Look Again [on DR Thursday]

I’m not sure when I started using floral shapes and imagery in my paintings. There was Sam The Poet and Eve, trees as symbol.

Sam The Poet, acrylic, 48 x 48IN
Eve, acrylic on hardboard, 48 x 48IN

I know my sketchbooks began filling up with flower shapes and symbolic landscapes. Petals appeared throughout my Yoga Series. Leaf and flower shapes found their way into the bodies as well as the surrounding spaces.

Joy, mixed media, 50 x 56IN

I played with tissue paper over color as a ground for the images. When Tony recently visited my studio, he said my paintings were sculptural, visually commanding. I wrote his words on a scrap of paper since artists are mostly terrible at describing their work. He is an artist so he knows that the proper answer to the question, “Tell me about your work?” is “Go look at it and then you tell me about my work.” He didn’t ask the question; he went straight to the looking.

Tango With Me, mixed media, 39 x 52IN

We walked down a path at sunset. Kerri saw the sunflowers and I knew a photo op had arrived. “You should use this as your Thursday post,” she said, showing me her photo, “because your paintings always have flowers in them.”

Well, good enough, then. Sunflowers, shape and symbol, will find their way into the next painting, I’m sure of it.

read Kerri’s blog post about SUNFLOWERS

copyrights for all paintings in this post, 2010 – 2021, david robinson

Let’s Get On With It [on Not So Flawed Wednesday]

It was a national campaign of the US Department of Homeland Security. If you see something, say something. The enemy is here. It is us. We pulled it from an episode of Grace & Frankie. Old folks have hair that grows in places it ought naught. Frankie plucks a hair from Grace’s chin. “How long has that been there?” Grace exclaims. “Frankie, if you see something, say something!”

Yesterday, I had a collision of experiences at the courthouse during my jury pool swim. First, I read an article in The Atlantic, by Tom Nichols, Afghanistan Is Your Fault. He wrote, “The soldiers who served overseas in those first years of major operations soon felt forgotten. ‘“America’s not at war” was a common refrain among the troops. “We’re at war. America’s at the mall.”’

He continued, “A serious people—the kind of people we once were—would have made serious choices, long before this current debacle was upon them. They would today be trying to learn something from nearly 2,500 dead service members and many more wounded. They would be grimly assessing risk and preparing both overseas and at home for the reality of a terrorist nation making its way back onto the international map.

Instead, we’re bickering about masks. We’re holding super-spreader events. We’re complaining and finger-pointing about who ruined our fall plans.

Next, I was among the many chosen for voir dire (the jury selection process). I was in the last group selected so the odds of my serving on the jury were slim. I sat in the courtroom and watched an amazing moment unfold. The judge said something that all Americans should hear. It aligned perfectly with Tom Nichols’ thoughts. A potential juror, a young man, claimed serving on a one-day trial would create hardship. He’d miss a day of work. The judge questioned him to get more context and then sat back, considered for a moment, and said this:

“Democracy is hard work. When I was young, there were three things that we had to do: pay taxes, honor the draft if called, and serve on a jury if called. All of those things create hardship. Taxes aren’t easy. The draft changed the lives of thousands of young people. Serving on a jury interrupts life. It creates hardship. Giving of yourself to the common good means serving something greater than yourself. It is an interruption. Today, there are only two of those things because there is no draft. My point is, giving of yourself to make this gorgeous system work is not easy. It is hard work. It creates hardship to ensure that our system, the oldest democracy in the world, thrives and survives for the next generation.”

America is at the mall. Meanwhile, democracy is hard work.

For a serious people, there is a center to our commons and, keeping it alive, takes a bit of self-reflection and sacrifice. Giving of yourself to the common good means serving something greater than yourself.

Divided we fall. It is a cliche’ but could not be more relevant.

