Be An Alien [David’s blog on Two Artists Tuesday]

“We are in an alien world…” he wrote, “and it is unraveling.” Somedays I wonder if I went to sleep and woke up in a tragicomedy. I wanted to reply that I feel more and more like an alien moving through an increasingly unrecognizable world. Well, truth be told, I’ve always felt like an alien. The rules of the game make no sense to me. For instance, if safe supportive society is what we seek, why are we arming ourselves to the teeth? I imagine I am not alone in my alien-feeling.

Walking the trail Kerri stopped and pointed. “Doesn’t that flower look like a spaceship?” Yellow petals stretched-like-wings in every direction. “Imagine the cool aliens!” she said, kneeling to take a photo.

The word “alien” brought to mind the recent congressional hearings on UFO’s (or UAPS: unidentified aerial phenomena). The hearings were a discussion about what we know. “No, really,” asked the panel, “What do we know?” It’s not known what we know or it’s known but concealed to the point of being unknown. The unknown is what makes an alien an alien, so, apparently, we’ll remain aliens to each other in the foreseeable future.

I had a jolting revelation yesterday. Kerri and I watch vlogs of PCT through-hikers. People who walk 2650 miles from Mexico to Canada. Thousands of people start the trail each year and only a small percentage actually finish. It seems a herculean task. They have tents, travel stoves, proper shoes, all-weather clothes, resupply stops, rest days and are well-funded. They speak lovingly of the kindness of strangers on the trail. In contrast, a hungry person leaving the Honduras walks approximately 2,558 miles, often with few or no resources, through dangerous and hostile environments, to reach the border of the mythical United States. Rather than celebrating their spirit, their fortitude and perseverance, qualities to be admired, qualities we celebrate as uniquely American, we vilify these people, calling them “aliens.” They do not tell stories of the kindness of strangers.

If you boil down the storyline of most apocalyptic-alien-invasion films, you’ll find the same inspiring moment. Humanity turns from its division and finally recognizes that ultimate survival necessitates combining forces, acting as one. Identifying as one. Transcending superficial differences and abstract lines on a map, redefining “us” to include “all human beings.”

He concluded his email with this: “I’m waiting for the crisis to finally arrive and further devastate us.  At least then we can get to the Awakening phase during which we will come together and reunite as humankind.”  He’s referring to the book The Fourth Turning. The cyclical pattern of chaos and order.

The question that identifies me more and more as an alien is this: why does it take a crisis? I know, I know…the rules of the game make no sense to me. And, after all, nature uses forest fires for renewal. I know, I know. Yet, why point a gun when extending a hand actually produces the safety and security we ultimately seek? Reaching creates kind humans; pointing a gun creates unkind humans. What am I missing? We always pull together in a crisis – it’s our natural impulse – so why wait for a crisis?

We are strange beings. Our stories are universally driven by conflict. Unknown to each other, we opt to be frightened of what we don’t understand (or refuse to consider). I’ve read that we are hardwired and dedicated to an Us-and-Them world.

I’ve also read that the purpose of our big-big brains is to transcend our animal nature so I’m confident that, one day, in the far distant future, our big-big brains will respond to the latest crisis and transcend our ancient hardwiring.

read Kerri’s blogpost about ALIEN FLOWER

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Be The Rain [on Two Artists Tuesday]

If you want to see me cry, play Lowen and Navarro’s song, If I Was The Rain. There are two versions that kill me. The version released on their album, All The Time In The World. And, the Youtube of Eric Lowen’s last concert. In the hard grip of ALS, he spoke the words of the song from his wheelchair. It is, without a doubt, a triumph of the human spirit. I blubber every time I watch it.

“If I was the rain/ I’d polish every outbound train/ I’d wash the teardrops from your eyes/ so you could kiss the blues good-bye.”

We simply could not believe it. Standing in the sunroom we watched a torrent of water stream down the windows. The gutters were overwhelmed. Sheets of water enveloped the house. It was as if we were standing behind a raging waterfall. It was, at the same time, glorious and terrifying. Beautiful and petrifying.

“If I was the rain/ I’d answer all the farmer’s prayers/ till green was growing everywhere/ If I was the rain.”

