Risk The Adventure [on DR Thursday]

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On Monday, I pulled out the Chicken-Marsala-rough-draft folio. I was searching for a rough concept sketch. It was an early-Chicken idea, a joke mostly, but I thought it would be a good choice, an encapsulation of the melange, for our anniversary week. In it, Chicken Marsala is a nascent angel en route to his very first assignment. He is in full resistance. His mentor angel is pushing him forward. She’s trying to convince him to that this first mission is ideal, a cake-walk, but he knows better. It’s a mess. He’s being assigned to an aging couple. Newlyweds. Two artists. Chicken screams, “But they’re BOTH artists!” The mentor-angel responds, “Get in there, tiger! They’re lucky to have you!”

How many times in life, in your moment of resistance, have you heard, “It’ll be good for you.” Translation: what doesn’t kill you will make you stronger. The problem with this bit-of-wisdom is that being killed is one of the options. In the face of hungry tiger, who doesn’t need a push!

I found the sketch of angel-Chicken but got lost looking through the hundreds of drafts and idea sketches in the folio. If you are looking for something to lift your spirits on a cold and bleak winter day, flipping through the Chicken folio is guaranteed to bring some sun and a smile. He became a festival of optimism. He jumps for the joy of jumping.

The  joy of jumping. That is a much better and more accurate encapsulation of the melange. It is not a story of survival or resistance. In fact, at this one year mark, by measures of survival, it makes no sense at all. Our original intention, making a living, has long ago given way to something more essential. We are doing it because we love doing it. We write for the joy of writing. By measures of joy, of vibrant living, nothing else makes sense.

We regularly slip off of rocks and find ourselves sitting in the water. It is the necessary risk for doing what we love. Life rule #1: Have the experience first; make meaning of the experience second. “Risk,” as Chicken has taught us, is just another word for “Play.” Jump. Welcome the adventure. And, see what happens.

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read Kerri’s blog post on RISK & ADVENTURE

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here’s the full panel

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Count It [on Not So Flawed Wednesday]

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People like to count things. Kerri and I are people so it only follows that on this melange anniversary week that we’ve been counting all manner of things. 52 weeks. 5 posts a week. 260 posts times two. 520 posts between us. What does it mean? Nothing of consequence.

People like to count things. Isn’t it true that, as the proverb states, a journey of a thousand miles begins with a single step. And, after the thousand miles journey, sitting in the sun by the side of the road, who wouldn’t try to calculate the actual number of steps? Just for kicks? What does it mean? Nothing really.

187. The number of product lines that Kerri designed in the first 6 months of the melange. Not single products, but entire lines. From art prints to bath mats to tote bags to cell phone cases. In our week of counting, it is the single number that astounded me. It was the aspect of the melange that required the most amount of time and effort.

It was also fun. I loved watching Kerri design. She becomes hyper-focused. Passionate. Impeccable. I was mostly beckoned for feedback. “What do you think about…?” Usually, there was no answer required. In asking the question she generally identified her preference and was back to working before I said a word.

People like to count things. It is another way of telling the story. Well, at least a part of the story. 187. 520. What does it all mean? Nothing really.  The numbers are the least part of the story. The simple joy of working together, the river of ideas shared along the way. The heart conversations. The laughter. There is no number capable of capturing what happened in the midst of all those steps.

anniversary haiku copy

read Kerri’s blog post about 187

 

[Here’s the very first Flawed Cartoon Wednesday. I thought (and still think) these cartoons are hysterical. The number of people who went to the Flawed Cartoon store: 0. What does it mean?]:

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if you'd like to see FLAWED CARTOON copy[Do it! Go to the store just for kicks! You’ll be the first!]

 

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flawed cartoon ©️ 2016 david robinson & kerri sherwood

Step Forward [on Two Artists Tuesday]

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In story terms, before leaving home, before walking into the dark woods, it is necessary to take a moment and wander from room to room to remember. One last time, to touch the life you are about to leave.  Just as ‘how’ something is done can only be known after the fact, so too, ‘who’ you are can only be seen at the moment of leaving.

Isn’t that why we look back? To put a period on the sentence before stepping into the unknown. Each run up to the new year, amidst the celebrations and hoo-haw, we review the traveled path. We touch it,  label it, put it on the shelf, let go, celebrate and grieve, and make resolutions based on who we want to become. And then, we turn and step into the unknown woods, the new year.

