Unlock The Door [David’s blog on Two Artists Tuesday]

Lodgepole pine cones require the heat of fire to open and release their seeds. Fire is necessary to unlock the door to the next generation of possibility. It is the reason our dear J, as part of her wedding gift, gave us a box filled with Lodgepole pine cones . She was encouraging us to light a fire in each other. And so we have.

As part of our solstice observance, as the sun set, we started a small fire in the fire pit, selected ten pine cones from J’s box, made wishes and set intentions for the seeds-of-opportunity that the fire would unlock, and committed our pine-cone-wishes to the flames. Moving into a new stage of life, we set targets for the next generation of our possibilities.

As I stared into the waning fire, I hoped that the hot authoritarian forest fire roaring through our nation might unlock the door to the next generation of democratic possibility. I hoped that the heat of the fire might once-and-for-all clear the tangle-weeds of white supremacy and hate, remove the undergrowth of thuggery and elitism and prepare the forest floor for new seedlings of fairness, equality and the fulfillment of democracy’s promise. I hoped that it might burn away the strangle-hold private money has on our government so we might trust that our elected officials are public servants and not greedy profiteers.

Rather than repeat the cycle, yet another go-round with oligarchy and near-authoritarianism, I wished for the nation to break the cycle of denial and dysfunction and move into a new, healthier stage of life, a democracy fully committed to democracy: a government of the people that follows a single north star: liberty and justice for all.

We hold within us the seeds.

[Since I wrote this post, we entered a war with Iran. The heat of the authoritarian forest fire just escalated and somehow…somehow…the Republican Congress remains silent. Complicit. One wonders if we must become a smoldering wreckage before they remember they are servants of a Constitution and not a political party or a pariah.]

read Kerri’s blogpost about THE PINE CONE

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The Future We Plant [David’s blog on Two Artists Tuesday]

Milkweed seed pods in winter. It’s mauve flowers are by now a distant memory yet their remembrance also must serve as a desire. What would be the point of releasing its seed to the wind if there was no dream of future mauve blossoms?

Kerri and I are not so different from the Milkweed. We write everyday; our words are seeds released into the e-wind with the hope of reaching fertile hearts and minds. Who knows what blossoms our word-seeds might inspire?

Much of what we write is the mauve blossom of word-seeds sent on the e-wind by others. The thought-seed of others lands and is planted in our hearts and minds. Over time, with warmth and consideration, the seed cracks and sends new-thought shoots to the surface, seeking sun and expression. And so we write. We send. Others receive. In turn, they write or draw or dance – they send – and we receive. It’s a cycle of sharing that goes mostly unrecognized. A riot of unseen interconnectivity. It’s called inspiration.

Words, even the most casual, are more powerful than we realize. They are symbols. They are seeds of future-thought in others. Some, like invasive weeds, are capable of doing harm. They choke the inner landscape where they are planted. Some are like acorns. They land in timid hearts and produce towering strength beyond imagination.

When I listen to the discourse in our media and politics, I shudder at the seeds being planted. I marvel at the ease of misinformation, the ubiquity of lies. Words meant to mislead. Words meant to do harm. Words meant to hurt. Mean-spirited seeds.

I can’t help but wonder what fields of flowers we would produce if we understood the real power of our words. I wonder what future we plant in each other through the words we so easily release into the wind.

read Kerri’s blogpost about MILKWEED

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Proof That We Were [David’s blog on KS Friday]

“Time keeps moving,” I wanted to say. “It eventually dumps all of us back into the ocean.” I hold my tongue. In my silence I wonder about the origin of this odd idiom, hold my tongue. It invites some hysterical images. It’s better, I suppose, than biting my tongue. Same thing, less damage.

We sort through the children’s clothes – our children’s clothes – from the time that they were toddlers. Kerri coos and tells me stories. I never knew them at that age but delight in imagining the very independent adults I know stumbling around, infant drunken sailors, clad in OshKosh b’gosh overalls. We giggle at her recollections. I marvel at the tiny shoes. I am grateful that she’s filling me in on their early years.

