Take A Closer Look [on Two Artists Tuesday]

“Knowledge is rarely completely divorced from power, and interpretation is too often an expression of convenience.” ~ Wade Davis, The Wayfinders

Discussing our project, Yaki and I agreed that we needed to step lightly. “We wouldn’t be allowed to perform this piece in Florida,” I quipped. Yet, sadly, it’s true. The piece is Beethoven. Nothing controversial there! I’ve written and will perform the narrative, an update of the piece from 2008. Yaki asked me to rewrite the narrative to speak to the issues of 2022.

It’s odd. Were we to perform the new script in the world of 2008, it would be benign. No one would deny or take issue with the fact that slavery is part of the history of the United States. It would have been laughable to challenge the era of Jim Crow or that the struggle for Civil Rights was and is a part of our story. Our division is not new. It’s institutional, systemic. Yet, in 2022, in red states, the dark side of colonialism is being scrubbed from curricula. They’re attempting to rewrite our nation’s history as a Hallmark movie.

Things are rarely what they appear. It’s one of the reasons why art is so powerful and necessary in a healthy society. When a community goes off the rails, claiming truth is fiction while aggressively promoting fiction as truth, the truth deniers always attempt to shut down and/or shout down all conversation. The theatre, the arts, during turbulent times, can reach into dark fiction, and resurrect the soul of truth.

Things are rarely what they appear. Staring out the kitchen window I was amazed that the bird perched on the wire fence was so still. It was so uncanny that I walked out back to get a closer look.

It’s the only way for people, for ideas, for communities, for nations, to grow. To question. To be curious enough to have a closer look. To laugh at themselves when the bird is discovered to be a leaf. To not be afraid to have their illusions popped, their history unpacked, or to welcome another point of view.

read Kerri’s blogpost about THE BIRD

Make Sense [on Merely A Thought Monday]

I told Kerri she was going to be fired two years before the ax fell. I needed no crystal ball and was not reading tea leaves. In my consulting life I’d seen it happen a few dozen times. When a not-for-profit organization promotes to leadership those who believe everything needs to run like a business, the people holding fast to the actual purpose and mission of the organization have to go.

It makes sense if you think about it. Profit is the purpose of a business. When profit is the purpose, the organizational structures and levers-of-power evolve according to the purpose: profit. People are expendable.

There’s a reason arts organizations, churches, educational institutions,…are called not-for-profit. They serve a different purpose. The organizational structures and levers of power evolve according to the central purpose: service. The creation of art. Learning. Health. Feeding the hungry. Helping the victims of disaster. Worship. The people, usually not well-paid, are dedicated to the deeper organizational mission. Not profit. The people are not expendable. In fact, they are the keepers of the flame. They are very hard to come by.

The quickest way to kill a service organization is to apply the power-levers of business. The purpose dies. The good people – the keepers of the organizational heart – have to be fired, whipped into compliance, silenced, or forced to leave. It’s not rocket science. That process takes a few years.

It’s sometimes hard for us to make sense of what’s happening in our nation and world yet the same principles that apply to organizations also apply to countries. The purpose of healthcare is not profit. The purpose of education was never supposed to be profit. We currently have in our vernacular phrases like “predatory lending” – people making millions from students who believe the dream is only accessible through higher education. It’s the message embedded in our mythology. The levers of business have twisted our vision. Just as prisons should never be money makers, healthcare-as-a-business obliterates the purpose. It profits a few. It crushes the many.

Apples cannot be oranges. Make sense?

What’s happening in our nation makes perfect sense. Big business, regularly bailed out or given tax breaks to the tune of billions of dollars, is protected. No questions asked. Yet, try to correct a corrupt lending scheme, a successful (highly profitable) application of business levers to education, built on the backs of working people trying to go to school, and the “it-has-to-run-like-a-business” crowd will move heaven and earth to keep profit at the center of the mission. Our education system, once the best in the world, is spiraling. Ridiculous. It’s inevitable when protecting the interests of business supersedes serving the purpose.

