The Direction of Intention

I stared at the print in our Airbnb. It made me smile. A happy sloth sitting for a portrait. My children’s book-story-imagination ran amok with the possibilities. This sloth might be pals with Pooh.

The image is by Simon Te Tai. He’s a photographer and manipulates his images using other technologies. He alters the personality. He sometimes adds human characteristics.

I’m paying attention to the uproar in the art community over text-to-image software, like Dall-e. Type a simple phrase into the generator and it will produce an image. “It’s the end!” frightened artists cry!

It’s curious to me. A camera is a technology that, when first introduced, produced the same cry from artists. “It’s the end.” And then artists worked with it. The world would not have a Van Gogh or a Matisse without the camera. The camera freed artists from the necessities of realism. It opened paths to other vibrant explorations.

I remember the first time I saw Photoshop. “The end of truth as we know it,” I thought. A photograph was no longer proof that something happened. It was a shock. Disorienting. Now, I sit next to Kerri everyday as she manipulates our cartoons, produces our blog-boxes, and tweaks photos. It is common, everyday. Liberating.

There isn’t an art form that hasn’t been fundamentally altered by technology. Amplification of sound made it possible for us to attend a concert in a stadium of people. The swirling lights, the moving images playing behind Elton John were sophisticated and an integral part of the experience.

Our language is being altered by technology. The text. The tweet. The emoji. The pendulum is swinging back toward the image, the symbol, and away from the written word. Pictographs on screens rather than chipped into the walls of pyramids.

It’s a push-me-pull-you, this dance we do with technology. Something is rendered obsolete while something gained is not-quite-understood. Change is like that, especially the rapid changes introduced by technology. We stumble forward like a drunken sailor, never quite knowing where we’re going because we understand ourselves by where we’ve been.

read Kerri’s blogpost about THE SLOTH

bridge/as it is © 2004 kerri sherwood

Filed under: Art, Creativity, Emergence, KS Friday | Tagged: art and technology, artistry, Bridge on AS IT IS, camera, composer, Dall-e, david robinson, davidrobinsoncreative.com, image, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, musician, Photoshop, Simon Te Tai, story, studio melange, symbol, technology, the melange, two artists |