Drop In [on Two Artists Tuesday]

We stopped on the boardwalk. The sentinel tree stood solitary in the field. Its presence stopped us in our tracks. It was a bone keeping watch over the marshes. It felt forgotten. Unreachable. Made beautiful in its dedication. It inspired quiet. Suddenly, we found ourselves witness to the witness. Look-at-me-look-at-you.

Perhaps it was the boardwalk but I was thrust back in time to a pier. Long Island Sound. It was early morning. The sound and vibration called me to the pier’s end. I stood for a few minutes, eyes closed, and listened. Hundreds of birds, pigeons, chattering beneath the boards, their voices amplified by the wood and soundbox of the structure. I felt them through my feet. Kneeling, I tried to catch a glimpse of the cacophony-makers. They, too inspired quiet.

“Hawk!” Kerri said, pointing and bringing me back to the boardwalk. Beyond the sentinel a hawk threaded masterfully through branches.

I used to think that these magical moments took me out of the real world. Stopping time. Now, I believe the opposite is true. These moments snap me out of my mind-chatter and drop me into the real world. Achingly beautiful. Alive. No story necessary.

pigeon pier. 46x46IN

read Kerri’s blogpost about THE SENTINEL

pigeon pier © 2007 david robinson

React [on Two Artist’s Tuesday]

The answer is herbicide. That blue coloring sprayed on stumps and shards of stumps along our path is meant to prevent the invasive species from sending up new shoots. Eliminating the invasive species so the native plants might someday make a comeback is the point. It only looks like total plant decimation with performance-art-blue dotting the eradicated forest. It is, in actuality, rejuvenation.

We met a couple walking the path. They were bird watchers and thrilled about the rejuvenation project. They explained how the work would allow the river to return to its natural course. The invasive plants were choking the waterway. With the removal of the invasive plants, the wildlife, like the plants, might have a renaissance. They assured us we’d see the difference when spring returned.

When I lived in the pacific northwest, there was deep concern about the salmon. Damming the rivers interrupted the natural cycle of the salmon’s return to spawn and the entire ecosystem was suffering because of it. Salmon are considered a “keystone” species; without the keystone, the ecosystem falls apart.

As we walked our loop I wondered how the invasive plants were introduced and how long had it taken for the invaders to choke the native plants? What prompted the preserve to act now?

Most likely, the invasive plants were introduced unknowingly by people. We cultivate land. We “utilize” nature as a resource. We study. We explore. We develop. We trade. We migrate. We are a force of nature. We walk well tended paths constructed for our ease and enjoyment. Sometimes conscious and sometimes unconscious of our impact.

I had a great conversation with a forest ranger about the re-introduction of wolves into Yellowstone. The thought of “managing” nature has always struck me as paradoxical. We eradicated the wolves and then felt the impact. We re-introduced the wolves to try and correct the mistake before the ecosystem collapsed, and set off another chain reaction of unintended consequences that required further intervention. It’s like prescribing a drug to manage the side effects of a medication.

As we walked I wondered if the concept of natural balance is just too hard for us to grok. We generally don’t realize that interdependence applies to us, too. We believe we are nature’s managers rather than part of the chain. That prevents us from seeing ourselves as invasive, responsible, reactive.

We manage. And sometimes that looks like forest-performance-art-devastation with accents of green-shade-blue.

read Kerri’s blogpost about HERBICIDE

Reach Back To Move Forward [on Two Artists Tuesday]

I wrote with great derision of the day I went to the Museum of Modern Art in NYC and watched people line up to take selfies with Van Gogh’s Starry Night. So, more than 15 years later, I howled with laughter at myself when Kerri beckoned me to stand with her so we might take a shadow shot with Diebenkorn’s painting, Ocean Park #68. “We’ll call it ‘Richard and Us!” she smiled.

Kerri recently challenged me to let go of my figurative work, release the image and paint my feelings. The moment before she beckoned me to take the shadow shot, I was having a minor revelation. There’s a reason I have stood in front of this painting for hours. There’s a reason it “talks with me” about simplicity and courage. Early in his life Richard Diebenkorn was a figurative painter. Even earlier, his work was abstract and resembled the paintings of the masters he admired. As his work matured it circled back to abstraction. He didn’t “let go” of his figurative work; he grew through it. He reached through it. In Ocean Park, he fulfilled his unique voice.

I read that his Ocean Park series was greatly influenced by the work of Henri Matisse. I imagined Richard Diebenkorn standing in front of his favorite Matisse, having a quiet conversation about simplicity and the courage to explore. In the gallery light, his shadow cast upon the painting as he moved forward to study the brushstrokes. He leaned in. He reached back to Henri to move forward. Had he lived in the age of cell phones and easy shots, I’m certain he’d have taken a shadow-selfie so he might remember the moment his shadow touched Henri’s.

