“LookIt!” [on Two Artists Tuesday]

Two Artists Haiku

What is in a chip?

Form and meaning see a heart,

Loving reminder.

Kerri sees them everywhere. It’s a seeing-sense that I appreciate: moving through the world finding hearts. Another trait that I appreciate? When she see’s the heart, she stops. She takes time with it. Sometimes she takes a photograph. Sometimes she simply attends to the uncanny heart, taking it into her being. A message or affirmation. “LookIt!” she exclaims as if this heart-find is the first time.

It happens often. Daily.

Sometimes I wonder: is she finding the hearts or are the hearts finding her? “LookIt!” the heart exclaims.

Either way, it’s not a bad way of moving through the world.

read Kerri’s blogpost about HEART

Accept The Gift [on Two Artists Tuesday]

The third time she said it, I finally heard it. “This is a gift.” It stopped me in my tracks because it was true. We see life as a gift.

It is mostly unspoken. When we go out on the trail, we leave the stresses of our life behind. We slow down. We live the famous John Muir quote: “And into the woods I go to lose my mind and find my soul.” Our walks become a meditation on “the daily gorgeous;” gratitude, surprise, the bombardment of the senses with color, bird song, and the scent of winter grasses. Appreciation of the moment. Soul is nothing more or less than connectivity. We drop the tale of woe-and-separation and join the abundance of the trail.

I want to believe in the signs. We’ve seen more deer in the past two weeks than in the past two years. Sunday was extraordinary. We caught a glimpse of flashing white tails early in our walk. It was the middle of the day and unusual so we counted ourselves lucky. Later, by the river, there were 3 more. And then the young deer just off the trail, staring at us. And then, a deer jumped across our path, with another 2 disappearing into the woods just a few steps down the trail. “This is a gift,” she said for the third time.

As we wound our way back toward the car, another deer crossed the trail right in front of us. The entire herd broke through the woods and bounded across the trail, disappearing into the thick brush on the other side. We were speechless. She didn’t need to say it. A gift.

A sign? I think so. Heart. Inspiration. Grace in the face of difficult situations. If this is nature talking to us then there is only one thing to say: thank you for this gift.

read Kerri’s blogpost about ANTLERS

Change Your Name [on Two Artists Tuesday]

With great fanfare, I announced to Kerri that I was changing my name to Zdravko! I gleaned from her scowl that my new name might not be an acceptable idea.

Zdravko is Saint Valentine in Slovenia. I was curious about the origins of Valentine’s Day and what I found is a trail of martyrdom and subsequent reliquaries enshrined in churches across Italy and beyond. There may or may not have been more than one Saint Valentine with various legends embellished over the centuries to transform their demise and dismemberment into a day of lovers, hearts and chocolate.

Good gracious.

I was born on Valentine’s Day. All of my life, when people learn that this day is my enter-the-earth day, they get doe-eyed and say things like, “Of course you were born on Valentines Day.” All of these years I thought their comments referred to my soft soul and chocolate heart but now I’m suspicious.

Deep in the wiki I found a reference that brought some comfort. Zdravko. “…the saint of good health, beekeepers and pilgrims…it is also said that birds propose to each other or marry on that day…” Imagine it! On this day, that chirping you hear might be a bird getting down on one knee and popping the question! Now that’s an association I can embrace!

Besides, Zdravko is a much better name for an artist. When people learn that my name is David Robinson, I inevitably hear the joke, “Wow! You’re smaller than I thought.” The artist identity gets lost in the basketball player joke every time. By the way, he’s younger than I am. And NOT born on Valentine’s Day. And much more successful. And, he already has an entry in Wikipedia so I’ll have to change my name if I want a unique wiki page. Zdravko!

Kerri’s still not buying it. In the spirit of domestic bliss I’ll drop it for now. Mostly, I’m grateful that I didn’t have to compose my valentine from a prison cell or while hiding from the emperor’s centurions. She’ll scowl when she reads it but I can’t erase the crayon signature…

Happy Valentine’s Day.

Love,

Your Zdravko

read Kerri’s blogpost about VALENTINES DAY

Greet The Snow [on Two Artists Tuesday]

Like the return of an old friend, the snow finally came. It’s funny. Most winters we yearn for warm summer days. This winter our conversation has been about the absence of any real snowfall. We’ve had dustings but nothing worthy of a snowman. It made me realize that cold weather is no fun unless there’s something to stomp through or ski on. Walking in the cold is just…cold. Walking in the snow is an event.

The snow also brings an aesthetic magic. It paints the trees. Since the return of our old friend snow, we regularly stand in the kitchen and stare in awe at the striking lines tracing the path of the limbs. The lines change color throughout the day, morphing from purple through white to vibrant orange. It re-animates the forest left barren by fallen leaves. What was brown and sad a few short weeks ago is made remarkable, proud in its frosty adornment.

