Right Before Our Eyes [David’s blog on Two Artists Tuesday]

If you are like me, this image took a moment to grok. All the elements are apparent yet, at first, my brain couldn’t pull the pieces together. Kerri, standing outside the front door, took the photo of Dogga on the inside staring out. What is reflection? What is image-through-the glass? It reminds me of those famous drawings that can be seen in completely different ways, the old crone and the young woman. One drawing, two possible images. An optical illusion.

After the image of Dogga-in-the-glass came into focus for me, Kerri exclaimed, “I can’t believe it took you so long to see it!”

MC Escher made a career of creating optical illusions. Stairways to nowhere. Hands drawing hands. The mathematics of art and design. We are rarely aware that our brains assign rather than discover meaning, selecting and assembling pieces in order to sense-make. Like well-worn paths through the woods, our sense-making carves default channels: we see what we expect to see. We see it because we believe it, not the other way around. That is to say, we rarely see beyond what we think. Thinking paths-of-least-resistance render us blind.

The pursuit of truth is to see beyond our well-worn paths. Escher knew that. His images play with our expectations. His images, for a moment, shock us into seeing beyond our expectation.

Factors like age or cultural orientation create biases in the making of meaning, in the assembly of the illusion. For instance, in the drawing of the old/young woman, older people will more often see the old woman while younger people will almost always see the young woman. If you happen to come from a culture that is not inundated with images (there are a few remaining on the planet), it is likely that you would only see scribbles on a page. You would see neither the old or the young woman.

Your normal is not my normal. Your well-worn thought-paths are different than mine.

Given identical experiences, your sense-making will differ from mine. It is the genius behind our system of governance. That two opposing points of view might come together, discuss what they think-they-see and compromise on a best path forward, is the foundation-stone of our democratic system. The genius begins when allowing that one party sees an old woman while the other sees a woman who is young. Both can be valid. Both can exist on the same page.

Allowing for and valuing differences of perspective leads to common ground, shared action.

On the other hand, the same system collapses when what is immediately apparent to both parties is summarily denied by one side of the aisle. It’s another type of illusion altogether: the negation of the obvious. For instance, our last presidential election endured 65 challenges in court and all were summarily thrown out for lack of evidence. Both sides knew – and know – without doubt that the election was valid, free and fair yet the red-hat team continues to fearmonger, pounding the drum of corruption, wearing another kind of thought-path in the minds of their constituents, rendering them blind.

There is a clear distinction between sorting out differences and creating them to exploit fear.

Coming together, in an attempt to see beyond expectations, respecting differing perspectives, valuing the multiple perceptions of a diverse nation in order to stand on common ground is democracy at its best. Creating division, whipping up disunity, negating and devaluing the perspectives and values of others spells the end of democracy. It intentionally pulls the nation apart.

Democracies pursue truth. Autocracies thrive on falsehoods. The choice we face is abundantly clear and right before our eyes. As a nation, all we need do is step off our well-worn thought-paths and open our eyes.

read Kerri’s blog about ILLUSIONS

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Near Hiatus [David’s blog on saturday morning smack-dab]

Until today, I’ve never been compared to a good english muffin. For that matter, I’ve never been compared to a bad english muffin. In the end, whether a good english muffin or bad, I am a festival of nooks and crannies and plan on celebrating each new addition. When you’re falling, dive!

You may have noticed an appearance change in this addition of smack-dab. Unlike me, it’s not new nooks and crannies. We are having technical difficulties at Smack-Dab International. Namely, Kerri’s computer died mid-Smack and took this week’s cartoon with it. While I was readying a post of apology for our smack-dab-hiatus, she produced this strip in record time on her ancient iPad mini! Moral of the story: while I look more and more like breakfast food, she is rapidly becoming the queen of the work-around. She never ceases to amaze me.

read Kerri’s blog post about ENGLISH MUFFINS

smack-dab © 2024 kerrianddavid.com

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Go Curly [David’s blog on Two Artists Tuesday]

Left to its natural state, Kerri’s hair is as curly as curly-ribbon or the curling leaves of this winter grass. It’s gorgeous though someone, somewhere, convinced her that her curls were passé. Her mom and I waged a not-so-secret campaign to stop-the-straightening but we had little to no impact. Every so often Kerri lets loose her curls and always receives raves but they somehow bounce off the image-shield of straight hair.

I have an image of myself. Lately, when I look in the mirror, I see something other than the image that I expect. It’s something to play with! I appreciated the early days of acting school because it demanded a constant change of image. More than once I had to cut off all my hair for a role. There is a power in studying character, realizing that who we are is not a noun but a process. Character – personality – is how-you-do-what-you-do and not “who” you present to the world.

