Shape The Vessel [on Two Artists Tuesday]

George Ohr was one of the great ceramic artists of the late 19th and early 20th century. Like Van Gogh, he died unknown, never experiencing the success of his work. Robert reminded me of George Ohr’s story and I reminded Robert that Ohr would be a terrific story for him to tell through a one-man play.

What is it to follow your art-call with heart and dedication with nary a hint of financial reward or success on the horizon? Vincent Van Gogh would have been called an amateur during his life since the making-of-money is the flag we plant in the sand marking the line between being a professional and a dilettante. Those lines do not exist for artists with a deeper call. The money does not the artist make.

The Ohr-O’Keefe Museum of Art was designed by renowned architect Frank Gehry, quite a journey for the unseen work of George Ohr’s life to find so much vibrant admiration after his passing. Had he known it would have changed nothing. He’d have spent his days at the potter’s wheel either way.

“Shape clay into a vessel; It is the space within that makes it useful. Cut out doors and windows from a room; It is the holes that make it useful. Therefore, profit comes from what is there; Usefulness from what is not there.” ~Lao-tzu

Profit and usefulness. Shape and space. Mary Oliver asked the question: What will you do with your one wild and precious life? It hits the nail squarely on the head. It was not the pots that George Ohr made or the paintings that Van Gogh painted, it was the space they entered while throwing pots and painting paintings. It was the world they entered through their artistry, more expansive than financial success, more necessary than renown. A wild and precious life lived wildly and with avid appreciation.

Standing amidst the brilliant orchids, some of the flowers were in their last days. Their beauty fading, they cared not a wit. It is not in their nature to stretch their faces and pretend that the cycle of life is more valuable in the early bloom than it is in the late retreat. All is treasured, beguiling. Every last moment, not to be stalled or held onto. The root as necessary as the bloom, the winter as indispensable as the spring.

read Kerri’s blogpost about FIREWORKS

Name Your Wine [on Two Artists Tuesday]

“Ooooh,” I said, reading the bottle, “I want to be untamed and unbound. Plush and jammy!” She rolled her eyes. I won’t tell you what she said. There might be children reading.

As wine bottles often do, it inspired an interval of time paying attention to the phrases I paste on the labels of my life. What if I described my days with wine-label terminology? Last week was definitely earthy and robust. Crusty with hearty notes of calamity.

In my work life, I’m hearing with alarming frequency the word taxonomy. We need to create a taxonomy. We are approaching a taxonomy. The study of naming. The science of definition. With what classification will we identify, and therefore label, our creation? If our product was wine, what would we say of it? Bold and expansive, yet subtle and refined? Are we talking about what it is, what it does, or defining it so it will sell? Those levers are never mutually exclusive. A written language is always an abstraction. Reaching yet never hitting its mark.

Aren’t we living in an age where the world is seeking a new-ish taxonomy? Spin your news channels and hear the same story-wine described in remarkably contradictory terms. What is fruity to one audience is classified as filthy to the other. Two labels, one wine. One team refusing to taste for themselves. We brand ourselves “divided.”

William Shakespeare either created or wrote for the first time in the English language over 1,700 words. I want him on my taxonomy team. I want him to lead my wine-life-labeling committee. Though, I imagine he would be amused to tears at our wild word-world of marketing, our reality-wielding-“news” channels, he wouldn’t be at all surprised that the power of a label pasted on an experience. “Call it what you will,” he might say, “It’s a sorry sight.” No matter. Words, words, words.

Sorry sight! A great name for a wine. A bold red blend for a brave new world. William gives it two thumbs up. Edgy and energetic, nutty and dippy with hints of crackers.

read Kerri’s blog post about WINE LABELS

What’s Now? [on Two Artists Tuesday]

After a fairly contentious conference I co-facilitated in The Netherlands, Kerri and I took the bullet train to Paris. It was early in our relationship and our first time abroad together. We couldn’t afford to get to Paris otherwise, so tagging a small vacation onto a work trip seemed foolish not to do. It was the perfect place at the perfect time. I released the conference friction the moment we stepped off the train. I didn’t know it at the time but on the streets of Paris I left behind a skin that I’d badly needed to shed.

We had limited funds so we bought baguettes and Camembert cheese, fruit, tarts from vendors and bottles of wine. We ate in parks. We wandered the streets. Climbed the hill to Sacre’- Coeur, visited Rodin, and tried to get lost. We fell exhausted into bed each night, full of art and sound and color and delicious wandering. One night we sauntered to the Arc de Triomphe and barely escaped a riot. Bus loads of police in riot gear appeared on the street and, wide-eyed, we slipped out of the crowd and hustled to find more peaceful rues. Paris now serves as a marker. There was before Paris. And after.

