See The Frame [on DR Thursday]

The lake was angry. Had you dropped me in from outer space I’d have sworn I was standing on a beach of the stormy Atlantic Ocean. “I just can’t capture it,” she said, after snapping several photographs. The roiling waves hit the shore with thunderous power and intensity. I felt it in my chest. Distilling the energy within the frame of a photo sublimated the dramatic waves to an everyday image. The frame successfully abolished the fear and eliminated the awe.

On the trail this past Sunday, he quipped that the world as we knew it began its decline when CNN invented the 24 hour news cycle. It’s a lot of time to fill and, to keep people hooked (ratings), the importance has to be exaggerated. When everything becomes ‘Breaking News,’ the really important stories are lost amidst the manufactured dross. Scrolling through our news app this morning I felt as I once did while waiting in line at the grocery store check-out surrounded by the screaming headlines from The National Enquirer. Sorting to the grotesque. Manufactured awe has successfully amped up our fear. A very strange frame, indeed.

The real power of a frame-of-reference is that it is mostly invisible yet it determines the potency of the composition. Focus is largely a function of frame. I’m in the habit of taking “snippet” shots of my paintings. Altering the frame of what I see helps me…see. It promotes inquiry.

A fluid frame is like an open question. It facilitates engagement. A fixed frame does the opposite. It closes the question options: yes or no. A 24 hour news cycle necessarily defaults to a fixed frame. It pretends to be inquiry while promoting dogma. If you wonder why we are at each other’s throats, why we’ve reduced ourselves so severely to a community defined by two primary colors instead of the full palette available in our color-full nation, do an experiment: pay attention to the story-frame you are being fed.

Ice crystals formed on our kitchen window during the latest storm. Kerri rarely takes a single close-up. She takes many shots of the same subject. In a digital age, she is also able to pull a single photo into several different focuses and takes screenshots of the possibilities. A fluid focus. She composes. She questions. She asks. It’s a pure artist’s action. Turning to me she never asks, “Which is better?” Instead, knowing the power of a frame and with full respect for the difference that I might perceive, she asks, “Which do you like and why?”

joy. 50x56IN mixed media

Two frames. Can you see them? [the new site is like a good wine…taking its time to mature]

read Kerri’s blogpost about ICE

joy © 2014 david robinson

Be There [on Merely A Thought Monday]

“Most of us are frightened of dying because we don’t know what it meant to live. We don’t know how to live, therefore we don’t know how to die.” ~ Jiddu Krishnamurti

Today we took a walk in the swirling snow. The wind stung my face and I was grateful for the extra layer I’d put on before we set out. Our destination was the city civic building on the other side of downtown. The Sisu property tax bill was due. We could have mailed it or taken the car. “People must think we’re crazy,” Kerri said as we leaned into the wind and laughed.

On Monday we interred Beaky’s ashes. As I watched the attendant seal the niche, I thought of a famous quote by Helen Keller: “Life is either a daring adventure or nothing at all.” And that quote brought to mind two more that I appreciate and stitch together as a single thought: Science may have found a cure for most evils; but it has found no remedy for the worst of them all—the apathy of human beings./Security is mostly a superstition. It does not exist in nature, nor do the children of men as a whole experience it.”

The apathy of human beings. Security is mostly a superstition. Reach your hand and help another; a cure for both apathy and security-superstition.

I only knew Beaky for a brief time but she had an enormous impact on me. She was in a rehab facility the day I met her and I knew immediately that she was special. Every nurse, therapist or aide that came in to see her left feeling better. Beaky was a lifter of spirits. These dedicated people were her caregivers yet, in the midst of her pain, she gave care to them. Kindness was her north star and she followed it with a passion.

Yesterday I had an interview with Joe. His job is checking-in and coaching people on unemployment, mostly making certain they are on track seeking new work. We had a great conversation. We told stories and laughed. We swapped ideas. I left the conversation uplifted and I’m sure he felt the same way. People supporting people is a two-way street and is life-giving. Adventures are made of stepping into the unknown and the heart of another human being is always unknown territory. I was grateful for his kindness.

Kindness is also a potent cure for apathy. Like reaching your hand, kindness requires an outward focus.

It’s really not so difficult. Before sealing the niche, Kerri played the ukulele and we sang Irving Berlin’s Always: Days may not be fair, Always/That’s when I’ll be there, Always.

Being there. Especially in the moments when life is not fair. Plenty of people have taught me (again and again) the simple power of presence, giving me the assurance that I am not alone. Being there, it’s nothing more or less than knowing how to live.

read Kerri’s blogpost about ALWAYS

Feel Their Hands [on DR Thursday]

A Melange Haiku

The woods, remember?