We were alone in the gallery when Kerri took our shadow-selfie with Richard. We had him all to ourselves. We leaned in. I thought it especially poignant, our shadows cast upon a painting, an artist, who has cast his long shadow upon me. We caught the moment our shadow touched Richard’s. Reaching back to move forward,

read Kerri’s blogpost about RICHARD AND US

“LookIt!” [on Two Artists Tuesday]

Two Artists Haiku

What is in a chip?

Form and meaning see a heart,

Loving reminder.

Kerri sees them everywhere. It’s a seeing-sense that I appreciate: moving through the world finding hearts. Another trait that I appreciate? When she see’s the heart, she stops. She takes time with it. Sometimes she takes a photograph. Sometimes she simply attends to the uncanny heart, taking it into her being. A message or affirmation. “LookIt!” she exclaims as if this heart-find is the first time.

It happens often. Daily.

Sometimes I wonder: is she finding the hearts or are the hearts finding her? “LookIt!” the heart exclaims.

Either way, it’s not a bad way of moving through the world.

read Kerri’s blogpost about HEART

Accept The Gift [on Two Artists Tuesday]

The third time she said it, I finally heard it. “This is a gift.” It stopped me in my tracks because it was true. We see life as a gift.

It is mostly unspoken. When we go out on the trail, we leave the stresses of our life behind. We slow down. We live the famous John Muir quote: “And into the woods I go to lose my mind and find my soul.” Our walks become a meditation on “the daily gorgeous;” gratitude, surprise, the bombardment of the senses with color, bird song, and the scent of winter grasses. Appreciation of the moment. Soul is nothing more or less than connectivity. We drop the tale of woe-and-separation and join the abundance of the trail.

I want to believe in the signs. We’ve seen more deer in the past two weeks than in the past two years. Sunday was extraordinary. We caught a glimpse of flashing white tails early in our walk. It was the middle of the day and unusual so we counted ourselves lucky. Later, by the river, there were 3 more. And then the young deer just off the trail, staring at us. And then, a deer jumped across our path, with another 2 disappearing into the woods just a few steps down the trail. “This is a gift,” she said for the third time.

As we wound our way back toward the car, another deer crossed the trail right in front of us. The entire herd broke through the woods and bounded across the trail, disappearing into the thick brush on the other side. We were speechless. She didn’t need to say it. A gift.

A sign? I think so. Heart. Inspiration. Grace in the face of difficult situations. If this is nature talking to us then there is only one thing to say: thank you for this gift.

read Kerri’s blogpost about ANTLERS

Change Your Name [on Two Artists Tuesday]

With great fanfare, I announced to Kerri that I was changing my name to Zdravko! I gleaned from her scowl that my new name might not be an acceptable idea.

Zdravko is Saint Valentine in Slovenia. I was curious about the origins of Valentine’s Day and what I found is a trail of martyrdom and subsequent reliquaries enshrined in churches across Italy and beyond. There may or may not have been more than one Saint Valentine with various legends embellished over the centuries to transform their demise and dismemberment into a day of lovers, hearts and chocolate.

Good gracious.

I was born on Valentine’s Day. All of my life, when people learn that this day is my enter-the-earth day, they get doe-eyed and say things like, “Of course you were born on Valentines Day.” All of these years I thought their comments referred to my soft soul and chocolate heart but now I’m suspicious.

Deep in the wiki I found a reference that brought some comfort. Zdravko. “…the saint of good health, beekeepers and pilgrims…it is also said that birds propose to each other or marry on that day…” Imagine it! On this day, that chirping you hear might be a bird getting down on one knee and popping the question! Now that’s an association I can embrace!

Besides, Zdravko is a much better name for an artist. When people learn that my name is David Robinson, I inevitably hear the joke, “Wow! You’re smaller than I thought.” The artist identity gets lost in the basketball player joke every time. By the way, he’s younger than I am. And NOT born on Valentine’s Day. And much more successful. And, he already has an entry in Wikipedia so I’ll have to change my name if I want a unique wiki page. Zdravko!

Kerri’s still not buying it. In the spirit of domestic bliss I’ll drop it for now. Mostly, I’m grateful that I didn’t have to compose my valentine from a prison cell or while hiding from the emperor’s centurions. She’ll scowl when she reads it but I can’t erase the crayon signature…

Happy Valentine’s Day.

Love,

Your Zdravko

read Kerri’s blogpost about VALENTINES DAY

Greet The Snow [on Two Artists Tuesday]

Like the return of an old friend, the snow finally came. It’s funny. Most winters we yearn for warm summer days. This winter our conversation has been about the absence of any real snowfall. We’ve had dustings but nothing worthy of a snowman. It made me realize that cold weather is no fun unless there’s something to stomp through or ski on. Walking in the cold is just…cold. Walking in the snow is an event.

The snow also brings an aesthetic magic. It paints the trees. Since the return of our old friend snow, we regularly stand in the kitchen and stare in awe at the striking lines tracing the path of the limbs. The lines change color throughout the day, morphing from purple through white to vibrant orange. It re-animates the forest left barren by fallen leaves. What was brown and sad a few short weeks ago is made remarkable, proud in its frosty adornment.