Also, as a teenager I had an image of who I would become. I am surprised to report that I’m not the cross between Leonardo da Vinci and Joseph Campbell that I intended. No amount of straightening the road could alter my wandering (curly) path. I realized, none-too-soon, that to achieve my image I would have had to betray my nature. I am – and always have been – the steward of a “beginner’s mind.”

Kerri has a theory that people do not change, they become more of who they really are. The layers of imagined-self drop off. The core is revealed over a life-time of shedding images. Self-discovery a la paring down.

I grew my hair (again) after moving to Wisconsin. When I met Kerri I was still sporting the short-short hair that my clients expected of me. For some reason, my clogs were acceptable as an outsider invited into the hallowed walls of the corporate arena but long hair was too much. Long hair was a bridge too far. So I cut it. Now, the longer it gets, the more Kerri (and 20) tell me that I look more myself. I’m not sure what that means to them but I agree. It fits my image of me. I always use the opportunity to tell Kerri that when she allows her hair to go curly, she looks more herself, too. After all, her mom and I have not given up our campaign. Although Beaky is on the other side of the veil, I feel her poke me. That’s my cue to lobby Kerri to shed the image-of-straight, to become more of who she really is, and sport those gorgeous naturally curly locks.

(The title track of Kerri’s very popular X-Mas album, The Lights. She’s inserting into her post so I wanted to also drop it into mine. Happy Holidays!)

the lights/the lights © 1996 kerri sherwood

The Lights is available on iTunes

stream The Lights on iHeart Radio

read Kerri’s blogpost about CURLS

like. share. support. comment. curl. find your nature. or not. it’s all good.

buymeacoffee is an internal image of wildly curly hair meant to bring you at long last to your true nature.

Stumble Forward [on KS Friday]

I stared at the print in our Airbnb. It made me smile. A happy sloth sitting for a portrait. My children’s book-story-imagination ran amok with the possibilities. This sloth might be pals with Pooh.

The image is by Simon Te Tai. He’s a photographer and manipulates his images using other technologies. He alters the personality. He sometimes adds human characteristics.

I’m paying attention to the uproar in the art community over text-to-image software, like Dall-e. Type a simple phrase into the generator and it will produce an image. “It’s the end!” frightened artists cry!

It’s curious to me. A camera is a technology that, when first introduced, produced the same cry from artists. “It’s the end.” And then artists worked with it. The world would not have a Van Gogh or a Matisse without the camera. The camera freed artists from the necessities of realism. It opened paths to other vibrant explorations.

I remember the first time I saw Photoshop. “The end of truth as we know it,” I thought. A photograph was no longer proof that something happened. It was a shock. Disorienting. Now, I sit next to Kerri everyday as she manipulates our cartoons, produces our blog-boxes, and tweaks photos. It is common, everyday. Liberating.

There isn’t an art form that hasn’t been fundamentally altered by technology. Amplification of sound made it possible for us to attend a concert in a stadium of people. The swirling lights, the moving images playing behind Elton John were sophisticated and an integral part of the experience.

Our language is being altered by technology. The text. The tweet. The emoji. The pendulum is swinging back toward the image, the symbol, and away from the written word. Pictographs on screens rather than chipped into the walls of pyramids.

It’s a push-me-pull-you, this dance we do with technology. Something is rendered obsolete while something gained is not-quite-understood. Change is like that, especially the rapid changes introduced by technology. We stumble forward like a drunken sailor, never quite knowing where we’re going because we understand ourselves by where we’ve been.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about THE SLOTH

bridge/as it is © 2004 kerri sherwood

Wander In Wonderland [on Two Artists Tuesday]

I’ve re-read his email several times. Skip’s explanation of the development of the computer. Subject/Object. Noun/Verb. Items/Action. It’s a story of cause and effect. This causes that. I’ve learned more from this single email than from my very expensive graduate degree. And, it’s sent me down the rabbit hole and I am currently in a world easily as miraculous as Alice’s Wonderland.

Does the moon cause the tides? It does if you are an English-speaker. Causation is the foundation structure of the English language. An action needs an initiator. The noun is king. He kicked. The sea rocked the boat. The moon causes tides. If you speak Mandarin, the moon and the tides are inseparable, not perceived or described as separate events but as interconnected. The same dance, differentiated forms.

Where does an action begin? A consequence end? I warned you. A rabbit hole.

Our perception of the world has everything to do with the language we use to describe it. Our creating of the world has everything to do with the language we use to imagine it. In a world where actions are separate from items, verbs from nouns, this causes that, it’s easy to believe that order is separate from disorder, cosmos is separate from earth, humans are separate from nature. Death is separate from life. Is it?

