Coalesce [on Not So Flawed Wednesday]

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Sometimes, when we are walking through the woods, I imagine myself with none of the labels that I claim as important. What if “artist” did not apply? Or “teacher.” What if none of my opinions or ideas or justifications had any merit or substance? What if they were bits of armor or heavy clothing that I could drop as I walked? So much lighter, less encumbered, who, then, would I be? Divested of my made-up-meaning and my hard-fought-for stress, what might I experience?

These imaginings, my questions – at least to me – are not nihilistic. They are the opposite. When I am walking in the woods and all the clutter and noise and the oh-so-important-to-do-list falls away, when all of my investments in my-very-important-ideas and my-resistances-to-immovable-objects drops off, when my frustrations and anxieties evaporate, I come back to my senses. Literally and metaphorically. The cold air. The limbs waving and groaning in the breeze. The quiet chatter of the brook that ambles through Bristol Wood. I become the moment I inhabit. I inhabit the moment of my becoming. That’s it. My “meaning” takes on a proper proportion, no greater or smaller than life itself.

Listening to the brook, the sound of our feet crunching the snow, I remember something John O’Donohue wrote. “The river is a miracle of presence. Each place it flows through is the place that it is…In a river, past, present, and future coalesce in the one passionate flowing.”

 

read Kerri’s blog post about THE WOODS

 

 

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Change Your Mantra [on Merely A Thought Monday]

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It was only after the dive that I realized my folly. Rather than enjoy it I repeated to myself, over and over, to just get through it. I’d be fine once I was back in the boat. I was afraid.

It was a very deep dive, the deepest I’d ever attempted. There were sharks swimming beneath me. There were sharks swimming above me. The Blue Hole. The wall was gorgeous, an explosion of red, orange, and yellow. Looking up was a miracle of sunlight on water. Looking down was a study in the color blue, layers of turquoise, cerulean, disappearing into a bottomless (aptly named) ultramarine.

My mantra, just get through it, was a wall between me and extraordinary beauty of it.

Later, in the boat, I appreciated it. I also appreciated that my experience was unnecessarily fearful. Rather, I understood that the only real danger in The Blue Hole was my doubt in myself. The sharks were not man-eaters. The depth was the limit for amateur divers but not extreme. The dive master was world class. I had plenty of oxygen.  I was safe everywhere but in my imagination.

The dive made me wonder how much of my life I’ve spent telling myself fear tales? Instead of having an experience of wonder, how often have I storied myself in fear? How often have I made up monsters and raced to the other side of the moment, raced to get it over with rather than be in it?

Sitting in the boat, I realized that it wasn’t the fear that I was wrangling with. Fear is natural, especially in alien environments like deep water, especially when sharks are involved. It was my mantra that plagued me. Get through it.

Next time, I told myself, I will have a new mantra. Be in it. Fear is an experience, too. It’s part of life and, at the end of my days, I will be sad if the story of my life was simply getting through it. Or over it. I want to know that I was in it, all of it; the fear, the joy, the ugly, the angry, the beautiful blues, the sad days, and the quiet wandering.

 

read Kerri’s blog post about GETTING IT OVER WITH

 

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Take One Glorious Step [on Merely A Thought Monday]

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This post marks the 100th week of our Studio Melange. As it turns out, to my great surprise, the body of work I leave behind in this lifetime will probably have nothing to do with my paintings. I write everyday. I do not paint everyday.

I read that Graham Greene, one of the most prolific writers of the 20th century, wrote 500 words a day. Sometimes those 500 words took an hour. Sometimes they took several hours. Either way. Write 500 words a day, every day, and you, too, will be prolific.

Listen to enough mountain climbers and you’ll receive the same advice. One step at a time. One hand hold at a time. Don’t think of climbing the whole mountain. Rather, pay attention to the next step and the next and the next. The action of stepping will take you farther than the wishing. Step consciously and the summit will cease to be a goal and will become another glorious step en route to another glorious step [and, best of all, your odds of survival will skyrocket].

Were Kerri and I to scrabble together into book form our 100 weeks of writing, we’d have more than a few tomes on the shelf. A single prompt. He said/She said. Mounds of accumulated thoughts. Lots of writing. A few precious and treasured readers. Every once in a while, especially on these dark winter days, one of us asks, “Why do we keep doing this?”  The other will inevitably say, “Well, let’s stop.” The answer is always, “Nooooo! I love doing this!”

