Beyond Words [David’s blog on DR Thursday]

“Truth, like time itself, is a product of a conversation man has with himself about and through the techniques of communication he has invented.” ~ Neil Postman, Amusing Ourselves To Death

I’ve felt for months the need to apologize to J. We were having a conversation about truth – and notions of god – and in his current place-on-the-path he’s necessarily seeking absolutes. For him, relative truth smacks of falsehood or some loosey-goosey scary philosophy. He’s looking for a hard rock on which to build his house of wisdom. I was flip rather than helpful. How do you begin to discuss truth as a cultural orientation or a fluid marker that changes with time? When I was J’s age, truth could be established with a photograph. Not so anymore.

Breck, our little quaking aspen tree has come to represent a form of truth for me. Breck almost didn’t make it. We brought her home from the high mountains of Colorado and for a few years she lived and struggled in a big pot. She barely survived the first place we planted her. It was not a good location so we moved her to different soil where she’d enjoy more sun. And now she is flourishing. Last year she grew more than three feet taller.

Breck’s truth/health has very little to do with hard answers to abstract questions. For her – and me – truth is found in relationships; her environment. The right spot. Good soil. Rejuvenating sun. She brings an impulse to life: perseverance. Tenacity. Adaptability. We love her and I believe she “knows” that, too. Love is a truth that knows no absolute. I couldn’t explain that to J because I was playing with him, bringing levity to his seriousness.

And, in truth (what other word can I use?), I have become a doubter that any serious conversation about truth or gods can happen through something so limited as language. That’s what I should have expressed to J. I should have taken him outside to see the stars.

Now, when I want to have those conversations with myself, when I am seeking a better question, I walk on the trail next to the river. I turn my face to the sun. I try to detach myself from the clocks and lists and tv debates. I look at Breck quaking in the wind. I await each spring for the buds to appear on her limbs. There’s truth-beyond-words in her life-cycle, the return of her leaves and her captivating shimmer dance with the breezes.

read Kerri’s blogpost about BRECK

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Open The Tiny Measure [David’s blog on KS Friday]

My first question: when did UFO (unidentified flying object) become UAP (unidentified anomalous phenomenon)? I know I am late to the party on this one. Like you, I’ve been reading the UAP headlines for a few years and, each time, ask myself the same question: Why the moniker change?

I did a little research this morning and came upon this phrase from Bill Nelson at NASA: “We want to shift the conversation about UAP’s from sentimentalism to science.” Apparently, George Lucas and Steven Spielberg have our space-alien-sentimentalism dialed to an all-time high. Human imagination runs amok with unidentified flying objects and not so much with unidentified anomalous phenomenon.

Language matters. Since our reference point is…us…a flying object, like an airplane or a spaceship implies a pilot, a “being” at the controls. An anomalous phenomenon? It’s another way of saying unusual occurrence and what, exactly, is an occurrence? If it’s unusually amorphous, there is nothing to hang your hat on. The only thing to do is call a scientist or artist since the imagination needs a few parameters to light its fire.

There was another sad-ancient-yet-contemporary-cautionary-tale that popped up in my reading: “NASA recently appointed a director for UFO research, but is not divulging the identity to protect them from the kind of threats and harassment faced by the panel members during the study.” Science and art are -and always have been – dangerous business. Galileo spent his last years on earth under house arrest for publishing his science; it contradicted the firmly-held belief of the day. He was forced to recant his findings or face the fate of heretics.

Belief does not appreciate being contradicted, especially when there is evidence involved – or as is true in the current example – no evidence at all. Belief has a wonky relationship with evidence. We are witness to that all-too-human phenomenon in our times, just as was Galileo. Protecting poll workers and UAP scientists from the violence of those who are unshakable in their faith and/or “news” source (their reference point).

We do not need science (or maybe we do) to see our absurdity.

We have the capacity to exercise our imaginations in this vast universe of possibilities. We have the ability to question if we desire to use it. We have the gift of unbridled curiosity and need not go off the rails into rootless belief if we allow that, “There are more things in heaven and earth than are dreamt of in [our] philosophy”. We can be afraid of ideas, run from progress, or threaten the artists and scientists that force us to open our smallish belief and tiny measure of “normal”. Growth is always preceded by an uncomfortable step into the unknown. A challenge to what we think we “know”.

