Make It Visible [on Two Artists Tuesday]

“I believe that the very process of looking can make a thing beautiful.” ~ David Hockney

Sometimes I look at a blank canvas and see a composition. My job is to follow the image. To make it visible.

Sometimes I have an idea and I bring it to the canvas. My job is to explore the idea. To make it visible.

It’s a chicken-and-the-egg conundrum. What comes first? When I look at the peony do I see beauty or do I bring beauty to what I see? Is beauty a decision?

“Good-God!” I hear Kerri’s inner monologue-commentary on my too-ponderous questions. “Get out of your head! Smell the peonies!”

I wish I could. What happens when it’s not a peony that I see but my neighbor? Or someone whose worship is strange to me? Or someone with a different opinion?

Sometimes I look at a blank canvas. Sometimes I have an idea that I bring to it. Sometimes my job is to follow the image. Sometimes my job is to explore the idea.

The tricky part of language is that the biases are unseen. For instance, in English, the emphasis falls on the noun: me. Canvas. It implies the two are separate. Distinct. It obscures the relationship between. Connectivity is relegated to the basement, a lower status or obscured to the point of nonexistence. It fosters a philosophical orientation of…”it happens to me.”

Connectivity, once seen, once understood, requires us to recognize our responsibility for what we see. Our participation in the dance of creating what we see. In what we bring to “it”. What, exactly, do we wish to make visible?

read Kerri’s blogpost about the PEONY

Creative Think [on Merely A Thought Monday]

The truth is that I could talk with MM all day. Our calls are few and far between but it always feels as if we’re picking up a conversation from yesterday. His perspective on life is vast, deeply rooted like an oak tree, yet simple enough to play on a banjo. As per usual, he left me with a head-full-of-thoughts-to-think.

One of the thought-rocks he dropped on my head was this: we’ve lost touch with our connection to the humanities. And, we’ve lost that connection, not by accident, but through reckless intention. Years ago I was wide-eyed with disbelief when the local school system stripped history and the humanities from their course offerings to make more room for STEM; science, technology, engineering and math. “Short-sighted and fundamentally stupid,” I said to no one listening. Art was long gone. Music was nowhere to be found.

It’s hard to measure the real worth of the humanities on a test so it was sailed off the edge-of-the-curriculum-world. What , exactly, is the value of kindness, the worth of considering others, the merit of empathy and understanding interconnectivity? How important is it to know where you come from? The origin and cycles of knowledge and the grand mistakes of the past? What might be your intellectual lineage, your moral ancestry? How important is it to consider opposing ideas, to recognize there are many ways of seeing a single event? What happened the last time an out-of-control authoritarian impulse attempted to quash a diversity of opinion? How worthwhile might it be to understand that democracy is nothing more or less than an idea about how humans might create community together? It is not a given. It is not a fact. It is an ongoing relationship. The province of the humanities.

The operative word is “together.”

I laughed aloud the day after my call with MM. Two articles crossed my screen. Because I’m searching for jobs I’m paying attention to articles like The Ten Most Important Skills For Workers. You’ll not be surprised to learn that analytical thinking currently tops the chart but the king is about to be unseated by a new/old champion: creative thinking. Also rising in the top ten are “curiosity and lifelong learning” and “motivation and self-awareness” Of course, “unmotivated and unconscious” have probably never topped the list of desirable skills…though most factory work – and varieties of corporate work – generally produce those qualities in previously motivated human beings.

[I take a moment of silence to recount the multiple times I have, in my life, been told I was un-hire-able because I was too creative. “You’ll see how to improve things and want to make changes,” a manager famously told me. “My job,” he said, “is to keep that from happening. To maintain the status quo.” In another famous jaw-dropping moment, a potential employer told me I was not an attractive hire because I was educated so, “I would want things.”]. A cautionary tale to all those who currently fear exposure to ideas and the other purported horrors of the humanities and a fully educated mind.

Educated = curious = questioning. It’s simple.

Listen to Sir Ken Robinson ask a still-relevant question about whether or not our schools kill creativity. Killing creativity is the same as killing the humanities. Killing our humanity.