The enemy is here. It is us. Bickering about the lesser while the greater slips from our fingers. “If you see something, say something” is predicated on an assumption: we are in service to something greater than ourselves. We are on the same team with a common, shared interest.

The judge sat back in his chair after his lecture and asked the young man, “Are you less capable of handling hardship than anyone else in this room?”

“No, sir,” the young man sat back in his chair, resigned.

“Good!” the judge exclaimed. “Now, let’s get on with it.”

read Kerri’s blog post about SEE SOMETHING, SAY SOMETHING

Discern [on Flawed Wednesday]

“For in the end, he [Aldous Huxley] was trying to tell us what afflicted the people in ‘Brave New World’ was not that they were laughing instead of thinking, but that they did not know what they were laughing about and why they had stopped thinking.” Neil Postman, Amusing Ourselves To Death: Public Discourse In The Age Of Show Business

Neil Postman wrote Amusing Ourselves To Death in 1985. Cassandra, sounding the alarm to a community too distracted to listen. Were he alive today, he’d think – but would not say – “I told you so.” All the quotes in this post are his.

I read in my daily-news-horror-trawl a quote from a Wyoming man who believes he’s protected from the pandemic because of the color of his hair. It might sound wacky until you consider that his staunch belief in the virus’ preference for hair color is just one of the many misinformation narratives currently being fed to the angry and easily led. He is, without question or thought, breathing the gas of a political party that wants to keep him distracted, fearful and high.

If you are not choking on the fumes of excessive gaslighting, then you are among those whose eyes are burning from the corrosive air it produces. Are you as tired as I am of reading accounts of deathbed appeals for the vaccine? It is too late, in your final moments of life, to realize you’ve been duped. It’s a tragedy. Are you as disgusted as I am, having been witness to the undeniable violence of the insurrection, of listening to the blatant denials? Despite what your eyes saw, it was just another day of tourists wandering through the Capitol. Gaslight tears.

During the first year of the pandemic an acquaintance latched onto a comorbidity table lifted from the CDC website and circulated as “proof” that COVID was less dangerous than the common cold. It was, of course, taken out of context. A quick visit to the CDC website (seriously, less than 30 seconds), viewed in context and with an understanding of the meaning of the word “comorbidity,” easily debunked the claim. Our acquaintance, enraged, doubled down on his claim of “proof” – though he could not be bothered to spend 30 seconds to check the poison gas that he was gulping.

“When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience, and their public business a vaudeville act, then a nation finds itself at risk; culture-death is a clear possibility.”

The legal defense has been successfully used to defend both Tucker Carlson and Rachel Maddow: the courts ruled that reasonable viewers should know the difference between news and opinion. This is news. This is not.

Do we have the ability to differentiate between public business and a vaudeville act? The evidence is not hopeful.

The court’s ruling, then, is likely based on a faulty premise: that people are able to differentiate. That the audience is reason-able or values reason. Able-To-Reason. Reason is the power to think, understand and form judgments through a process of logic. In order to be reasonable one must value reason. One must want it.

Logic and reason, both assume the inclination and capacity to question. Curiosity, real curiosity, does not seek agreement or group think. It seeks to step into the gap between what is espoused and what is lived. It seeks solid ground to build upon so must recognize sand when it sees it.

And, what if “reason” long ago fled the coop? Or, what if “reason,” has never been a dominant trait in the coop in the first place? What if discernment dies in the presence of so much gas?

“Huxley feared the truth would be drowned in a sea of irrelevance.”

read Kerri’s blog post about IT DOESN’T KNOW

Sit On The Curb [on DR Thursday]

As much as our wily-ole brains would like us to believe otherwise, we can be nowhere else but in the present. Everything else is imagination.

Years ago I belonged to a support group of independent consultants. We met once a month to discuss our business challenges, insights, and to give and receive some advice. One of the members of the group was a Byron Cady coach. I have no memory of the discussion that prompted her to offer this Byron-thought-metaphor: “If your house burns down, rather than race around in panic, the best thing you can do is sit on the curb and appreciate the moment.”