Each year that passes I’ve noticed the world of written communication includes more emojis and fewer words. Attention spans are shorter – mine, too. Tweet and text. Images carries the bulk of the message. If you could see the analytics on my blog you’d note that if I use more than 600 words, you are less likely to read what I write. We are slowly moving toward ideograms and slowly away from alphabets. Whatever will we do, what might we see, when nouns and verbs blend into image? When the eyes of dedicated separation begin to see through the eyes of interconnectivity – or, as Skip says, “When actions become central.”

It’s called a Wolf Moon, I read, because wolves are particularly loud and vocal during the first months of the year. One questioner asked if the moon causes the wolves to howl. Noun/Verb. Subject/Object.

read Kerri’s blogpost about THE WOLF MOON

Gather And Share [on DR Thursday]

Back in my Don Quixote days, with the onset of a camera in every phone, one of my favorite exercises to give to groups was to send them out in search of textures. Gather texture. Gather pattern. It was quite literally eye-opening. It was also, quite literally, presence-enabling and life-invigorating.

There is enormous power in the simple phrase, “Stop and look.” See.

In “gather” there is no judgment. Consequently, the photos that came back, rich in texture and collision of texture, patterns revealing themselves everywhere, were gorgeous. Dynamic. But, mostly, they were revealing. Otherwise serious adults, who believed that there was nothing new, that life was less-than-exceptional, came back from their texture-gather with open eyes. Some giggled. These people, claiming that they did not possess an ounce of artistry, would show their photos to the group and say, “I pulled that in so we could see it better.” Or, “Don’t you just love how those two things come together?” Or, my favorite, “You didn’t give us enough time! I couldn’t gather it all!”

Ah. Not enough time to see it all. Not enough time to take it in. Now, isn’t that a statement of the-love-of-life? Isn’t that the epicenter of an artist’s life. Isn’t that a more interesting path than, “Same-old-same-old”?

Dots. Diamonds of dots. Lines. Pattern. Texture. Too much to see. Too much to experience. And the best, most simple way to step into vibrancy is to stop and look.

But, there is one more step, the part that made the exercise powerful. The essential part was and is almost always overlooked. Stopping and looking and gathering is great but only has meaning – only becomes artistry – when it is shared. Without fear or judgment. Stop. Look. Gather. Come back to the center and share what you see.

read Kerri’s blog post about TEXTURE

yoga series: meditation ©️ 2012 david robinson

Dissolve The Image [on Not So Flawed Wednesday]

We watched a live stream of the protests yesterday. The streamer interviewed many people. He chatted casually with others. What became abundantly clear was the myriad of issues driving people to the streets. The catalyst may have been the shooting of Jacob Blake or the president’s visit but the deep matter that drove each person to the street was utterly individual, personal. Unique. All trying to give substance and voice to their deep matter.

So many people alone together. I was witnessing a part of the Sisyphus saga that I’ve written about repeatedly. A boatload of souls arrive in the underworld, disembark, and wander along the beach. Each is completely unaware of the other souls. So wrapped in their story, they think they are alone. Finally, their stories play out, and in the silence they begin to see each other, and in coming together, dissolve, and blend into a single bank of mist. From separation to unity.

A quote from Krishanmurti roared into my mind: “You say that if the mind has faith in the image, then the image will give power to the mind. Obviously; the mind creates the image and then derives power from its own creation. That is what the mind is everlastingly doing: producing images and drawing strength, happiness, benefit from those images, thereby remaining empty, inwardly poverty stricken.”

The mind creates the image. The mind gives power to the image. The mind creates the story. The mind gives power to the story. It’s a fantasy feedback loop. We are mistaken to call our image, our story, “normal” or believe it to be “truth.” The protesters stand toe-to-toe and shout into the faces of others, a screaming match of conflicting images. A story collision.

“But the mind cannot create truth. What it creates is not truth, it is merely an opinion, a judgment.

Even as I write this I think, “Who cares?” The shouting, de-friending, families dividing and plunging into right-or-left-media-madness that matches the image-of-the-mind is escalating. The tug-of-war for story dominance is vicious and it seems Ethic and Moral have packed their bags and fled to a safe house.

Despite warning and wailing and prediction, the streets were silent last night. So still. Perhaps in our silent moments we will begin to see each other, and like the souls in the story, be drawn together, dissolving our individual images into a single bank of purpose. Perhaps.

read Kerri’s blog post on this Not-So-Flawed Wednesday

Look Beyond [on Not So Flawed Wednesday]

cameras copy

“Technology is anything that wasn’t around when you were born.” ~ Alan Kay

On the one hand, this could be a display of old technology. Shelf after shelf of what was once understood as a camera. Not so long ago a camera was a device that employed a once-revolutionary-invention, a light sensitive plastic strip called “film,” to capture images. These film devices, the miracles that populated my youth, are now antiques.