Feet shushing through fallen leaves.

Tree-fingers touch blue.

The trail yesterday was arrow straight, a line running to Chicago. I teased that we need never turn the wheel. The day before we walked by the river so the path snaked with the water course. On Thanksgiving, we walked twice around our yellow loop. It was cold and our finger tips complained. Arrow, snake, and loop.

We are restless and find balance in the woods. Peace-of-mind. We are restless so are searching for new trails. It’s a metaphor, I’m sure of it. We adore our known paths but feel as if we are shedding a skin or busting out of a cocoon. I said, ‘I’m tired of making the same old mistakes, of doing the same old thing.” She is patient and listens without rolling her eyes. She is kind to let my words of frustration dissipate in the cold air. The squirrels sound an alarm. She knows that no response is required.

The sun is down by 4:30. We are fooled again and again thinking it is later than it really is. “It’s too early for dinner!” we exclaim, chopping carrots, eyeing the level of wine remaining in the bottle. We look to each other and laugh.

On the yellow loop we decided to speak of gratitude. We called to mind our nuclear family members and in turn offered thoughts of appreciation. Love is a complex rainbow and I was reminded that much of what we see is by choice. Where we decide to place our focus. I had the sense that our ancestors walked with us on the trail that day. Their hands on our backs.

read Kerri’s blogpost about PERSPECTIVE.

Helping Hands, 53.5×15.25IN, mixed media

helping hands © david robinson

Call Awe [on Merely A Thought Monday]

“The love you take is equal to the love you make.” ~ The Beatles, The End

Last week was unusual in that I had a sneak-peek at my end-of-life-review. When a trusted doctor looks at you and says, “This is bad,” when tests that ordinarily might be scheduled a few weeks out are rushed into the next few hours, when the palette of available options are mostly shades of black and all include the word “dire,” the life-movie-reel begins to roll. Mine did.

I’ve known for years that among the few choices we really have is 1) where we choose to focus, and 2) where we choose to stand as we focus. Point-of-view, labels slapped onto experience, the story we tell is a story we project onto the world. Rolling through the CT-scan doughnut, I looked at the story I’ve called into the forest. I listened for the story it reflected back at me, as me.

“Take a deep breath,” the machine instructed, “and hold it.” Holding my breath, I saw a single story comprised of many, many chapters. There are the life-pages that I lived in confidence, and pages that I wrote confusion. The shattering, the story of the pieces of my life scattered in four directions. Kintsugi. The pages of the phoenix. Pages written running from my art and the matching pages of running toward it. The chapter of standing still. The pages of betrayal and the balance pages of being betrayed. “Release your breath,” the machine chirped. “Breathe naturally.”

The forest will show me fear. The forest will offer grace. The forest will reflect back to me peace if peace is what I bring to it. Someday, rather than project onto the forest, I will walk into it, become it. A reflector of projections.

Take a deep breath. I’ve never been so appreciative of breath. Hold it. What a gift. Breathe naturally. Call awe into the forest.

read Kerri’s blogpost about THE FOREST

Interpret The Impression [on DR Thursday]

“Art, to me, is the interpretation of the impression which nature makes upon the eye and brain.” ~ Childe Hassam

The eye of the mind. Interpretation of the impression. Imagination. Nature.

This morning Kerri told me that she’s having a stand-off with her piano.

This morning I picked up a box to clear my studio space. I asked myself, “What are you doing?” I set down the box where I found it.

Lately, I’ve been working with an overabundance of business models. Not surprisingly, each addresses the same contemporary challenge: people are having trouble discerning between what is actionable and what is not, what has relevance and what does not. A variation on the theme: focus is hard to come by. Models, I remind myself, are interpretations.

I’ve read that the first evidence of humans making art is found in the funeral rites of our distant ancestors. Decoration? Talisman? Fuel for the trip? An interpretation of life, making peace with the unknowable. Nature makes an impression. Humans respond.

The interpretation-of-the-impression-that-nature-makes points to something essential about art and life: it needs to be shared. It is nothing if not witnessed. We stand in the art gallery and drink it in. We stand at the graveside supplying our fellow traveler for the long journey ahead. We place the crayon drawing on the refrigerator.

Nature makes an impression.We are nature’s impression. Interpreting what that means.

read Kerri’s blog post about IMPRESSIONS

motherdaughter © 2019 david robinson

See The Glue [on Not So Flawed Wednesday]

It’s a new phrase to me but I liked it immediately. I liked it because I have known some amazing people, those rare birds who keep the runaway-egos focused on the project, who naturally and seemingly without effort coalesce disparate talents into a cohesive creative team. The ‘glue people’ is a perfect description.

