None. Nada. [David’s blog on saturday morning smack-dab]

It’s not that we are inept or anti-tech. We are not. We are mostly savvy and can generally figure things out. When we can’t, we have a 12 year-old cultural-informant on standby who can guide us through the maze of complexity.

One of the promises of technology is to make our lives easier. Often that is true. Often it is not. I have found that being inundated in a 24/7 firehose of information with multiple competing channels, services and choices and changes and updates, password-password-do-you-remember-the-password, resets, google searches for clues, revamps and rolling technological improvements…life is not easier. Too much is too much. Too fast is too fast. And, let’s face it, much of what is out there is noise. It’s impossible to fill the belly of a 24/7 hungry ghost with brain-or-heart-nutritional substance.

We don’t watch much tv. But, when we do, we don’t want to spend an hour scanning or searching or retrieving or updating the app. I confess to fondly recalling the days of three channels, an on-and-off switch and a remote with a single button. I also like the feel of turning pages in a book and have been eye-rolled a time or two for saying it.

Here’s the bottom line: I have limited time on this earth and don’t want to lose it looking for something to watch.

read Kerri’s blogpost about CHOICES

smack-dab © 2024 kerrianddavid.com

like. share. subscribe. support. comment. (wow! only five choices;-)

Fill Your Paintbox [David’s blog on DR Thursday]

I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night…

[A Midsummer NIght’s Dream by William Shakespeare. Act 2, scene 1]

I played Oberon for the Walden Theatre Company at the Kentucky Center for the Performing Arts when I was way too young to play the role. I said the words and, although I did my research, I only had an abstract grasp of wild thyme and luscious woodbine. I had no depth of understanding of relationship and the mischief it invokes.

Now, those things are visceral. I know them to my core.

Luscious woodbine climbs and covers the fence beside our driveway. The leaves turn to fire in the fall, and when they drop, they reveal the blue berries, toxic to humans but delicious to birds. In a few days, the berries disappear. Woodbine symbolizes the bond of love since it entwines and embraces trees and other plants. And fences. The locals call it Virginia Creeper.

I was witness to the great actor, Jim Edmondson, play Lear for the first time. He was astonishing. After the performance, he said, “I don’t have enough colors in my paint box yet to play this role.” I sometimes wonder, as he aged, if he found the colors he felt he lacked. The intimate depth of understanding of growing old, of losing power, of being shelved. Loss upon loss. Leaves turn to fire and fall. All that remains is the vine.

I’m growing to understand the paradox of life: none of us has enough colors in our paint box when we are young and moving through the complexity. The colors are cumulative. How many times have I said, “Man, if I only knew then what I know now.”

“I know a bank where the wild thyme blows…” Yes. I do. At last.

read Kerri’s blogpost about WOODBINE

like. share. comment. support. smell the sweet musk-roses. we do.

buymeacoffee is a place where nodding violets grow and artists find a way to live another day.

Go With Abundance [David’s blog on KS Friday]

The sound of the tree cracking sent us scurrying. We didn’t know if the falling branch was above us so it was best to move until we could locate it. Fifty feet behind us and well off the trail, an enormous branch collapsed, snapped, fell, and broke into several pieces. “What are the odds that we’d be here to see it fall?” Kerri asked. “I wonder what it means when you see a limb or tree fall?”

We Googled the symbolism and, not surprising, it’s either a good omen or a bad omen. It depends on what you choose to believe. It might not mean anything at all. To re-use a favorite quote from Alan Watts, “The whole process of nature is an integrated process of immense complexity, and it’s really impossible to tell whether anything that happens in it is good or bad.” We decided the falling limb was a terrific sign of positive changes on the horizon.

There’s a sigh of relief that comes when you realize that meaning isn’t found, it is made. It is given. We are, all of us whacky humans, in every moment, giving meaning to our experiences. Is it good or bad? That depends on what we choose to see. The real magic happens when the measuring stick of meaning is not based on a polarity. There are infinite colors available between good and bad.

