Emerge [on KS Friday]

when the fog lifts songbox copy

There is a famous season of fog unique to the San Joaquin valley called The Tule Fog. It is dense and otherworldly. Early in my life, as the stage manager of a children’s theatre company, I drove into The Tule Fog almost daily.

Early each morning, in a van loaded with actors and sets and costumes, we’d leave the  highway en route to a school, dropping down into the wetlands and into the white wall of fog. The entire known world would disappear. The horizon vanished. Any sense of up or down faded. We’d creep through the Tule Fog with no actual feeling of progress; the wheels turned, the engine hummed, but there was no way of knowing whether we progressed down the road or whether our wheels were spinning on a treadmill.  Occasionally, a car would pass going the other direction. We knew it more as a disturbance in the fog, something we felt rather than saw. It was harrowing.

Time suspended. All conversation, all noise ceased. It was a true liminal space, not here or there, all orientation gone. It was as if were in the boat on the river Styx, crossing over.

And then, we’d rise. Or the sun would reach to us. And the dense white Tule Fog would release its grip on us. It let us go. And we’d emerge like time travelers coming home to a place we once knew. I’d relax my grip on the wheel and breathe a sigh of relief.

WHEN THE FOG LIFTS, is my soundtrack to those early mornings in The Tule Fog. Moving forward fueled by nothing greater than the belief that there will be another side, somewhere. And then, the rise, the reach of the sun, and flood of quiet gratitude.

 

WHEN THE FOG LIFTS on the album THIS PART OF THE JOURNEY available on iTunes & CDBaby

 

read Kerri’s blog post about WHEN THE FOG LIFTS

 

bong trail, wisconsin website box copy

 

when the fog lifts/this part of the journey ©️ 1998 kerri sherwood

Stand It Up Again [on Two Artists Tuesday]

OY copy

On the high shelf above our sink are 3 tin letters that spell the word ‘Joy.” They’ve lived up there for a long time and have, until recently, been faithful spellers of joy. Lately, the tin “J” has lost all sense of balance. Either that or it has developed narcolepsy. Either that or it has a drinking problem. Either that or it’s developed a dreadful case of self awareness and, like a shy two year old, is hiding behind the “O.” In any case, our “Joy” now routinely defaults to “Oy.”

We’re sailing through some choppy waters so it’s tempting to assign too much meaning to our “Oy.” After finding the “J” once again laying down on the job I said, “Maybe that’s the universe talking to us.” Kerri punched me in the arm. She said over her shoulder as she left the room, “You better knock on wood.” Apparently the universe listens but does not speak. To be safe I did as she suggested and knocked on the cupboard.

And in the end, the love you take is equal to the love you make. ~ The Beatles

Live by the sword, die by the sword ~ Aeschylus

Isn’t there is some truth to the notion that what you put out into the world is related to what you get back from it? Of course, then there is this little pinch of conundrum: bad things happen to good people. Also, true. In story terms, it’s called competing narratives. Many people have spent their lives attempting to reconcile or explain this beautiful opposition.

Kerri came back into the kitchen, grabbed a chair , jumped up and returned the “J” to its sober position. “Joy” once again reigned in our kitchen. Perhaps there is no connection at all between what you put out and what comes back to you. I am certain it is one of those great unknowable questions that make believers believe, professors write, preachers pronounce, and seekers seek.  I am also certain that, in the moment, the only thing that really matters is our capacity to see the “J” amidst the “Oy” and stand it back up again.

 

read Kerri’s blog post about OY!

 

laughing website box copy

Figure It Out [on KS Friday]

figure it out songbox copy

Sometimes I am surprised at the memories a piece of music evokes. While listening to FIGURE IT OUT I was propelled way back in time into a specific moment, an acting exercise Jim Edmondson led with actors in the company at PCPA Theaterfest. It was an exercise in belief. He told them to imagine that their toddler had wandered away on the campus and was lost. “Find your child.”I watched Lisa, a terrific actress, tear across the campus calling out her child’s name. Searching, desperate. She was so committed that campus security came. People left their administrative offices to help with the search. She created belief. She brought us into her play. Jim stopped the exercise before the search for the imaginary child got out of hand.

It is the power of the artist. To pull us into a common story. To propel us into our distant past. To open possible paths forward, to stand in a shared vision. To help us across the boundaries of time and space and belief.

FIGURE IT OUT will propel you. The only question is where Kerri, through FIGURE IT OUT, will take you?