“This shadow looks like that picture I took of the Eiffel Tower,” she said, showing me the photo of the shadow. The angle is perfect. The shadow is appropriate. Shadows. What was. An outline of the people we were, reflected on the snow. And, the series of photos, shadows along the way, the surprising people we have lived-into since we wandered those streets, shedding old skin, and boarded a plane home with a a question, “What’s next?” What’s now?

read Kerri’s blog post about SHADOWS

Love Your Vintage [on Two Artists Tuesday]

The woman on the Apple support line told Kerri that her computer was vintage. “As if I didn’t know!” Kerri groused after the call.

In the middle of the night, after the firemen had determined that the burning electric smell wasn’t coming from inside our walls (a story for tomorrow), their chief took one last look around and said, “You have some really nice antiques here.”

“Thanks,” Kerri said, avoiding my smirk.

We are not collectors of antiques. Not on purpose. Our house is populated with stories and random pieces of furniture that we like and could afford. For instance, the two chairs in the sunroom are made of course-weld steel with raw wood seats. $5 for both. They are quirky, like us. An old door, set on two sawhorses, serves as a table for our plants. Budget and taste. Or, taste defined by budget. As Gus says in My Big Fat Greek Wedding, “There you go.”

Big Red and Little Baby Scion are long-in-the-tooth, too. And, isn’t that a great idiom! Showing their age. Horses gums recede with age (I just read this!) so older horses seem to have longer teeth. I am suppressing the urge to run into the bathroom and look at my gums in the mirror. “I am not a horse,” I whisper to my urge. Vintage, vintage, vintage. Last month Big Red wouldn’t start. He needed a new battery. Yesterday, we pushed Little Baby Scion down the driveway so we could get the newly-batteried-Big Red out. We drove him across the front yard. Classy people. LBS decided not to start and, after refusing her jump from Big Red, she’s destined to have a tow truck adventure to visit Steve [Thanks to John and Michele, our awesome neighbors, for helping us push Little Baby Scion back up into the driveway for safekeeping until the tow].

“We’ve had one hell of a week,” I said, after being rear-ended. It was lucky that we were in Big Red. Normally, we’d have been in Little Baby Scion and it would not have been pretty. It occurs to me that we are living an Aesop’s fable: you can never see your good fortune since it sometimes comes dressed as a problem. Stepping out of the truck to see the damage – and being amazed that, after being hit so hard, that there was not a single scratch on Big Red. The other car lost its grill to Big Red’s trailer hitch. Pieces of plastic and glass were everywhere. “I’m glad Little Baby Scion broke down,” I thought. Our unintentional vintage collection could have just saved our lives.

“We’re really lucky,” Kerri said. Yes. Yes we are.

read Kerri’s blog post about JUMP STARTS

Arrive At The Essence [on Two Artists Tuesday]

This past Saturday we passed a milestone. We began writing our Melange on February 12, 2018, four years ago. We’ve published 5 days a week, every week, no matter what chaos or crazy storm blew through our lives.

Our Melange has moved through many phases. Originally, we wanted to regain some control over the publication of our music, paintings, plays, children’s books and cartoons. In our first post I called it our “pile of creative perseverance.” Also, we wanted to make a living from our mountain of work so we set up Society6 storefronts and spent hours each day developing products based on what we published. It was a blast and a total bust.

Eventually, the stores fell off, the daily themes changed, and we arrived at a pure essence: we love to sit together and write. Each day. There’s always a visual prompt, mostly from photos Kerri’s taken during the week. There’s only one rule: we can’t read or know what the other is writing about until we’ve completed our drafts. And then we read to each other, talk about our posts and clean them up. It’s my favorite thing to do. It feeds our hearts, energizes our artistic souls and that is more than enough.

Somedays I feel as if we are writing ourselves into existence. Our Melange is the story we tell each other – and you – of our life together. It’s a continuation of the Roadtrip, the daily emails we wrote to each other before we met. And, if the Roadtrip was a narrative offering of “this is me,” the Melange is a narrative offering of, “this is us.”

We launched the Melange with this Chicken Nugget (below). I wrote, as an introduction in the inaugural post, that this Nugget – and the Melange – was “a quiet reminder that the universe of feelings was – and is – so much bigger than words can possibly contain.” Ironic, yes? Coming from two people who, each and every day, write words as their way of reaching into this vast universe of feelings.

Thank you for reading what we write. We appreciate every step you take with us on our journey.

read Kerri’s blog post about 4 YEARS

chicken marsala © 2016 kerri sherwood & david robinson

the melange © 2018-22 kerri sherwood & david robinson

Fill The Pot [on Two Artists Tuesday]

It’s food week at the Melange. Well, truth be told, it’s always food week here. When we’re not in our studios we meet in the kitchen and either eat food or talk about eating food. Sometimes – okay – everyday, when I am up in my office working, Kerri sends me a midmorning text: “Are you staaaaarving?” My reply never waivers: “Yes. Yes I am.” Snacks appear and happiness ripples throughout the house.

