and patience is required. It’s been quite a transition. This house has become my teacher. It’s in my nature to get-things-done. True confession: If I start a project, I become myopic until it’s finished. All my life, after starting a painting, I lay awake at night rolling the possibilities over and over in my mind until the final brush stroke hits the canvas.

This old house has taught me to let go of my story of need-to-finish. It’s softened the edges of my Puritan work ethic. I’ve grown to appreciate having to tighten the handle on the backdoor once a week. Some day we’ll get to putting knobs on the kitchen cabinets. I’ve come to appreciate jiggling the burner to make the stove work. Our monthly puddle-prevention-thaw of the freezer is part of the rhythm of our lives.

Zebra. No resistance. It’ll get done when it gets done.

Life is infinitely better without an imaginary lion on my heels. It makes me wonder why I spent so much of my life creating stress for myself. I’ll save my stress for the real lions and you can bet when one of those appear, I’ll tell you about it. Again and again. I’m a human after all. Half the fun of being human is telling the tale so I want to make certain my tale, if I’m going to perpetuate my stress, has bonafide lions snapping at my hooves.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about THE REFRIGERATOR

i didn’t know/this part of the journey © 1998 kerri sherwood

Consider The Symbol [on DR Thursday]

Because it is outside, she grabs her camera. Were it inside, I’d hear the special scream saved for spiders and I’d come running. The power of a screen, flipping fear to fascination. “It’s amazing,” she said and cringed.

Spider symbolism – like all vital symbols – carries the power of a complex split-metaphor. On one side of the screen they are toxic, malicious, potential bringers of slow venomous death. On the other side of the symbol, they are world creators, weavers of life and interconnectivity. Certainly, they are central characters in this world-wide-web that we enjoy.

In this era, we attempt to restrict our symbols, preferring them to be absolute, one-sided, either this or that. Symbols never work that way. They lose their power when cut in half. To be potent, a symbol must embody both sides of the moon. Limiting a symbol to only one side flattens it, robs it of dimension, renders it useless. The real power of the symbol ignites when both aspects are understood and embraced. Symbols are polarities.

We would be wise, in our nation, to look at both sides of our symbols. Our history, embodied in our symbols, is both shining and dark. Vapid fear-stories like “replacement theory” fester in a flattened symbol culture, a half-told history. Ugly nationalism grows in the spaces left empty by a cleaved symbolism, a highly-edited narrative.

Gaze through the screen at both sides of the symbol, and a fuller, richer, more color-full story emerges. An honest narrative.

Nations, like people, become healthy when they embrace all sides of their story, the dark side and the light, when they acknowledge both aspects of their symbol, when they take responsibility for their actions, the venomous and the virtuous alike.

read Kerri’s blogpost about THE SPIDER.

Prometheus Resurrection © 2008 David Robinson

Sing The Song Of Simple Lessons [on Not So Flawed Wednesday]

This is a song about the simple lessons. The amusing and eye-opening answer to “because we’ve always done it this way.”

As a budding young artist I was frustrated because my charcoal lines were not as alive or fluid as the masters I so admired. I wrestled and strained and struggled to achieve “alive” lines, doubling down on my technique, my personal bridge to nowhere, as if doing more of the same, rife with inner turmoil and tension, might achieve my aim of ease.

Watching me struggle, amused by my absolute dedication to doing the same old thing in the same old way, as if I might accidentally squeeze out a new result, my art teacher, a wisened older woman full to the brim with laughter and humility, came to me, took the charcoal from my hand, and showed me how to hold it, not like a pencil, but like a flower. My lines were instantly alive. My teacher laughed at my amazement.

New ways – better ways – are rarely discovered on a tension path. Why is it that we look in the same drawer multiple times when we’ve lost our keys?

We have, for years, made lunches from yummy food wrapped in a corn tortilla. More often than not, our food falls to our shirt, our plates, the floor, because the tortilla splits. “We have to do something different,” Kerri says each day as her tortilla disintegrates. Dogga delights in the mess and recovers the spoils that hit the floor. Day after day, year after year, the tortilla struggle has been a part of our lives.

During a recent visit, Kirsten, watching our struggles, shook her head, sighed and asked, “Why don’t you use two tortillas?” It was a revelation. A simple change that never occurred to us, babies of depression era parents.

“Two tortillas!” Kerri exclaimed. “Yes!”

I nodded with satisfaction. A better life, a cleaner meal, was in reach! Less mess in our future!

Two tortillas. Hold the charcoal like a flower. Revelations born of ease and the obvious answer.