And then, after the upset, we need to find language to describe the new world that we discover there.

Time Together/This Part of the Journey © 1997 & 2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about UFO and UAP

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A Second Look [David’s blog on Two Artists Tuesday]

Aura Moon Double Haiku

An appearance.

Things are rarely what they seem.

Masks conceal faces.

The moon winks and nods,

Tugging at the aching heart.

Take a second look.

The aura of the back light at night. Wires that carry electricity to the house. A sliver moon. A photographer playing with the elements. What began as a spontaneous chase to capture the waning moon became a rolling series of discoveries: “Look what happens when the light is on!”

“I want to shoot the moon through the wires,” she said, aiming her camera.

“A good first line for a novel or a play,” I thought.

Character One: I want to shoot the moon through the wires.

Character Two: Maybe we should talk about it? (no answer) Do you think we’ll hear the owl tonight?

And so it goes, listening and looking into the night. The story progresses until their desires meet at a distant crossroads.

read Kerri’s blogpost about THE WINKY MOON

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Why Bother? [David’s blog on KS Friday]

Here’s the hazard:

“I know what will happen.” “Same old same old.” “It’s always been this way.” “Why bother?” “Nothing ever changes.” “Who cares anyway.” “Tomorrow will be the same as today.” “It doesn’t matter.” “It’s just an idea.”

Pattern thought. Repetition’s repetition. Dulled life.

Looking up, the tree line cut a diagonal across the sky. The sun peeked from behind evergreen. I could have thought, “I’ve seen it a thousand times.” And, truth be told, had that been my thought, I probably would have reduced it to something without words. A yawn. Or worse, it would have gone unnoticed as a lost moment in a mind full of complaints.

As it was, I’d never before been on this particular turn of the earth or looked at the sky at that precise moment. What, exactly, “caught my eye?”

I do not know what will happen. Nothing is ever the same. Ever. It is impossible to have been this way before because no one has ever lived this moment until now. That’s the response to “why bother.” It always changes. And I care. Tomorrow can’t possibly be the same as today so it matters.

Every idea reaches beyond the confines of “just.” Ideas are expansive. Just is reductive.

People are expansive unless they choose otherwise.

Why just live in the reductive?

Good Moments/This Part of the Journey © 1997, 2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE SUN AND TREES

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Learn Mu [David’s blog on KS Friday]

“The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?” ~ MIlan Kundera, The Unbearable Lightness of Being

It’s too easy to boil life’s weighty decisions down into two easy choices. Go left or go right. Say it or don’t say it. Stop or go. It’s to imagine a kind of clarity that doesn’t really exist. Sink or swim.

I’ve been rolling the Japanese word, Mu, around in my head these past several months. Mu is a useful third choice, an escape from the imagined duality. It means, “Nothing.” Make no choice. When I berate myself, demanding an absolute answer to the question, “What do I do now?” I know to whisper, “Mu.” Decide not to decide. Stand still. Mu is a third way. The constant nest.

In Mu I’ve learned that frustration is a choice. And anger. When fear takes me by the throat, rather than choose to wrestle with it or attempt to control it (that which I cannot control), I ask myself to make a choice other than fight or flight. “Mu,” I whisper. Choose anything else.

I’ve learned that the weight of the burden is only a small part of what keeps a person’s feet on the ground. The greater part is how the burden is held – rather – when it is held. Future fear or past regret? Ah, there it is – another too easy choice, both crushingly heavy.

Mu. There is lightness in standing still, in choosing nothing. In nothing there is presence with what might seem a heavy burden. Instead of fearing what will be or grinding against what was, I am learning Mu. There is lightness of being in the midst of swirling turmoil, not unbearable, Mu, with feet both firmly planted on the ground, holding in my hands only what is…

[this is one of my favorite of Kerri’s compositions]

The Way Home/This Part of the Journey © 1997/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE NEST

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Language Blossoms [David’s blog on Two Artists Tuesday]

I just experienced something new: a visual route to a find synonym. That might not seem like a big deal but for a visual-guy like me it fundamentally changes my relationship with language.