It’s winter and it’s covid so our circle of experience has shrunk mightily. Kerri injured her foot so our daily winter walks through the frozen tundra are on hiatus. As our recent photographs have betrayed, we are explorers in our own house. Photos of Dogga. Photos of the moon. Clever shots of candles and glasses of wine. And food, food, food.

Because it is winter, the big pot has re-emerged. Soups or spaghetti sauce are often simmering on the stove. During the warm months, the big pot goes on vacation but faithfully returns when the temperatures drop. There are weeks when the big pot never makes it back to the cabinet. It’s a workhorse.

I appreciate the reappearance of the big pot because, in addition to being essential for soups, it evokes stories. It never fails. The pot comes out. The chopping commences. And the stories start to roll. Our big pot has been around for a very long time so it is alive with story. Big pots bring memories of parents and grandparents, holiday meals, Dorothy cooking on the cast iron stove. It evokes remembrance from childhood, steam rising from the pot and fogging the kitchen window. Once, as a boy, I couldn’t breathe and leaned over the big pot. The steam helped.

This week we are excited: we have a new soup to try. Last week we made a simple vegetable soup, a recipe we lifted from 20. The big pot also helps us to dream. We remember a pre-covid world when we had gatherings and dinner parties, when we squeezed people into chairs at the table, elbows negotiating heaping plates of pasta, crusty bread, and wine. Laughter. “It’s the first thing we’re going to do,” Kerri says, “when this is all behind us.” The pot will come out. A vat of sauce will bubble on the stove. Friends will pack into the kitchen, asking, “When do we eat?”

read Kerri’s blogpost about BIG POTS

Wander In Wonderland [on Two Artists Tuesday]

I’ve re-read his email several times. Skip’s explanation of the development of the computer. Subject/Object. Noun/Verb. Items/Action. It’s a story of cause and effect. This causes that. I’ve learned more from this single email than from my very expensive graduate degree. And, it’s sent me down the rabbit hole and I am currently in a world easily as miraculous as Alice’s Wonderland.

Does the moon cause the tides? It does if you are an English-speaker. Causation is the foundation structure of the English language. An action needs an initiator. The noun is king. He kicked. The sea rocked the boat. The moon causes tides. If you speak Mandarin, the moon and the tides are inseparable, not perceived or described as separate events but as interconnected. The same dance, differentiated forms.

Where does an action begin? A consequence end? I warned you. A rabbit hole.

Our perception of the world has everything to do with the language we use to describe it. Our creating of the world has everything to do with the language we use to imagine it. In a world where actions are separate from items, verbs from nouns, this causes that, it’s easy to believe that order is separate from disorder, cosmos is separate from earth, humans are separate from nature. Death is separate from life. Is it?

Each year that passes I’ve noticed the world of written communication includes more emojis and fewer words. Attention spans are shorter – mine, too. Tweet and text. Images carries the bulk of the message. If you could see the analytics on my blog you’d note that if I use more than 600 words, you are less likely to read what I write. We are slowly moving toward ideograms and slowly away from alphabets. Whatever will we do, what might we see, when nouns and verbs blend into image? When the eyes of dedicated separation begin to see through the eyes of interconnectivity – or, as Skip says, “When actions become central.”

It’s called a Wolf Moon, I read, because wolves are particularly loud and vocal during the first months of the year. One questioner asked if the moon causes the wolves to howl. Noun/Verb. Subject/Object.

read Kerri’s blogpost about THE WOLF MOON

Make A Savory Day [on Two Artists Tuesday]

“I don’t believe in guilty pleasures. I only believe in pleasures.” ~ Ira Glass

Among other things, covid has been a great disruptor of our patterns. Our life today barely resembles the life we knew two looooong years ago. Yesterday, while driving through the farmlands en route to buy a loaf of bread at Simple Bakery in Lake Geneva, Kerri said, “It’s all so weird.”

Among our new patterns is more appreciation of our time. We are less willing to stuff our day with things to do, rather, we’ve established a slower rhythm and points during the day to stop, sit together, and savor the events of the day. It began at the onset of the pandemic with our covid-table in the sunroom. A place to sit and watch the sunset at days end. Soon, there were snacks. And then a glass of wine. It became a ritual. Now, there is nothing more important in our day than to meet at our table. Talk. We call friends and family from the table. Dogga leads the way. He meets us there, positioned just behind our chairs with his bone or a few mauled toys. Sometimes we sit for hours – far beyond sunset. We eat our meals there.

We’ve also established patterns of anticipation within our patterns. My favorite, the silliest but most effective, is french fries for snack. There’s nothing more satisfying on a cold winter evening, than hot salty french fries. We make sure that it’s not a common, every night affair. We save it for the tough days or as a surprise. “Is it french fry night?” Kerri hops and claps in anticipation when she notices that the oven is preheating. Yes. Oh, yes.

