Clean Inside And Out [David’s blog on KS Friday]

And by the grace of some unseen internal trigger, the long-awaited-often-discussed-house-cleaning-out has commenced. I have no other explanation than the time must be right.

The time is right.

In truth, I’m just beginning to understand that the external house cleaning is an extension of the internal house cleaning that has been going on for some time now. It just finally hit the surface. The bags I take to the trash, the boxes readied for the Goodwill, are extensions of that ongoing internal process.

Making space on the outside is labor intensive. It takes some sweat and muscle. Dedicated time. Making space on the inside begins with the intense heat of disruption. Discomfort. The disorientation of masks falling off, the scary peel of protective layers. Exposure. Loss and lost.

Kerri introduced me to a phrase that I at first resisted: People don’t change, they just become more of who they are. Now, I think she is spot-on with one slight adjustment: People don’t change, they just reveal more of who they are.

It turns out that I am none of the labels that I so eagerly apply to myself. I’m not a winner or loser, an artist or an educator. Those designations are either things I do or fleeting judgments about the things I do. It’s very easy to get lost in the dark forest of self-stick labels. I love what I do. Even so, the labels are not who I am.

Talking about Abe Lincoln – who knows how we got there – Horatio hit me with some of his usual uncanny insight. “His fame is a fluke but his good works are not,” he said, “We often confuse the two.” Good works are intentional. Fame is circumstantial.

As the onion peels and the layers of circumstance fall-off, I discover more center. Or, said another way, applying Kerri’s rule, I become more of who I am. Less peel. More heart.

The river keeps moving. Neither hard times or easy days are permanent, nor are they entirely one thing or the other: hard times hold easy days. Easy days invite hard reflections. In the cleaning-out, in the opening of space, there is one thing that is becoming abundantly clear: Bob Marley has it right. No matter what, “Every little thing is going to be alright.” Because it already is.

Taking Stock/Right Now © 2010 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about EVERY LITTLE THING

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Babble [David’s blog on KS Friday]

This could be a Jackson Pollack splash painting or an x-ray of arteries, veins and capillaries. A winter sun attempting to reach through the cover of clouds and trees.

If I believe the forecast, as hard as it tries, the winter sun will not reach us today.

I’m paying attention to language a bit more than usual. Looking up through the veins and arteries of the tree, I ask myself: What could it be? What could be? What is “it”? I shiver and am reminded of a quote I used in my book. It is appropriate for our times:

“One must be leery of words because words turn into cages.” ~ Viola Spolin

Language Matters. A double entendre. One of my favorite. It’s right up there with my favorite double entendre title of a book: The End of Education. Classic Neil Postman.

The question is, in our day-and-age, amidst the torrent of words and the easy belief-systems that words construct, how to stay out of the cage?

It’s a question with roots back to The Tower of Babel. A human race united by a single language builds a tower that reaches into the heavens. It is a threat to Yahweh. To protect his status, he confounds their speech and scatters them around the world. Language is the barrier against unity.

A bramble of branches to a Pollock painting to the inner working of life-blood to a weather report and landing at last in the Tower. An epic journey in just a few words, reaching through metaphor and pattern.

Language can be a cage. It can also set us free. Language Matters. A double entendre.

Nurture Me/Released From the Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about WINTER SUN

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Wish For It [David’s blog on KS Friday]

“The world is changed by your example, not by your opinion.” ~ Paulo Coelho

And so we tie up another year according to the latest iteration of the Roman calendar. As is customary on the waning days of the year, we look back and review where we’ve been, who we’ve lost, and attempt to measure our progress toward any number of goal posts. We affix an adjective or two to the passing year; “It was a good year.” Or, “It was a bad year.” A rough year. A surprising year. It’s the time of experience-reduction and encapsulation. It’s the time of renewal as we step over the imaginary line with an imaginary clean slate.

We wish each other a happy new year. I’ve been wondering what the world would look like if the wish had some teeth. What would we do on the first day of the new year – and every day after – if it was more than a passing wish; if it was our imperative to make certain that each person in our community, in our lives, would have a happy year. Happiness as a shared responsibility. How might that change our choices? How might that fulfill the ubiquitous ideal to “lead by example”? To live by example.

I know. Another pie-in-the-sky post. But I would offer this thought from my personal year-in-review: I am surrounded by people who have made my well-being their personal concern. And, I haven’t the first idea how to reciprocate in a meaningful way except to pay it forward in any way possible. To live my life according to their example.

