Upside Down [David’s blog on Merely A Thought Monday]

We saw the sticker on the back of a traffic sign. “What’s the definition of hippy?” she asked.

Since she is a detail-girl, I Googled the definition. I am famous for making up definitions and she’s on to my game. I read aloud: “usually a young person who rejects the mores of established society (as by dressing unconventionally or favoring communal living) and advocated a non-violent ethic.” Or, “having very large hips.”

She frowned. “Do you have to be a young person to reject the mores of established society?”

“Are we young people?” I responded and she smiled. Always the rebel.

As we strolled away from the sticker I wondered about the mores of our society that so assumes violence as conventional that non-violence is considered – by definition – unconventional.

Sometimes this world seems upside-down.

The moment was made more ironic because, just moments before, every phone on the busy street rang with an alarm: there was an active shooter just six minutes drive away, a fifteen minute walk, and the police were locking down the area. Everyone stared at their phones and continued with their business.

What was the most unnerving? That there was an active shooter close-by or that no one was surprised?Everyone continued shopping. Violence as a convention.

“I think I want to be a hippy,” she said. Me, too.

read Kerri’s blog about HIPPIES

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Barnacle And Beauty [David’s blog on KS Friday]

Let me describe the present moment. It is morning. A gentle rain is falling outside, tap-tapping a steady rhythm on the gutters and pools in the driveway. The window is open just enough so the smell of new rain is carried on a slight cool breeze. We sit, feet beneath the quilt, writing. Dogga was asleep in his favorite spot at the doorway but must have sensed I was about to write about him. He stretched, yawned, groaned, and jumped up on the bed. He nestled in and is once again asleep. Oh, yes, and there is coffee.

I was compelled to write about the present moment because I just read to Kerri an article in the New York Times about the social side of artificial intelligence. AI companions. At first it begged the question, “What is real?” but then I caught my prejudice. Are the conversations I have in my head real? Are my perceptions of the world real? Why should the conversations people are having with their AI companions be any less real than the nonsense that daily runs through my noggin? There is, according to the report, an epidemic of loneliness in these un-United States and true companionship is, apparently, hard to come by. It smacks to me of another layer on the bubble: people create their AI companions and AI companions learn how to respond to their creators from their creators…

There was no filter used to capture this pink-purple sky. It’s one of the things I appreciate about Kerri’s urge to aim her camera. She rarely attempts to alter the image. To make it something else. She is drawn to photograph the present moment with all of its flaws and barnacles. And beauty and grace.

Last night, during our 3am banana-and-trail-fest, we bumbled into a series of videos: people who have decided to live off the grid yet are documenting and sharing their homesteading process on YouTube. We’ve been following Martijn Doolaard for a few years and delight in the travels of Foresty Forest and his dog Rocko. Alternate lives. Old world craftsmen-and-women using-but-not-lost-in the wonders of new world technology. Sense-making.

My 3am revelation? I’m drawn to these people because of the balance they seek to establish: hands and feet firmly rooted in the traditions of dirt and toil and presence, while at the same time appreciating and using technology to capture their present moment. To share. To create. To suggest to us 3am sleep-deprived watchers that there is, indeed, a balance to be struck. No need to get lost. Barnacles and beauty available during this time of intense change.

meander/as it is © 2004 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE SKY

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Enter Happiness [David’s blog on Not So Flawed Wednesday]

The day brought to mind Avalon, the mythical island hidden from sight by the spells of the wise women who rule there or perhaps by charms cast by King Arthur’s sister, Morgaine. It is where Arthur was taken after he was gravely wounded in battle. To heal or to die. It depends on which version of the legend that you read. As I watched her take the picture I wondered if Avalon could pop-up off the coast of Lake Michigan. If it can be spelled and disappear from sight it certainly can be spelled to appear wherever Morgaine chooses. Magic is magic. Possibility is open-ended until doubt or belief renders it otherwise.

While I was studying the photo, pondering what I might write, Kerri played a song by John Denver. I didn’t recognize it and looked over her shoulder. It was the last song he wrote before he died. Yellowstone (Coming Home). He did not know it would be his last song. He had no expectation of dying on the day his plane dropped from the sky into the ocean. I have sometimes wondered what would be my last painting or the final piece I might write. In my imagining, I always know. “This is the last,” I think and set down my brush, one more step in preparing to enter the mist.