Someday we will learn (or not): No stress necessary. Relax. Insight sings the song of simple lessons.

read Kerri’s blog post about Two Tortillas

Do Good Work [on Two Artists Tuesday]

As a purveyor of story, I’ve regularly explained away the large mound of dirt in our front yard as either the tunnel-sign of an enormous gopher or an ancient burial mound. Neither story had sticking power but I had to say something about the mountainous mess left behind after the crew dug a moat to fix our broken water line.

Kerri and I visited the mound daily and asked each other the same question: what are we going to do? The paperwork for the repair mentioned our responsibility for possibly doing “light landscaping” after the repair. With weeds wildly growing atop the burial mound, snaking their way through the chunks of concrete and asphalt, an answer to our question became pressing. Our neighbor, the landscaper, wheezed every time he looked our way. “We have to do something,” she said, marching inside and picking up the phone.

These are a few of the responses to her initial appeal to the company that dug the hole and made the mound: It will eventually settle. It can’t be that bad. It’s not our responsibility.

These are a few of Kerri’s replies to their responses: It is that bad. It will never settle. It’s your responsibility.

Initially they thought it was a smart move to send someone out to see the mound that was not so bad and would eventually settle. I’m certain they sent someone as a gesture, a token visit to demonstrate their concern, to quiet the complaint of the customer. The guy that came took one look and said, “This is a mess. We did this?”

A few days later a dump truck appeared, followed by a large scraper. They took away the mound. They smoothed the scar with a layer of new top soil. They scattered new grass seed. They covered it all with protective hay. We were shocked. We expected mound removal and nothing more.

Kerri and I visited the new hay-covered flat land front yard. Gopher and burial mound tales suddenly a thing of the past. She texted the story of the mound disappearance to Dan, our new-grass advisor and renowned-lawn-master. He wrote, “It’s nice to find people who want to do good work, who want to take responsibility for their work.” True. So true.

“I can’t believe it’s gone,” she said and smiled. “The squeaky wheel…”

Clapping imaginary dirt from my hands, feigning boy bravado, strutting with mock accomplishment, “Well. What’ll we take care of next?” I asked.

read Kerri’s blog post on HAYNETS

Blink Open Your Eyes [on Merely A Thought Monday]

In an interview, Thomas Friedman called what we now face in this nation a “slow erosion.” Societies do not collapse all at once. They slow boil, frog in a pot.

Timothy Snyder said, ‘Ideas matter.” After all, ideas become action. Ideals matter, too. Democracy is an idea. It is not a given. Those who erode its foundation must believe it is inevitable, otherwise they would think twice before perpetuating The Big Lie, brazenly participating in sedition. Make no mistake, justifying an assault on the succession principle is to turn against the fundamental idea. Democracy is nothing more or less than a succession principle. Ideas matter.

Slow erosion. Slow boil.

Watching the news, reading the streams, there’s not much more that can be said after the court’s assault on a woman’s right to choose what happens with her body. Equality is an ideal. It is not a given. We not only have to choose it, we have to choose it again and again and again. Equality is a kind of power structure. It is the rhetorical central idea of our society.

And, so, we work on and on to make our central ideal more than rhetoric. We fought a war over inequality. We actively chose our central ideal with equal rights amendments. Early in our history, we chose it when we extended the vote beyond white male land owners. We chose it again when we prevented government from dictating what a woman could and could not do with her body. Equal rights.

Equality scares those who stand atop the hierarchy, who believe their privilege is their power. Ask Ginni Thomas what drives her sedition? Ask her husband Clarence why, now that the nation has rendered women second-class citizens, we now must revisit the rules of contraception and same-sex marriage? Ask Mitch McConnell about his life-long mission to pack the courts. What, exactly, might they be afraid of? Why are they working so hard to undermine rather than further democratic ideals? Why are they choosing to restrict equal rights while pushing forward autocratic candidates with authoritarian ideals?

My grandfather told me it was wiser to listen to a person’s actions and not their words.

Ideas, ideals – like equality – are powerful and made visible in chosen actions. Tom used to say that you can see the power of an idea by “the size of the tide that rises against it.” Right now there is a mighty tide rising against the democratic ideal of equality and the core principle of succession. It’s not a given. We are seeing what happens when the guardians of the principle turn against it. Slow erosion. Robbed nest.

The good news is that Tom’s phrase works both ways: you know the power of an idea by the size of the tide that rises to defend the idea.

Timothy Snyder also said that we have recently been a nation of sleepwalkers. Democracy is not inevitable. It is a choice made again and again and again. We create it on a daily basis through our choices and actions – or we lose it. Perhaps this latest assault on the ideal will wake us up? Perhaps we might blink open our eyes and realize that, as the stewards of the democratic ideal, we’d best start choosing to walk toward it rather than allow this minority, that so fears the power of equality, to continue their assault on the right to choose.

read Kerri’s blog post about ROBBING ROBIN’S EGGS

Arrive At Magic [on saturday morning smack-dab.]

