Power Up! [on DR Thursday]

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I was going to write about something else but given the news-of-the-day this seems more pressing. Simply this: I believe in the power of imagination. Why? I’m glad you asked!

It takes imagination to lead. A lack of imagination is the only requirement to blame or bully.

It takes imagination to unite people. No imagination is necessary to divide people. Division is a well-worn tool of the fearmonger and the gaslighter. For instance, the weakest chimpanzee will bang pots and make enough noise that they might be deemed leader for a day.  On day two, however, the community learns the difference between empty noise and actual capacity.

It takes no imagination to tear things down. Imagination is essential to build, to create, to change.

Imagination is always a step toward something true and beautiful. Imagine it! Can you? Imagination always reveals. The opposite of imagination, namely deception, deflection, and lie are the smoke that fills the void of absent imagination.  Deceit is meant to conceal the false promise, a step away from what is honest and true.

And so, in this era of pandemic, climate change, social change, and economic uncertainty, division and bluster will only take us deeper into the wasteland. The opportunities for a better world are knocking at our door. More than ever, this world needs your good imagination. It needs our good imagination.

 

read Kerri’s blog post about GOOD IMAGINATION

 

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visit society6.com for Chicken Marsala products [mugs and pillows and wall art and other stuff]. Kerri designed a million of them when Chicken was running around our house.

 

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chicken marsala ©️ 2016-17 david robinson & kerri sherwood

Walk With Me [on Not So Flawed Wednesday]

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Lately, I’m dreaming of walking the Pacific Crest Trail. It is an escape fantasy. I want to unplug from this angry culture and its toxic division. I want to walk until it hurts. I want to listen to the wind. I want to think-no-thoughts.

I’m kinesthetic. Walking is a better form of meditation for me than sitting. I get quiet when I walk. Chris once told me that I should lead pilgrimages. At the time it made me laugh since I was certain I could probably guide the walk but had very little to offer seekers other than this bit of counsel: shhhhhhhhhhhh. Listen.

I grew up in Colorado and camped often. Say the word, “sacred” to me and I immediately hear the sound of wind rustling through the tops of pine trees. Once, walking a trail in the mountains, it began to gently snow. The forest stilled. It was so quiet I thought for a brief moment that I’d grown deaf. The wind. The quiet. I heard myself catch my breath. Sacred.

At the beginning of this pandemic time, we’d wake in the morning and, sometime during coffee, we’d remember. “Oh, right,” Kerri would say, “we’re living in a sci-fi movie.” The night had forgiven the previous day’s stresses.

One day in Bali, walking down a long road, I felt unsettled. A young man came from the fields and joined me. At first I was perturbed because I wanted to be alone but soon I found his company reassuring.  I asked where he was going and he said, “With you. I walk with you.”

I was confused and asked “Why?”

He was confused by my question. “You are a guest here,” he said in his broken English. “To let you walk alone…is not nice.”

I thought of this young Balinese man, my one-day companion, as I drifted off to sleep last night. The gentle courtesy of his act. His deeply felt obligation of presence. His work-of-the-day was less important, less vital, than showing spontaneous kindness to a stranger. Would I need my escape fantasy, my epic walk, if the people in my country were as generous, as respectful of each other, as he was to me?

“Life is grace. Sleep is forgiveness. The night absolves. Darkness wipes the slate clean, not spotless to be sure, but clean enough for another day’s chalking.” ~ Frederick Buechner

 

read Kerri’s blog post about ANOTHER DAY’S CHALKING

 

 

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held in grace: rest now ©️ 2016 david robinson

Look For It [on Two Artists Tuesday]

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“Consider yourself blessed. These stones that break your bones will build the altar of your love.” ~ Lynn Park

20 has a collection of images. Faces found in objects. A light socket that seems to be eyes and a nose and a mouth. A teapot face. A widget-face at the hardware store. He sees them everywhere because he looks for them.

Looking for it. It’s the key to a positive attitude: you see what you look for. Look for generosity and kindness and you’ll see it everywhere. It’s also true of a darker view on life: there’s plenty of horror story to be found if you spend your days looking for it.