To the consumer-mind, wisdom often sounds like bad advice. That you are alive, that you have this moment, means that no real possession was lost. The question is, in the face of calamity, what will you make of the moment?

Brother Joseph told the story of holding a woman wearing expensive furs, each finger was diamond encrusted, as she died on the street. He was, in the moment, overwhelmed by the worthlessness of her stuff. The illusion of value once life has gone.

Life. This moment. Calamity is certain to come. Sit on the curb and see what is there, beyond what you think is there.

We’ve had our share of adversity these past few years. I would like to report that we laughed heartily in the face of lost jobs and broken wrists and pandemic madness and civil unrest. We did not. We shook our fists at the sky. We made up words and ran loops like Chicken Little. We invested in all manner of fear-of-the-future and ran from monsters-of-the-past. None of our racing around or fist-shaking brought comfort or change.

But, the moments that we took a breath, walked a trail or sat on the back deck and listened to the cardinals and crows, sipped hot coffee on cold mornings, held hands – sat on the curb and appreciated the undeniable truth of our moment: we have everything. We have this moment – the only moment of life that we’ll ever inhabit. We have each other. The rest, the fear of future, demons of the past, are pure imagination. In those moments, wrapped in a circumstance of calamity, we laughed at the beauty of it all.

read Kerri’s blog post about LAUGH IN THE FACE OF CALAMITY

Share The Sketchbook [on Two Artists Tuesday]

Bruce came through town with his son Ben. Ben is a budding Renaissance man, an artist and philosopher. A quiet deep thinker. We marveled at the drawings in his sketchbook. Faces and hands. Figures in motion. A bold sense of color. I remember the terror of sharing my sketchbook and was moved by how eager and easily Ben shared his. A sketchbook, like a diary, is vulnerable, a place to work out ideas, make mistakes, record pain and joy and confusion. We were touched that he was so generous in opening his diary to us.

Big changes are coming Kirsten’s way. Kerri and I laughed at her news, at the ease and enthusiasm she brings to her step off the edge of the known. “I suppose it’s easier to make big changes,” Kerri said, “when you have the bulk of your life still ahead of of you.” I suppose. Or, perhaps, after so many big changes, you come to realize that the real transformations are not in location moves or new jobs. They happen on the inside and don’t seem to be changes at all. More, it’s layers falling off. Discovery of what was there all along.

Bruce and I have known each other for a very long time and have not seen each other in a very long time. Sitting on the deck, a humid hot day, we sipped cold wine and talked about the people we once were. We talked about some of the layers that have fallen off. We laughed at our foibles. There were too many stories to pack into a single visit. There were too many questions to ask and notes to share. I hope we will have more time to sit and share our life-sketchbooks.

Each morning, opening the house, I enjoy the small fountain in our sunroom. The water runs. As a Buddhist would say, “You can never step into the same river twice.” Our fountain reminds me that time runs. Each day is a new sketch. That is true especially if I think I know what will happen that day. I am always surprised by day’s end. Life takes some surprising turns. Some big. Most less noticeable. And, time runs.

I watched Bruce’s face as Ben showed us his drawings. A proud father. Ben looked to his dad, still anchored to some degree in his dad, just as it should be. I remember looking to my dad in just that way. This trip across the country, father and son, will be a good story for them. It is already. It will be told many years from now. A son rolls his eyes. A dad laughs. An old friend and his new wife delight in being part of the day’s sketch.

There is no higher art.

read Kerri’s blog post about THE FOUNTAIN

Imagine The Dinosaur [on saturday morning smack-dab.]

I was 52 years old when I finally had children and, luckily for me AND for them, they were both adults. As I told Kerri, I was fortunate to become a parent when our children were already fully cooked. Just kidding. Or not.

