Color It Red [David’s blog on Not So Flawed Wednesday]

Red is the color of anger. Unless it’s not. It’s also the color of Santa suits and fire trucks. It’s the color of embarrassed cheeks, burning bushes and carpet pathways for the glitterati when bubbling with the anticipation of receiving an award. Red is associated with the base chakra. It’s the lowest vibrating color-energy on the spectrum. It’s easy to see. Male cardinals want their perspective mates to see red.

Red is the color of fall. And orange. And yellow. We walk toward it on the trail. Sometimes it’s too much to comprehend.

Horatio just told me of a trip he took through Canyon de Chelly. Red Rocks. He told me that he always feels that something is “right” when he’s there. Like humans and this big universe belong together. Timeless. Ancient. Mystical. Impermanent. Not separate. Red is the color of belonging.

That’s how I felt standing before this sumac. A staghorn sumac on fire with the season. My only purpose: to appreciate. To witness. Red is the color of awe.

read Kerri’s blogpost about RED SUMAC

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Be Unbearably Small [David’s blog on Two Artists Tuesday]

“We fought so long against small things that we became small ourselves.” Eugene O’Neill

“On my last day of work, the back wheels of my car won’t be out of the parking lot before they erase everything I’ve worked for,” Tom said. He was right, of course. I was there and witnessed the dismantling. His words were not resentful. They were matter-of-fact. He helped me understand that a life’s work is not about achievement. Rather, it is about integrity of process. Relationship. Bringing instead of getting.

“I’ve fought my battles. It’s time for someone younger to pick up the fight,” another in my tribe of dear-wise-guides reminded me when I was pushing him hard to care. I am a few years down the road now and I understand to my bones his position. I have limited time here. I have (mostly) turned my eyes away from the fight and toward the wonder-of-it all. I have no idea how to paint it so I am reticent to touch my brushes. How do you contain – or try to contain in an image or word – the inexplicable? It’s the artist’s dilemma and I love it.

Sitting on the back deck staring into the pastel sky, I thought about their words. Quiet summer nights are prime for reminiscence and reflection. I thought about the battles I have fought in my life. The hills I chose to die on. The art meant to heal or change or provoke. To reach and touch a heart. To shake a sleeper awake.

I have been fortunate to have had such wise guides showing me the way. To give me the rare gift of perspective. I am fortunate to understand how unbearably small I am in this limitless universe. Were I to believe myself grand I would not have access to the awe of this summer night, this rolling pastel sky.

read Kerri’s blogpost about the PASTEL SKY

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*happy birthday, columbus.

Arrive At Wisdom [David’s blog on DR Thursday]

The meeting of sand and surf. In the children’s-book-of-my-mind, at the beginning of the story, sand and surf have completely different points of view. They have radically different understandings of each other and opposing orientations to ebb-and-flow, to the movement of the earth and their place in it. They insist that they are in conflict.

And yet, they meet. Every day. In the story of sand and surf they eventually learn that they can focus on their differences or they can focus on what they have in common. They are surprised to learn that one could not know itself without the other. They are gobsmacked by the knowledge that one would have no purpose without the other! In fact, they would have no identity without the other!

With their new understanding, sand and surf begin to ask a different question: who do they want to be together.

At the end of the story, the climax of this children’s tale, they come to understand that their reason-for-being is each other. They are not, in fact, separate. They are symbiotic. They transform each other in their mutual dance. Thus, they arrive at wisdom.

Sand and surf. Harmony, in the children’s-book-of-my-mind. Nothing really changes other than their choice of where to focus. And then, of course, everything changes.

my favorite illustration from Lucy And The Waterfox

Peri Winkle Rabbit Is Lost. A book I wrote and illustrated for a hurricane Katrina relief project. The organizers asked for an original story to help children understand and cope with loss. Original illustrations, no copies. I loved making this little book and i hope some child, somewhere, now an adult, loves it, too.

My gallery site

read Kerri’s blog post about SAND AND SURF

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Split and Emerge [on Two Artists Tuesday]

Although butterflies get all the headlines, the transformation of a cicada is equally astonishing. The cicada doesn’t emerge from a cocoon. It emerges from its own body. The outer shell, a crawling insect, splits and the new form, a miracle with wings, a flying insect, crawls out of its former self to greet the world.