Ultimately the horse race between the analytical and the creative is itself symptom of the schooled ignorance. They are not really separate things. The right brain and left brain are only detached for the sake of study and discourse. They are ends of a spectrum and one cannot exist without the other. Like science and art: both are concerned with dancing to the beating heart and movement of the universe. They are two ways of walking at the yet-unknown. They are not oppositional.

Another quote from MM roared into my mind: if you ignore 100,000 years of human evolution, you might-could just miss the fundamentals.

It’s consilience. The unity of knowledge. The whole system. Heart and brain and gut. That’s the loop that MM and I regularly travel. We circle out and return once again to E.O. Wilson.

“One day we’ll figure it out,” posits MM. It’s another reason I adore our conversations: with his tongue firmly planted in his cheek, he is, all the same, infinitely hope-full.

read Kerri’s blogpost about CREATIVE THINKING

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Foster Appreciation [on KS Friday]

In addition to the bunny nest in our yard, I discovered some abandoned nests behind the tall grasses that line the fence. Elegant and intricate constructions meant to protect new life.

The distinction is in the words “meant to”. The critters creating the nests are not necessarily concerned with the aesthetics. Their concern is function. We two-legged critters can’t stroll down a beach without stacking stones, organizing driftwood, or picking the most interesting rock to nestle into the curious pocket found in the wood. Our action is purely to communicate. To leave a trace. To make a mark. To convey something beautiful.

I suppose it’s the same reason that critters make nests. They can’t help it. Nature demands their construction. New life is coming.

We can’t help it, either. Our nature demands playing with possibility. Function need not be a part or party to our frolic. Our creative impulse needs expression. Our active imagination, our spontaneous recognition of opportunity, an intrinsic curiosity and hands-with-thumbs make even the most mundane stroll a canvas-for-the-painting.

We have friends who tell me that they lack creativity. I know better. I’ve walked with them through the woods, across frozen lakes, and strolled down beaches. Rocks are stacked. Flowers gathered. Wood is spontaneously arranged. Not because a nest is necessary. No. Their gathering of texture and color and curiosity is meant to foster appreciation. Inside and out. The function is enjoyment.

No other reason is necessary. No other reason is more essential to us two-legged critters. Nothing better defines us than our innate desire-to-play with the great “What if…”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about STONE AND WOOD

dawn at crab meadow/blueprint for my soul © 1997 kerri sherwood

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Juxtapose [on DR Thursday]

Our meeting seemed destined. I’d just moved into my apartment in Seattle on Queen Anne hill. It was a beautiful sunny morning and I decided to explore the neighborhood so I walked down the hill to The Seattle Center. I laughed when I saw a sign for a theatre conference so I went in the Intiman Theatre to check it out. There was an open seat. I sat down next to David. He was the first person I met in my new town. We’ve been fast friends ever since.

Although we’ve had few shared projects, he is among my most prized artistic wise-eyes. If I want an honest opinion about one of my pieces, he’s among the top of my go-to list. If I need some fresh air blown into my muddled brain, some playfulness infused in my too-serious-process, there is no one better to call.

One night, early in our friendship, we did a painting together. We tossed three pieces of masonite onto the floor; we started painting on opposite sides and worked to meet in the center. It was a riot of fun. It was an exercise in juxtaposition. My-action-inspires-your-action. Artistic call-and-response.

I’ve kept those three pieces of masonite these many years. Occasionally over the years, I remove the protective wrap and reassemble the pieces on the floor. I snap a photo and send it to David. “Do you remember this?”

Juxtaposition. Proximity of color-to-color, image-to-image. Comparison and contrast. It is how color works. Ask Seurat. It is the essence of painting. How purple illuminates green. It is the essence of artist community. Artists elevate the work of their peers. Inspiration is a blossom of proximity. Collaboration. How does my work inflect upon the story of yours?

Diversity of color. Diversity of approach. Diversity of perspective. It is how healthy community works – artistic or otherwise. Uniformity spells the death of progress, the end of invention and creativity.

