Give Over The Melody Line [on KS Friday]

as it is songbox copy

Spiritual teachers across traditions suggest that the reason we suffer is that we focus on what we think should be/supposed to be instead of on what is. The dedication to being someplace other than where you are will split you every time! The notion that you can be someone other than who you are (at this moment) will cleave you in two. And so, we have traditions of mindfulness (be where you are) and acceptance (be who you are) and forgiveness (be at peace with who and where you are). The cliff notes version: stop hewing yourself in two and you will stop suffering.

This is the seed-idea that inspired AS IT IS. This is what is supposed to be. All is as it is, as it should be.

I delight when Kerri tells me the story behind a composition. This morning, as we listened, she asked me to pay attention to the melody line. The flute mostly carries it. The keyboard – what she is playing – is in a support role. She said it this way: the keyboard gives over the melody line. The flute gives it back. The keyboard returns it to the flute.

No resistance. Relationship. AS IT IS. These, too, are spiritual suggestions for mending the hew. I’ll add to my canon as a practice for presence: give over the melody line.

 

AS IT IS on the album AS IT IS, available on iTunes & CDBaby

 

read Kerri’s blog post about AS IT IS

 

by the fire in breckenridge website box copy

 

as it is/as it is ©️ 2004 kerri sherwood

Unify

a watercolor from 2003, House On Fire

a watercolor from 2003, House On Fire

Stay with me. I actually have a point.

If ever I teach actors again, or coach people in any endeavor, or communities/businesses seeking betterment, I will only have two things to teach: 1) Grounded-ness and 2) Focus placement on the unifiers. These two concepts are really  one looping concept but for ease and the sake of being understood, I will offer them independent of one another.

As focus placement goes, an actor on the stage has two options and depending on the focus placement they choose, they will either create the play or destroy it. A focus on how they look or sound or feel destroys the play. It is a self-focus in an art form of relationship (all art forms are made vital in relationship). A self-focus breaks the relationships and effectively locks the audience out of participating in the story. It makes the actor giddy with fear, easily distracted, alone. Conversely, the actor can focus outside of themselves, on the other actors on the stage, on the energy between, on their pursuit. An outer-focus creates relationships and serves as a magnet that pulls audiences into the story. It facilitates participation, creates relationship, and shared experiences. It unifies. Literally.

The actor who listens to him/herself pulls up their root. They unground themselves. The actor whose focus is outward, who is actively pursuing relationship, creates grounding. In fact, they must be grounded to create vital relationships. It is a first principle. Grounded-ness begets grounded-ness; it unifies. It strengthens. It invites. It clarifies truth.

The same principles apply off the stage or out of the studio. It is, however, more complex off the stage. It is much, much, more sticky.

And here’s the point: It has been said that nothing is better at uniting a community than having an enemy. It’s true. A common enemy provides an outer focus. It provides another team to defeat. It works so well that leaders across the ages, leaders who would otherwise look insipid, leaders who, like a bad actor, have a self-focus, a control need, have concocted all manner of enemies. It is a deflection. It works for a short while but what starts as false unity strips a community of its true binder. It separates and splits. It diminishes. It destroys.

Here’s the sticky part. One of the oldest tricks in the book for controlling a community is to split them, to locate the enemy within the community. And then, for good measure, magnify the split. In the early colonies – that ultimately became The United States of America – it was a strategy known as The Giddy Masses (see Ronald Takaki’s excellent book A Different Mirror). Make the people giddy with a false enemy. Uproot them. Deflect them so they cannot join in relationship and be strong as a community. Self-focused leaders cannot survive a unified, healthy populace. It is a strategy: separate the people so they cannot see the movement of power.

Today I started to read the news but stopped after only a minute. Building walls. Expelling Muslims. Enemy creation everywhere! Fox news and MSNBC are great giddy creators. It’s a bad story poorly told. It weakens all players. The primary actors do harm to their audience. Grounded-ness, a first principle, can only come to all when the actors choose to focus on the relationships, see the unifiers, to create rather than destroy. Groundedness comes when the audience engages, questions what they are being told and open (rather than close) their minds.

Grounded-ness. Focus placement on the unity. The principles that make great art also make great society. Fear, the province of the bad actor, the lot of a passive audience, although temporarily effective, can only destroy the play.

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