Why do it? Why climb the mountain? Why walk toward the horizon? Why paint what no one sees or compose what no one hears? Our answer, after 100 weeks, is becoming clearer and clearer: do what you love. Even better, do it with someone you love. One glorious step en route to another glorious step.

 

read Kerri’s blog post about MAKING HUNDREDS

 

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Feel Them [on Not So Flawed Wednesday]

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This is a symbol and as symbols go, this one is arguably the epicenter. It is universal. It transcends all other symbols, religious and otherwise. The others deal with energies, vertical and horizontal, masculine and feminine, spiritual and secular. They are symbols of polarities, separation ends that point to a center, a unity. This symbol is the unity. Heart. The meeting ground. The commons. The push-me-pull-you of life.

Try an experiment and think back on these past weeks running up to the solstice (no matter your tradition of celebrating it); re-member the moments that you felt heart. Kerri’s song. A bonfire at midnight. A walk in the woods at sunset. Dogga buried in gift wrap. Craig’s face when we opened the package with smart bulbs. Kirsten clutching the sloth. There are too many to count. None are abstractions. All are experiences. Feel them.

Yearning can be filled with heart. Loss can be heart-full. This symbol is all inclusive. It does not discriminate. It’s bigger than any single desire, any hot pursuit. It, in fact, requires no seeking. It is ubiquitous. It everywhere and nowhere all at the same time because it has nothing to do with time. It asks little more than paying attention to the many faces it lives through, the many moments it simply waits for you to notice, to see/feel/hear/taste/sense what is already here.

 

read Kerri’s blog post about the NEON HEART

 

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Invite Some Joy [On KS Friday]

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David and Molly are taking their amazing young son, Dawson, home to Seattle for the holidays. Margaret, Dawson’s equally amazing grandma, adores them and will heap huge joy on them.

Quinn’s daughter wrote after his death that she is who she is in the world because her dad delighted in her. It’s true. His intense delight forged a joyful intrepid spirit.

We walked with our son in the bitter cold from Ogilvie Station to Lincoln Park Zoo to see the lights. Kerri threaded her arm through Craig’s and I could literally feel the joy, mother and son, walking together.

Last night we went to 20’s house and tried a new soup recipe. We laughed and drank wine and talked about…everything and nothing at all. Late in the evening 20 said, “People don’t get it. This is what the holiday is about. Being together. It’s not about the stuff. It’s about time together. That’s what makes life rich. Joyful.” Sounds like a cliche’, doesn’t it?  It will until you, for whatever reason, spend a holiday alone.

Kerri was missing Kirsten. The holidays come with a hot yearning to be close and Kirsten is far away. And then, a text binged in. Mother and daughter are deeply connected. It is a joke in our house that if Kerri speaks Kirsten’s name, inevitably, within a few minutes, we hear from her. It’s uncanny. With Kirsten’s text, a simple ”hello” to her mom, Kerri’s despair flared into huge Joy. I wrote to Kirsten, “Best gift ever.”

It’s true. What could be better than the gift of presence? What could be better than Joy?

Joy! on the album Joy! A Christmas Album is available on iTunes & CDBaby

 

read Kerri’s blog post about JOY!

 

 

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Joy! A Christmas Album ©️ 2004 Kerri Sherwood

Turn And See [on KS Friday]

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Gratitude is a word easily tossed about in this season. It is often a nod to something that ought to be more present. It can be momentary, skipping a stone over the water. A commandment for how we should feel. Be Grateful.

Gratitude finds roots and deep resonance the day you turn around and realize beyond the abstract that this life is limited. These moments are limited. No longer an easy sentimental phrase on a Thanksgiving card, gratitude looks at what and who is present and loses all interest in what may-or-may-not-be missing. A sunset, each sunset, becomes a unique once-in-a-lifetime experience.

Last night, late, 20 came over. We sat at the table, told stories. Drank wine. Chocolate and raspberries. Heather and Brian Facetimed with Kerri. Her laughter in the next room, the enthusiasm of their conversation, made 20 and I smile. A long lost friend tossed a cryptic note into our ocean. We puzzled it deep into the night.

There has never been another evening like it. There will never be another.

Kerri’s GRATEFUL is not a Hallmark card. It is not a commandment or a should-feel. It’s not flowers and feel-good honey bees. It flows with the urgency, the power, and the recognition of that day when you at last turn and see an end to yourself. It is a love note to being alive, a meditation on the everyday priceless moments, a call to awaken to the unparalleled now.

 

GRATEFUL on the album AS IT IS is available on iTunes & CDBaby

 

read Kerri’s blog post about GRATEFUL

 

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grateful/as it is ©️ 2004 kerri sherwood

Take Pause [on KS Friday]

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Kerri’s GRACE is a poem. It is an essence.

