Shape The Story [on KS Friday]

“It’s amazing how a little tomorrow can make up for a whole lot of yesterday.” ~ John Guare

Jen’s question sparked a many-days-conversation between Kerri and me. She asked about my favorite childhood birthday memory. I stared into space. My memory pool was empty. There was nothing but white noise between my ears. I sputtered something about awkward valentines in elementary school. Later, on the drive home, I confessed to Kerri how unnerved I was to have little or no distinct memory to recount. Both Jen and Brad had palpable stories to tell – and many of them.

Since that evening we’ve talked about the power of reminiscing. Neither of us has lived near our families. We’ve had relatively few opportunities to sit around a table and tell stories of childhood, recount foibles, ask questions, laugh at where we’ve been and what we’ve done with the people who shared the experiences with us. During our recent trip to Florida I was startled at Bill’s precise memories of his time in Vietnam. Each year he gathers with the surviving members of his squad and they tell stories of their service. His memories are clear because he regularly tells and hears the stories. It’s a ritual meant to keep vital the thread of connection to the past. Shared story is the glue that holds together a family, found-family or otherwise.

Last night we were wide awake at 3am. We turned on the light and returned to our conversation about the power of reminiscence. The power of enlivening stories with others who hold the same memory. Kerri can tell me stories about raising her children but I wasn’t there. We were not parents together so I am able ask questions but I am unable to spark a visceral memory with, “Do you remember when we…” A one way street is not as accessible as a memory street shared by two.

Inevitably, as the sun began to rise on our sleepless night, our conversation turned toward what we want to create. Together. What are the shapes of our dreams? We began to tell stories in the other direction. We imagined and, so, we created. The power of reminiscence balanced by the power of aspiration. We laughed and built metaphoric houses. We populated studios with creations. Kerri challenged me to paint in a new way, not images but to give color and shape to my feelings.

Feelings. Suddenly, I remember a birthday from a time I was very young, single digits. In the basement, made from refrigerator boxes, Columbus built a birthday surprise. A train or an airplane? I can’t remember. But I felt like it was yesterday, the thrill of running down the stairs to see what my father had made for me.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE TRACKS

meander/as it is © 2004 kerri sherwood

Commune [on Not So Flawed Wednesday]

“Art is communion of one soul to another, offered through the symbolic language of form and content.” ~ Alex Grey, The Mission of Art

I just looked up the word “mystic” in the dictionary. Just as a word can clarify, it can also obscure. “Mystic” is one of those words. Mystic implies intention. A seeker. A receiver. Someone unique; out of the ordinary. Yet, who isn’t searching for a truth that dances beyond the intellect? We will – all of us – be “absorbed into the absolute” someday and each of us, in our own way, must reconcile our individual lives with our inevitable disappearance into unity. Everyone is a mystic, whether they realize it our not.

I’m sitting in our bed, it’s February, and the birds are singing outside. The sun is pouring through the window and I’m thinking of looking up another word: bask. The birdsong pulls my heart into springtime yet I want to issue a caution. Be careful, birds! Today feels like spring but tomorrow will feel like winter. Suddenly it occurs to me that, in their song, the birds are issuing a caution to me: Sing! Today is all you have. Luxuriate in the sun and quilts.

A few nights ago, at dinner, Brad told us of an initiative he’s launching at his work. It is cathedral building. Rather than legislating behavior they are, with great intention, cultivating an environment of inclusion. Equity, not rooted in reinforcing distinction and separation, but fostering a culture of belonging. Unity. Reaching for the truth that lives beyond words or intellect or legislation or rules or pronouns or… An everyday intention: the “communion of one soul to another.” A corporate initiative borne from a mystic impulse? Float all boats? Equality beyond lip-service? A bottom line AND a service motive?

It can happen. It is happening. I find that incredibly hopeful. Mystical, in fact. Artistic.

read Kerri’s blogpost about THE MOONRISE

Scribble With Purpose [on DR Thursday]

Henri Matisse said, “Creativity takes courage.” I suppose that is true when considering the enormous pressures to conform to a style or standard. To create what is acceptable or expected. To suss-out what will be rewarded with approval and/or profit. In this context, it takes enormous courage to deviate. To explore. To surprise yourself by breaking form and risking ridicule and rejection and poverty. In this context, it takes courage to show up. It takes courage to punch through.

On the other hand, creativity is the most natural thing in the world. Ask any child. On second thought, please don’t ask any child since it will only confuse them. They have no idea that creativity – to an adult – is a separate thing. What’s scary and vulnerable to the tall people is commonplace to the little critters. There’s help for the older folks: allow the child-inside to scribble with abandon. Recognize that the story of, “I’m not creative,” is a creative act. The story of “It’s scary to create,” is also a creative act. It’s a story.

Creativity runs like wild horses through every day of our lives. Our perceptions and interpretations and fears are pure storytelling. The real challenge is not the absence of creativity but the conscious appreciation of our rampant creativity. The squeeze to conform serves as a heavy curtain obscuring our vibrant expressiveness.