The cold rainy weather broke and the sun emerged. Finally. We walked our trail. We soaked up the sun. She gasped, let go of my hand and raced away. I know that means a photo op has been spied. “Don’t you love this!” she exclaimed, pointing to the budding crimson flower against the coarse wood. “They are so beautiful together!”

david & david, acrylic on masonite. fun on board

read Kerri’s blogpost about TRILLIUM

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Join The Receivers [on Two Artists Tuesday]

“…artists take delight in and care for their work, and we are thereby inspired to find delight in our own work.” – Alex Grey, The Mission of Art

Standing in front of the Atmospheric wave wall, an art installation at Willis Tower by Olafur Eliasson, I imagined how much fun he had creating it. Monumental. The colorful waves rolling up the side of a building. I wondered, if on visits to Chicago, he delights in watching the play his wave wall invokes in passers-by. I would. His work is spatial so it invites full-body engagement. I had to touch it and lean in against it. I had to put my face close to a wave and look up. The shock of vibrant red among the blue, purple and green made my eye dance across the vertical water.

It is one of the great joys of my life to be surrounded by artists: people who care for their work and find delight in it. David just completed a year-long project, a rewrite/updating of Six Characters In Search of An Author. He directed the first production of his new script. It was thrilling to witness his delight in the process. It was gratifying to watch how he navigated his doubt and fear. The delight and the fear go hand in hand.

It’s worth noting that caring so deeply for your work comes with a studied courage. There’s a very nice lie about bold artists throwing caution to the wind and creating without caring how their work is received. That, of course, is worthy of a press-release and works for image-branding but fully negates the point of artistry. In order for a work of art to be a work of art, it requires an audience. A giver and receiver. A loop of caring. The armor must come off. Expressing beauty or seeking truth is nothing if not a shared meaning and a shared truth. Artists may reach deep into themselves but the point is to engage and express meaning that comes alive beyond themselves and between others. Vulnerability is the secret sauce that connects the two into one.

I didn’t know about the Atmospheric wave wall until we rounded a corner and I saw people enthusiastically embracing it, standing back and craning their necks to take it in, gently moving forward to run their fingers along the wave ridges. The pull was immediate and I found myself joining the receivers of Olafur’s artistry. Armor down, hands planted firmly on the wall, we snapped a photo and I deeply appreciated his whimsy and moxie. Inspiration ripples to the sky!

read Kerri’s blogpost about THE WALL

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Make A Unique Mark [on Not So Flawed Wednesday]

Take a moment and write your name on a piece of paper. Your name, captured in lines made by your hand. No other hand in the universe will make those lines in exactly the same way. No other hand will have the connection to the scribbled name quite like you do. It’s yours. It’s you, expressing your unique signature, done so often as to be unconscious. Do you remember the first time you made those lines?

Expression. That connects. You.

My parents kept a box for me. It has samples of my first quaky lines. It has crayon drawings, scribbles that had yet to meet the notion of containment. No knowledge of should.

I have many, many times been asked to make a case for the arts. Make a case. Amidst the assumption of no-value. I ask the people sitting behind the big table if they have children or grandchildren. I ask them if they ever giggled with pleasure to watch their child smoosh paint with their fingers. Why? Did they tape the smoosh-mess to their refrigerator? Why? Did they store the first scribbles, the first crayon drawing, the first finger painting in a box? Why? Are they hoping that their someday-or-now-adult children will remember their march to unique expression? What price would they, sitting behind the big table, place on those little hands making prints on paper? What is the value of the infinity that those little hands find?

The freedom of expression. Yet unhindered by a life-message that your unique and personal expression must achieve some-thing. What is the value of finding that freedom again, as an adult? Expression sans hinder. No fences. No expectation. What is available when adult fingers are free-like-a-child to wildly smoosh through paint or sing with abandon? What is the value of expression?

I remember the first time I sat in the audience of a theatre and sucked back my sobs. I was so deeply moved by the performance yet aghast at how freely (and loudly) I was about to express my feelings.

I remember the day the woman came into the gallery, saw my painting, and stood before it as if slapped. She cried. And cried. And cried. I cried seeing her see me-in-my-painting.

Have you ever stood on a mountaintop and felt a part of something bigger? Have you ever closed your eyes and let the aria wash over you? Have you ever, driving to somewhere, turned up the volume and sang loud and passionately, the song stirring your soul? Have you ever watched a child play with abandon and feel with utter certainty life stretching beyond your time-on-earth?