We’d just emerged from the basement. Trying to channel the incoming water to the floor drains, we laid towels, we positioned fans. We quickly moved boxes and bags, anything in the water’s path. We laughed and looked at each other wide-eyed. What else could we do?

“If I was the rain/ I’d choose forever to remain/ I’d add a sparkle to the night/ and marvel at the morning bright.

It’s a new day. The rain has finally stopped. The sun is attempting to break through the clouds. The basement is dry at last. Our towel-river-bank is in the washer, getting cleaned and ready for the next emergency. We looked at photos on the web of the local flooding. We shook at heads at the volume of water that fell. It came so fast.

If I was the rain/ I’d bless each blossom to unfold/ and I’d turn each one of them into gold/ if I was the rain…

The world as seen through a waterfall. Roaring off our roof, cascading down the walls and windows, distorting the reality as we know it. Altering the arc of the day. Neighbors texting neighbors, “Are you okay?” People, knee-deep in water, helping other people because they need it. The best of humanity showing its face, even for a brief moment.

“If I was the rain…”

read Kerri’s blogpost about THE RAIN

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Follow The Map [on Two Artists Tuesday]

In the era when I was telling stories at conferences I liked to tell a particular tale of a woman on a quest. She didn’t know it but the many trials she faced on her journey gave her the exact knowledge she needed to confront her monster, complete her quest and return safely to her home. A field of shifting boulders. A dense impassable forest. A thicket of lost souls. She navigated all of them, learned from them, and returned home, changed by her experiences, wiser from her travails.

It’s most often the message in stories about quests. The journey changes us. We rarely understand the purpose or meaning of our passage until its conclusion. We only know we’ve changed after we arrive back from where we started. Then we can turn around and see.

Prior to the Brothers Grimm, there was no woodsman-savior in the tale of Little Red Riding Hood. A little girl sets out in life on a winding road to grandma’s house. It’s a metaphor. The little girl becomes an old woman. The wolf is metaphoric of time. The wolf “eats” all of us in the end. No woodsman can save us. No Hallmark ending is possible. What did Red experience on the way to grandma’s house?

It’s hard not to want to rush to the end. To know. There’s the fantastic story of the western businessman who wanted the Dalai Lama to tell him the secret of illumination so he could fast-track enlightenment, to achieve in a month-or-a-minute that which takes many lifetimes. Life lessons pay little attention to the demands of efficiency and effectiveness. Business, after all, is never just business.

Stages of development. Queen Anne’s lace. In its first year it is dedicated to sinking a taproot and developing a “rosette of basal leaves.” Creating a solid base. Only in the second year does it “send forth a flower stalk with blossoms.” It’s impossible to skip step one and arrive at blossoms. In truth, step one and step two are not really separate phases but are a single, gorgeous process of life’s renewal. I imagine that is what the Dalai Lama thought but did not say to the businessman.

In stories, the magic sword fails. Death knocks politely on the front door. The ogre stands in the path. The sphinx smiles and demands an answer. A young girl skips with Time along a winding road. A woman returns home, wiser from her experiences, changed by her journey.

Stories serve as universal maps, like taproots and basal leaves. They ground us. They can help us understand that the arrival we seek, the journey we take, is to ourselves. They can locate us on the winding road of life’s renewal.

read Kerri’s blogpost about QUEEN ANNE’S LACE

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Step Out [on Two Artists Tuesday]

Covid made us near-recluses. We have been, like many people, in this “post Covid” era, bumping into a glass wall when we attempt to venture out. It’s as if our social muscle has atrophied. We assign the blame to our current financial situation yet we both know that isn’t true; we live in a region with abundant free concerts and festivals and markets. We can walk to many of the events. We’ve been gifted tickets to museums and gardens.

We plan to go. We make the time. We take a step. We hit the glass. We take a walk in the woods instead. “I’m not sure I want to be in a crowd of people,” we chime. “Too much noise!” we insist.

We point the finger at stress yet we know the very thing we need to do to decrease our stress is to get out of the house, have an adventure, stir the pot…be with people.