A chance meeting happens because of a missed plane. The loss of a job opens new avenues of possibility. A closed road leads to an amazing discovery. We found a lost puppy on the side of a county road because we made a detour to avoid road work. My heart blew wide open when that puppy leapt into my arms. “We were meant to come this way,” agreeing on the meaning we wanted to make.

Earlier on the trail we found a blue jay feather. The blue bird of happiness. A sign of abundance and healing. Of course, it might also signal the opposite. “I think I’ll go with abundance and healing,” I said.

“Me, too,” Kerri agreed. “Why not?”

[If you want your heart to blow open, listen to Kerri’s THE WAY HOME. It gets me every time]

the way home/this part of the journey © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost on BLUE JAY FEATHER

like. support. share. comment. all are greatly appreciated

buymeacoffee is a donation “tip jar” where your may help support the artists whose work you value

Name It [on Merely A Thought Monday]

The artist, Joe, had us write our names again and again until the lines lost their meaning, until we realized the lines were…lines. And shapes. Until we realized that our names were drawings. Unique and easy. His message? Everyone draws. And, more importantly though less obvious, the lines do not carry the meaning, the person infuses the line with meaning.

Visiting a pal in the hospital, I watched a heart monitor. More lines. Pattern. Waves. Visual indications of the drumbeat of the body. The drumbeat of the body propels the rhythm of the poet’s pen. Iambic pentameter. Short, loooong. Short, loooong. The poet’s lines reach through time and space, heart-meaning yearning to pulse through another person, to perhaps synchronize with their heart-wave pattern. Centuries may have passed between the inky scribbles from the poet’s pen to the person absorbing the meaning into their beating heart. Time travel. Ancient heart touches the living. “When to the sessions of sweet silent thought/ I summon up remembrance of things past…”

Watch a child learning to “write” their alphabet. Assigning meaning to shape. Crayon fist making lines. The refined adults see the shaky line as crude. Cute. Titanic imagination squeezes itself into alphabetic parameter. The little hand becomes a giver of meaning to shape and line. Expression. Learning to combine the limited shapes for greater and greater complexity. The conundrum: among the first lines we learn to scrawl are our names yet these few lines carry a question that can never be answered. Who am I?

The artist, Joe, had us dash off our names again and again until the lines seemed nothing more than a doodle. The meaning is not found in the lines; the lines and shapes merely point the way to the question.

read Kerri’s blogpost about THE CONTRAIL LINE

share or like or buyusacoffee.com. better than all, let us know you are out there.

Warm Hearts [on DR Thursday]

The past few days in Wisconsin have confirmed my suspicion: the ice age will not be fun. Long underwear is no match for mother nature when she’s giving you the cold shoulder.

It was an uncomfortable coincidence that we watched the movie The Day After Tomorrow a few short hours before the temperatures plummeted. It was almost as uncanny as the night we watched Contagion with Brad and Jen because we heard news stories of a virus in China that might become a pandemic. In both cases, when life mimicked the film, Kerri said, “I feel like I’m living the movie.”

I can only conclude that we need to watch different movies.

While hunkered down and very much appreciating the modern thermostat, heat at the touch of a button, I think Love Actually might be an excellent choice of film-invocation (Hugh Grant voice over: Love actually IS…all around us). The Family Stone is another good option. The complex nature of love. It makes me laugh and warms my heart every time.

Invoking warm hearts on frigid days is a worthy pursuit. Invoking warm hearts on any-old-day is a worthy pursuit but is certainly made more poignant when facing the ice age. Now, if only Dennis Quaid would show up with a helicopter cavalry and whisk us away to warmer climates! A boy can dream.

read Kerri’s blogpost about THE DEEP FREEZE

A Day At The Beach, 38x52IN

a day at the beach © 2017 david robinson

Consider The Symbol [on DR Thursday]

Because it is outside, she grabs her camera. Were it inside, I’d hear the special scream saved for spiders and I’d come running. The power of a screen, flipping fear to fascination. “It’s amazing,” she said and cringed.