 

FIGURE IT OUT on the album RIGHT NOW is available on iTunes & CDBaby

 

read Kerri’s blog post about FIGURE IT OUT

 

shadow des plaines river trailwebsite box copy

 

figure it out/right now ©️ 2018 kerri sherwood

Chicken Marsala Monday

A Chicken Marsala thought-nugget from the melange to help you start the new week

sometimesfaith WITH EYES jpeg copy 3

Faith is one of THOSE words. So, as is my practice when wading into one of THOSE words, I look it up before writing about it. And, as is always true when writing about one of THOSE words, I find beautiful ambiguity within the proffered definitions.  1) complete trust or confidence, 2) strong belief based on spiritual apprehension rather than proof.

Complete trust. Spiritual apprehension.

My life has taught me that truth (another one of THOSE words) can only be found within the paradoxes. If you can reduce something to a singularity, a black or white concept, something graspable, then it may be a rule or law but is never a container of truth. THOSE words point to deep experiences, the mysteries that cannot be fully grasped or squeezed into a container. Love is one of THOSE words, too.

We designate the first week of spring by a heavenly marker known as the equinox. Equal night. We look to the sky to understand the happenings on this earth. I’m happy to report that my first sighting of tiny green shoots breaking through the crusty earth in my backyard happened this week. The first sign of spring. The resurgence of green life after months of root-resting hibernation.

I couldn’t help myself. For kicks I also looked up the definition of the word apprehension. It smacked to me of being yet another one of THOSE words. Yep. 1) anxiety or fear, 2) understanding, grasp. Anxiety. Understanding.

Standing before a blank canvas I often feel as Chicken Marsala. I tie on the blindfold and step. Sometimes I step boldly with complete trust. Sometimes I step timidly with great apprehension. It is a full spectrum of faith. And, because I can never know (another one of THOSE words) the best I can do is practice.

cool FAITH TAKE PRACTICE merchandise [wall art, gift cards, tote bags….]

society 6 info jpeg copy

faith takes practice FRAMED ART PRINT copy

faith takes practice LEGGINGS copy

‘faith takes practice’ leggings

faith chicken iphone case copy

faith takes practice SQ PILLOW copy

 

read Kerri’s thoughts on FAITH TAKES PRACTICE

melange button jpeg copy

kerrianddavid.com

sometimes faith takes a little practice ©️ 2016 david robinson & kerri sherwood

Two Artists Tuesday

be kind

I love this image. It works as a subtle infinity mirror, two parallel mirrors that create a ripple of ever smaller reflections that seem to extend into infinite space.

Be Kind. The first and most obvious mirror is an ideal and like most ideals it is unattainable. It is unattainable because it is not a fixed state, a grasp-able thing.  It can’t be bought. Kindness is not an achievement.  Instead, it is a way of being, an aspiration, a flowing river. Like most things unattainable,  it is easily tossed into the dustbin of cliches. Why be kind in a dog-eat-dog-business-is-business-every-man/woman-for-him/her-self world?

Be Kin. The second mirror, the parallel that creates the ripple, is not an ideal, it is a simple reality. It is also not attainable because it simply is.  It cannot be attained but it can be ignored. In fact to ignore our innate kinship requires a serious dedication to denial, an elaborate fantasy of control. It  seems we humans, we makers-of-belief, have a choice to either recognize or deny our kinship.

With inclusion, with the recognition of like-ness, comes the desire to reach for the unattainable kindness. The desire to reach for a greater spirit, a better nature, our natural state.

Exclusion, on the other hand, is a sad and scary state. It is a lonely single mirror, self-directed, single-reflective, a “me” space, and, thus, it is incapable of seeing or participating in the infinite ripple.

On this Two Artists Tuesday, step into the melange and consider looking through the ripple. Be kind. Be kin.

BE KIND. BE KIN merchandise

be kind framed print    be kind mug  be kind pillow

 

kerrianddavid.com

check out Kerri’s thoughts on this Two Artists Tuesday

be kind. be kin ©️ 2016 kerri sherwood & david robinson

 

 

 

 

Stay Fully Alive

a more recent smaller painting: In Quiet Prayer

Horatio issued me this challenge: do something new, something you’ve never done before. Paint something different, something that boggles you.

I love this challenge. In other words, step out of your comfort zone. Dare to not know where you are going. Make a mess with great gusto and intention. Court chaos and wrestle it into something that resembles order for you and no one else.

Horatio might have said, “Dare to see again, purely, with no filters, knowledge, or preconceptions.” He might have added, “What might you see, who might you be, if you stepped beyond the safety of your ideals, your beliefs, and great mass of weighty and important knowledge?”

