The Clouds Part [David’s blog on DR Thursday]

In Seattle, after weeks of being shrouded in clouds, Mt Rainier would suddenly appear and people would exclaim, “The mountain has come out!” I almost wrecked my car the first time I saw it. Living now as I do, near the shore of Lake Michigan, when on a clear day we walk to the park or the beach and look south, it is possible to see the tallest buildings of Chicago. I think, “The city has come out.”

Unlike Mt. Rainier, a formidable presence towering into the sky, Chicago appears as a distant mirage. A beckoning.

Kerri has her entire life kept a daily calendar that doubles as a journal. Her calendar makes it possible for us to look back in time and re-member when memory has scrambled experiences. This past weekend Dogga turned 13 years old and we were reminiscing about the events that led us to suddenly have a dog. We were fuzzy on the details so Kerri fetched her calendar and we found ourselves reliving our initial meeting, my near spontaneous move from Seattle to Kenosha, and the moment on the road trip between those two cities, driving a Budget truck loaded with paintings, that we saw a sign for “Aussie pups” and decided to stop. We revisited each day in that wild progression and marveled at how much we’d forgotten or rearranged in our minds. The clouds part. Our life together towers and we are amazed.

What of the road ahead? It is a distant Chicago. I remember my grief on the morning after the election. The ugliness that loomed was hazy on that morning and has become crystal clear in the subsequent months. Masked thugs hauling people into concentration camps. The suspension of due process and habeas corpus. The utter corruption of the Department of Justice and FBI. An all out assault on the vote and right to protest. The collapse of the two party system, the rule of law and co-equal branches of government. The unmasked and unbridled profiteering of a president, his family and his party.

Kerri’s daily calendar entries rarely chronicle the political chaos but captures the details of our passage through it.

We’ve learned much about the underbelly of our nation. We’ve learned much about the bright lights and courageous spirits pushing back while holding the torch of democracy high, inviting hope and lighting a path through this dark time.

Someday, perhaps 13 years from now, we will have grown fuzzy on the details, and will pull out Kerri’s calendar and revisit these days and remember how the people of this nation came together to secure their democracy against a fascist near-takeover. That, at least, is my hope, my dream for our future. The clouds will have parted and we will ask, “Do you remember how the nation came out?”

untitled, 20″x16″ multi media on canvas

read Kerri’s blogpost about DISTANT CHICAGO

likesharesupportcommentthankyou!

Make A Mark [on DR Thursday]

see an owl with frame copy

k.dot & d.dot see an owl, mixed media, 24 x 48IN

Every once in a while I paint a chronicle piece, capturing an event from something that happened in our lives. Early in our relationship, sitting in Adirondack chairs in the front yard,  sipping wine, listening  to music, we broke into a spontaneous fit of dancing.  Dancing In The Front Yard was the first of the chronicle paintings.

Picasso said that painting was just another way of keeping a diary. I suppose that makes all of my work or any artist’s work a chronicle. A record. Jackson Pollock’s ‘action paintings’ are considered a record of the artist’s movement, a visual register of the painter’s dance.

I knew a man whose passion in life was rock art. Petroglyphs and pictographs. Human-made markings on stone. He traveled the world to the caves or cliffs – sites – where these ‘records’ are found. We had many conversations about the “why” of it – why people so long ago scratched images in rocks, ground minerals to make pigment and painted walls deep in a dark cave. Ritual or roadmap? Worship or whimsy? Both/and?

A diary? A register? A reaching? A marker? Maybe it is simple: humans make marks. And then give the marks meaning. Or, perhaps more to the point, we make marks and believe the marks give us meaning.

Kerri and I saw an owl in the pine tree in our backyard. It was thrilling. We thought it was a good omen, a gift. We slipped into the house to get the binoculars, careful not to move too fast to scare it away. Later, standing before a blank canvas, all I could think about was the thrill of seeing the owl.

 

read Kerri’s blog post about K.DOT & D.DOT SEE AN OWL

 

drc website header copy

 

chicago river website box copy

 

k.dot & d.dot see an owl ©️ 2015 david robinson

Read The Image [on DR Thursday]

“I paint the way some people write an autobiography. The paintings, finished or not, are the pages from my diary.” ~Pablo Picasso

Kerri and I love to dance. This painting was inspired by one of our spontaneous backyard dances. We don’t know how to do the tango but that has never stopped us from making it up.

When I was much younger, my little brother told me that my studio was one of the darkest places he’d ever been. I didn’t see it at the time but now, looking at my few remaining early paintings, I can’t deny it. Painting, for me, is the log book of a spiritual quest and, like all spiritual quests, the real work is in retrieving the lost pieces and making a greater whole, walking into the wound and transforming it, stepping firmly into the realm of the possible (and becoming it) instead of being transfixed on the monster obstacle.

What once seemed so complex now looks so simple. What once looked so bleak and impossible is now practical, immediate, and infinitely rich. I am lucky. I delight that my diary these days is filled with dances and quiet appreciation.

 

 

read Kerri’s blog post about TANGO WITH ME

 

slow dance party cropped website box copy

tango with me ©️ 2018 david robinson & kerri sherwood