It’s true. We read to each other. We read poetry to each other.

Lately, Kerri’s reading to me from Pablo Neruda’s Book of Questions. First, she reads the question in Spanish and makes me guess what Neruda asks. It’s important to note that she doesn’t know Spanish. Her first poetry pass is lyrical Spanish-sounding-gobbledygook-syllables followed by a studied look of expectation (remember, she’s a composer and musician – even her gobbledygook sounds lovely). “Well?” she asks, arching her brow. I make up an answer or stare dumbly. After I fail miserably, she hits me with the English translation. Lovely either way, coherent and incoherent.

Lovely either way. The bluebells and dark hazel can come to us through the yummy words and imagination we share or while slow-walking a trail. We may not have the power to invoke a well-timed Amazon delivery but, truth-be-told, I much prefer the way we arrive at our blue-bell magic. Coherent or incoherent. Either way. Lovely.

read Kerri’s blogpost about POETRY

smack-dab. © 2022 kerrianddavid.com

Consider The Brushes [on KS Friday]

As an artist, I have fondness for brushes. I’ve been known to disappear into an art store and lose significant amounts of time in the brush aisle. I rarely buy them – I am notoriously hard on my brushes and wait until they fall apart to replace them – but when I replace them I feel as if I just hit the lotto or found a buried treasure in the art store.

I cut my hair to make my first brush. It was mostly useless and left strands of my hair in the painting. It was the essential need for a brush that clued me in to my life path. I didn’t want it; I needed it.

Lately I found myself wandering through a strange and alien world: the Ulta store, followed by an eye-opening trip into Sephora. Despite the ubiquitous advertising, the fact that I live in this society, how is it possible that I had no idea of the nuance layers of soaps and cremes and removers and buffers and…brushes. Beautiful brushes. As Stephanie once famously exclaimed of me, “You are a man after all!”

Clueless.

I was, of course, fascinated by the brushes. Not just the brushes, but the need to have the right brush. Buffers and liners, fans and foundation and shadow brushes! I am a painter of people, I paint the image of faces, and was fascinated watching the painters of actual faces consider and choose their tools. The right brush. Blush, smooth, hard line.

I cannot count the number of times people have told me that they are not creative, that they do not have a creative bone in their bodies. Standing in the alien land, watching the painters carefully choose their brushes, I wondered how so much creative energy, so much enthusiasm for the right color, the right medium, the best brush, goes unrecognized.

This alien land was pulsing with imagination, desire for the right tool, and the drive to share and help and create. There was a generosity of spirit rarely found on the other side of the doors. Women helping women. Laughter and advice. I liked being in this strange land of strange brushes and kindness – even as an outsider. A stranger. I found a breath of fresh air (perfumed as it was) while following my guides through the brush aisle.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blog post about BRUSHES

grateful/as it is © 2004 kerri sherwood

Pull In [on DR Thursday]

I suspect the turtle understood the giant blonde woman with the camera aimed at this face as a threat. He did what turtles do when stressed: retreated into his shell. “I’m not going to hurt you little guy!” Kerri said, on her knees, snapping pictures. The turtle was, at best, dubious of her reassurances.

We were considering going to an outdoor concert until we saw photos of large crowds of people packed together. Covid has made us crowd averse. “I’m not sure I’m ready for that,” we chirped together and laughed at our stereo response. “I wonder if I will ever be ready for that,” Kerri mused.

At this moment I know more people with Covid than I have personally known throughout the entire span of the pandemic. I suppose this virus that rolls on and on, shapeshifting as it goes, would exhaust our guard sooner or later. I am guilty of thinking, “What’s the point?” as I don my mask to enter a store. Yet, every day this week, a new name or group of names has joined my roster of friends-with-Covid. So, I put on my mask. I pull my head into my protective shell.

There are real threats and there are nice ladies with cameras that only seem dangerous. “May you live in interesting times.” We do. A pandemic. Global warming has arrived. Nationalist madness on the rise. We cannot send our children safely to school – or shop at the grocery store – or attend a concert – without the thought of gun violence. We are awash in real threats and, like countless societies before us, we seem dedicated to our own demise. Madmen and women are at the wheel and we are in the backseat whispering, “Slow down,” looking at each other with, “Do Something!” in our eyes.

When Kerri showed me the photo of the turtle I was struck by the calm on its face. I recognize that turtles probably don’t have the facial muscles to fully express their fear but nevertheless I was delighted by the notion that the turtle-in-retreat was calm. Nothing to be done but pull into the shell and wait it out. No reason to panic.