It actually has two emergences. For most of its life it lives underground, feeding on the sap in tree roots. And then, one day, on a cue no scientist has yet discovered, all of the cicadas in the neighborhood crawl to the surface, climb into the air and light, ascend toward the sky, and attach to a tree or some other vertical surface. Once they are firmly attached, the second emergence begins. Like a snake shedding its skin, the cicada sheds its former…form, and enters the last chapter of life completely changed. Air-born.

I’ve never wondered if a butterfly turns and ponders the cocoon. A cocoon seems generic. An envelope. But each time I see the shell of a cicada I can’t help but wonder, as its new wings dry, before it is capable of flight, what it might think, perched atop the old form, staring at what it used to be. Did it know that wings were growing inside all along or is it a complete surprise? A reverse mummy, opening the lid of a body-shaped sarcophagus to venture into the upper regions.

I wonder if it knows the transformation to flight signals the end, only a few more weeks of life. The males begin to sing. The females click their wings. Partnering through an ancient call-and-response. The end of life. The fulfillment of purpose. The beginning of a new cycle of life.

It’s full, full, full of useful metaphors. The old shell appears as if it is hanging on for dear life when dear life was about to burst forth, unrecognizable. Transfigured. And, isn’t that usually the way of the scary new? The old, well-worn shape wants nothing more than to hang on for dear life to what it knows, what it has always been. It’s necessary for the new energy, the new form, to split the frightened shell, wrestle with itself to emerge, and discover life anew. Finally ready to fulfill its purpose, its reason for being.

read Kerri’s blogpost about CICADAS

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Touch The Immensity [on Two Artists Tuesday]

I’ve always felt a kinship with birds of prey, especially hawks and owls. If I fully comprehend the concept of a “blessing” then I feel blessed when one of those great birds cross my path. A sign. A message. An acknowledgement.

A guide.

Last fall we were with a hawk when it died. From my office window I saw it struggling. It was laying in the middle of the street. I grabbed a thick towel so I might pick it up and move it off the road without harming it. Just as I was ready to placed the towel over the bird, like a rocket it shot into the sky landing in the tree above me. We watched it. After several minutes, it suddenly flapped its wings and then fell to the ground. With the towel, we bundled it and put it into a box. We called Fellow Mortals Wildlife Hospital and the DNR to ask what we should do. By the time we reached someone, it had passed.

It is possible to Google anything so I searched for the meaning of the experience according to the good-god-google: Something new is about to begin. Let go. Move on. Good advice and useful every single sunrise.

Searching for meaning. Making meaning. What could be more human?

I thought about the hawk when we came across an owl feather on the trail. At first we thought it was a hawk feather but the good-god-google instructed otherwise. They are easy to confuse since the feather markings are remarkably similar.

It was important to discern the difference since the meanings according to the good-god-google differ. If an owl feather, then wisdom is the theme. If a hawk feather, then the gift of power and courage to overcome obstacles.

Or, it’s simply a beautiful feather that brings to us the great gift of appreciation, no good-god necessary.

Mostly, the pursuit of meaning from our bird encounters plucks the bass string of human yearning: connectivity to something larger. Something much larger than the good-god-google, a numbers god by definition, sporting 100 zeros. Something much larger than prayers or mantras. The resonating recognition that comes when gazing into the infinity of a midnight sky. The briefest touch of immensity when standing before the rolling endless waves at a beach. The vibrantly alive blue ball of earth as seen from the moon.

Pay attention. This bird carries a message meant for me.

Being – beyond the limitation of words, like the feeling of kinship with a passing hawk. The awe of a midnight hoot from an owl. The driving necessity of making meaning of something as precious and passing as life.

read Kerri’s blogpost about OWL FEATHER

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Learn The Language of Color [on DR Thursday]

Earlier this week I wrote of DeMarcus’ notes on color made when he was a first year art student. I flipped through the fading pages before placing the notebook back on my shelf and lingered on these gems:

“If we wish to create we must learn the Language of Color.”

“Color stands for JOY in this world of seeing.”

“Through the language of COLOR, we add JOY to the world of seeing.”

His notes are from a lecture. In my mind I see some fantastic art teacher, a life teacher, standing before a class of enthusiastic hearts that included the young DeMarcus, infusing them with a purpose that demanded they pay attention to others, to their reason for creating. Bring joy. Through the language of color, speak to a world that doesn’t know how to see. Speak to a world desperately in need of Joy. Color theory as community tending. Igniting the idea in the students, the teacher then set them free to explore how, through color, to bring joy to the world. The lesson was simultaneously both practical and existential.