I wanted another word for “shine” and, instead of finding a static linear list, a blossom of interconnectivity unfolded on my screen. Shine in the center, five interconnected primary synonyms, with each of the five subsequently sprouting five fingers of word possibility. I was gobsmacked. Like a child with a new toy, I clicked back into the site again and again so I might see the word bloom.

I’ve directed (and loved) many of Shakespeare’s plays. I am an avid reader. I write everyday and spend more time than I care to admit chasing down words. Yet, had you met me when I was a wee-lad of 22, none of these things would have seemed possible. It hurt to read. The worst hell imaginable for me was diagraming sentences. My knuckles were rapped by stern-faced English teachers more than once for poor use of language, rotten sentence construction. And, although I had an undeniable enthusiasm for the theatre, I literally hated reading plays when I was in high school.

Linear sequential is not my friend.

One day in my 24th year an actor introduced me to Shakespeare. Active language. Delicious sounds and living images. The penny dropped. The world opened. I have been a voracious eater-of-language ever since. When rehearsing, I dance my words.

Words matter. They are alive when not forced to toe-the-line. Symbol and sound, makers of meaning, each intimately connected to the other. When I come back to this earth I will hopefully be a poet, attempting to capture in language that which is impossible to articulate. The beauty of a pink tulip. A flower selected by a mother for a rare visit from her daughter. Our daughter. Our daughter: a surprising and remarkable combination of words I never thought I’d utter.

Language unfolds and reaches deep into pools of meaning. Words blossom. And nothing is ever the same.

read Kerri’s blogpost about PINK TULIPS

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buymeacoffee is exactly what you make of it. the meaning is yours to give.

Animate! [David’s blog on Merely A Thought Monday]

Hydro: relating to water.

Hydra: a problematic many-headed serpent in Greek mythology. The problem: every time some hero tried to cut off one of its heads, the old head was replaced by two. The original myth behind compounding interest. Hercules finally rid the world of the monster. You’ll have to read the myth to find out how. I don’t want to spoil it for you.

Hydra lived in Hydro. Water serpent. In the 18th century Linnaeus named a water critter after the mythic serpent because, when severed, the critter regenerates a new part. Language is an amazing thing, drawing connections in many directions across eons of time. All words, like all people, have origin stories.

And this brings me to the flask. My first flask, pocket-sized, was a gift for participation in a wedding. It was often filled with spirits. To be clear, the spirits my flask contained were distilled and not ghost-ish or soul-like, though both the distilled and the ethereal notions are capable of the same outcome: animation.

This flask, my Hydro Flask, is reserved for coffee exclusively. Coffee is also a source of animation. It brings me to consciousness each morning.

Anima. From the latin: life or soul.

Coffee. From the pot: life-giving. Soul restoring.

My flask keeps my morning soul-juice hot for a long, long time. It’s small but it’s mighty. Herculean, one might say.

read Kerri’s blogpost about HYDRO FLASK

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buymeacoffee is an opportunity for you to support the work of non-linear thinkers. It is cleverly disguised as a water feature, though in truth it is a soul restorer.

Word Play [David’s blog on Not So Flawed Wednesday]

“Do you know what these are called?” she asked.

The homeowner, smiling that someone was appreciating his garden, replied, “I don’t know but they’ve been there since I was a kid.”

She whispered to me, “I know what they’re called but I can’t remember.” And then, as we continued down the road, she abruptly stopped, arms thrust high as if she’d just kicked the winning goal, “Snowdrops! They’re snowdrops!” The celebration of a thought retrieved from a long lost corner of the mind. “Snowdrops,” she smiled and strutted.

Beyond the strut-and-dance of word retrieval, there’s a great opportunity in this time of lost words. I adore the words we invent to replace a missing word. We stray far beyond the boundary of thing-a-ma-gig. Whos-e-what-see is child’s play compared to the sounds that come out of our mouths. They sometimes sound like remedial German: Schodenhammer. They sometimes sound like dinosaurs: Velocimapper. Shakespeare, the greatest of word inventors, reminds us that language is not a fixed thing. I think he’d be delighted by our spontaneous additions to the English language. “Make it rhyme!” he’d cheer!