Every so often we wonder what it would have been like to have had babies together. On the drive to our honeymoon we were visited by our first imaginary child, Chicken Marsala. He was – and is – infinitely wiser than his parents. That simple truth, an imaginary yet wise child born in the minds of two aging artists, inspired us to write a comic strip. It was a great premise! It was also great fun to write and draw and Chicken knocked hard on the door of syndication. Alas, he grew up and left us as empty nesters. There are no cute clothes as proof of his existence but there are hundreds of drawings. Seeds for Smack-Dab.

The river runs. Time keeps moving. We have so many ideas! Most pop up and then roll downstream and join the ocean of possibilities. Some leave their marks behind. Toddler clothes that we capture and develop into mature creations. Those creations are what we leave behind, proof that we were once toddling to-and-fro on this gorgeous planet. OshKosh b’gosh!

chicken marsala © 2016, 2024 kerrianddavid.com

I Will Hold You/And Goodnight…a Lullaby Album © 2005

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read Kerri’s blogpost about OVERALLS

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Look Closer-In [David’s blog on DR Thursday]

Nicholas Wilton flipped back and forth between an image of his recent painting and one completed a decade ago. He wanted to show that the recent painting is, in many ways, a close-up view, a morsel of the ancestor painting. Look closer-in. The seeds of today’s work come from explorations of the past.

I’ve been thinking about color. A tour through my gallery site reveals a very narrow band of color. I’m filled with the impulse to break it open. One day soon, after the BIG HOUSE CLEAN moves out of my studio, I’m going to mess with color. Paint with my fingers. Fully explore the new tools that Master Miller has sent my way. They scrape and pull and smoosh. They are not recommended for nuance and that is exactly what the art-doctor ordered.

More than once I’ve recounted this story: early in our relationship I told Kerri that, “I don’t sing and I don’t pray.” The other day, because of this story, I had a good hearty laugh at myself. In our reorganization of the basement I was moving my paintings so, I had a good look at every single painting. By far, the theme in the majority of my paintings? People praying. People in moments of touching something bigger. Or trying to. I howled at my unconsciousness. I may not pray but my paintings do.

Look closer-in. I started my life as an artist by drawing eyes. Hours and hours of drawing eyes. I was not attempting to draw realistic eyes; I was attempting to get behind them. Through the eyes, the mirror of the soul.

Perhaps I found my way in. Perhaps not. This I know: color is pulling me just as the eye used to pull me -either further inside or perhaps it beckons me to come out, to return to the place where I started. This time, instead of #2 pencils and typing paper – my seeds – I have scrapers and pullers and paint and old canvas. I look forward to what I might find there.

read Kerri’s blogpost about SEEDS

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Feel The Rumbling [on Not So Flawed Wednesday]

“We have to stop and be humble enough to understand that there is something called mystery.” ~ Paulo Coehlo

Kerri sprinted through the kitchen. “Dogga has a baby bunny in his mouth!” I reached the window the moment she said, “Dogga, drop it!” He did. The bunny hopped away. Dogga beamed with satisfaction. A new friend. And who wouldn’t want to take a gentle ride in a dog’s mouth?

The Mayapples are reaching through the devastation. The new green is slowly overtaking the broken brown. We wondered if anything survived the eradication. How foolish we were to doubt the power of life. The force of nature. Already this spring the chorus of the frog’s-re-emergence has blown us away. “We only think we’re in control,” I thought as Kerri knelt to capture the wrinkly green splendor.

We sat in the back. It’s our preferred spot when we attend a performance. We can’t help it. We study. The singers, a chorus comprised of women and men who’ve been touched by breast cancer, Sing-To-Live, made me think of the Mayapple. Resilient. Powerful. Reaching through the fear and devastation. Life reaching for life. Their final song of the night brought tears to my eyes. Why We Sing.

This is why we – human beings – make art. Life reaching for life.

I shared a painting from the deep archives with Horatio. He wrote, “You were bursting at the seams, amigo…Have you thought to paint the current iteration and see what that looks like?” Bursting at the seams. I feel the rumbling.

I dream of the day Kerri returns to her piano. There’s so much more music! I feel the rumbling.