I wish I knew the name of DeMarcus’ instructor. I’d send a deep debt of gratitude into the universe.

It is profoundly easy to diminish the role of artists in our culture. Note the dearth of art programs in schools. The emaciated National Endowment for the Arts relative to other budget lines. What might be more important in our times than artists striving to weave togetherness through the language of color? What might be more necessary than opening eyes to see beyond grey assumptions? We diminish ourselves when we devalue our art.

I knew DeMarcus when he was in his 90’s. Those early lessons still twinkled in his eyes. Or, perhaps, a lifetime of speaking the language of color, a lifetime of offering the joy of seeing, brought a permanent twinkle to his eye . He understood artistry as more than indulgent self-expression. He understood – and helped me understand – that artistry came with a responsibility to others as well as to the self. Service. See, in order to help others see, through the language of color, joy.

prayer of opposites, 48x48IN, acrylic on panel © 2006

my-as-yet-still-unfinished-site [I hope you’re not holding your breath]

read Kerri’s blogpost on COLOR

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Dance [on saturday morning smack-dab.]

We find that the balm to most of life’s greatest challenges is to dance. Anxious? Dance! Confused? Dance! Worried? Dance!

In truth, most of our worries, anxieties, and confusions don’t have a solution or a single answer. They are passing circumstance. Monkey mind run amok. Unsolvable dilemmas. In the face of uncertainty, quandary, or existential mess, it feels really good to dance. And that’s precisely the point. No sense to be made? Dance. Dance. Dance with the one you love! In the kitchen. In the front yard. In the airport.

And, isn’t that the name of the balm! The epicenter of existence! The purpose of life? To dance with the one you love. Preferably a slow dance. There’s no reason to rush when a solution feels so good.

read Kerri’s blogpost about DANCE WITH ME

smack-dab. © 2023 kerri sherwood

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Sail Anew [on KS Friday]

It’s hard to know what to believe. For instance, each day I cross paths with an advertisement showing me what to do if I experience tinnitus. The ad is muted so what I see is a smiling woman yanking repeatedly on her earlobes. And, each day, I think the same thing: this has to be some trickster-ish plot to get masses of people to pull on their ears. Invisible theatre worthy of the great Augusto Boal. I’m considering jumping on the city bus, taking a center seat, and without comment, begin tugging my lobes. I’ll either clear the bus, make friends or, in these United States, most likely be shot by an armed citizen whose only answer to the unknown is to shoot it. I suppose that sounds cynical but we citizens of the U.S.A. are living proof of the adage, “If a hammer is the only tool in your toolbox, then everything looks like a nail.” If a gun is your only solution, you’ll kill a teenager who accidentally pulled in your driveway or shoot someone who mistakenly knocked on your door. We read about it everyday. Every single day.

There’s another ad I appreciate appealing to people to check-the-facts before forwarding or liking what they read. “We are awash in misinformation…” it warns. “Amen, advertisement!” I cheer, “What took you so long?” With so much mis-info-noise ringing in our ears, we either need to regularly check what we hear or smile and yank our earlobes. My theory is that yanking our lobes will occupy our fingers so we can’t like or forward info-dreck. By-the-way, the statistics on gun deaths are easy to check. No one is making up the story of neighbors killing neighbors rather than talking to them. Of course, in one horrific case, a neighbor killed his neighbors because they talked to him. Sometimes the factual stuff is so disturbing it’s better to yank on your ears than consider how out of control it’s all become. Our elected officials are certainly yanking on their ears to make our noise go away.

My hope? My fantasy? We are trying to bust out of our cocoon. A caterpillar transformed can’t know it has become a different critter until it breaks out of its hard protective shell. Escape from a cocoon is not an easy process. It looks ugly. It’s not meant to be easy. The difficult cocoon-exit is essential for the next stage of butterfly survival and thriving. An arduous rebirth is necessary for the caterpillar to fulfill its transformation. Flight, an utter impossibility prior to the protective cocoon, the next part of the story. The fulfillment of possibility beyond imagining. Maturity. Wings dry while the butterfly catches its breath following the struggle. And then, the newly-minted butterfly takes its first step off the branch, releasing the old story, and sails anew into the world. Or, sails into a new world.