Glue people intuitively understand power as something that is created between people, not something wielded over people. I suspect that is the epicenter of their glue-gift: they see beyond the parts to the sweeping possibility of the whole. They know that “every man/woman for themself” is a recipe for disaster.

Despite our dedicated cowboy mythos, innovation is never the province of a single person. There may be a single visionary but the vision is never accomplished in a vacuum. Inventions, like organizations or nations, come to fruition through the efforts and skills of the many-working-as-one. Glue people generate “the-working-as-one.”

Stage managers, production managers, executive assistants, contractors…those highly overlooked people at the center of the information, who quietly make sure the work of creation happens without collision while also making certain all the parts and pieces know how much they are valued.

Meaning makers. Making value explicit. Glue people. Just try to get an idea off the runway without them.

read Kerri’s blogpost about GLUE PEOPLE

Take Note [on DR Thursday]

Although it may not be at first apparent, this is a map for product development. A single stout stalk that supports shoots of replication that explode in support features. One clear central intention. Multiple expressions that return nutrient to the stalk.

Although it may not be at first apparent, this is a map for healthy community. A single stout story stalk that supports shoots of replication, diverse paths that explode in seeming individual expression. One clear central narrative. Multiple expressions sending sunlight back to the root.

Who hasn’t seen the time-lapse films of plants growing, forms expressing and then retreating, the accelerated motion of people commuting on a city street, what seems like chaos is, at speed, cooperation. Those people on the street in real time, walking to work, a to-do list on their mind, are mostly unaware of their symphony of togetherness.

It’s easy to forget the stout stalk when standing at the individual expression point. I have been witness to the demise of many organizations who turn against the stalk in favor of the feature. For instance, the fastest way to kill a non-profit organization is to attempt make it run like a for-profit business. It will forget its story-stalk and lose its heart and mind in a spreadsheet.

The quickest way to destroy a community is for its branches to forget that they are individual expressions of a single stout story. They are not separate as much as extensions. To focus on the multiple tiny expressions as if each small branch is a stand-alone truth is absurdity-creation. Chaos masked as convention. Inverted, the plant dies.

In our literature we are riddled with advice to turn toward nature. Existential crisis? Lost? Go to the meadow, find the woods, take a hike. Get quiet. We go there because…we are there. Alan Watts wrote,”We don’t come into the world, we come out of it.” We are not separate from the stalk; we are expressions of it. Occasionally, the map to sanity that we seek is hiding in plain sight dressed as a platitude. Go to nature. You cannot do otherwise. Realize it.

When I’m running abstract questions of design in my dreams, I know it’s time to take a walk. It’s time to stop, look around, take note of nature’s design, the perfection of a plant. A perfect yoga, branch-fingers reaching for the sun, root-fingers reaching deep into soil.

read Kerri’s blogpost about PARSNIPS

sam the poet, 48×48 (painted and sold a long time ago)

sam the poet © 2004 david robinson

Imagine The Possibilities! [on Two Artists Tuesday]

Mastering others is strength. Mastering yourself is true power.” ~ Lao Tzu

I’ve had this quote sitting on my desktop for months. I’ve been on a Lao Tzu kick, a Kurt Vonnegut kick, a Rainier Maria Rilke kick…all at the same time. They are, not surprisingly, in alignment on many topics, among them self-mastery. “The secret?” they whisper. “Stop trying to control what other people think or see or feel and, instead, take care of what you think and see and feel.” Their metaphoric trains may approach the self-mastery station from different directions but the arrival platform is the same.

It’s a universal recognition: take the log out of your own eye.

Sometimes a penny drops more than once and so it is with Saul’s advice to me. “Look beyond the opponent to the field of possibilities.” “And, just what does that mean?” you may shout at your screen. It sounds like new-age hoo-haw.

Ghandi said, “Nonviolence is the weapon of the strong.” It is the height of self-mastery to bring ideas to the table rather than a gun. It is the height of self-mastery to bring to the commons good intention and an honest desire to work with others to make life better for all. Power is never self-generated but is something created between people. Power is distinctly different than control. Power endures since it does not reside within a single individual. Power lives, as Saul reminded me again and again, not in throwing an opponent but in helping the opponent throw themself. “Focus on the possibilities,” he said again and again. Throw yourself to the ground often enough and, one day, it occurs that there may be another way.