The child in me, the one not yet accustomed to sitting in a desk or raising my hand or waiting my turn would loudly sing the answer: You’d be fully alive! I’d be fully alive.

from a few years ago, a larger piece: Meditation

I’ve always appreciated how similar are an artist’s path and that of a spiritual seeker. The aim of the exercise is the same. A meditation practice to still a busy mind is identical to an actor’s training to be fully present on the stage or a painter’s pursuit to see purely (to see without the disruption of interpretation). On both paths, truth is a fluid thing. Truth is what is happening right now. What happened yesterday or may happen tomorrow are distractions at best. They are stories that get in the way. They are of no consequence to this moment of living, this moment of aliveness. It is, an actor learns, a fool’s errand to attempt to repeat yesterday’s performance.

Horatio’s challenge is relevant for every human being wrestling with the big questions or trying to stave off or make sense of the chaos. Dare to dance with what’s right in front of you. Dare to drop the questions.

Picasso famously said that every child is an artist. The problem is to remain an artist once he or she grows up. He might well have said that every child is fully alive. The problem is to remain fully alive once he or she grows up.

playing around with simplicity. This one is hot off the easel and not yet named.

this is how she looks in a frame. Magic!

Save

Save

Save

Save

Save

Save

Do Anything Else

sharpersquareinstrofpeacewordsonlyjpeg

It occurs to me now that all along I’ve been asking irrelevant questions. Or, perhaps framing my questions too narrowly. For instance, years ago I went to graduate school to study systems because I wanted to follow a question that reached deep into my life and identity as an artist: can a mythology be rekindled once it has died? Art, after all, is one of the primary life-keepers of a culture’s story and the beating heart of the story is its mythology. And, according to all indicators, our mythology is mostly dead [as Joseph Campbell said, for evidence of our mythological demise, all you need to do is look at the news]. So, the younger version of myself wanted to understand the purpose of my life as an artist if, indeed, I was in service to a dead mythology. Heady questions, yes? Relevant questions?

In the early 1990’s I was invited to a photographer’s studio to see the “newest thing” in photography. The photographer had a new “program” called Photoshop. Before my eyes he “photoshopped” me into a picture, a place I’d never before visited. Today, all of this seems commonplace. Now, any 5 year old can manipulate an image but at the time a photograph stood for proof that something had actually happened. A photograph could not lie. It was evidence of truth. That day, standing in the photographer’s studio, I realized that the old reliable anchors for truth no longer existed. What was our anchor?

The truly significant events in our lives rarely come in with a roar.

We’ve been hearing a lot lately about fake news – as if this was a new phenomenon. It brings to my mind a terrific book written in 1985 by Neil Postman, Amusing Ourselves To Death. Here’s bit from the first page:

“Our politics, religion, news, athletics, education, and commerce have been transformed into congenial adjuncts of show business, largely without protest or even much popular notice. The result is that we are a people on the verge of amusing ourselves to death.”

I suppose fake news refers to something wholly concocted but I’d argue that when news agencies pander and promote themselves to conservative or liberal viewpoints, when ratings drive content, it’s all fake news. News with an agenda is…not news. It is, however, dangerous to a democracy and no longer free (as in free press, a cornerstone of our democracy). Historically, newspapers have always had a point of view but there was some attention paid to what was printed as news. Opinion was confined to an editorial page. When the line between true and concocted is blurred, when a populace cannot discern between entertainment and substance, it no longer has the capacity to make sound (read, “informed”) judgments. Worse, it is gullible, gossip-eaten and infinitely manipulate-able. It is, as Neil Postman wrote, entertaining itself to death.

I recently wrote about the absence of recognizable communal anchors (mythology) and the dangers of a community with nothing but the soft soil of belief and opinion as its driver. Is planting a personal-truth flag and defending its territory all that is left to us?

What else can we do? Now, there’s a relevant, open-ended question! Roger once told me that he would never be able to understand suicide. He said something like, “In that moment, rather than take your own life, why not do anything else? Why not make any other choice?” Another relevant question!

What else can we do? In the face of our own entertainment-driven suicide, why not do anything else? Turn off the blather, go outside, meet your neighbor, tell stories of your children or your ancestors. If common ground can’t be found it can certainly be created. Inhabit something bigger than opinion. It’s less entertaining but certainly more useful. Great art – no matter the form- lives in those bigger fields.

 

MAKE ME AN INSTRUMENT OF PEACE – GIFTS

to kickstart your peace, listen to this:

for PEACE on iTunes, go here (track 5 on the album AS IT IS)

Save

Save

Save

Save

Save

Save

Save