A new world. People protecting each other as civilized people are meant to do. All grown up. Listening. A bag full of tools for every situation. No guns needed. No longer a necessity to yank on its ears.

taking stock/right now © 2010 kerri sherwood

Kerri’s albums can be found at iTunes or streaming on Pandora or iHeart Radio

read kerri’s blogpost about BUTTERFLIES

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Learn A New Word [on DR Thursday]

Call it a “happy accident.” Call it an unintended consequence. “I like this photo!” she exclaimed. “It reminds me of a Rothko.” A wrinkled brow and then, “I wonder when I took this?”

Last night we learned a new word that I love: Coddiwomple: to travel in a purposeful manner toward a vague destination. I’ve never heard a more appropriate definition for the life of an artist! My pursuit could not be more clear and the destination could not be any less attainable. It’s impossible to explain. Recently I tried – again – to clarify for a colleague that I know exactly what I want, I do not need career counseling or advice. I’ve always known what is mine to do. I’ve never been able to wrap words around it so it might make sense to others. An artist’s life is hyper intentional. From the outside it makes no sense at all. There is no 401k. There is no safety net. There is no certainty. Sometimes there is no shape. Always, there is no adequate answer to the question, “Why?”

There is a clear calling, an underground river running beneath how it is expressed – whether through paint or musical notes or pirouettes. My career, on paper, looks like a random romp through the woods. Galleries and symphonies and stages and boardrooms and classrooms and consultancy and facilitation and coaching (a word that still makes me wince). DEI and intercultural. Start-ups and SaaS. Canvas, all. Some of the best plays I’ve ever developed happened in cafeterias or a conference room. I knew exactly what I was doing. I was not “using improvisation” in a business setting. I wasn’t using anything. The work of my life has not been about translation or utilizing “the tools of art” in other settings.

Artistry is akin to stepping into a rocket headed into deep space for a journey of discovery. The only honest answer to the those who ask, “What are you doing?” is “I’m journeying.” Creating. Inventing. Innovating. Stepping purposefully toward a vague destination. Coddiwompling.

May You, 55x36In, mixed media

read Kerri’s blogpost about ROTHKO PHOTO

may you © 2015 david robinson

Scribble With Purpose [on DR Thursday]

Henri Matisse said, “Creativity takes courage.” I suppose that is true when considering the enormous pressures to conform to a style or standard. To create what is acceptable or expected. To suss-out what will be rewarded with approval and/or profit. In this context, it takes enormous courage to deviate. To explore. To surprise yourself by breaking form and risking ridicule and rejection and poverty. In this context, it takes courage to show up. It takes courage to punch through.

On the other hand, creativity is the most natural thing in the world. Ask any child. On second thought, please don’t ask any child since it will only confuse them. They have no idea that creativity – to an adult – is a separate thing. What’s scary and vulnerable to the tall people is commonplace to the little critters. There’s help for the older folks: allow the child-inside to scribble with abandon. Recognize that the story of, “I’m not creative,” is a creative act. The story of “It’s scary to create,” is also a creative act. It’s a story.

Creativity runs like wild horses through every day of our lives. Our perceptions and interpretations and fears are pure storytelling. The real challenge is not the absence of creativity but the conscious appreciation of our rampant creativity. The squeeze to conform serves as a heavy curtain obscuring our vibrant expressiveness.

The courage that Henri Matisse references is borne of the tension between the desire to be appreciated (to fit in, to succeed) and the yearning to break new trail or sail into undiscovered lands. To risk. To intentionally and publicly scribble outside the lines. To say aloud what needs saying.

Creativity is the most natural thing in the world. As it turns out, so is conformity. We are, after all, like wolves: animals that run in a pack. Humans die in isolation so serving the will of the group is a high priority. The wrestling match between creativity and conformity is necessary.

The progressive impulse. The conservative impulse. A bowstring drawn taut between these two poles provides the necessary tension to send the arrow of our ideas and dreams sailing toward the distant target. Children scribble with abandon. Grown up children, those telling themselves the story of “I’m a creator,” learn to scribble with purpose.

read Kerri’s blogpost about PUNCHING THROUGH

shared fatherhood, 25.5X40.5IN, mixed media on panel

shared fatherhood 2 © 2017 david robinson

chicken marsala/just scribble © 2016 kerri sherwood & david robinson