The courage that Henri Matisse references is borne of the tension between the desire to be appreciated (to fit in, to succeed) and the yearning to break new trail or sail into undiscovered lands. To risk. To intentionally and publicly scribble outside the lines. To say aloud what needs saying.

Creativity is the most natural thing in the world. As it turns out, so is conformity. We are, after all, like wolves: animals that run in a pack. Humans die in isolation so serving the will of the group is a high priority. The wrestling match between creativity and conformity is necessary.

The progressive impulse. The conservative impulse. A bowstring drawn taut between these two poles provides the necessary tension to send the arrow of our ideas and dreams sailing toward the distant target. Children scribble with abandon. Grown up children, those telling themselves the story of “I’m a creator,” learn to scribble with purpose.

read Kerri’s blogpost about PUNCHING THROUGH

shared fatherhood, 25.5X40.5IN, mixed media on panel

shared fatherhood 2 © 2017 david robinson

chicken marsala/just scribble © 2016 kerri sherwood & david robinson

Feel The Dope Slap [on Not So Flawed Wednesday]

This morning I awoke agitated. Restless. I’m blaming my dreams. I know I had tons of dreams last night but I can’t remember a single one. I find it useful to blame my restlessness on something as slippery as an unremembered dream. It prevents any significant self-reflection or responsibility for my unease.

I just popped Rob on the head for diminishing his own work. He’s a prolific and gifted playwright and referred to his latest piece as “…another corpse being thrown on a mass grave of scripts.” After I sent the email-head-pop I admitted to myself that I was actually ALSO popping myself on the head. I used his head as a proxy. Popping other people on the head is also useful for avoiding any significant self-reflection. Although I admitted to myself that my head deserved a good slap, I successfully transferred the impact to Rob. No further self-reflection needed! I’ll wait for Rob to write me back with a return dope-slap. He’s a great friend and I deserve nothing less. Really, I deserve a good slap but I refuse to slap myself. That would require taking responsibility for my actions and my indulgent restlessness is getting in the way.

I’ve known for years that Dogga is a master teacher. Among his many lessons is contentment. And, what constitutes contentment is unique to each individual. For instance, most folks want to find a nice beach to lay on. Not Dogga! His nirvana is found in a deep pile of snow. He’s never happier than when the temperature plummets and the white stuff falls. He can linger for hours on the snowy deck in blissful satisfaction, doing nothing more than appreciating his moment. His teaching method is gentle. Unlike me, he eschews head slaps. He lives his peace, affording me the opportunity to emulate it or not.

The other thing I appreciate about Dogga’s lessons: he has absolutely no investment in how long it might take for me to learn. He is not concerned about whether or not I ever learn his lesson of contentment. His job is to make the offer. He is not concerned at all with the reception.

Perhaps the cure to what currently ails me is a few moments sitting with Dogga in the snow. I think I’ll invite Rob. It’s the least I could do after using his head to slap mine.

read Kerri’s blogpost about SNOWDOG

Cross Check [on Two Artists Tuesday]

“It looks like a horses head,” she said, snapping the photo from her window seat on the plane. We were on approach to land, coming in over the bay.

I remember teaching myself to draw horses. I had (and still have) a passion for drawing people so my foray into horses was more an academic exercise than an inner need. I thought I should expand my horizons so the 8-year-old-version-of-me acquired a “how to draw animals” book. It suggested beginning with geometric shapes. Two connected circles defined the torso, the head – a circle and a trapezoid.

It was the same technique used by the teacher in my very first art class. See shapes. Arms are two tubes connected by a circle/elbow. Knees are circles, too! Foreground and background, what’s in front and what’s behind was taught using spheres and cylinders. Perspective was taught using a box. Transform a circle into a sphere through proper shading and you’ll know forever the magic secret of artistry. See a dragon in the clouds and you’ll know forever the magic secret of the human mind. It projects. It seeks sense from chaos. It projects order onto nature.

All the while Kerri is snapping photos of the island that looks like a horse’s head, I am pondering the normalization of hurtling through the air in a tube. People chat. Some are reading. The man across the aisle is asleep. “Prepare to land” is ordinary, uttered thousands of times each day. It’s the flip side of seeing dragons in clouds, another key to the human mind. Miracles made commonplace through repetition.

One human child is a miracle. It’s why we are making the trip. To meet a miracle. Yet, 7 billion miracles walking on earth?

“We’re flying,” I said.

“It’s been a long time,” she replied, showing me the picture on her phone, “Look! Doesn’t it look like a horse’s head? Well, like horse heads that I draw. No ears,” she qualified and smiled.

Miracles and magic. All the way around. Seen and unseen. Cross check. Wheels down. Prepare to return to the ground.

read Kerri’s blogpost about the HORSE HEAD

Have Fun [on Not So Flawed Wednesday]

I’ve been working on my painting, Train-Through-Trees. It’s been a while since I painted so I have one intention: have fun. I’m using big brushes and tools Master Miller sent so I don’t too soon lapse into nit-picky detail. It’s in the detail that I begin to take myself too seriously.