We often speculate about what life might have been like had we met when we were younger. Once, on a road trip, we were making ourselves laugh hysterically with the names we would have given to the poor beings that might have had us as parents. We landed on Chicken Marsala and almost crashed the car. We pretended Chicken was in the back seat. He was voicing his concerns at our driving, snack choices, and need to stop so often [Kerri likes brochures…].

Having artists for parents left Chicken feeling a bit anxious. We found it somehow comforting to finally have a responsible adult present in the car with us.

read Kerri’s thoughts on this Saturday Morning Smack-Dab.

smack-dab. ©️ 2021 kerrianddavid.com

Mark The Passage [on KS Friday]

Just after we met, we dug a small pond in the backyard. It was a party that Kerri called The Big Dig. People came with shovels. We drank mudslides. I met many of her friends and neighbors. We laughed. It took less than ten minutes with so many people to dig the hole. The liner went in and rocks placed around the edges. The pump was placed and the water rushed in. It was a marker in time. It was meant to be a marker, a ritual of passage into the new and the unknown.

She’d planned The Big Dig before we met. Originally, it had nothing to do with me. It was serendipity that I could be present for The Dig. Serendipity or design. Who knows.

The morning after the party, sipping coffee, we sat in lawn chairs on the muddy ground surrounding the now bubbling pond. Kerri used the “M” word, married, “When we are married…” She realized what she’d just said. She blushed and apologized and backpedaled. I was, at the very moment she used the “M” word, doing something I’d never done before: imagining myself married. To her. I was seeing it and, laughing at her anguished retreat, I confessed what I was seeing. We sat by the pond and stared at each other. A ritual passage into the new and unknown.

The pond has always been mine to care for. This marks its eighth year. We just replaced the liner. We had to put flagstone around the pond because DogDog was cutting a deep velodrome path around it, racing in excitement every time John and Michele let their Dachshunds out. Each day we walk to the pond to try and catch a glimpse of the frog-in-residence. This year we named the frog Magic.

Just a few days after The Big Dig, Kerri took me to the marina where the 4th of July celebrations are staged. Bands played. There was a carnival. Too much food. The dog jump is a big attraction (dogs running and leaping into a pool of water in a distance-leap competition). After dark we sat on a blanket and watched the fireworks. Sitting on that blanket, vibrant color exploding in the night sky, I imagined myself living in this town, so far from the west coast that had been my home most of my adult life. “Can I live here?” I asked myself. The answer was immediate: you can’t live anywhere else.

DogDog was born on the 4th of July, probably while we were watching the dog jump. We will celebrate his eighth birthday on Sunday with a rowdy race around the pond. His favorite thing. And then snacks. Also his favorite thing. And then a visit with Unka-John. His really, really favorite thing.

A step into the new and unknown. Ritual passages. You have no idea where they will take you or what the reality of the step over the threshold will bring. You cannot know. You can only step.

“This looks like fireworks,” she said, showing me the up-close-photo of the plant. “I love it,” she smiled.

“Me, too.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about the FIREWORK PLANT

i didn’t know/this part of the journey ©️ 1998 kerri sherwood

Find It [on DR Thursday]

Although it probably does not appear this way to you, this photograph is the road back to my easel. It was an immediate inspiration. Kerri did not intend for it to spark the cold coals of my artistic fire, but it did. It was immediate. I couldn’t stop staring at it.

This painting is called Joy. Look at the floral shapes and lines both within and around the figure:

Joy, mixed media, 50x56IN

Many of my paintings of the past several years are floral wonderlands. They infuse the figures, they are bouncing balls of symbolic trees and oversized shrubbery. They remind me to have fun. To play and experiment. I must have forgotten all of that or turned away.

I hit a wall when I painted my red mess. It’s been on my easel for months. Beneath the red mess, the painting that I’d originally sketched on the canvas, is this:

I think I’d had too much of despair-and-comfort and needed to explode my themes. Thus, the red mess.