As a rule, both kindness and cruelty are available in abundance. Both are on display at any given moment of the day.

People seem to be more attracted to cruelty – especially for pleasure. We build coliseums so we can watch gladiators do combat. We thrill when the car crashes on the track. The bloodier the video game the better the sales. We love to yammer on and on about our bad experiences but will tell far fewer people about the good moments. We’ve managed to turn something as benign as Facebook into yet another bloody coliseum for e-battle. People negating people. Dedicated division. “Shouting into the canyon,” as Rob called it.

And, as a rule, we will either go through life seeking meaning for our experiences or we will go through life giving meaning to our experiences. We focus on what we have or we focus on what we lack. Opportunity or obstacle. Us or Them. Either way, it’s a story and we are the storytellers.

People are patterned so they generally see what they expect to see. It’s the lesson that’s all the rage these days in the USA. Lesson #2: once patterned, people are resistant to seeing anything other than what they believe. We have the unique capacity, in the face of overwhelming evidence to the contrary, to argue to the death to maintain our point of view. The anti-mask crowd are providing generations of psychologists with a heyday of research: people literally arguing to death to maintain their point of view despite a veritable mountain of evidence that contradicts their belief.

It seems impossible, yet there it is. There we are.

Like 20, I have decided to train my eyes to see. Only, instead of faces found in inanimate objects, I’ve decided to look for the little miracles. Intrepid life. The magnificent force that expresses in small affirmations. An unlikely plant growing from a crack in the wood. A snake stretched out on the path to catch the sun. The single-day proliferation of crabgrass taking over our yard! A meteor flying by.  People more invested in the sunset than the Facebook. The fox at midnight. The turkey on the roof. The friends who love each other enough to keep their distance.

 

read Kerri’s blog post about INTREPID LIFE

 

 

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Clack! Strike! Ding! [on Merely A Thought Monday]

It’s true. I didn’t touch a computer until I was 25 years old. It’s not that I was deprived or grew up in a cave, the personal computer simply wasn’t a thing in the world. I hearken back to phones with cords, three stations on a black-and-white television, rabbit ears for reception, no reason not to play outside. My high school graduation present was the latest and greatest technology: a typewriter.

I had a dubious relationship with typewriters. I hated typing class. I failed every timed exercise. I couldn’t take my eyes off the keys lest disaster would strike. Once, the teacher had to free my hands from the monster machine because my big-fat-fingers slipped between the keys. I was caught, wiggling like an animal in a trap. She puckered her face and rolled her eyes before slowly moving down the aisle, making a show of releasing me from the hungry jaws of the typewriter-beast.

Kerri found this quote and I had no idea what it meant. Evidently, I was supposed to learn in typing class to double space after periods and other selected punctuation. I’m certain I was taught the rule but was too busy fighting for my life with the demon machine to learn the finer points of typing etiquette. I was doing my best to live-another-day and  was concerned only with how to increase the space between me and the dreaded class. However, this quote does explain the abundance of red pencil circles that appeared on every one of my poorly typed papers throughout college. Another mystery solved!

“YES!” Kerri just shouted in triumph. It’s not that my wife is a nerd but, take my word for it, never challenge her on a question of grammar or punctuation. Never enter a game of Scrabble with her if you don’t want to lose. She’s vicious. A moment ago she disappeared and returned with an APA manual from 1983 (she keeps EVERYTHING and remembers EVERYTHING!!!). I was doubtful about double spacing after colons [in the typewriter era – these rules do not apply in the post typewriter epoch] but guess what?

She just puckered her face and rolled her eyes at me as she slowly strutted around the room, arms raised in ancient-punctuation-triumph. All of these years later and it turns out that I’m still wiggling in the trap, my fingers inexorably stuck between the keys.