The day the snow came home we strapped on our heavy boots, slipped into our thick coats, pulled our hats onto our heads, and stepped into the muted world, a quiet that is only made possible by fluffy falling flakes. We pulled up our hoods and walked a loop around the neighborhood taking the trail that leads behind the Kemper Center and along the lake. Turning our pink faces toward crazy flakes made us giggle.

The snow beckons. It calls us out. Cold toes and layered clothes, we’ll appreciate the change until that fateful day when we think the snow has overstayed its welcome. We’ll turn our conversation back to warmth and the deck, and yearn for sunny days. Fickle people, never content for very long.

read Kerri’s blogpost about SNOW

Cross Check [on Two Artists Tuesday]

“It looks like a horses head,” she said, snapping the photo from her window seat on the plane. We were on approach to land, coming in over the bay.

I remember teaching myself to draw horses. I had (and still have) a passion for drawing people so my foray into horses was more an academic exercise than an inner need. I thought I should expand my horizons so the 8-year-old-version-of-me acquired a “how to draw animals” book. It suggested beginning with geometric shapes. Two connected circles defined the torso, the head – a circle and a trapezoid.

It was the same technique used by the teacher in my very first art class. See shapes. Arms are two tubes connected by a circle/elbow. Knees are circles, too! Foreground and background, what’s in front and what’s behind was taught using spheres and cylinders. Perspective was taught using a box. Transform a circle into a sphere through proper shading and you’ll know forever the magic secret of artistry. See a dragon in the clouds and you’ll know forever the magic secret of the human mind. It projects. It seeks sense from chaos. It projects order onto nature.

All the while Kerri is snapping photos of the island that looks like a horse’s head, I am pondering the normalization of hurtling through the air in a tube. People chat. Some are reading. The man across the aisle is asleep. “Prepare to land” is ordinary, uttered thousands of times each day. It’s the flip side of seeing dragons in clouds, another key to the human mind. Miracles made commonplace through repetition.

One human child is a miracle. It’s why we are making the trip. To meet a miracle. Yet, 7 billion miracles walking on earth?

“We’re flying,” I said.

“It’s been a long time,” she replied, showing me the picture on her phone, “Look! Doesn’t it look like a horse’s head? Well, like horse heads that I draw. No ears,” she qualified and smiled.

Miracles and magic. All the way around. Seen and unseen. Cross check. Wheels down. Prepare to return to the ground.

read Kerri’s blogpost about the HORSE HEAD

Flip It [on Two Artists Tuesday]

Standing on the trail, the cold breeze stinging my face, I stared at the trees in silhouette. I was overcome with the illusion that I was observing the trees upside-down. I was seeing their tangled root system, reaching. My illusion made me dizzy. What’s top is bottom. What’s bottom is top.

I’ve been pondering things like “leadership” and “power”. My belief of these concepts is the reverse of most peoples. I think leadership is a team sport and that power is created with others, not wielded over them. Roots to the sky.

Before the software start-up went away I pondered things like the abundance of content with no relevant context. Information without a home. Information sans application. Information run amok. It requires people to make-up context for the rootless material crossing their screens. In contemporary discourse, we call this made-up context “bubbles.” It’s an apt term since popping is the destiny of every bubble. No substance. The Villages.

Thank goodness for the cold wind. It snapped me out of my flip-flop illusion. The silhouette was righted. I remembered the shadow puppets in Bali. What we see is projection on a screen. Silhouettes. The real stuff, ripe with dimension and color, the massive system of roots and vibrant moving energy, stars and flow, creating forms and taking them down, happens whether we see it fully or not.

read Kerri’s blogpost about SILHOUETTES

Take The Time [on Two Artists Tuesday]

20 plays a game with us. When we are on the road he takes care of our house and Dogga. He amuses himself by taking photos of obscure details in the house and then sends them to us. “What is it?” he asks. Kerri inevitably guesses correctly while I might get one in ten. He has a great artist’s eye and is masterful at finding curious patterns or unique views.

Kerri and 20 share an artistic similarity. They are both drawn to detail. The sublime found in the small. I walk through life mostly missing the minutiae so I appreciate being surrounded by two dedicated particularists. Because they torture me with the tiny I now – occasionally – find myself caught on a finer point. However, I will never be able to participate in their passionate conversations about kerning. I love their ardor for fonts but in serifs I have my limits.

The deep freeze over the holidays brought amazing ice formations on the pond. John O’Donohue wrote, “Take time to see the quiet miracles that seek no attention.” Bundled up with hands freezing outside of her glove to get the photo, Kerri snapped this marvel.

I’ve learned from 20 and Kerri that the quiet miracles are all around us. All we need do is take the time to see them.

read Kerri’s blogpost about THE POND

Immerse [on Two Artists Tuesday]

The bright green ring in the tree beckoned. A time portal. Climb the tree and slip through the hoop to another time. Another place. What will you find there? It was one of many awe-inspiring moments in the immersive light experience at the Chicago Botanical Gardens.