When Kerri showed me her photograph of tiny pink flowers, I saw the painting, this painting, complete in my imagination. Not despairing, but vibrant and subtle, alive with those amazing floral shapes, five-petal-bursts of life. Contemporary. Huge. Broad strokes. Almost a sculpture.

There is a story from Plato’s Symposium that I’m using as the basis for my script revision for The Creatures of Prometheus , the original human, cleaved by the gods because it was too powerful, searching through life to find its other half. This painting is (or will be) about the search for love, the transcendence of separation. Finding.

And, as you know, once it lives in the imagination, all that remains is the volition to get there.

read Kerri’s blog post about PINK FLOWERS

joy ©️ 2014 david robinson

Enter The Sanctuary [on Not So Flawed Wednesday]

This is an image of sanctuary. The back yard of dear friends, time spent together, taking precautions to be safe in a time of pandemic.

There’s more than one compromised immune system represented in this photograph. It is why we continue to meet outdoors. It is why, until we were vaccinated, we were careful to keep distance between us. How odd to honor the love of dear friends by inserting space between us. Our flip flops and sandals are stand-ins for a group selfie.

When our postal carrier came to the door to deliver a certified letter, she groused about the process for capturing the required signature, “We have to do this because of COVID,” she sneered, “even though there is no COVID.” We’ve learned not to push back on ignore-ance. I was reading about Brazil eclipsing the the over 500,000 deaths-mark when the doorbell rang. Kerri signed for the letter. She closed the door and we simply stared at each other. No words.

I delight in this photograph because, to me, it is slightly disorienting. If you had to guess which direction the photo was taken, you’d most likely guess blue. You’d be wrong. Perspective is just that – perspective. From my perspective, the photograph is upside-down. The photographer wears black flip flops.

We constantly locate ourselves in our stories. The location we choose is not passive or general. It is unique, dynamic. It gives us a point of view but does not afford us a lock on truth. Learning to question your unique perspective, to challenge your story-as-central, is an important growth step. It is maturation. Learning to question what you are told is an invaluable skill to develop.

As a lover of story, as a student of perspective, I am fascinated by the story-war raging in my nation. Politicians drape themselves in the flag, defending a violent insurrection on democracy, while demonizing and fearmongering BLM. Propaganda, hate-mongering and conspiracy theory is run amok and fueled by entertainment posing as news. Voter suppression laws, gerrymandering, stuffing the courts, all in the name of…what? The story of division. The dedicated maintenance of a half-story. A national story increasingly exposed as redacted. Why should a democracy work so hard to prevent a portion of its population from voting? To prevent its full history from being told? As we ask in the coaching world, “What’s underneath?”

Nations, like people, cannot grow until they look at the whole of their story, until all perspectives are voiced.

I’ve wandered back into the world of entrepreneurs and business. Each day I read or am shown the data on teamwork or the power of collaboration. The software-as-a-service world is dedicated to facilitating better communication, efficiency in sharing and collaborating, crossing disjointed platforms, and reaching into clouds where all are stronger as one than when in silos. I’m finding it intensely hopeful. Progress is calling us together. The economy is global as is the pandemic. We are in this together.

No one is healthy if all are not healthy. It’s the rule of the backyard, the honoring of dedicated friendship. My job is to protect you and yours is to protect me. It’s the story of the sandals and flip flops, the image of sanctuary, and, if not the yearning of this nation, it is the reality of this interconnected world.

read Kerri’s blog post about SANDALS

Feed The Hunger [saturday morning smack-dab.]

I’ve often pondered what to call our middle-of-the-night meals. Lately, we call it our “3am banana.” I used to call it my “life preserver.” Over time, as my capacity to anticipate the feeding-moment has improved, middle-of-the-night-meals have become much less dangerous.

read Kerri’s thoughts about CEREAL WITH BLUEBERRIES

smack-dab ©️ 2021 kerrianddavid.com