I read somewhere that the real key to happiness is to lose your self-importance. It’s counter-intuitive in a culture that identifies through individual achievement. Climbing the ladder. Top dog. Happiness as a by-product of achievement and possession. Yet, it seems simple if you think about it. Happiness, not as an acquisition but as as an aspect of presence. Happiness enters when we are present in our moment and, in order to actually be present in the moment, the eyes and heart and mind need to let go of the desire to be other places, future or past. Happiness finds us when enough is truly enough and everything else, all the imagined importance, the yearning and the lack, disappear into the fog of time’s illusion.

read Kerri’s blogpost about FOG

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As If [David’s blog on Two Artists Tuesday]

In a festival of irony, the moment we sat down to write about our peony, our harbinger of summer sun and the return of good weather, the sky darkened, the lightning flashed, the thunder clapped, and the rain is now dropping in buckets. The weather alert screeched with a warning for hail and possible tornadoes.

I delight in how readily my superstition-gene leaps out of the murky depths of my subconscious pond and concocts fabulous explanations about current circumstance. That is, as a human-being, a maker of stories – I am quite capable of connecting the rush of the sudden storm with our attempt to write about peonies. As if our attempt to write about peonies somehow invoked the storm!

This is not surprising. It is nothing new. My ancestors – and yours – created all manner of rituals in an attempt to appease the angry thunder-hurling god. To influence the powers of dark and light. To invite good fortune. To bring rain to crops. We have always personified nature and then imagined it is responsive to our behavior. Our behests. All around the globe, in many varied and culturally diverse forms, we do it in houses of worship to this day.

It might seem that I am making fun – and I am – but more than that, I am marveling at our genuine desire to be connected to “something bigger” and yet how rarely we recognize that we already are. We are as the peony, not separate from but a part of the pulse of life. We are of nature – not separate from it. My theory is that we have a hard time recognizing it because we imagine that we can control it. We use it to explain what we experience. We use it to justify our abuses to each other. Chosen people; Manifest Destiny and all of that ugly business. The personality we project upon it is at once beatific and horrific. We wonder why it blows our house away. We thank it for our good fortune.

In truth, we do influence Mother Nature and Father Sky, just not in the magical ways we imagine. Carbon emissions. Tapping mighty rivers dry before they reach the sea. Dumping our trash in the oceans. Fracking. It turns out that our behaviors are powerful and, perhaps, our destiny is in our hands. We need not pray to the gods for intervention and salvation, perhaps we need to be the gods of intervention that we desire to be, recognize and behave as if are not above it all, giver of names, but integral, intrinsic, no more or less essential than the peony.

read Kerri’s blogpost about THE PEONY

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And What If… [David’s blog on Merely A Thought Monday]

A message of encouragement. A reminder of hope. I appreciate the sentiment yet, perhaps it is too revealing of my personality or my attitude of late, my first thought was, “And what if it isn’t figureoutable?”

What of the paradoxes and mysteries of life? Why do people do what they do? War? Hate? Lie? Can we figure out how not to horde resources? Can we figure out how to live this simple-yet-central word: equality. And what about caring?

I delight in the James Webb telescope looking deep into the galaxy to help us explain… I delight in our deep dive into the genome in our pursuit of healing and body-explanations. I marvel at psychology and brain science and… We sail at the horizon on all fronts. To know what is beyond is beautifully human.

Poets help us touch the universal. Dancers imbue us with grace. More than once, knowing there is no answer, I have asked a performer, “How do you do that?” I have asked myself, “Why did I weep at that moment in the story?” I knew it was coming…

Kerri and I have our share of dilemmas. I spend the majority of my days trying to figure them out. As if my action will create a solution. Sometimes it does. I’ve figured out how to keep our 50 year old stove going. There’s a piece I need to install in the refrigerator so it stops “tinkling” on the kitchen floor. I’m certain I can figure it out.

Sometimes I have no clue. I do not know how to fix her broken wrists. I do not know how to ease her troubled heart.

I do not know what to say when Dan sighs, “I don’t like growing old.” I don’t either but I am learning that the older I grow, the greater I appreciate. It’s a sentiment I heard from the elders who preceded me but I paid little attention. I thought, when young, that there was plenty of time for appreciating.