With the help of friends we are slowly re-entering the world. Our weekly hike-and-spikes with Jen and Brad. We took 20 to the art museum. We have plans to walk the Third Ward in Milwaukee and eat dinner at the Public Market. Small steps.

It is not an understatement to suggest that Saturday we hit the wall and simultaneously melted down. We made plans to go to an outdoor concert. The evening was perfect. We decided not to decide – another avoidance strategy when our noses are pressed to the glass. It was almost too late. And then something broke. After shaking our fists at the sky and each other, in an act of self-defiance, we stomped into the car and drove to the concert. Birthing pains.

The music recharged us. The audience recharged us: happy people sipping wine, eating cheese and bread, talking, sharing, laughing with the people around them. Complete strangers bonded in kindness, a generosity of spirit enlivened through the shared experience of music. Never suggest to me that the arts are not powerful.

I think we just re-entered the world. Or took an important first step. Certainly, the music cracked the glass wall. I wanted to weep and laugh at the same time. Even as a devoted artist I am sometimes overwhelmed at the subtle, often unrecognized, capacity of the arts to unify and…heal…the human heart.

read Kerri’s blogpost about THE CONCERT

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Find The Hidden Message [on Two Artists Tuesday]

This morning, while the storm raged outside, thunder and wind shaking the house and dumping buckets of rain, I worked on my website. More specifically, I added a visual resume to our melange site. It’s a map of an artist taking his artistry into the marble halls of organizations…

In the past six months I’ve had several resume reviews. Advice from experts. Suggestions from friends. Modification upon modification akin to rearranging deck chairs on the Titanic. This mixmaster of my work history has had one incredible silver lining: I’ve had the opportunity to revisit every era of my career, the passions that drove my choices, the curiosity that necessitated stepping off the edge. In essence, so much thorough review and conversation has illuminated for me a through-line of my life-in-work.

My primary actions? I scatter ideas on the wind. Tom used to say, “You Johnny Appleseed-ed your way across the district.” I’m a consummate cross-pollinator: concepts from the stage introduced to the boardroom. And vice versa. But this most of all: I began this life with so little faith in myself that, over time, I became adept at guiding people to their self-belief; something I had to do for myself so I knew the path. I know the path well. It leads to center.

In the past I’ve been hyper-critical of my choices. They’ve often been less-than-lucrative, made from a different criteria – and have left me vulnerable. Now, from my view in the crows nest, looking back at where I’ve come from, I delight in my journey. To some it looks like the drunken path of a butterfly. To me it’s been a dedication to bringing my gift to the place where it was most needed. I followed the call. Every time. I continue to follow it. Following a calling rarely makes resume-sense.

Last week I wrote about sailing toward the horizon with the knowledge that your questions will only bring more questions, that masterpieces are made by sailing into unknown territory. And, if you are lucky, you’ll come to realize that what’s just over the horizon is more horizon. More curiosity. More experiences. More discoveries. More vital life.

This is the message hidden in my resume: I am unbelievably lucky.

read Kerri’s blogpost about THISTLE

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Join The Kerfuffle [on Two Artists Tuesday]

Rob and I have been having a text conversation about AI. For him, an Orwellian curtain is descending. For me it’s a pattern: progress that pushes people into the unknown always ignites a kerfuffle.

Months ago Skip suggested that I jump into the dialogue raging around phrase engineering for AI. Basically, people learning better ways to ask the technology for more efficient and effective results. As a visual artist and a writer, he believed I might be able to stand with a foot in both evolving camps. Cross disciplines. I thought about it. Read everything I could find. I decided against. As an artist, someone who’s taken his artistry into the wilds of organizations, education, change initiatives, DEI, intercultural communication, coaching, software start-ups…a cross-pollinator – I’ve shouted my perceptions at the top of my lungs but rarely found ears that would or could listen. Why should an engineer listen to an artist? Why should a CEO give credence to a theatre artist? There are many many reasons. The notion of doing the same old thing in the same old way in a new context made me…tired.

What is a new way?

I’ve read that the mission of the industrial age was to create technology capable of sparing or lessening human physical labor. The mission of the information age is to create technology capable of sparing us from the rigors of thought. All in service of making life easier.