This week, Kerri and I have been wandering from room to room in the melange. Lingering in a spot, laughing about some of the things we tried to do, amazed at some of the things we achieved, letting go of the ‘should-haves’ and lingering in appreciation of the ‘what-is.’ In a year, we did not achieve what we set out to achieve. In a year, we discovered what we never could have imagined.

Last year, at this time, the melange was the dark woods that we stepped into. We had no idea what we’d find. We had intentions and dreams and ideals (oh, those pesky resolutions!). We started with some good advice. It came from Beaky and was our very first Two Artists Tuesday design. Live Life, My Sweet Potato. Step into that dark wood. There are bears and swamps and mountains to climb. Experience all of it. The celebrations and grieving, the lost-ness and found-ness. Life is not found on the other side. Life is found in living of all of it.

That’s what we found, touching back to the first week of the melange. An affirmation. Step forward. Live it all.

 

read Kerri’s blog post about MELANGE, WEEK ONE

 

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if you'd like to see TWO ARTISTS copy

 

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two artists designs ©️ 2016 david robinson & kerri sherwood

 

 

Write The Essential [on Merely A Thought Monday]

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I’m not sure what stacks up around your house. At our house, the stacks are paintings, cartoons, designs, composition notes, manuscripts, folios, notebooks of ideas, scraps of paper jammed into the notebooks of ideas, lyrics a-go-go, and the supplies necessary to make the other stacks possible. Colored pencils, brushes, too many composition books, canvas, tissue paper, paint, sketchbooks, art books, and the stacks-and-stacks of stuff teetering on the piano and bench that somehow resemble a nest.

All of this is to note that we are fantastic generators of content and equally inept marketers of what we generate. Thus, the stacks. It was this realization – and the necessity of making a living – that one year ago gave birth to the melange. Melange means ‘mixture’ or ‘medley.’

The idea was simple: Monday would be dedicated to our cartoon, Chicken Marsala. Tuesday would be dedicated to our Two Artists designs. Wednesday was Flawed Cartoon day. Thursday was for my paintings. Friday was for Kerri’s music. We created a Society6.com store for each day, set about designing 5 product lines a week (oh, god,…more content). Through our blogs we’d write about and publish the day’s selection, he-said/she-said-style. People all over the world would read what we wrote, be captivated by the cartoon, design or composition, and race to the Society6.com store to buy a print or a mug or a laptop sleeve or a greeting card. Content out, income, well…in.

And, it happened. People all over the world read our blogs. And, almost no one raced to the Society6.com stores. We studied a few things, learned a few things, reconfigured, tried a few social-media-marketing variations, bought ad space, waved our hands, jumped up and down, danced silly dances – we pivoted and pivoted again.

More readers. Less-than-no shoppers.

One day, after eight months, we looked at each other and considered pulling the plug and would have pulled the plug except for one small-yet-oh-so-important detail: we love to write together. In the course of a year, the melange managed to boil itself down to its essence. Each day Kerri writes her post. “Don’t look!” she says as I, sitting next to her,  write mine. And then, before posting, we share them. We read to each other. It’s always a surprise (though mine are predictably “heady” and hers are 100% “hearty”).

When I looked back at our first post one year ago I laughed at the irony. Love needs no words. Well, in this case, in our case, love revels in words. There are too many words for the love to contain. And, so, our stacks grow happily higher and higher and higher.

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if you'd like to see more CHICKEN... copy

read Kerri’s blog post about A YEAR IN MELANGE

 

chicken and perseverance website box copy

 

chicken marsala ©️ 2016 david robinson & kerri sherwood

Take A Slow Walk [on KS Friday]

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Many years ago, on a beautiful fall evening, I was in San Francisco. My work  was complete. Thinking that my work would stretch into the evening I’d planned to stay the night before driving back to Los Angeles. It was a rare treat to have so much free time.

I walked. I let the winds of fancy blow me, going in any direction that caught me. The sun went down. I wound my way up a hill and came upon a park with a view of the city. It sparkled. I sat on a wall and watched the city shimmer, listened to the sounds, and reveled in the remarkable absence of any demand-on-my-time. A space between.