Have you ever not given voice to your questions? Silenced your thoughts? Withheld your voice? What would you give, in those moments, to understand the power of playing the fool? The necessity of not-needing to-know-the-right-answer? What would you give to know the courage of taking a step simply because your footprint, your unique print, might help someone, someday, do as you are doing, take a new path that will guide them back to themselves? Back home? What would you give to smoosh your hands with abandon through the metaphoric paint?

What exactly is the value of making the unique mark on the page? Yours? Or the song played that lifts you out of your despair and fills your heart with light and hope?

read Kerri’s blogpost about ART

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Together Thrive [on Merely A Thought Monday]

“Art is an illusion that can convey the truth.” ~ Alex Grey

The little boy who was obsessed with drawing eyes – for hours on end – was not attempting to perfect the drawing; he was trying to reach beyond the visual and touch what was inside. Beyond. To the place of joining.

That motive has never wavered. I have always been at-service. For Kerri and me, art-as-service is the impulse behind our blogs. It’s at the center of our many cartoons. It’s the driving impulse in the plays I have yet to write and the few books that haunt me at night. It’s in the music Kerri amasses in her mind and hums when she’s walking down the trail.

We understand art is essential. That’s not an abstraction. Look into the abyss of your death and tell me where you go to wrap your mind around it? Politics? Business publications? Software? My bet is you read the poets. You listen to Arvo Pärt. You stare at The Sistine Chapel. You walk a labyrinth. You read the words of Anne Frank or ponder a psalm. How do you reach beyond what you can see and touch the essence of what is inside? Infinite? How do you make sense of the big questions? If we do good in the world, what does it inspire you to see? If you do good in the world, what does it help us to see?

It’s hard to put a price on it. It’s impossible to put words around it. And it is our reason for being.

Without you, we cannot thrive.

read Kerri’s blogpost about THRIVE

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Appreciate The Glee [on KS Friday]

My “word-of-the-day” is bedight. Adorned. It seems most appropriate that this adverb popped in my box on this day of Forsythia. The trail was bedight in Forsythia. A sudden explosion of vibrant yellow.

I always look forward to the first Forsythia sighting. It’s the day Kerri dances in delight, chanting, “They’re back! They’re back!” Her relationship with Forsythia reaches into her childhood and has deep love-roots. My association is more recent: it’s the flower that makes Kerri dance. She runs to the vibrant petals to take a close-up. I stand back and appreciate the glee.

Dogga acts as if we are Forsythia. When we return home from errands – even if we’ve only been gone a few minutes – he jumps vertically at the backdoor, so excited is he to see us. Sometimes I like to go on errands just so I can come home to such a glorious welcome. Who doesn’t want to be greeted with out-of-control enthusiasm!

Yesterday, after a particularly arduous slog through the day, Kerri sat on my lap and declared, “We are successful at nothing!” We burst into laughter. Zero. Nil. Nada. Zip. Bupkis. Nought. Naught. And Zilch. And, into that vast nothing, we pour our good laughter and heart until our nada-cup runneth over.

She did not say that we are unsuccessful. Our particular form of success, apparently, is no-thing. Like Glee. Or enthusiasm. Or music. Or beauty. They are hard to wrap your fingers around. They are even harder to assign concrete monetary value. What is our work worth? What – exactly – is our work? Beyond no-thing?

Yesterday I asked Arnie the to ponder the same question I’ve asked many of my wise-eyes pals: why would people support us? Financially? Beyond caring for us or liking us (trust me, we are wildly abundant in love and friendship), why would someone – anyone who doesn’t know us – support our work? What do we bring of value to the community? For us it’s confusing. Approximately 1,500,000 people listen to Kerri’s music every year through streaming services and she receives nearly-nada. Our blogs and cartoon have reached people in over 80 countries. We love to write together. We love to share what we create. Is there concrete value to what we offer? No-thing? If so, what is it called? What could it be? What shape is graspable? We are sitting on the mountain so we cannot see it. What are we missing?

Mostly, we hope to bedight the life-trail – yours and ours – with the vibrant yellow that lives beyond words and evokes spontaneous dancing. Mostly, if it doesn’t make you dance, we hope it helps you stand back and, like me, appreciate the glee.