Spider symbolism – like all vital symbols – carries the power of a complex split-metaphor. On one side of the screen they are toxic, malicious, potential bringers of slow venomous death. On the other side of the symbol, they are world creators, weavers of life and interconnectivity. Certainly, they are central characters in this world-wide-web that we enjoy.

In this era, we attempt to restrict our symbols, preferring them to be absolute, one-sided, either this or that. Symbols never work that way. They lose their power when cut in half. To be potent, a symbol must embody both sides of the moon. Limiting a symbol to only one side flattens it, robs it of dimension, renders it useless. The real power of the symbol ignites when both aspects are understood and embraced. Symbols are polarities.

We would be wise, in our nation, to look at both sides of our symbols. Our history, embodied in our symbols, is both shining and dark. Vapid fear-stories like “replacement theory” fester in a flattened symbol culture, a half-told history. Ugly nationalism grows in the spaces left empty by a cleaved symbolism, a highly-edited narrative.

Gaze through the screen at both sides of the symbol, and a fuller, richer, more color-full story emerges. An honest narrative.

Nations, like people, become healthy when they embrace all sides of their story, the dark side and the light, when they acknowledge both aspects of their symbol, when they take responsibility for their actions, the venomous and the virtuous alike.

read Kerri’s blogpost about THE SPIDER.

Prometheus Resurrection © 2008 David Robinson

Do It Together [on Two Artists Tuesday]

Our house is beginning to breathe. As each bag or box leaves, as another load goes to Goodwill, space opens. Air moves. Stuck spaces relax. New possibilities circle our imagination. And, as the house takes a deep inhale and long slow exhale, so do we.

This is a task she must do on her own. In the past I tried to make it happen and only created more turmoil. I am a relative newcomer to this house so my memories do not run as deep. What looks like junk to me might carry a sacred family story.

That is the continual lesson of my life. My eyes can never see the full extent of your story. Your eyes can never see the complexity of my story. The creation of “our” story requires constant tending. It’s always best to ask a question. “Our” story becomes vital, rich, and inspiring the moment I cease trying to get you to see my way. There’s a space between – called “relationship”- that we can both see because, together, we create it. Together, we speak to it.

Those few simple lessons apply to all relationships, even the most casual.

And so, while I’m working upstairs, she is downstairs unpacking boxes and bins. Sometimes I hear her sigh. Sometimes there is laughter and I know a good story will come my way. Each day, before I climb the stairs, I ask, “Is there anything I can do to help?” Her reply is always the same. “I don’t know but, if there is, I’ll let you know.”

read Kerri’s blog post about CLEANING OUT

Point The Way [on Merely A Thought Monday]

“You can accomplish with kindness what you cannot by force.” ~ Publilius Syrus

It’s one of the most interesting Wikipedia pages I’ve come across. Publilius Syrus. A life described in two sentences that conclude with this: “…but by his wit and talent he won the favor of his master, who freed and educated him. The rest of the page are maxims attributed to him. A Syrian. A Roman slave. An observer of human-kind.

We live in a world of ubiquitous maxims. They are posted everywhere, in stores, billboards, and elementary school signboards. Appeals to our better nature. Choose kindness. There are, of course, plenty of appeals to our worse nature, too. It’s as if our maxims are in a tug-of-war. I imagine that Publilius Syrus experienced in his short life both ends of the rope, the cruel and the kind, which is why he wrote so many maxims.

This quote came across my screen so I wrote it on a lilac colored post-it note and stuck it to my monitor. It may or may not be from Christina Wodtke: “When you make complex things, words eventually fail.” Life is a complex thing that words will always fail to describe or contain. The best a word can do is point to something, or the way to something. A maxim, an ideal, is, after all, a signpost, a direction. A choice of path. A point-of-view is created during those moments of choosing.

Kindness is not a thing. It’s not a word – not the word. The word simply points the way to something so complex, so boundless, that the word will always fail. But, we know it when we see it. We know it when we offer it. We know it when we receive it. We know with certainty when we choose it and when we do not.

read Kerri’s blog post about CHOOSE KINDNESS

Ask The Simple Question [on Merely A Thought Monday]

“Simplicities are enormously complex. Consider the sentence “I love you”.” ~Richard O. Moore, Writing The Silences

I’ve been told again and again that, at the heart of every complexity, there is a simplicity. And, of course, at the heart of every simplicity, there is a complexity. So, either way you go, there you are.