Kerri’s BRIDGE brings me back to that evening, to that slow walk to nowhere-in-particular on a crystal clear fall evening. It brings me to the peace of sitting on a wall, overlooking a city, with no desire or need to be anywhere else. May this BRIDGE, Kerri’s remarkable BRIDGE, bring you the peace and presence that it always brings to me.

 

BRIDGE on the album AS IT IS, available on iTunes & CDBaby

 

read Kerri’s blog post about BRIDGE

 

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bridge/as it is ©️ 2004 kerri sherwood

Make A Mark [on DR Thursday]

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k.dot & d.dot see an owl, mixed media, 24 x 48IN

Every once in a while I paint a chronicle piece, capturing an event from something that happened in our lives. Early in our relationship, sitting in Adirondack chairs in the front yard,  sipping wine, listening  to music, we broke into a spontaneous fit of dancing.  Dancing In The Front Yard was the first of the chronicle paintings.

Picasso said that painting was just another way of keeping a diary. I suppose that makes all of my work or any artist’s work a chronicle. A record. Jackson Pollock’s ‘action paintings’ are considered a record of the artist’s movement, a visual register of the painter’s dance.

I knew a man whose passion in life was rock art. Petroglyphs and pictographs. Human-made markings on stone. He traveled the world to the caves or cliffs – sites – where these ‘records’ are found. We had many conversations about the “why” of it – why people so long ago scratched images in rocks, ground minerals to make pigment and painted walls deep in a dark cave. Ritual or roadmap? Worship or whimsy? Both/and?

A diary? A register? A reaching? A marker? Maybe it is simple: humans make marks. And then give the marks meaning. Or, perhaps more to the point, we make marks and believe the marks give us meaning.

Kerri and I saw an owl in the pine tree in our backyard. It was thrilling. We thought it was a good omen, a gift. We slipped into the house to get the binoculars, careful not to move too fast to scare it away. Later, standing before a blank canvas, all I could think about was the thrill of seeing the owl.

 

read Kerri’s blog post about K.DOT & D.DOT SEE AN OWL

 

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k.dot & d.dot see an owl ©️ 2015 david robinson

Recognize The Riches [on Not So Flawed Wednesday]

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I moved to Kenosha, Wisconsin with a truck load of paintings. Three canvases, a series I’d painted for The Portland Chamber Orchestra, were too big to fit in our house. “What will I do?” I asked Kerri. Without blinking, she said, “Let’s call Jen and Brad.”

When Kerri and I were developing our cartoon, Chicken Marsala, we needed some honest feedback. “Who will be honest with us?” I asked. The answer was immediate, “Let’s call Jen and Brad.”

When the world seems bleak, the winter too dark, the mountain too steep, the inspiration-well too dry, the wasteland too big, the one sure-fire-spirit-lifting-perspective-giver is a potluck with Jen and Brad.

When the adventure needs sharing, the mischief demands conspirators, the escapade requires companions, we can count on Jen and Brad for a hearty “Let’s do it!”

And so, it was no surprise that for Kerri’s inaugural stomp on snowshoes that our trek was with Jen and Brad.  For a few moments as I followed behind, listening to the laughter and conversation, the curiosity and questions, I was completely overwhelmed by the enormity of friendship.  There is nothing better in life than these two people; they make us rich beyond measure.

 

read Kerri’s blog post about SNOWSHOES

 

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snowshoes ©️ 2019 kerri sherwood & david robinson

Find The Kindergartner [on Two Artists Tuesday]

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On a famous day, we drove the entire width of the state of Wisconsin to pick up the puppy that would one day become known as DogDog. On our drive back across the entire width of the state of Wisconsin, Kerri had a moment of panic. What if BabyCat and the not-yet-named-puppy-dog didn’t get along? What if BabyCat felt rejected? Replaced? What if the dog ATE the cat? What if the cat ATE the dog? The horror story variations of dogs-and-cats-living-together ran amok in her mind.

The flip-side scenarios never occurred to her. What if they love each other? What if they play together? What if they are the best of pals, share bowls, look out for each other? Well, there’d be no problem. Nothing to fret about. No horror story to captivate the imagination.

What is it in an adult mind that defaults to the worst possible assumption? Why, when cutting paper with a razor, do I always think, “I hope I don’t cut my finger off.” It could happen. Once, when my dad was pulling the cord on the chainsaw, I heard him say to himself, “I better not cut my leg off.” Sage self-advice!