Work with and not against. It seems so simple. The bulb hovering over my cartoon head lights-up. Work with yourself, too, and not against. Place your eyes in the field of all possibilities. Obstacles are great makers of resistance, energy eddies and division. Possibilities are expansive, dissolvers of divisiveness.

I am writing this on the Sunday that Christians celebrate their resurrection. The day that “every man/woman for him/herself” might possibly and-at-last-transform into “I am my brothers/sisters keeper.” All that is required for this rebirth is a simple change of focus; a decision to master one’s self instead of the never ending violent attempt to exercise control over others.

It’s the single message, the popcorn trail left for us by all the great teachers. Instead of fighting with others, master yourself. Imagine the possibilities!

read Kerri’s blogpost about THE CEILING LIGHT

Look Out [on Two Artists Tuesday]

Perhaps the most useful and profound lesson I’ve learned happened under the water. I was doing my first night dive. I was scared. I was not yet a confident diver. As we descended the world became inky black. All I could see was where I pointed my light.

It was that simple. I can see where I point my light. That’s it. And, more to the point, I choose where I point my light. I have the capacity to choose what I see. I can…and have…chosen to focus on hardship and lack. I can…and have…chosen to focus on what I love. On any given day my focus bounces full spectrum between complaint and appreciation. And then I remember: it’s my light, where do I want to aim it?

There’s a second aspect of the lesson. My focus is a beam. My light is not all encompassing. Each of us looks at life through a soda straw. None of us has the big picture. That’s why the commons is so important. In order to know what to do, we need to bring our many perspectives together to approximate something close to a full picture. Rather than fight about disparate points of view – who is right – it’s more useful to try and assemble all of those differing views, like the pieces of a jigsaw puzzle, into a bigger picture. No one wins when the pieces refuse to interlink.

With two broken wrists the cello became impossible to play. It has sat in her studio, the case unopened, since her fall over two years ago. I remember the day we bought it. We were early in our relationship, not yet married. I knew she was having cello dreams. We went to the music store for some other purpose, I can’t remember. The cello was sitting in the corner. She sat. She began to play. It was a perfect fit. And, although we could not afford it, we also could not leave it behind. It was a perfect fit.

Our lives these past two years have been a descent into dark water. We’ve worked hard to shine our light at our good fortune in a dark and inky landscape. As we make our way back to the surface, we are cleaning out. Taking stock. “The cello needs to be played,” she said, deciding to sell it. “I’ll never be able to play it, now.” She took photographs of her cello. Sent out a message through the network.

At the end of the day she showed me the photo. Edges. The view from inside the empty cello case, looking out. A slice of the world visible outside the case.

What’s “out there” is rarely clear. We see a small slice. It tickles our curiosity. The cello dream moves on making space for…? Who knows? We can’t see that far. In the meantime, we keep our eyes and hearts uplifted as we slowly kick our way back to the surface.

read Kerri’s blogpost about EDGES

Reseed [on Merely A Thought Monday]

We pulled everything off the walls of the office. The photographs and posters of plays I’ve directed, Kerri’s first album, framed, a gift. Our poster announcing Beaky’s Books. “I don’t think the office should be about the past,” she said. “It’s time to make this space about our current work and the future.”

She chose a painting, Nap On The Beach, one of many created from our experiences together. She’s making a poster of Smack-Dab, our cartoon. Turning our eyes from what we’ve done, where we’ve been, who we were. We’ve changed. We want different things now. We work in different ways now.

She’s slowly cleaning out the house. I can’t help. This is something she must do by herself. Purging closets, the laundry room, the storage and work rooms. The year of water upended our house. Several times. It continues in the front yard, all the way to the street. When the ground settles, we’ll reseed the lawn. How’s that for a metaphor? When the ground settles, we will reseed.

It takes time for the ground to settle. It can’t be rushed. It should not be rushed. The same is true for cleaning out. We have new piles forming: what goes, what stays. I climb the stairs to the office each morning. When I come down again, she shows me the new space that she’s created from the day’s purge. It’s true on many levels. She’s creating space. Old baggage and burdens are going out with the old clothes and broken appliances. I can see it in her eyes. Space. Light. Like the house, she is beginning to breathe again.

She told me about the dream, her father was setting up microphones. “What are you doing?” she asked.

“Working for tomorrow,” he said.

I had to work hard not to weep. She’s had a rough few years. “Your daddy’s talking to you,” I said. “Sage advice.”

She nodded. Her eyes turning from the pain and constraints of the injuries. Letting go of the past. “Work for tomorrow,” she smiled.

read Kerri’s blog post about WORK FOR TOMORROW