When climbing the mountain, there is that moment when you pause the ascent, catch your breathe, and take stock of where you are. It is the moment of rest, of replenishment, of taking in the view. It is neither arrival nor departure. It is somewhere in between.

The somewhere-in-between-space is where GRACE is glimpsed. A fleeting glance, a warm touch, a slow inhale before the thought of climbing pulls your eyes and mind from GRACE and back toward a destination.

 

GRACE on the album RIGHT NOW is available on iTunes & CDBaby

 

read Kerri’s blog post about GRACE

 

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grace/right now ©️ 2010 kerri sherwood

Make A Curvy Road [on Two Artists Tuesday]

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The approach to the ferry at Northport is made intentionally curvy. It was designed to slow people down.

The intentional slow down is not like a speed bump or round-a-bout. It is not a mechanism to slow traffic before entering the ferry zone. It is meant to help folks to mindfulness. The place is beautiful. In a world dedicated to rushing through to the next thing, at a place on earth where the ferry will not wait for you, a winding road just might help a dedicated-race-to-the-next-thing-mind to recognize that this-moment-might-be-just-as-valuable-as-the-next. Experience it. Be in it.

It is a good design. In the many times this year that we’ve taken the winding road, it never fails that we see multiple cars stopped. People get out. They look. They take pictures. They point and talk and laugh. They stand in silence and breathe it in. It is performance art at its finest.

We slow down, too. Each time, the race to reach the ferry evaporates from our mind. We see. Kerri stops the car, “I have to get a picture of this!” she says. I appreciate her appreciation; there are layers to good design. Each time we greet the winding road I wonder what our world would be like if our design intention was to slow down rather than race through. Rather than divert our attention, what if, like great art, the purpose was to bring us into the vast expanse of this moment?

 

read Kerri’s blog post about the WINDING ROAD

 

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Await The Wind [on Two Artists Tuesday]

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when the wind is perfect,
the sail just needs to open and the world is full of beauty.
Today is such a day. ~ (a slice of) On A Day by Rumi

Skip wrote. His sail is open and he is full of the beauty of this world. It’s all around, the sounds, the smells, the tastes, the color and movement. Basking in the early fall sunshine.

He’s been painting regularly and I teased him: the gift of painting is the practice in seeing. Only I wasn’t teasing. It’s true. Paint everyday and something happens. Seeing is not a passive act, it is an active engagement. A relationship that opens awareness both subtle and profound.

His email stopped me in my rush to get through the day. Getting through life requires a closed sail, dulled senses. I dropped my list and imagined importance and went outside. I haven’t touched my brushes in weeks. Skip asked if I’d taken my painting materials to the island. I did but never went near them. “Too much to do,” I kept telling myself.

I told Horatio that I felt empty. The island took a lot. NO-ART-IN-ME. He smiled and assured me that the wind will return. My sail will open again.

Brushes or not, as Skip reminded me, the world is full of beauty. Today.

 

read Kerri’s blog post about WIND

 

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Be Inside It [on KS Friday]

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This morning I stood in the middle of the kitchen and tried to remember where we keep the pans. It wasn’t a senior moment. This week is a transition time. We are no longer there and not yet here. As we unpack our boxes from the other place, we are slowly reentering this place.

It’s a sweet limbo, these in-between times. They can be disorienting and they can also wake you up.

Among my favorite lyrics in Kerri’s song, IN A SPLIT SECOND:

Walk that thin line of the future and the past.

Linger in now.

As I was listening to her song a few minutes ago, my thoughts plummeted into a fit of images: splitting a second, as if a second was a thing that could be split. Cut a moment in half and what do you have? A smaller moment? A creamy center between two hard cookies? Walk that thin line like a tight rope; if you look down you must inevitably focus either on the future (one side of the rope) or the past (the other side of the rope). Don’t look down. Or, like the great walkers, lay on the rope and look at the sky. Drop the umbrella and let the rope support you rather than split your focus.

I could go on and on (and often do  – which gives Kerri ample practice in rolling her eyes or sometimes in a fit of self-protection she glazes over).  And while I chatter on and on, you should linger. Listen. And, rather than splitting it, be inside your moment. It only takes a second.

 

IN A SPLIT SECOND on the album AS SURE AS THE SUN is available on iTunes, CDBaby and real-live CD’s from KERRI

 

read Kerri’s blog post about IN A SPLIT SECOND

 

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