I find that I am yearning for greater and greater simplicity. I appreciate quiet. I avoid crowds, not “like the plague” but because of it. I’d rather be in my studio or on a trail than almost anywhere else. I wish I could go sit in a museum all by myself, in the quiet for an hour or two, with a Chagall or Picasso. Intentional beauty. I feel like the world is so full of extraneous noise and dedicated bloviating that I’m having trouble hearing the simple essentials.

And, perhaps because my desire is for simplicity, I find that I am, like Frankie, projecting simple solutions on to everything. Yes, 9 million dollars in my bank account would solve everything!

Almost.

Do you remember Rodney King? I was in Los Angeles when he was beaten, when the city was aflame after the acquittal of the officers who beat him. Do you remember what he asked? It was the ultimate simplicity: “Why can’t we all just get along?”

I think it would take something more than 9 million dollars to solve the complexity to which Rodney King spoke. There probably isn’t enough money in the world. But, here in my dedicated simplicity, I think the opposite should be true. Rather than cost anything, getting along would probably save all of us a lot of money, and time, and heart ache. Getting along would profit all of us.

It costs nothing to open a door for someone. Put a price on gratitude. I can’t. How much does it cost to tell the truth? What about making sure everyone is safe and well fed, that everyone can walk safely down the street, that people are paid fairly, that the rules apply equally to all, that, if you’re injured or become sick, you will be treated and not lose your house in the process?

It doesn’t seem like that should be so far out of reach.

There I go again. At the heart of every simplicity…

read Kerri’s blog post about 9 MILLION DOLLARS

Allow A Glimpse [on KS Friday]

lost sketch copy

One of the challenges arising in our Melange is what to publish on DR Thursday or KS Friday. After 130 weeks, we both feel the need to produce and publish new work and not draw from the archives. It’s a good sign.

Today, after reading Wade Davis’ must-read article about the end of the american era in Rolling Stone, Kerri decided to go into the studio, focus on a single word, in this case, “lost,” and improvise. It was thrilling. I cannot describe the feeling of watching her finally and at last do what she is meant to do on this earth. Standing at the open end of the piano holding the iphone to record, I can feel the vibration of her playing ripple through my body, the pounding rhythm through the wood floor enters through the soles of my feet.

There is a moment 15 or 20 seconds after she begins playing when the music takes over, when she is no longer playing from her thinking-mind but from the deeper place. Her face relaxes. Her posture changes. The piano hops. She merges with the music and I feel like weeping or laughing or both the handful of times I’ve seen it happen. When she merges, it opens the door for me to enter, too. That is the power and magic of an artist: access to the deep-beautiful.

I’ve never met an artist more resistant to their artistry than Kerri. I’ve met artists before  that feared their artistry because they get lost in it. They walk to the edge but fear the leap. That might be Kerri’s plight but I don’t think so. My New York girl routinely stomps on edges, shouts profanity into canyons and leaps into voids. She is no shrinking violet. No, I think she feels betrayed by her gift so she betrays it in return. I think she feels lost. It is why the word resonated with her this morning.

And now, add two broken wrists to this complexity. It’s six months since her fall and her right wrist, her melody hand, is not recovering. It’s limiting. Her motion is greatly impeded. I cannot hear it but my ears are not the ears that matter in this equation.

This morning she improvised a few different pieces. For me they were gripping. For Kerri they were frustrating. So, rather than give you the full recording, she chose to offer a short sketch, a phrase. A timely piece and appropriate metaphor on almost every level: lost.

 

Kerri’s albums are available on iTunes

 

read Kerri’s blog post about LOST

 

windyHHwebsite box copy

 

 

 

 

lost (a sketch) ©️ 2020 kerri sherwood

all my loves ©️ 2020 david robinson

putyourfingersonthekeys WITH EYES jpeg copy 2