 

read Kerri’s blog post about DOUBLE SPACING

 

 

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tango with me ©️ 2018 david robinson

 

 

 

Mourn The Loss [on KS Friday]

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28 years ago, on this day, Kerri’s older brother, Wayne, died of lung cancer. If you want to know how she feels about it, you need only listen to LAST I SAW YOU. Grief made utterly beautiful in its yearning.

It is the gift of the artist to transform, to turn the darkest day, the breaking heart, into something bearable. It is the gift of the artist to communicate what cannot be captured in language, to transport us, in a safe way, into and through the hurt so we might touch the unfathomable depth of love. It is the gift of the artist to open new pathways and possibilities, to guide communities into and through impossible conversations. To point the way to a new story, a new perspective growing from an old and ancient root.

In my mind it is the greatest loss when an artist turns against their artistry. The entire world loses on the day an artists says, “Why bother.” There’s no money in it. The artist loses most of all because they’ve bitten the poison in the American apple. They wither and die. Not everything is or should operate like a business. Education is not nor ever should be a business. Worship is not a business. Healthcare is not nor ever should be a business. Run them that way and the priorities flip. The greater is lost in the lesser. When making money becomes more important than health or care or spirit or the expansion of minds, we lose our way. We send our kids back to school during a pandemic to open the economy. Sacrificial lambs. Throw them into a volcano to make it rain.

What we value in this nation is abhorrent.

And then there is Kerri. What a gift. What a loss. She read today that someone is now making silverware out of old CDs. “Look,” she said, showing me the article. “We have a basement filled with CDs! Maybe we should have gone into the silverware business!” Proving to herself once again that her gift is less than worthless. Worth less gift. No business.

Great! I thought but did not say. A world filled with forks but void of your music. No one to lead us through the dark, no way to reach the truly beautiful.

“My paintings,” I said, feigning alliance, “are destined for a thrift store.” I’ve given up the fight with her (though, by this post you can see that I am a liar).

I continue to paint with no illusion about “sales” or “showing” or the other necessities of “business.” It’s for me, now. Transformation of dark to light can be selfish, too. Personal. After all, for me, it’s always been a spiritual path. Business necessities pale in the comparison.

If you want to know what I [and Wayne] feel about Kerri turning her back on her artistry, you need only listen to LAST I SAW YOU. Listen for the strings. It will break your heart.

 

LAST I SAW YOU is on the album THIS PART OF THE JOURNEY

 

read Kerri’s blog post about LAST I SAW YOU

 

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last i saw you/this part of the journey ©️ 1997 kerri sherwood

meditation ©️ 2015 david robinson

Causal Your Effectual [on DR Thursday]

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under-painting of One Chord Ahead

This is my version of under painting. It’s the base layer for what-comes-next. In school, they teach that under-painting is mostly monochromatic. It’s meant to give value definition and basic shape to an-already-determined composition. For me, it serves another purpose altogether.

It is true that I already know what this painting looks like when it is finished. I have the image in my head. It is also true that I have absolutely no idea what this painting will look like when finished. There’s a magic point in the process when the painting takes over and I follow the leader. I’ve learned that the real dance of artistry is to let both of these truths be…true. Know and not know. Lead and follow.

Under painting, for me, is psychological prep work, readiness to enter the paradox. It is my process of thinking-things-through so I can stop-thinking-things-through and enter the dance without focusing on the steps.

Causal and effectual. I first encountered these phrases when I waded into the world of entrepreneurs. They are process terms. Causal basically means that you begin with a goal in mind and map your steps to meet the predetermined goal. Effectual is the inverse. Looking at the maps (choices) and available resources, the goal is identified based on what’s available; the goal is fluid and changes as you progress.

Raphael was causal. Jackson Pollock was effectual. Maybe.

I laughed when I first heard the terms. They gave me some good language to use for my creative process. Causal/Effectual. Both/And. For me, one cannot live separate from the other. Start with an image in mind or start with a canvas, some paint, and see what happens. Either way, one process will inevitably cross paths with the other. Jackson Pollock, at some point in his random painting dance, became intentional and compositional with his spatter. Raphael, at some point in his tightly predetermined composition, allowed his brush to flow, to move intuitively, freely.