Butterflies bursting from cocoons. Hardy green shoots breaching seed pods. Mayapples push through the crusty soil called by the warmth of sun. Bunnies emerge from their leafy nest. Courageous people singing to live. It’s everywhere. Feel the rumbling.

read Kerri’s blogpost about MAYAPPLES

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Release The Seeds [on KS Friday]

“Creative people are driven to periodic symbolic self-annihilation and rebirth, much like the mythic phoenix.” ~ Alex Grey, The Mission of Art

I loaded my truck with my paintings. I drove to the beach where there were large fire-pits. I burned the paintings, bonfire style. I had so many paintings that it took three days, three truckloads, three successive nights. People helped, strangers who held vigil for me. Only one tried to talk me out of it.

Those nights on the beach were over 20 years ago. All along I’ve understood the conflagration. What I only now understand is the necessity of fire to release the seeds. Not just one seed, but hundreds. Thousands. And not all the seeds found rich soil. Only a few. And, once rooted, most of the seedlings were trampled, overshadowed or eaten. They never made it to the sun.

But the one seed, the single seed, released in fire, without will, intention or knowledge; the fortunate seed, flung into the air by heat and flame, caught the wind at just the right moment and fell to the earth haphazardly in an opportune spot. It took root. It drank in the sun. It survived the hungry deer nibbling close-by. And over decades, through harsh winter and sunny drought, it slowly, ever-so-slowly, grew.

A thousand seeds. One strong tree. New cones, loaded with millions of seeds. Ideas ripe for the wind.

A cycle that cannot be rushed. Each loop, lovingly and faith-full, takes time.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SEEDS

part of the wind/blueprint for my soul © 1997 kerri sherwood

Peel Open [on DR Thursday]

The pods peel open at just the right moment. The fine fluff catches the wind and carries the seed. Nature’s dispersal system. Hope on a sail. The destination is determined by the direction and strength of the wind, not the intention of the seed.

In the United States of America, today is a day of thanks giving. Families gather. Traditional recipes prepared. A pause in the fast moving river for a moment of gratitude. Stories shared; recipes, smells and tastes like seeds are planted in the next generation.

Sitting at a card table with cousins, the adults packed around the kitchen table. Cranberry in a dish, shaped like a can. Blue blue Colorado sky. The crisp air dancing with the sun’s warmth. Coffee. Pumpkin pie. My memories rise from my senses.

Last Thanksgiving, Covid kept us isolated. Our families are far away. Despite our best plans, we will, once again, give our thanks together yet alone. We will walk a trail. We will love on the Dogga. We will make a special meal and tell stories of gratitude. Rob came through for a visit. Dwight called. Mark remains a rock. We heard from Kate. There is no lack of love or laughter in our house.

This pod will peel open at just the right moment. We are burgeoning with hope. In the meantime, we prepare our fine fluff, knowing full well that, despite our best intention, our destination will be determined by the direction and strength of the wind.

read Kerri’s blogpost about THE SEED

Tango With Me, 39x52IN, mixed media

tango with me © 2018 david robinson

Sing With Pooh [on KS Friday]

Why does a song suddenly pop-up in your mind and beg you to hum along? Yesterday, for no apparent reason, out of the blue, Loggins and Messina’s song, The House At Pooh Corner, washed over me and forced me to maul the lyrics. At the time I was writing a business blogpost about assembly lines (uff-da). House At Pooh Corner was released in 1971, it’s a bubble from the deep-deep archives.

It changed my day. I made such gumbo of the lyrics that I pulled it up on YouTube. I sang along so I might refresh the muddied words in my mind. In addition to word-recall, it lightened my spirits. Writing about spirit-stripping manufacturing processes, command-and-control structures, had my brows knitted and my brain squeezed. Maybe that’s why Pooh decided to visit. I had a honey jar stuck on my nose. I sang along and laughed.

By the end of the sing-along I was dedicated to taking myself less seriously. I suspect that’s the message and gift A.A. Milne released upon the world with Pooh and Piglet. None of it is as serious as we pretend. Will my knitted brow blogpost about new systems illuminate the world? Yawn. Probably not. Did it feel good to write? Absolutely. I love thinking about a better world. Pooh lives in one – and maybe that’s yet another reason he jumped a bubble and rode to the surface of my thinking. He came as a song. A lovely light-hearted wish. A seed pod of silly presence.