The day the snow came home we strapped on our heavy boots, slipped into our thick coats, pulled our hats onto our heads, and stepped into the muted world, a quiet that is only made possible by fluffy falling flakes. We pulled up our hoods and walked a loop around the neighborhood taking the trail that leads behind the Kemper Center and along the lake. Turning our pink faces toward crazy flakes made us giggle.

The snow beckons. It calls us out. Cold toes and layered clothes, we’ll appreciate the change until that fateful day when we think the snow has overstayed its welcome. We’ll turn our conversation back to warmth and the deck, and yearn for sunny days. Fickle people, never content for very long.

read Kerri’s blogpost about SNOW

Cross Check [on Two Artists Tuesday]

“It looks like a horses head,” she said, snapping the photo from her window seat on the plane. We were on approach to land, coming in over the bay.

I remember teaching myself to draw horses. I had (and still have) a passion for drawing people so my foray into horses was more an academic exercise than an inner need. I thought I should expand my horizons so the 8-year-old-version-of-me acquired a “how to draw animals” book. It suggested beginning with geometric shapes. Two connected circles defined the torso, the head – a circle and a trapezoid.

It was the same technique used by the teacher in my very first art class. See shapes. Arms are two tubes connected by a circle/elbow. Knees are circles, too! Foreground and background, what’s in front and what’s behind was taught using spheres and cylinders. Perspective was taught using a box. Transform a circle into a sphere through proper shading and you’ll know forever the magic secret of artistry. See a dragon in the clouds and you’ll know forever the magic secret of the human mind. It projects. It seeks sense from chaos. It projects order onto nature.

All the while Kerri is snapping photos of the island that looks like a horse’s head, I am pondering the normalization of hurtling through the air in a tube. People chat. Some are reading. The man across the aisle is asleep. “Prepare to land” is ordinary, uttered thousands of times each day. It’s the flip side of seeing dragons in clouds, another key to the human mind. Miracles made commonplace through repetition.

One human child is a miracle. It’s why we are making the trip. To meet a miracle. Yet, 7 billion miracles walking on earth?

“We’re flying,” I said.

“It’s been a long time,” she replied, showing me the picture on her phone, “Look! Doesn’t it look like a horse’s head? Well, like horse heads that I draw. No ears,” she qualified and smiled.

Miracles and magic. All the way around. Seen and unseen. Cross check. Wheels down. Prepare to return to the ground.

read Kerri’s blogpost about the HORSE HEAD

Flip It [on Two Artists Tuesday]

Standing on the trail, the cold breeze stinging my face, I stared at the trees in silhouette. I was overcome with the illusion that I was observing the trees upside-down. I was seeing their tangled root system, reaching. My illusion made me dizzy. What’s top is bottom. What’s bottom is top.

I’ve been pondering things like “leadership” and “power”. My belief of these concepts is the reverse of most peoples. I think leadership is a team sport and that power is created with others, not wielded over them. Roots to the sky.

Before the software start-up went away I pondered things like the abundance of content with no relevant context. Information without a home. Information sans application. Information run amok. It requires people to make-up context for the rootless material crossing their screens. In contemporary discourse, we call this made-up context “bubbles.” It’s an apt term since popping is the destiny of every bubble. No substance. The Villages.

Thank goodness for the cold wind. It snapped me out of my flip-flop illusion. The silhouette was righted. I remembered the shadow puppets in Bali. What we see is projection on a screen. Silhouettes. The real stuff, ripe with dimension and color, the massive system of roots and vibrant moving energy, stars and flow, creating forms and taking them down, happens whether we see it fully or not.

read Kerri’s blogpost about SILHOUETTES

Take The Time [on Two Artists Tuesday]

20 plays a game with us. When we are on the road he takes care of our house and Dogga. He amuses himself by taking photos of obscure details in the house and then sends them to us. “What is it?” he asks. Kerri inevitably guesses correctly while I might get one in ten. He has a great artist’s eye and is masterful at finding curious patterns or unique views.

Kerri and 20 share an artistic similarity. They are both drawn to detail. The sublime found in the small. I walk through life mostly missing the minutiae so I appreciate being surrounded by two dedicated particularists. Because they torture me with the tiny I now – occasionally – find myself caught on a finer point. However, I will never be able to participate in their passionate conversations about kerning. I love their ardor for fonts but in serifs I have my limits.

The deep freeze over the holidays brought amazing ice formations on the pond. John O’Donohue wrote, “Take time to see the quiet miracles that seek no attention.” Bundled up with hands freezing outside of her glove to get the photo, Kerri snapped this marvel.

I’ve learned from 20 and Kerri that the quiet miracles are all around us. All we need do is take the time to see them.

read Kerri’s blogpost about THE POND