Under painting = I have to make color messes and utterly stifle a composition before I can stand at the edge, jump, and set myself free.

 

read Kerri’s blog post about UNDER PAINTING

 

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unfettered ©️ 2018 david robinson

 

 

 

Create Calm [on Not So Flawed Wednesday]

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This word, calm, is a rare bird among words. It is a triple play of words: an adjective, a noun, and a verb. A descriptor, a thing, and an action.

If I had a superpower, it would be to calm. To create calm. To inspire calm hearts. Soothe, make peaceful, generate calm within and beyond the eye of the hurricane.

Last night we watched The Barkley  Marathons, a documentary about a wacky ultra-marathon trail race in Tennessee. Very few people finish the race. One of the racers, an unlikely finisher, told the story of how he came to be in the field. His dad did what he was supposed to do – he worked and saved all of his life so he might retire and then go have experiences. But – you know the story – he died one year shy of retirement. “I decided not to wait,” the runner said. “I want to suck the marrow from every moment of this life.”

Usually, the center of a delayed life smolders. Henny Penny races around the center-cage of a fearful life. But, you’ll know someone who is fully in their moment, who is sucking the marrow out of this tasty life, when you see them. Their center is calm. They are not predetermining their experiences. They’ve stripped off their “should” and “can’t.” Rather, they step onto the unknown field and open their arms to what comes. They play an infinite game, they play-to-play, and perhaps learn a little bit about themselves along the way.

 

read Kerri’s blog post about CALM

 

 

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classic ©️ 2013 david robinson

Reflect [on Two Artists Tuesday]

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A look in the mirror and something entirely surprising is reflected back to me:

I started writing because I discovered that I had something to say. The story goes like this: facilitating a group in a corporate headquarters in downtown Chicago, one of the participants asked a question about power. She was feeling powerless. I listened to the group discussion for a while. And then I surprised myself with more than a few things to say about power and empowerment. So, I went home and started writing this blog. The Direction of Intention. Move toward what you want, not away from what you resist.

Initially, I wrote as a challenge for myself. How many days in a row can I write and still have something to say. I thought I’d fizzle out in less than week. That was over a decade ago.

By my reflection in the mirror I can see that some things have changed. In fact, a lot has changed. This is from my archive; it was my 98th post:

My business partner and I have asked the group to do something akin to attempting to consciously create each moment of their day. We’ve asked them to place their focus on their immediate relationships (with others, with nature, with themselves) and to ask, “Is this how I want to story this moment? Is this what I want to create in this moment?”

It seems like an impossible request until you consider that it is what you are doing anyway. The pertinent question is not, “Can you do it?” rather, the question is, “Are you aware of how powerful you are at creating?”

The most potent recognition I have in doing this exercise (and I have it every time I do the exercise), is when I ask myself the question, “Is this how I want to story this moment?” Usually, my answer is, “No.” Usually I want to create something else. I do not want to create frustration or angst or rushing around. I do not want to attempt to control or manipulate or pressure an outcome. I do not want to invest in a fear or let loose the lack monologue to rage once again about my mind. I do not want to deflect or hide. And the moment I see it, I let go my grip on something I can only call a “story.”

I let go, my eyes clear and I become present. That is why I suspect that creating is a quality of being as much or more than anything I will ever do.

***

A look in the mirror. There is a woman by my side! She is blonde. We wear masks?!! There is a really bad shirt hanging behind her. I look as if there is a tea kettle growing out of my head.  The person I was ten years ago would be mystified by this peek into the future. “Who’s the woman?” he’d ask. “And what’s up with the masks? Where are you, anyway?”

So. I ask myself now, how do I want to story this moment in time? In five years or ten, when I look back at this reflection in the mirror, will I be happy with how I storied myself in this precise moment? Will I be grateful for what I chose to create?

We live in a circumstance that we cannot impact. It’s true with or without a pandemic. But, within our circumstance, there is infinite capacity to determine the story.  I create the story I live. I create the story I tell. I create.