I know that good times, just like bad times, come and go so it’s best not to hold either too tightly. Last night, on an evening that was unseasonably warm, the house blocking the gusty winds, we sat on the deck, sipped wine and watched the dogga run, the birds enjoy the birdbath, the moths swirl, the chimes play the wind, the peonies reach for the sky, the sun disappear leaving subtle pastel traces…

How can I love so much? Last night, I wanted no part in trying to figure it out.

read Kerri’s blogpost about FIGUREOUTABLE

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Open The Tiny Measure [David’s blog on KS Friday]

My first question: when did UFO (unidentified flying object) become UAP (unidentified anomalous phenomenon)? I know I am late to the party on this one. Like you, I’ve been reading the UAP headlines for a few years and, each time, ask myself the same question: Why the moniker change?

I did a little research this morning and came upon this phrase from Bill Nelson at NASA: “We want to shift the conversation about UAP’s from sentimentalism to science.” Apparently, George Lucas and Steven Spielberg have our space-alien-sentimentalism dialed to an all-time high. Human imagination runs amok with unidentified flying objects and not so much with unidentified anomalous phenomenon.

Language matters. Since our reference point is…us…a flying object, like an airplane or a spaceship implies a pilot, a “being” at the controls. An anomalous phenomenon? It’s another way of saying unusual occurrence and what, exactly, is an occurrence? If it’s unusually amorphous, there is nothing to hang your hat on. The only thing to do is call a scientist or artist since the imagination needs a few parameters to light its fire.

There was another sad-ancient-yet-contemporary-cautionary-tale that popped up in my reading: “NASA recently appointed a director for UFO research, but is not divulging the identity to protect them from the kind of threats and harassment faced by the panel members during the study.” Science and art are -and always have been – dangerous business. Galileo spent his last years on earth under house arrest for publishing his science; it contradicted the firmly-held belief of the day. He was forced to recant his findings or face the fate of heretics.

Belief does not appreciate being contradicted, especially when there is evidence involved – or as is true in the current example – no evidence at all. Belief has a wonky relationship with evidence. We are witness to that all-too-human phenomenon in our times, just as was Galileo. Protecting poll workers and UAP scientists from the violence of those who are unshakable in their faith and/or “news” source (their reference point).

We do not need science (or maybe we do) to see our absurdity.

We have the capacity to exercise our imaginations in this vast universe of possibilities. We have the ability to question if we desire to use it. We have the gift of unbridled curiosity and need not go off the rails into rootless belief if we allow that, “There are more things in heaven and earth than are dreamt of in [our] philosophy”. We can be afraid of ideas, run from progress, or threaten the artists and scientists that force us to open our smallish belief and tiny measure of “normal”. Growth is always preceded by an uncomfortable step into the unknown. A challenge to what we think we “know”.

And then, after the upset, we need to find language to describe the new world that we discover there.

Time Together/This Part of the Journey © 1997 & 2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about UFO and UAP

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Water, Water [David’s blog on DR Thursday]

‘For in the end, he [Huxley] was trying to tell us that what afflicted the people in Brave New World was not that they were laughing instead of thinking, but that they did not know what they were laughing about and why they had stopped thinking.” ~ Neil Postman, Amusing Ourselves To Death

The water rises.

Last week, at dinner, disconcerted by the headlines, 20 asked if I could explain the politics of our day. “Entertainment,” I thought, but did not say. We – the community – talk about politics – the news of the day – as if it was serious business – because we want it to be – we need it to be – but we seem mortally blind to the emptiness of the chatter. Song and dance. The purpose, after all, is not to inform us but to keep us hooked.

“Water, water, everywhere. Nor any drop to drink.” ~ Samuel Taylor Coleridge, Rime of the Ancient Mariner

Thirst. Purpose.

It’s not an insignificant question to ask, “What is the reason for being?” We seem puzzled by our purpose or at least conflicted, as made apparent by our insatiable division. My theory is that our division is a distraction, it’s an old colonialists trick, baked into our national dna. A magician’s sleight of hand. There’s no better way to control a populace than to divide them. A people united – and not distracted – demand purposeful and responsible governance. Honest discourse. They demand it of themselves, too. They live from and in-service to a cohesive and shared narrative. The deep root of integrity. Purpose, after all, when clear and meaning-full, is always about others; it is always about service to the community. The betterment of all.