It’s harder than you might imagine to “play” after such a lengthy hiatus. Like all artists I puffed myself with fear-fog and wondered if the muse had left the building. This interruption was circumstantial and not a dry-spell. It’s lasted longer than any dry spell I’ve experienced and has left some doubt-residue. To play is akin to re-entering childhood. To not care about the outcome and follow the paint rather than try and control it. The tools from Master Miller mandate the equivalent of finger painting and help my “fun” intention.

Like all fog, fear-fog isolates. It’s a heavy blanket that descends and fools you into thinking that you are alone. It leads you the believe that the landscape is barren – that you are barren.

I am not alone. Master Miller is in NYC recharging his artistic batteries. He’s sent images, paintings of Lucian Freud and Nabokov’s synesthesia. Dwight sent a right-on-time-book. Rob shared his latest 10 minute play. Mark discusses with me what he’s writing and his movie ideas. Kerri wanders into her studio, sits at her piano, and plays; each time I am transported – out of the fog. Enlivened.

These people are like the sun to fear-fog. Their good hearts and dedicated artistry dissipate the wet blanket and warm me to the bone. They open the landscape and infuse me with energy. They remind me that there is really only one intention: have fun. And that is best done with others.

read Kerri’s blog about FOG

Take The Time [on Two Artists Tuesday]

20 plays a game with us. When we are on the road he takes care of our house and Dogga. He amuses himself by taking photos of obscure details in the house and then sends them to us. “What is it?” he asks. Kerri inevitably guesses correctly while I might get one in ten. He has a great artist’s eye and is masterful at finding curious patterns or unique views.

Kerri and 20 share an artistic similarity. They are both drawn to detail. The sublime found in the small. I walk through life mostly missing the minutiae so I appreciate being surrounded by two dedicated particularists. Because they torture me with the tiny I now – occasionally – find myself caught on a finer point. However, I will never be able to participate in their passionate conversations about kerning. I love their ardor for fonts but in serifs I have my limits.

The deep freeze over the holidays brought amazing ice formations on the pond. John O’Donohue wrote, “Take time to see the quiet miracles that seek no attention.” Bundled up with hands freezing outside of her glove to get the photo, Kerri snapped this marvel.

I’ve learned from 20 and Kerri that the quiet miracles are all around us. All we need do is take the time to see them.

read Kerri’s blogpost about THE POND

Feel The Space [on KS Friday]

Georgia O’Keeffe might have painted it. The Light Cathedral is iconic and people approached it with veneration. It was as if the Cathedral pulled people into it. They stopped at the entrance to take it all in before stepping inside the light. Once inside, enthusiasm overtook reverence. Smiles erupted. Families posed for portraits made possible with the photo-help of strangers. I was overwhelmed by the crush of the crowd and my built-in-covid-response propelled me to the far side and out. I turned back to locate Kerri, smiling, patient with the slow moving mass, gazing up at the magic of it all.

I confess: I wanted it all to myself. I wanted to walk to the very center and close my eyes and feel it. I wanted to lay on my back and fall into the apex like so many stars. I wanted to slow-walk from portal to portal, free to turn and pause and spin. To linger inside this art space. A place created.

The lights transported me to another life: Barney took me to a fairy ring. A perfect circle scribed by towering redwood trees. He knew I could feel it and suggested I spend some time there. I meditated. I returned early the next morning to the ring and sat in the center of the circle. Time stopped. I felt rejuvenated. I felt ancient. I laughed because it felt good. A natural sacred space.

Art spaces. Power places.

“What are you thinking about?” Kerri asked as she joined me outside the Light Cathedral, bringing me back to this life.

I smiled, “Two of my favorite things.”

[listen to the difference. One composition. Two variations. Art spaces. Power places.]

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about the LIGHT CATHEDRAL

always with us/always with us/as it is © 2004 kerri sherwood

Dance [on DR Thursday]

“The human race has spent several millennia developing a huge and robust set of observations about the world, in forms as varied as language, art and religion. Those observations in turn have withstood many – enormously many – tests. We stand heir to an unstatably large set of meanings.” ~ David Bayles & Ted Orland, Art & Fear

The little girl shrieked with delight, “You can stand in it!” She raced inside the dome, her little body so teeming with enthusiasm that she danced. The crowd burst into laughter.

Joy is contagious.

She reminded me of the children I saw dancing at the base of Christo’s Umbrellas. She transported me back to the very first time Kerri and I stepped off the stage after our performance of THE LOST BOY. We were euphoric, so overrun with relief and triumph that we jumped up and down in the backstage hallway, laughing and hugging. Dancing. We couldn’t help it.

I remember that moment when people ask me why I make art since art makes no money. I’ve learned to answer the question, not with words but with a smile.

Value is perceived.

I stepped into the dome repeating to myself, “You can stand in it.” A dome of light. A constellation of thought. The earth rotates around the sun. Joyful participation in the sorrows of the world. Do unto others. There is not one way, there are many paths up the mountain. Discovery is better than invention.

Meaning is made. It’s an ongoing relationship.

Sometime you know that you enter it. Sometimes you don’t know and the dome you discover evokes a joyous dance.

read Kerri’s blogpost about DOMES OF LIGHT

Iconic, 54x54IN, mixed media

[my site is down. A new site is in the works. New works are also in the works. Good things]

iconic © 2010 david robinson