On the other hand, this could be an art piece, a commentary on the contemporary world. Many, many, many cameras, all with their lenses pointed back at us. There are cameras in phones, each a trafficker of the relatively new obsession known as the “selfie.” There are cameras at almost every major intersection of my town. Traffic selfies that come with tickets. In stores I am told to smile because I am on camera. There are cameras in doorbells. Many medical procedures employ teeny tiny cameras capable of fantastic voyages, inner selfies. The cameras shot into outer space transmit back to us images of a tiny speck in this vast universe, a dot called Earth.  Our art piece reveals to us that we are the central object of our study.

Standing in front of the shelf, looking at the myriad lenses looking back at me, I understood with some sadness that the cameras on the shelf used to be understood as arbiters of truth. There is a now an antiquated term, you may have heard it: photographic proof. Proof. It is not so much that the camera – film – is antiquated – but it’s purpose is most certainly passe’. Truth is out of date. Proof has no reliable root. We have replaced ‘photographic proof’ with a new concept, a ‘post-fact’ world.

Buckminster Fuller once said that, “Humanity is acquiring all the right technology for all the wrong reasons.” Were this beautiful unintentional-art-piece-found-in-an-antique-mall one of my creations, you can bet that I’d scribble Fuller’s quote someplace on the shelf, though, you’d have to look beyond the cameras to find it.

 

read Kerri’s blog post about CAMERAS

 

savannah selfie WEBSITE BOX copy

See The Truth [on Merely A Thought Monday]

you are beautiful (chicago) copy

 

“The mind has the power to do the most extraordinary things…But the mind cannot create truth. What it creates is not truth, it is merely an opinion, a judgment.” ~ Think On These Things, Krishnamurti

Last night at a gathering with our pals, we had a hysterical conversation about looking into the mirror and not recognizing the wrinkled, aging face looking back. The image in the mirror does not match the image in the mind. We agreed that we feel much younger than we appear.

Mirrors are mysterious and magical devices. They are surprisingly powerful. They merely reflect an image, yet, it is impossible for a human being to look into a mirror without launching a fleet of judgments or hosting a party of comparisons. “I look old.” Old? Relative to what?

A quick glance into a mirror is most often an image-check on how we think we appear. And, here’s the kicker: the quick glance is an image-check on how we think we appear to others. In other words, mirrors are excellent for feeding the fantasy that we have control over what other people see. None of us truly knows how we look. None of us has any control over what other people see. Mirrors inspire illusion illusions.

We do, however, have control over what we see.

I have rarely met the person who has made the choice to look in the mirror and see beauty staring back. I’m not referring to the ego-beauty, the magazine-model-concocted-beauty, but the inner-light-beauty. The recognition that life-is-a-miracle-beauty. The nothing-is-broken-and-nothing-needs-to-be-fixed beauty.

There is a beauty that is the truth; it bubbles just beyond the opinions and judgments and comparisons. We see it in others. Last night I looked around at my pals laughing and sharing stories and each and everyone was brilliantly beautiful. Now, looking in the mirror, I ask, what prevents me from seeing ‘what is there’ instead of ‘what I think is there?’

 

read Kerri’s blog post about BEAUTIFUL

 

onthedeckstepsWI website box copy

Look In The Mirror [on Not So Flawed Wednesday]

red cup mirror copy

A few years ago Morris Berman wrote a book, Coming To Our Senses, that jumps with both feet into the complexities of mirrors. Believe it or not, there are societies that are not singularly obsessed with self-image.

What do we see when we look in the mirror? What image do we think we ought to project? Create? Reinforce? What image do we think we ought to match? What do we think we need to hide? What about that hair or those crow’s feet? What do we look for in the image that stares back? Have we ever considered that the image in the mirror is the reverse of what’s actual? That we will, in fact, always see the opposite and never see ourselves as we are?

What amazing power do marketers possess when crafting the images that sell stuff? Models with perfect profiles, men with Greek bodies, all of those images filtered through the magic of Photoshop to heighten, hide, or somehow manufacture a more desirable perfection, an unattainable you. That is the point, after all: to create a perfection that no mere mortal can attain. To create a purchase path, a product possibility of attaining the ideal, even for a moment.

On the island, there is a terrific little coffee house, The Red Cup. Someone at The Red Cup must have read Morris Berman’s book or at least caught on to the power of a mirror. They know, even after a few cups of good coffee, when washing your hands in the restroom, you are likely to look in the mirror and find something that needs changing, something lacking. And so, as a counterbalance to the programming, they offer a simple alternative, a suggestion, in fact, a possibility for what you might choose to see in the mirror: you are so cool, and intelligent and strong and fierce.

read Kerri’s blog post about THE RED CUP

 

feet on the street WI website box copy