We may find our way through, we might return to our senses, when we stop pretending that business is somehow sacred, that the making-of-money is moral and a proper north star for all things. It is not. It is great for some things. It is devastating, senseless, for the most important things.

read Kerri’s blogpost about SENSE

Give Over [on saturday morning smack-dab.]

In the world of price comparison, label reading, expiration dates, coupons, and ingredients review, I am a loser. In these matters I have a Teflon brain. Nothing sticks.

When I shop, I take something from the shelf and toss it into the cart. When Kerri shops, she reads. She scrutinizes. She weighs the relative value of each item against the recent past and possible future items. She questions and considers every detail. Percentages spill from her mind. She remembers the price of pasta – and everything else – from 1992 to the current day. She can tell me the history to the minute when the volume of a box or can dropped from 16 to 12 ounces, “Yet the price stayed the same,” she grimaces.

During our very first shopping expedition, I knew I was in a whole new league. No more toss and run. No more quick trips to the grocery store. I was pushing the cart for the Einstein of food shoppers, the Yoda of coupons.

We’ve evolved. Or, I have evolved. While she reads, I gaze. While she compares, I ponder. While she weighs and considers, I daydream. For me, shopping has become a time to reflect. To abdicate all of life’s responsibilities. To give over to a better mind and push-the-cart merely.

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Harvest Tales [on KS Friday]

We sat on the back porch of the farmhouse. Columbus stared across the fields and told stories of his youth, working on a farm. He never talked about that time in his life, at least I didn’t remember hearing about the harvest times.

We rented the airbnb to take him back to his hometown. He wanted to see it one last time. He was slipping deeper into dementia and knew this visit would be his last. Earlier in the day, I found him in the kitchen. He was lost. He couldn’t remember how to make coffee. I’m not sure he knew who I was. We made coffee together and pretended all was well.

I was surprised that he didn’t want to spend more time in the little downtown. He wanted to walk the cemetery. He wanted to tell stories of his friends. He knew where every headstone was located. He knew right where his friends were and I listened, gathering more stories from his life. Sometimes I asked questions, prompts, to keep the storytelling going.

After the cemetery, we found the little house his grandfather built, the little house where my grandfather was born. It was being used as a storage shed because it was no bigger than a storage shed. It was in someone’s backyard. There wasn’t a fence and no one was home so we crossed the yard and walked around it. Holy ground for my dad. Now, it is sacred ground for me, too. He was a salmon swimming upstream returning to his origin. He was planting stories in us, reaching deep into his beginning tale. I was quiet, now. Listening.

We ended the day on the farmhouse porch. Staring across the field. Harvest tales.

read Kerri’s blogpost about HARVEST

Kerri’s albums are available on iTunes & streaming on Pandora

millneck fall © 1997 kerri sherwood

Make Space [on DR Thursday]

I’ve read that a too-busy mind can’t solve problems. To see solutions, beyond quick fixes, requires some open thought space. There’s plenty of research supporting this notion. It’s the reason most epiphanies happen in the shower or while taking a drive. The mind loosens its grip long enough for a new idea to rush in.

Lately, when my brain is in a twist, I take a few moments and visit the switchgrasses in our front yard. They are electric with color. This year, they are showing shades of pink, yellow and orange that they’ve never before revealed. The white plumes dance above the color, moving with the breezes. It not only takes my breath away but I’m finding it impossible to knit my brow and hard-squeeze synapses into sense-making while watching the dance.

I’ve cleared the boxes and bags from my studio. There are still multiple canvases stacked willy-nilly against the wall, it needs a good sweeping, but I can already feel the space breathing. I can feel myself breathing. As it turns out my studio has been a reflection of my too full mind. Clutter keeps the juices in check.

Last night we watched a movie. The main character, an equestrian, was having a hard time returning to competition. She was trying too hard. She was trying to be perfect and her mind and heart were locked up, in opposition. The horse felt her discord and could not move freely. “Forget about winning,” her dad told her. “Go have fun and remember why you loved to ride in the first place.” Sage advice when a good heart is being drowned out by a noisy mind.