“…So I sent him to ask of the owl, if he’s there, how to loosen a jar from the nose of a bear…Help me if you can I’ve got to get back to the house at Pooh corner by one, you’d be surprised there’s so much to be done….” Kenny Loggins & Jim Messina

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read Kerri’s blogpost about WISHES

i will hold you (forever & ever)/goodnight: a lullaby album © 2005 kerri sherwood

Take One More Step [on Not So Flawed Wednesday]

Tom and I spent many hours on the deck of his cabin at the ranch watching sunsets. It was during those moments of waning light that he’d reminisce about his life in education and the arts. “To this day I am in awe of what many of my students taught me about perseverance.”

The teacher as student. The lesson – both ways – was tenacity in the face of monumental difficulty. Tom climbed metaphoric mountains in a system dedicated to hurling avalanches against his progress. His was an innovator’s path. He kept climbing, I learned during our sunset talks, because his students inspired him. Some achieved their mountaintop against all odds. In many cases, the mountaintop was – to other eyes – as seemingly simple as showing up for one more day. They kept climbing so he kept climbing. Showing up for each other. A feedback loop of tacit encouragement. They kept climbing because he was present on the metaphoric mountainside every day.

His students inspired him. He inspired me. An ancestry of inspiration.

I might have imagined it. The chipmunk butted in line at the bird feeder, sending the toddler cardinal fleeing to the safety of the Adirondack chair. More birds gathered while the chipmunk gorged. In a moment of chipmunk consciousness, he turned, looked at the growing assembly of hungry beaks, turned back to the feeder and, like Santa Claus, began kicking mounds of seed to the ground. Chipmunk potlatch. Bird extravaganza. Every critter had their fill.

Weeks later, while weeding the garden, Kerri called across the yard: “I think we’re growing corn.” she said. I joined her at the row of dense grasses growing beneath the bird feeder. A tender stalk, against all odds, found enough sun and water to reach through the thick resistance. Nature amazes me. The impulse to life, from chipmunk-seed-toss to corn stalk pushing through impenetrable grasses.

It brought thoughts of Tom. Seeds planted. Mountains to climb. The sunset, glowing orange and pink across his face, he’d smile, “Often the secret is nothing more or less profound than taking the next step, showing up for each other one more day.”

read Kerri’s blogpost about CORN

Let Fly [on Two Artists Tuesday]

“We have to continually be jumping off cliffs and developing our wings on the way down.” ~ Kurt Vonnegut, If This Isn’t Nice, What Is?: Advice For The Young

It is now my opinion, based on life’s experience, that it you don’t find the cliff, the cliff will find you. Wing development is the name of this game. Hide in the closet, bury your head in the sand, drink yourself to oblivion, pretend the monster is not at the door, and you’ll discover in your last moments that looking the other way was, in fact, your cliff.

Master Marsh once asked me why I had the need to run and jump off every cliff. At the time I said, “I don’t know!” My latent response comes straight from Vonnegut: wing development. Apparently my wings took their sweet time developing and needed some extra cliff-age. And, as we all know but are too polite or arrogant to admit, wing development never ceases. There’s always another cliff until there’s not.

We had a rare warm day so took a walk on our favorite trail. The brilliant raw sienna of the empty pod caught Kerri’s eye. While she took photos of the pod I thought about the thousands of seeds it once held that took flight on the wind. A few certainly found fertile soil. Most did not. That’s the idea behind Kurt Vonnegut’s advice. Don’t hoard your idea seeds. Put them out. Audition for the play. Submit your story. Offer your idea. There’s great truth to the advice: your job is to put it out there, not to decide whether or not it is good enough. Explode the pod rather than protect the seed.

Greg recently told me said, “it doesn’t have meaning until it’s published.” He wasn’t speaking about publishing in a newspaper or by Random House. Sending an email is an act of publishing. To text is to publish. Greg was referring to sharing. It has no meaning until it is shared. And, sharing your creations can be -and often is – vulnerable and scary. Giving a speech is terrifying to most people. Dancing, painting, composing a song, playing a solo, offering your idea in a meeting…all are acts of publishing. All are potential cliffs to jump off.

Explode the pod. Let the seeds fly. The wind will carry them. Some will find fertile soil. Most will not. Wing development is easier when you realize that you are a pod of ideas and not a judge of worth or value.

read Kerri’s blog post about THE POD