We imagine. We assume. We project. It is a potent and powerful force, this capacity to story ourselves through imaging. We learn to imagine the obstacles. We learn not to allow the possibilities.

How many times in my life have I asked students or clients to imagine themselves fulfilled? Too many to count but the actual number is equal to the number of times students or clients have responded, “I can’t.”

What? Yes. You can. Dream in the direction of possibility. Remember that once you were a kindergartner and a teacher asked if you were and artist. Your YES was wild and enthusiastic. Your capacity to dream hasn’t gone away. It’s gone underground.

Guts and gore, dogs fighting cats, fingers flying off; the horror-story-imagination is more immediate.  Sometimes it takes a bit of archeology to find the kindergartner.

Oh, and DogDog and BabyCat? Best of friends. We often find them in the afternoon sleeping back to back. Who could have imagined such a thing?!

 

read Kerri’s blog post about DOGDOG & BABYCAT NAPPING

 

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Look For It [on Merely A Thought Monday]

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We live our lives diving for pen and paper or whipping out our phones to text notes to ourselves. We dive or whip because someone just said something interesting. We are trying capture something we just heard before it slips away. It is the reason we created Merely-A-Thought-Monday.

Watching an old episode of Life Below Zero, Sue Aikens, living on the frozen tundra, tossed off this yummy phrase and we both leapt. Kerri was faster on the uptake, “I got it!” she said, texting at lightning speed. I was still looking for a pen.

It is a statement of optimism made all the more meaningful because of the extreme challenges Sue Aikens faces everyday. Her bears are real. She can’t afford pessimism.

When you are a collector of phrases, a watcher of behaviors, a student of story, a few things become immediately clear. People generally focus on the negative. Take a trip to the office water cooler or go to the local coffeehouse and eavesdrop. You’ll listen to tales of dissatisfaction and conflict.  Stories of blame. There’s tons of interesting customer experience data about how readily and disproportionately we tell our tales of woe versus how rarely we tell our tales of wow.

Conflict makes for good storytelling. Tales of wow and tales of woe are both conflict driven, both rife with challenges. I dove for pen and paper because this simple phrase, Sue’s mantra, captures perfectly the distinction, the line that defines a tale as wow or woe.

It depends upon where you place the conflict. In most water cooler tales of woe, the conflict is an endpoint. “Can you believe that happened to me.” The main character, the storyteller, is the victim in the story. Tales woe are told and forgotten. They are replaced by the next yummy woe.

In tales of wow, the conflict is a driver, a propeller toward an end that is not yet visible. The main character is a seeker. The challenge is fuel. “I will find it. I will make it happen.” Tales of wow are unique in that they are usually told by others.

It is human isn’t it? A messy walk between woe and wow. Who hasn’t screamed to the sky, “Why is this happening to me?!” Who hasn’t stopped the presses, found a quiet spot, and thought, “I’m going to figure this out.” Not a problem.

 

read Kerri’s blog post about SUE’S QUOTE

 

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Give Over The Melody Line [on KS Friday]

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Spiritual teachers across traditions suggest that the reason we suffer is that we focus on what we think should be/supposed to be instead of on what is. The dedication to being someplace other than where you are will split you every time! The notion that you can be someone other than who you are (at this moment) will cleave you in two. And so, we have traditions of mindfulness (be where you are) and acceptance (be who you are) and forgiveness (be at peace with who and where you are). The cliff notes version: stop hewing yourself in two and you will stop suffering.

This is the seed-idea that inspired AS IT IS. This is what is supposed to be. All is as it is, as it should be.

I delight when Kerri tells me the story behind a composition. This morning, as we listened, she asked me to pay attention to the melody line. The flute mostly carries it. The keyboard – what she is playing – is in a support role. She said it this way: the keyboard gives over the melody line. The flute gives it back. The keyboard returns it to the flute.

No resistance. Relationship. AS IT IS. These, too, are spiritual suggestions for mending the hew. I’ll add to my canon as a practice for presence: give over the melody line.

 

AS IT IS on the album AS IT IS, available on iTunes & CDBaby

 

read Kerri’s blog post about AS IT IS

 

by the fire in breckenridge website box copy

 

as it is/as it is ©️ 2004 kerri sherwood