The new pattern, of course, is not the table or the fries. It’s the decision to make moments special. We decided amidst the pandemic, the broken wrists, the job losses, the civil unrest, the loss of family and friends, to make lemonade from this time of abundant lemons. We decided to accent the pleasures. To walk slower. To meet our days, not with a list of things-to-do, but with the intention of making a most savory day from the ingredients found in our pantry.

Pattern disruption. Within the hard breakdown of the known, the loss of the comfortable, we are fortunate. Many times, sitting in our sunroom, the happy-lights reflecting in the windows, Dogga quietly behind us chewing his bone, Kerri says, “I love this space.” I nod my head. Me, too. The literal and the metaphoric.

read Kerri’s blogpost about FRENCH FRIES!!!!

Say Her Name [on Two Artists Tuesday]

From the six-month-email-conversation that led to our first meeting, we compiled and edited a play – in the spirit of Love Letters – that we call The Roadtrip. We took the script through a workshop process, read it a few times for invited audiences, produced a soundtrack, approached a few venues…and then left it. Someday, perhaps, we’ll pull it off the shelf, dust it off, and realize it through performance.

Occasionally I open the script and read a section or two. It’s fun to read because it’s not an invention, not a fiction, it’s our actual coming-together story, edited for length and arranged according to themes. I visit my two favorite sections. The first is Kerri’s story of The Little Pillow (a story she must tell) and the second is our exchange the night we realized that we shared the same middle name. It was priceless. I vividly remember where I was the night I read her email-middle-name-confession – and asking if I had a middle name. My jaw dropped. I laughed heartily. And then I carefully crafted a too-long response finally landing on the surprise. Erle and Earl.

The coffee cup that later arrived in the mail, emblazoned with multiples of D.Dot Earl to match her K.Dot Erle twin cup, firmly established our monikers for each other. Over time we’ve condensed our names to K.Dot & D.Dot.

The crew that arrived this week to put in the temporary slab of sidewalk for the chunk we lost during the great-water-main-trenching-day, suggested that we sign our slab. It will come out in the spring when it’s warm enough to pour the real thing. We grabbed a screwdriver and happily scribbled our names in the wet cement.. As I stepped back to admire our scribble, I was struck by the names we scribed. K.Dot + D.Dot. Kerri and David, those two people who wrote to each other so many years ago, are transformed. Rebranded. It feels funny in my mouth to say, “Kerri.” I never do unless talking about her to someone who’s not familiar with the transformation.

We still write everyday only now we’re not 1500 miles apart. And we’ve finally met. And married. We sit together, side-by-side. And when the tap-tap-tapping stops, I say, “K.Dot, will you read what I wrote?”

read Kerri’s blogpost about NAMES

Find A Way [on Two Artists Tuesday]

In the age of Covid, the rules are different. We keep our distance from friends and loved ones. We make rules for engagement. Vaccinations, boosters and negative tests are the requirement for a visit. What was once connective tissue – like an airplane – is now a barrier. A cost/benefit analysis is required before stepping into a terminal. And then, spin the world of rules and boundaries on its axis and this is also true: we find a way. It’s what I appreciate most about people. Will finds way.

A species ends when it can no longer adapt to changes in circumstance.

For weeks we searched for a way to see Craig. To give him his xmas presents. A restaurant that required masks, proof of vaccination, and had a protected outdoor patio provided the necessary ingredients. On a January night, with temperatures dipping into the low 20’s we sat at a table nested between heaters and shared a meal. We exchanged gifts. And, we weren’t the only guests dining on the patio. Other patrons also searched for and found a way.

We loved our meal and our time together. We laughed at the absurdity of the situation. We acknowledged and embraced the necessity of outdoor dining in sub-zero temperatures. We made a story that we’ll tell in years to come. Do you remember when…?

Zoom has become a way. To a point. We’ve learned in this time of pandemic that seeing someone on a screen doesn’t replace seeing them in person. At work we’ve learned that many things can be done through a screen but many generative experiences are slower or inhibited without presence.

Presence.

Energy begets energy; the fire of enthusiastic idea generation is dampened through an app. As Skip said at our end of year meeting, “Nothing replaces breaking bread together. Someday we’ll share a meal.” I look forward to that time, to meeting the incredible people that I see each day through my screen.

We are racking up stories as we adapt to an ever-changing circumstance. To drive rather than fly takes time so we’re learning to take more time. To not rush to arrive. We feel the limits on the distance of our reach. We’re learning the depth of yearning to be-with as opposed to merely-look-at. We’re learning the necessity of boundaries and the health-considerations that come with saying “No.” Mostly, we’re learning the hard line between what’s do-able through a screen, and when we need to consider the ridiculous – and find a way.

read Kerri’s blog post about HEATERS