My last exchange with Rob led me back to Neil Postman’s short forward to his book Amusing Ourselves To Death. “Huxley feared we’d become a trivial culture…” Rereading the forward I thought, “Spot on”. Among the many upsides, having something or someone else think for you definitely has a downside.

Perhaps our AI era will hold up a mirror so we might better see ourselves as part-of rather than separate-from. Perhaps all the space we gain in our brainpans, as we are spared the rigors of thought, will open new frontiers. It always has in the past. In a miracle of biomimicry, one of Skip’s creations in our start-up was a social network view: a visual of personal connectivity, an active map of all the people a user communicates with. The lines of connectivity were profoundly meaningful to me. The ability to see the thriving network active in my working life was a revelation. A pulsing flower, a wild carrot of interconnectivity. I appreciated my peers – my support system – in new ways because I could see them. My social network view made it undeniable: nothing I do, nothing I think, is independent of my community. We create.

Growth and learning is always in the direction of the unknown. Whether we realize it or not, even amidst the greatest kerfuffle, we take these bold steps together.

read Kerri’s blogpost about WILD CARROT

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Fill The Space With Goodness [on Two Artists Tuesday]

When I was learning to be on a stage there was a phrase I particularly appreciated: fill the space. There was also a companion question that seemed to be more important: what are you bringing to the space?

The assumption beneath both the phrase and the question is that you have a profound impact on your world. Not in abstraction. You are an active participant in creating it. After all, the space is shared, co-created. What do you intend to bring to the shared space? Are you going to “take” energy from the shared space (it’s all about me) or are you going to “bring” energy to the shared space (we are in this together). I understand this choice to be the direction of intention. It’s the origin story behind the name of this blog. A performers job is to bring good energy and light to the shared space, to unify it. To grow the goodness.

I think that’s why Kerri and I are attracted to prayer flags. The mantras on the flags are blown by the wind to fill all the space of the world with good will and compassion. Fill the space with goodness to the benefit of all. A straightforward yet profound intention.

It seems like such a simple thing, doesn’t it? Intend to bring good energy to the space that is shared by all. And, to us, it seems like the number one imperative of our times. In this me-me-me era, rife with “taking” energy from the space, it’s crucial to help reverse the tide.

She was holding black and white bandanas and I saw the thought hit her. She turned and asked, “Do you think it’s a good idea to make our own prayer flags?”

“Absolutely.” I said. “Why not? This world could use all the good intention that we can muster.”

All the world’s a stage, after all.

read Kerri’s blogpost about PRAYER FLAGS

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Split and Emerge [on Two Artists Tuesday]

Although butterflies get all the headlines, the transformation of a cicada is equally astonishing. The cicada doesn’t emerge from a cocoon. It emerges from its own body. The outer shell, a crawling insect, splits and the new form, a miracle with wings, a flying insect, crawls out of its former self to greet the world.

It actually has two emergences. For most of its life it lives underground, feeding on the sap in tree roots. And then, one day, on a cue no scientist has yet discovered, all of the cicadas in the neighborhood crawl to the surface, climb into the air and light, ascend toward the sky, and attach to a tree or some other vertical surface. Once they are firmly attached, the second emergence begins. Like a snake shedding its skin, the cicada sheds its former…form, and enters the last chapter of life completely changed. Air-born.

I’ve never wondered if a butterfly turns and ponders the cocoon. A cocoon seems generic. An envelope. But each time I see the shell of a cicada I can’t help but wonder, as its new wings dry, before it is capable of flight, what it might think, perched atop the old form, staring at what it used to be. Did it know that wings were growing inside all along or is it a complete surprise? A reverse mummy, opening the lid of a body-shaped sarcophagus to venture into the upper regions.

I wonder if it knows the transformation to flight signals the end, only a few more weeks of life. The males begin to sing. The females click their wings. Partnering through an ancient call-and-response. The end of life. The fulfillment of purpose. The beginning of a new cycle of life.