We’ve discussed being more turtle-like in our lives. We live in Interesting times and there’s not a thing to do about it, other than perhaps write. Make art. Change a few behaviors. We need not wrinkle our brows or cry out in fear while pulling our heads into our shells. The sunrise is still as beautiful, we hold hands when we walk, make dinner together, love on Dogga at night. There’s lots of love inside our shell, no matter the surrounding madness, a quiet center in the storm.

read Kerri’s blogpost about THE TURTLE

shared fatherhood © 2018 david robinson

Add To The Story [on Not So Flawed Wednesday]

Our water theme continues though, instead of pipes breaking, surprise waterfalls in the basement, or spontaneous fountains in the front yard, we’re dancing on the other side of the theme. What was broken or compromised is slowly, as we can afford it, being fixed or replaced. And, as metaphors go, I welcome what this implies.

It is our very own kintsugi. Golden repair – or in our case – copper repair.

“…treating breakage and repair as part of the history…rather than something to disguise.” We’ve consciously created our home to be a keeper of stories: the driftwood that adorns our mantel, the rock cairns stacked by the plants, the chairs in our sunroom… all tell a story. A walk on a special beach. A mountain top. The day the car broke down in Minnesota. Adventure. Routine. Accident. Surprise.

We have a series of old suitcases stacked in our dining room. They are our “special boxes.” Each is filled with momentos of our life together. Concert ticket stubs, birthday cards, notes, old calendars, the bits chain from Pa’s workbench that we once wore as bracelets… Our story fodder. Connective tissue to our shared history.

The copper that Mike-the-plumber has installed in key locations around the house serve as connective tissue to the era of water. Our house is a special box, too. It’s nearly 100 years old so we are a chapter in its story, stewards merely. The copper repair is a visual keepsake, a golden repair from a time when the old pipes and fittings, having done good work, let us know with no uncertainty that they were retiring.

We love this house. We love being stewards to its story. We love that it is the keeper of our story. And, lately, we especially love being on this side of the water era, putting all the pieces back together again, adding to our entwined history, with undisguised copper-gold.

read Kerri’s blogpost about COPPER PIPES

Use Your Words [on Two Artists Tuesday]

Kerri calls this photo ‘Dish rack with orange cup.’ “It sounds like the title of a painting!” she exclaimed.

We generally go through our day making fun of the words we paste on our experiences and pull from our conversations. I am forever proclaiming, “That sounds like the name of a band!” Or, “Hey, that sounds like a lyric!” For a guy that can’t hear lyrics in songs – and is famous for singing my-own-made-up lyrics – I’m particularly adept at thinking I hear lyrics in conversations all around me. I know, I know. I am a walking paradox, a living conundrum, a human-thought-puzzle with a few pieces missing from my box.

Lately, our language game has a new and always surprising twist: simple words that refuse to come to mind. For instance, reaching for the word”ravioli” necessitated, “You know, little pasta pillows with stuff inside.” Tell me honestly, doesn’t that description sound like the beginning line of a poem or a silly lyric? Little pasta pillows with stuff inside. 20 drew a little green orb on his shopping list because the word ‘avocado’ refused a timely recall.

I was on the ground howling with laughter when Kerri’s brain refused to pull a word from the abyss. Twisting her wrist back and forth, making a Tin-Man-esque-joint-with-no-oil sound, she begged for my help. “Come on!” she pleaded, “What is it?”

“Arthritis?” I offered, tears rolling down my cheeks.

“YES!” she danced. “ARTHRITIS! That’s it! That’s it!”

Side note: YES was a rock band in the 70’s. The band members most certainly now have arthritis. Their biggest hit was Roundabout. The song lyrics begin with this: I’ll be the roundabout/The words will make you out n’ out…[side note to side note: I’m not making up the lyric. I Googled it to avoid worldwide criticism].

Speaking of roundabouts, we took down Dogga’s roundabout sign in the yard. Actually, the weather did it for us when it snapped the metal support pole. He doesn’t seem to care. He continues to run circles without his sign giving him direction. The sign will soon go up in my office as a reminder that my brain’s movement and Dogga’s running path are one and the same: circular. Each cutting a trail in our own way.

It’s simple really. Arthritis! Dish rack with orange cup. A still life or almost-haiku-line? “What’s the word for…?” Reminders all to take ourselves less seriously. To never invest too much in or believe too heartily in the words used or the stuff we think. It’s all made up poetry, a band name, a lyric, anyway.

read Kerri’s blogpost and BUY THE PRINT!