And then, when a word goes missing and spontaneous-word-invention fails, there are the delicious descriptions. “Dough with things stuffed inside. You know! You cook them!” Ravioli? Pot Sticker? Gyoza? “That thing you fold and put in your pocket. It has money in it. Sometimes. And credit cards.” Oh, yes, even the most mundane word can hide for a while. The green thing with a big pit inside. Poor lost avocado.

Where do these words go? Vacation? I loved the homeowner’s response: I don’t know but they’ve been there since I was a kid.

read Kerri’s blog about SNOWDROPS

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buymeacoffee is a word…well, three words smashed together to make a clever title for a donation site.

ILY [David’s blog on Merely A Thought Monday]

Shapes become symbols. The alphabet is my evidence. Or the silhouette of a dove carrying an olive branch. Two equilateral triangles merged into a star, once the property of Venus and now under the stewardship of David.

Occasionally I incorporate calligraphy-like strokes in my paintings. The marks resemble the Chinese alphabet. Patrons have asked me what the symbols mean? I’ve learned to smile as if keeping a secret. They want the lines, the symbol, to have a meaning. I’ve learned not to rob them of their wanting. “What does it mean to you?” I ask. A question answered with a question.

Kerri saw this marking in a felled tree. “It’s I love you in sign language!” she exclaimed. ILY. Her family flashes the hand sign for I Love You when it’s time to depart. It’s the last thing we see as we drive down the street, turn the corner.

Lately, our world is populated with emojis. Heart, heart, heart. So many yellow faces with so many possible expressions. Symbols adding nuance to symbols. “What does this one mean,” I sometimes ask. I am a clumsy user of emojis. It’s yet a foreign language and I have been reprimanded for symbolizing the wrong thing; sending the wrong message. “But I love this whacky face!” I insist. I like using the wrinkled face, one eye open, tongue sticking out.

She rolls her eyes. I flash the I Love You sign. She rolls her eyes again only this time it is followed with a warm hug.

A hug. It’s universal. The best of all symbols.

read Kerri’s blogpost about ILY

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buymeacoffee is a symbolic offer to the creators of symbol in sound, on paper, and in other not-yet-named dimensions.

Lean Into It [David’s blog on DR Thursday]

And what did the oracle say? Did she give you insight? Wise counsel? Did she offer a prophesy? Divination? Are you on your way? Do you know where you are going?

This song has been playing through my mind all morning: “Mama pajama rolled outta bed, she ran to the police station…” Simon and Garfunkel. Down by the School Yard. I think it’s in my head because, for many days, it was rolling through Kerri’s head. Transference. The difference is that when she sings the song it sounds like it is supposed to. Queen of Corona.

Before Simon and Garfunkel moved in, I was awash in The House at Pooh Corner. Kenny Loggins and John Messina. “I’ve wandered much further today than I should and I can’t seem to find my way back to the woods…” I hadn’t thought of this song for years and, this time, Kerri wasn’t a source of song-transfer. Where do these things come from?

A friend wrote last night. Like me, he is a wanderer. He thinks it might be time to find a place to settle. Settle, not settle down. I get that. I looked for my home for years and, as it turns out, it had to find me. A person, not a place. She’s filled with music. “And I’m on my way, I don’t know where I’m goin’ – takin’ my time, but I don’t know where…” I hope he finds his place, his person. I hope he is filled with light.

Impressions on a page. The Balinese taught me it is all a shadow on a screen. The moment I put a name on it, I cleave it in two. Subject and object. Mind and matter. Future and past. The only real place is in between the definitions and it cannot be fully grasped. Just lived. Johannes said, with our words, we make images, projections, and, if the image is good, we lean into it. Reaching for the impression.

“Count all the bees in the hive. Chase all the clouds from the sky…”

Prayer of Opposites, 4’x4′, acrylic on hardboard

read Kerri’s blogpost about FOG AND TREE

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buymeacoffee is a shadow on a screen, a simple story to tell.