An open studio. The grasses tickling my mind into chuckling relaxation. Space. Who knows what new idea is waiting to rush in!

read Kerri’s blogpost about GRASSES

flawed cartoon © david robinson, kerri sherwood, john kruse

Be With [on Not So Flawed Wednesday]

“When you love someone, the best thing you can offer is your presence. How can you love if you are not there?” ~ Thich Nhat Hahn

We attended the funeral rites via Zoom. It was moving. Intimate. We felt grateful to be included.

Kerri attempted to keep the ukulele band going. There was a delay in the signal so the group played gloriously out of sync, our rehearsals a hysterical cacophony. In the end it didn’t matter because we met each week and shared stories. We asked the most important question: how are you doing?

We Zoomed with friends across the country. The screen between us punctuated the distance, exaggerated the separation.

The pandemic put a new twist on the word “presence.” How do we – how did we – remain present for each other, with each other, when distancing was one of the few routes available to slow the spread of the virus? We learned both the expanse and limits of technology, sometimes giving us communication but not always the capacity for presence.

It certainly made us more intentional. Presence required scheduling time. Presence required confronting the line of can-this-be-in-person-or-not. It made us slow down and question. In the early days of Covid, Kerri and I had a heated debate en route to Colorado to see my parents: do we wear masks or not? After a few moments the masks came off. We needed to be present. Fully.

“Presence” and “going slow” hold hands. One cannot walk without the other. A slow walk will invite presence. An intention to be more present invites slowing down.

When I returned from Bali I was different. Changed. I understood the necessity of going slow, of being in my life rather than racing through it.

The pandemic years have been equally as profound. Like everyone, we lost jobs, lost identities, lost connections, lost security. Every possible pattern of life was disrupted. Isolation brought a new level, a different understanding of going slow. A two-dimensional and three-dimensional understanding of presence.

We are emerging as different people. I feel it. I can see it. I cannot place words on how we are different. I simply know that we are not in such a hurry anymore. We are much more intentional. We draw deeper lines in the sand.

There are people we want to see. There are people we need to see, beyond a Zoom or a phone call. To sit in the same room, laugh. To hold hands. To go slow. To be “with.”

read Kerri’s blogpost about GOING SLOW

Listen To The Call [on Two Artists Tuesday]

For the past 25 years, I have lived next to water. My Seattle apartment was steps away from Puget Sound. The lighthouse was just around the corner. My Wisconsin home is a block away from Lake Michigan. The sounds of the lake are the soundtrack of our life. A curious elemental flip for a man born at the foot of the Rocky Mountains.

It begs a question.

A few weeks ago, I needed to supply casual bio-pictures for a project. Kerri showed me photographs we’ve taken of each other, some in the Colorado mountains. It was startling. There’s something different about the photos of us in mountain pictures. “We’re different people,” she said. “You can see it. It’s where we belong.”

I could see it. My language: in the mountains, we are in our bodies. Fully. Present. No where else to be. Home.

It makes sense for me to feel the deep rhythm of the mountains. Kerri was born and raised on Long Island yet she comes alive in aspen forests, on the trail just above Breckenridge. The western slope. The mountain song reaches her inner being and she sings it back to the mountain. In the photos, she is radiant. At peace.

We walk along the lake all the time. We talk about how lucky we are to live in such a beautiful place. We are in awe of the power and changing faces of this mysterious lake. And, that’s precisely the point. The Lake is mysterious in its power. To us, the pulse of the mountains is known.

read Kerri’s blogpost about LONG SHADOW

Reconnect [on Merely A Thought Monday]

“We are healing our souls by reconnecting to our ancestors.” Nainoa Thompson (quote from The Wayfinders by Wade Davis)

There is a house I sometimes visit in dreams. It is a mountain house and, in the dream, it belongs to my Grandma Sue. I’m always comforted when I go there.