“You drown not by falling into a river, but by staying submerged in it.” ~Paulo Coehlo

May You, 55″x36″, mixed media

read Kerri’s blogpost about WATER WATER

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Flawed [David’s blog on Merely A Thought Monday]

Over time I have grown more and more fond of our cartoon, “Flawed.” It was initially a collaboration between Kerri, 20, and me and was the source of great hope (we attempted to syndicate it) and many giggles. It was also the origin of our Wednesday melange posts: the prompt for Not So Flawed Wednesday was a Flawed Cartoon.

I noticed that writing and drawing a cartoon transforms you into a dedicated ethnographer. It necessitates paying attention to the world unfolding around you. It transforms you into a collector of the beautifully ridiculous.

The material has to come from somewhere. While we were producing Flawed, we’d move through our days with paper and pencil at the ready or we’d whip out our phone, add a note, send an email or text to ourselves. “What’d-ya see?” was a regular question. Everything was fodder for Flawed. A simple trip to the grocery store became a rich expedition for cartoon possibilities.

While hyper-focused on the actions playing out all around us, one thing became abundantly clear: people are flawed. Thank goodness. All of us are pushing our individual carts through life, gathering our stuff, stacking our importance, wishing other people would get out of our way – until we need them – and then we are grateful for their assistance. We rarely see that we are shopping together, all sharing the same store, the same road, all attending to our aloneness in the midst of abundant and ubiquitous support.

No one is perfect. No one has answers to the big questions. No one is free of flaws or quirks or trespasses or cracked-yearnings. It’s possible that our flaws are what bind us. Wabi-sabi. We are kintsugi held together, made better and stronger by the pure gold of our imperfections. That was – that is – the idea behind Flawed Cartoon.

A few Flawed Cartoon Designs on Society6

read Kerri’s blogpost about FLAWED

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Where It Ends [David’s blog on Merely A Thought Monday]

Today is the day when hoaxsters and jokesters and pranksters abound. It’s the unofficial-official national day of the trickster.

Historically on this day it’s best to doubt everything that you are told, to check the sources of your information. To join in the joking and let off some steam with a bit of harmless mischief.

It’s much harder in this day-and-age since everyday is April fools day! The mischief is not harmless. With so many dedicated conspiracy theorists running amok, shysters selling bibles, serial liars celebrated, vapid minds taken seriously, it’s difficult to tell where the fool’s day begins and where it ends. It’s tough to know where the fools begin and where they end.

So, on this day as on all others, it’s a best practice to doubt everything that you are told [as a rule of thumb, it’s not a bad practice everyday to doubt everything that you think!], to religiously check the sources of your information and to check the sources of information promoted as religious.

Fools and tricksters are meant to make us open our eyes; to step back and take ourselves less seriously. To help us discern between the sacred and the profane. They are meant to shock the system when the system begins to believe that it’s “all that.” They are meant to help us laugh at ourselves.

Play safe out there. Have fun. It is my deepest wish that we might lighten up ever so slightly and learn to chuckle at our foibles. I know, I know…pie in the sky. First we must learn to distinguish between a foible and a strength, a truth and a lie, a joke and a virtue, an ignoramus and a learner, propaganda and news.

Until then, we are all destined to be April’s fools.

read Kerri’s blogpost about FOOLS

[Christopher Wool’s painting, Fool, at the Milwaukee Art Museum]

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Know The Context [David’s blog on DR Thursday]

Things are rarely what they seem at first glance. One tidbit of information, one step to the left or right and a new perspective opens, the image shifts, and everything comes into focus. Change need not be monumental. More often than not it happens in the tiny steps, the subtle rearrangement of expectations, full understanding alights with proper context.

The picture comes into view. A nice way of implying comprehension. The penny drops. The light bulb goes on. I knew immediately what this was a photo of – I know the context. It’s familiar to me. Outside of my context this photograph might be a mystery. A Rorschach inkblot. A request for a psychological interpretation. A blob on mesh.

It’s Dogga, taken through the screen door. He’s looking back at the camera. Even at rest he tracks us, he knows we are watching before we know we are watching. Even at rest, he is invested in our well-being. Our safety. He delights us with his antic awareness.

Things are rarely what they seem at first glance. Although it may not be immediately recognizable, it is a photograph of quiet joy. An image of home. Heart warmth. A sign that all is right in the world.

All My Loves, 24″x40.5″, mixed media on hardboard

read Kerri’s blogpost about the SCREEN DOOR

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