It’s full, full, full of useful metaphors. The old shell appears as if it is hanging on for dear life when dear life was about to burst forth, unrecognizable. Transfigured. And, isn’t that usually the way of the scary new? The old, well-worn shape wants nothing more than to hang on for dear life to what it knows, what it has always been. It’s necessary for the new energy, the new form, to split the frightened shell, wrestle with itself to emerge, and discover life anew. Finally ready to fulfill its purpose, its reason for being.

read Kerri’s blogpost about CICADAS

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Light Ten Candles [on Two Artists Tuesday]

I never tire of telling this story. 4th of July, 2013, Kerri and I walked through the festival booths and carnival rides, we avoided the stages where bands were covering well-known tunes, we passed the pie-eating contest, and stopped at the jumping dog competition. Dogs running and leaping through the air into a big pool of water. Doggie long jump.

While we watched the antics, we talked of someday having a dog of our own. We dreamed that our dog would be black – only a black dog for us – and we’d name it Earl. Or Erle. It is our shared middle name so it seemed only natural to give the pup the family name. Little did we know, on that day, I imagine at that precise moment, our Tripper-Dog-Dog-Dog was born. Dogga is a 4th of July pooch.

Three months later, driving the moving van loaded with my worldly possessions across the country, just after entering Wisconsin, we passed a sign that said, “Aussie pups.” We weren’t ready for a dog. I told Kerri that I thought it would be safe to look since Aussies are never black. We flipped the van around, drove up the long farm driveway, jumped out and greeted farmer Don. “We’d love to see the puppies!’ we chimed in unison.

“Well, I only have one left,” he said, “And no one wants him because he’s black.”

I think it was the first time that Kerri punched my shoulder and gave me that look.

And, although we weren’t ready, I can’t imagine life without our black dog that refused to answer to the name Earle. He’s as quirky and complex as we are, more sensitive if that is possible. He taught us what to call him, the first on a long list of lessons he’s had to teach us.

Today we light ten candles on the Dogga cake. We celebrate the best u-turn we ever made. We toast our willingness to take the leap before being ready. Our life together is made infinitely richer for it. Now, who wants cake?

read Kerri’s blogpost about DOGGA BIRTHDAY

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Touch The Immensity [on Two Artists Tuesday]

I’ve always felt a kinship with birds of prey, especially hawks and owls. If I fully comprehend the concept of a “blessing” then I feel blessed when one of those great birds cross my path. A sign. A message. An acknowledgement.

A guide.

Last fall we were with a hawk when it died. From my office window I saw it struggling. It was laying in the middle of the street. I grabbed a thick towel so I might pick it up and move it off the road without harming it. Just as I was ready to placed the towel over the bird, like a rocket it shot into the sky landing in the tree above me. We watched it. After several minutes, it suddenly flapped its wings and then fell to the ground. With the towel, we bundled it and put it into a box. We called Fellow Mortals Wildlife Hospital and the DNR to ask what we should do. By the time we reached someone, it had passed.

It is possible to Google anything so I searched for the meaning of the experience according to the good-god-google: Something new is about to begin. Let go. Move on. Good advice and useful every single sunrise.

Searching for meaning. Making meaning. What could be more human?

I thought about the hawk when we came across an owl feather on the trail. At first we thought it was a hawk feather but the good-god-google instructed otherwise. They are easy to confuse since the feather markings are remarkably similar.

It was important to discern the difference since the meanings according to the good-god-google differ. If an owl feather, then wisdom is the theme. If a hawk feather, then the gift of power and courage to overcome obstacles.

Or, it’s simply a beautiful feather that brings to us the great gift of appreciation, no good-god necessary.

Mostly, the pursuit of meaning from our bird encounters plucks the bass string of human yearning: connectivity to something larger. Something much larger than the good-god-google, a numbers god by definition, sporting 100 zeros. Something much larger than prayers or mantras. The resonating recognition that comes when gazing into the infinity of a midnight sky. The briefest touch of immensity when standing before the rolling endless waves at a beach. The vibrantly alive blue ball of earth as seen from the moon.

Pay attention. This bird carries a message meant for me.

Being – beyond the limitation of words, like the feeling of kinship with a passing hawk. The awe of a midnight hoot from an owl. The driving necessity of making meaning of something as precious and passing as life.

read Kerri’s blogpost about OWL FEATHER

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