I have some of Casey’s tools and some of Bob’s. I think of them every time I use the wrench or the screwdriver. Both were good mechanics, handy, so I imagine their tools imbue me with some of their wisdom when I attempt to fix what’s broken around the house.

I gingerly page through the handmade book where DeMarcus made his notes about color. The pencil marks are fading but his enthusiasm reaches from the page and rejuvenates me. Inspires me.

A few days ago I happened upon my Lost Boy session recordings with Tom. His bass voice reached through my computer, telling me a story I now know so well. It warmed me.

In my studio, on top of DeMarcus’ wooden paint box, is a nutcracker that Grandpa Chan kept by his pool table. It’s the only thing I wanted when he passed. Something he touched. I hold it sometimes when I stare at works-in-progress. I feel him there.

I wear a chain around my left wrist. Kerri wears one, too. It is pull chain. The current version is a replacement of the original that we took from Pa’s workbench. I never met him but I feel connected to him. Kerri tells me stories of her dad. “How do you like them apples?” One of his phrases.

I imagine he and my dad are on the other side of the veil drinking scotch together. That drink warms me, too.

read Kerri’s blogpost about THEM APPLES

Try Them [on saturday morning smack-dab.]

I confess, it took some getting-used-to. Kerri experiences motion-sickness, even if she’s in the passenger seat. So, I rarely drive. I tease her when we’re with friends, saying, “My driving makes her sick!”

We avoid buses. Boats are problematic. Airplanes are not fun, especially during turbulence. A few years ago, our job required a ferry ride to the island so we lined the dashboard with ginger-chews, she wore pressure bands, and I had bags at the ready. Such a small thing; such a gigantic hurdle.

She showed me an ad for the glasses. They’re supposed to help with motion sickness. “Do you think they work?” she asked, hopeful.

“We’ll never know until we try them.” Such a small thing. Such a gigantic freedom.

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Tell The Story [on KS Friday]

The last time I saw Emily she was showing her simple watercolors in a coffee shop in West Seattle. She sat at a table, her head wrapped in a scarf. Emily was not shy. She was wildly alive and would have had no problem revealing her bald head, a result of the treatment. She wore the scarf because she loved it.

At the time, I was telling stories. At conferences. At facilitations. With symphonies. Pulling people together through a story into a shared metaphor. I did a full stop in front of Emily’s piece, The Storyteller. I knew it was coming home with me. Artists love it when one of their creations speak-out-loud to you. I told Emily about my full stop and she confessed that she loved The Storyteller, too.

After I paid for the small painting, we talked about her treatment. We talked of her hope for remission. Recovery. She was upbeat. Laughter-full. As always. In recounting this memory, I remember that she had no health insurance. It was years before the ACA. We talked about her path through experimental treatments, the only route open to her. She was selling her paintings, everything she had, to try and defer the bill collectors.

I left the coffeehouse art gallery with a new treasure and filled with Emily’s bright spirit. How could she be so vibrant against such a monumental wave of adversity? You already know the next chapter of this tale. Emily died less than a month later.

The Storyteller has lived in my studio. It reminds me of many, many things but mostly of Emily’s lesson: I am not my circumstance. Life is vibrant. This little watercolor is among my greatest treasures.

Dan recently gave me this do-rag: Snap-on, Socket-to-Breast-Cancer. It came at the perfect time as my sister-in-law was entering treatment. I wore it for her on the day of her first treatment but I also wore it for Emily. I wore it for Beaky. I wore it for Beth. I wore it as a wish for a someday cure, for anyone who has or will have to sit at a table and hear a doctor say, ‘You have breast cancer.”

This month is Breast Cancer Awareness month. Be a Storyteller and help pull people together.

This is a piece Kerri wrote and sang when she was working with oncologists raising awareness for Breast Cancer Research

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about BREAST CANCER AWARENESS

i am alive © 2005 kerri sherwood