A few weeks ago Rob suggested that I consider producing immersive experiences and my walk through the Gardens started a thought-wander.

Immersive is a new word in town. Well, it’s an old verb sporting a new adjective meaning. It’s a tech term. Surrounding “the user” with a generated 3-D image. Wander around town and you’ll find Immersive Van Gogh or Immersive Monet or Frida Kahlo, also Immersive. Technically, escape rooms are immersive. So is Disney World. A 3-D created experience.

A walk in the woods cannot be considered immersive since no technology is involved.

Immersion, one step beyond immersive, is the “perception of being physically present in a non-physical world.” Virtual reality. Dreams might be considered immersive except, like nature, technology is absent so the experience cannot be considered virtual or immersion.

To immerse means to dunk yourself in liquid or to dive deeply into a passion. When I stand before my easel and brush color onto canvas, I leave the world as I know it. I immerse in my paintings, though viewers of my paintings are incapable of having an immersive experience with my less-than-3-D-paintings. Is paint a technology? When Kerri plays, she enters a transcendent place. She fills the room with energy and light and I am transported. Am I having an immersive experience? I believe so.

Rounding a bend the night we walked through the Garden we came upon a field of illuminated pillars, colors changing and hopping with the beat of the music. I told Kerri that I saw this very display 20 years ago in an art gallery, though the technology 20 years ago was new and not nearly as impressive as what flashed in the field in front of us. The pillar-field was alive and was both mesmerizing and familiar.

The Gardens themselves, sans lights and music, are immersive. Groomed and created, meant to transport us from our everyday lives. We oooh and aaaah every time we visit. An explosion of color in a petal. The shape of a leaf. The quiet of the grove.

I loved the lights, the heightened immersive experience. We’ll make it a tradition. I’m excited to immerse in Van Gogh or thrill my way through Cirque du Soleil. As for producing immersive experiences, I am content to smear color on canvas or fall head-long into a story. Or, best of all, walk our path through the woods. There is no greater transporter of time-and-space than to suddenly find myself eye-to-eye with a fox crossing the trail.

read Kerri’s blogpost about HOOPS

Move The Eye [on Two Artists Tuesday]

“If you think good work is somehow synonymous with perfect work, you are headed for big trouble. Art is human; error is human; ergo, art is error.” ~ Art & Fear, David Bayles & Ted Orland

The winterberries came as a shock. Vibrant red pops in a bleak landscape of brown and grey. “They look like maraschino cherries!” Kerri laughed as she waded into the brush to get a photograph. In Wisconsin, the mere mention of maraschino cherries invokes immediate and widespread mixing of brandy old-fashioneds. Even though it was early in the day, I imagine people for miles around sensed the invocation and sprang toward their liquor cabinets.

“Sour or sweet?’ I asked, trying to be clever, but she was too engrossed in her photograph to hear my quip.

Watching her crouch to capture the shot, I thought, “Red makes the eye move.” It’s a lesson I learned beyond the abstract and used in my narrative paintings – a series that I’ve had on the back burner for ages. Limit the palette, move the eye with winterberry red. It’s a director’s thought. Guide the eye. It’s a playwright’s plot; tell the story through the anomaly. Create movement through curiosity rather than control.

Explode the idea. Run toward the edge. Extol the sore thumb!

I let my eye roam across the fields. Winterberry shock to Winterberry shock, electric reds pulling my eye across muted purple and drab green. The wind rattling branches, antlers clacking in the sky. I breathed it all in as she waded through the grasses back to the path. “Make big mistakes,” I heard Quinn whisper.

“The bigger the better,” I whispered in reply.

read Kerri’s blogpost about WINTERBERRIES

Locate The Center [on Two Artists Tuesday]

“The very center of your heart is where life begins. The most beautiful place on earth.” ~ Rumi

What, exactly, is the heart of the matter?

If you listen, what does your heart tell you?

What does it mean to “Follow your heart”?

Heart land? Heart song?

This weekend the question was asked, “Do you think there is an absolute truth?” I amused myself thinking of the oxymoron in the terms ‘absolute’ and ‘truth’. I am almost certain – but not absolute – that the question was really about the location of the center of heart. Is there a heart center? Where is the center of the universe? Here. And everywhere else.

Kerri pitched the small piece of chain onto the counter, saying, “This goes in the special box.” It landed in the shape of a heart.

“Hi, Pa!” I thought, and we laughed.

We wear pull chain as bracelets around our left wrists; the original pieces came from her father’s workbench. They are connective tissue to him and to each other. Heart chain. They periodically break so we are many generations from the original. The current chain is symbolic. This heart-piece was from my most recent chain break.

“What are the odds?” she asked.

Yes, indeed. What are the odds that a piece of pull-chain could so quickly bring us to the heart of the matter?

read Kerri’s blogpost about HEART