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about FORSYTHIA

the way home/this part of the journey © 1998 kerri sherwood

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Feel The Rumbling [on Not So Flawed Wednesday]

“We have to stop and be humble enough to understand that there is something called mystery.” ~ Paulo Coehlo

Kerri sprinted through the kitchen. “Dogga has a baby bunny in his mouth!” I reached the window the moment she said, “Dogga, drop it!” He did. The bunny hopped away. Dogga beamed with satisfaction. A new friend. And who wouldn’t want to take a gentle ride in a dog’s mouth?

The Mayapples are reaching through the devastation. The new green is slowly overtaking the broken brown. We wondered if anything survived the eradication. How foolish we were to doubt the power of life. The force of nature. Already this spring the chorus of the frog’s-re-emergence has blown us away. “We only think we’re in control,” I thought as Kerri knelt to capture the wrinkly green splendor.

We sat in the back. It’s our preferred spot when we attend a performance. We can’t help it. We study. The singers, a chorus comprised of women and men who’ve been touched by breast cancer, Sing-To-Live, made me think of the Mayapple. Resilient. Powerful. Reaching through the fear and devastation. Life reaching for life. Their final song of the night brought tears to my eyes. Why We Sing.

This is why we – human beings – make art. Life reaching for life.

I shared a painting from the deep archives with Horatio. He wrote, “You were bursting at the seams, amigo…Have you thought to paint the current iteration and see what that looks like?” Bursting at the seams. I feel the rumbling.

I dream of the day Kerri returns to her piano. There’s so much more music! I feel the rumbling.

Butterflies bursting from cocoons. Hardy green shoots breaching seed pods. Mayapples push through the crusty soil called by the warmth of sun. Bunnies emerge from their leafy nest. Courageous people singing to live. It’s everywhere. Feel the rumbling.

read Kerri’s blogpost about MAYAPPLES

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Turn Around And Look [on DR Thursday]

One little line gives reference to the whole. The horizon line. It is how we naturally – visually – orient in space. It is a baseline of perception. It’s the beginning of discernment.

It is a line that disappeared.

Among other things, art is a reflection of its time. In the past century, art leapt into the abstract. We are “post-modern”. Expressions of personal fantasy rule over community truth, a breaking apart of shared ideals, instant doubt of objective theories…we are mirrored in post-modern art. What is art? What is it not? There’s not a whit of agreement to be found.

General distrust is the beating heart of the post-modern ideal. Division, aggression, tribalism, conspiracy…are its blossoms. Our children perform active-shooter-drills in school; a performance we shudder to attend while our leaders smile and look the other way. Post-modernism at its finest. The absence of a baseline.

Shared truth, group trust, community…requires an undeniable horizon line.

What is up? What is down? What has value? What does not? What has merit? What is undeserving? There is a line. Where is it?

Walking through the antique mall, Brad and I discussed chatGPT. I’m playing with it; he’s using it in his work. It’s raising some very big questions. The questions are not new. They are the next step in a series of questions people have been asking for the past 30 years: what is true? A photograph was once proof that something happened. That hasn’t been true for a few decades. A video was once proof an experience occurred. That is no longer true. News – a word that once implied the accurate reporting of an event. No more. No horizon line.

Brad and I turned our discussion to a sorely missing quality in our times: discernment. In the absence of a horizon line, people will – and do – believe anything. We speculated that, with the introduction of chatGPT into our world, perhaps discernment will once again become important. Perhaps the complete absence of a truth-anchor will turn us toward a common center and require us to look at each other, to seek and restore general trust. The post-modern tide will someday turn and we will draw an old/new line in the sand: we’re-all-in-this-together.

I know, I know. Pie-in-the-sky. However, I’d like to point out that shared dreaming brought us here. Shared dreaming is how we stood on the moon. It is how we can talk to someone across the planet using a small device that fits in our pockets. When a dream becomes shared it becomes powerful. Manifest. A shared dream is a form of a horizon line.

If a shared dream isn’t powerful enough to establish trust, try remembering the other one; the original line of discernment. The line that invites curiosity. It need not be debated. Turn around and look. The horizon line is everywhere.

Four-by-Four, 48x48IN, acrylic, (sold)

read Kerri’s blogpost about THE HORIZON

4×4 © 2007 david robinson