I am married to the blonde woman! Everyday, sitting side by side, we write together. Using the same image or quote, we write our thoughts. He said/She said. No peeking. Then, we share. We read what we’ve written. We talk about what we created. We edit. We reflect. And then, together, we publish.

A look in the mirror. A story to tell. A choice to make. A question to ask. A moment to craft.

 

read Kerri’s blog post about THE MIRROR

 

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pax ©️ 2015 david robinson

Know And Share [on Merely A Thought Monday]

 

If you were alive in the 1980’s you’ll remember Robert Fulgrum’s book, All I Really Need To Know I Learned In Kindergarten.  It is a festival of simple-yet-clear-advice for living well. Play fair. Share everything. Don’t hit people. Say you’re sorry when you hurt someone. Each bit of advice is a nod to our inter-connectivity. No one walks this path alone. Hold hands. Stick together.

Visit Robert Fulgrum’s homepage and you’ll read this: “Often, without realizing it, we fill important places in each other’s lives.” Mutual influence. We impact each other everyday in ways that we remain mostly unaware.

If this pandemic has done anything illuminating it has proven beyond doubt how utterly interconnected we actually are. My breath and your breath are intimate exchanges. My choices and your choices will either harm or help each other. It’s a choice. Your story and my story may be diametrically opposed and warring but they both must adhere to the force of gravity, the nature of time, the spread of virus. This virus actually thrives when we shout at each other. It rides our aerosols in a rodeo of mutual influence and cares not for the political color of the lungs it inhabits. After all. truth and misinformation share the same airspace, touch the same doorknobs, are broadcast over the same technology, are paid for and brought to us by the same commercial sponsors.

One of the things Robert Fulgrum learned in kindergarten and wrote about is this: goldfish and hamsters and white mice and even the little seed in the Styrofoam cup – they all die. So do we.

This virus cares not whether we love or hate each other in the precious bit of life that we share. About us, its host, it is utterly agnostic. On the other hand, we have the choice. It’s a choice and seems so simple. Play fair. Don’t take things that aren’t yours. Like it our not, recognize it our not, our lives are in each other’s hands.

 

read Kerri’s blog post about ELEMENTARY SCHOOL RULES

 

 

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in dreams I wrestle with angels ©️ 2017 david robinson

 

Learn to Look [on KS Friday]

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“At the heart of beauty must be a huge care and affection for creation, for nowhere is beauty an accidental presence.” John O’Dononue, Beauty, The Invisible Embrace

I read yesterday in my Brain Pickings that Georgia O’Keeffe believed her close-up paintings were “a magnifying lens for paying attention.” I read and appreciated this phrase: Painting these close-ups was a way of learning to look, a way of removing the blinders with which we gallop through the world, slowing down, shedding our notions and concepts of things, and taking things in as they really are.

It is the astonishing miracle of a human being: we can choose to see or choose to not see. Also, we can choose what we see or we can choose to deny what is right in front of us. In any case, seeing is predicated on slowing down, on taking the time to “shed our notions and concepts of things.”

Seeing is an intentional act or perhaps it is a creation-in-the-moment – which implies it is an intentional relationship. In this way, as I understand it, seeing the beauty of this life is a decision, it is a lens. It is a dance.

I’ve never been in a hot-air balloon. Kerri had the experience once, it is the source of this composition. Hovering in a basket above the earth, moving with the wind, very few controls. It was, I imagine, an exercise of giving over, of letting go. I think seeing is like the experience she describes of hanging in the basket of a hot-air balloon. All concepts of hurry-up or getting-things-done drop away. Hard time dissolves. There is nowhere else to be. And, in that space, beauty makes known her presence. She opens your eyes.

 

PART OF THE WIND is on the album BLUEPRINT FOR MY SOUL

 

 

read Kerri’s blog post about PART OF THE WIND

 

 

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part of the wind/blueprint for my soul ©️ 1996 kerri sherwood

  blanket of blue sky ©️ 2004 david robinson