So, was it a hard year? Yes. Oh, god, yes. Was it an extraordinary year? Yes. Unbelievable. Am I moving forward with a clean slate? A fresh beginning? No. Not a chance. The baggage is coming with me.

Except there will be this: when I throw my confetti into the air and toot a horn of celebration, wearing my funny hat, I will step across the line in full knowledge and with a full heart, a new imperative beyond the sing-song wish of a Happy New Year. I will have an example to follow that completely transforms the once-yearly-ritual-wish into a daily-lived-action.

It’s not pie-in-the-sky, after all. It’s about time we create what we always wish for.

grateful/as it is © 2004 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE WISH

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Share The Symbols [David’s blog on KS Friday]

When I was a wee-turnip I found a textbook on the shelf from a course my dad took in college. Comparative religions. It’s a big-big book full of many-many comparisons. It now resides on my shelf. This book sparked a life-long fascination for me. The universal nature of myth and story across individual cultures and how these stories and symbols are, over time, pulled and twisted like taffy, co-opted, integrated and sometimes claimed as the private property of religion x or y.

Today, as I write this, we sit squarely on the solstice. I thought a few tidbits of story-symbol might be fun to visit so, together, we might taste the taffy.

In Italian tradition, La Befana is the goddess of the solstice. She rides a broom through the skies leaving candy and presents to the good little boys and girls. As a broom-riding pagan goddess, she predates Saint Nick by more than a few centuries. The Christian tradition snagged her and after a bit of twisting, she became a character in the Magi story. On a cold, cold night she gave shelter to those three wise-men but declined to join them on their quest because she had unfinished chores. After they left she had a change of heart but couldn’t find the manger on her own so she gave the gifts she had in tow to the nice children she met during her manger-search.

On the solstice, the goddess Isis gave birth to her son Horus, the sun god. Leta gave birth to Apollo on the solstice. The Persian god of light, Mithra, was born on the solstice. These births were technically virgin births since the conception in every case was immaculate. Egyptian. Greek. Persian. These stories predate the Christian story by centuries. It’s a ripple across time and culture of the same human impulse: after a long dark season to celebrate the return of the light.

We lose more than we know when we – to borrow a great term from Joseph Campbell – concretize a symbol. The stories and myths are meant to open us to greater unity with each other and the world we share. They are not meant to be taken or understood literally. Holding them literally slams the door on their greater meaning and unifying power. It renders them a possession, a plot point on a map.

On this winter solstice I can imagine no greater gift to this divided world than to recognize we are, through our unique symbols and characters, telling the same story, yearning for the same possibilities, sharing the same ideals whether they soar through the air on a broomstick or in a sleigh, both rides brimming with toys for good girls and boys. We borrow each others best ideas and ideals, rewriting them to fit our unique audience. From Isis and Horus to Mary and Jesus, it’s time once again to celebrate the rich warm return of the light through our myriad forms and cultural traditions, to feel the push and pull of something ancient and deeply human. Together.

this season/this season © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE HOME IN THE TREE

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buymeacoffee is a surgically implanted intention, a medicinal tradition stretching back eons to a time when beauty and analytics held hands and shared meals. together.

Trance Dance [David’s blog on KS Friday]

Our son is an artist. He composes EDM – electronic dance music. The proper term is “DJ” but that doesn’t begin to describe the art form. He does more than select tunes and spin discs. He builds layer-upon-layer of sound to create new and uniquely styled pieces. A surprise weave of repetition and pounding rhythm; it is a master class of tension-and-release. Improvisation meeting intention. Storytelling in sound.

His artistry is a pure root reaching into trance traditions, ancient impulse colliding with modern technology. To me, it is an invocation of ecstatic dance, freeing human bodies of their inhibitions so they might give over to the rolling wave of music. It is an invitation to ecstasy. It invites full-body surrender allowing the music to shake free the spirit. Earplugs are the only requirement.

I love the juxtaposition, the music composed by the mother and the music composed by the son. Kerri’s piano compositions are meditative, they turn the eye inward. They slow the pace like a rich memory. She eschews vocal acrobatics preferring a simple line. Craig’s EDM compositions thump every thought from the noggin, assault the senses, accelerate the pace, tossing bodies into the movement of the moment in a fête of complexity. Both mother and son induce a type of trance; one gently, the other with ferocity.

I’ve watched him watch her play. I’ve watched her watch him play. There is wild respect both ways. On the surface it would appear that their artistry – their music – is worlds apart but, like all things, surface impressions miss the greater depth of the human spirit. There is harmony in their appreciation. There is a shared center in their impulse to make music.

I am the lucky bystander. The proud husband and father. I am in awe no matter which way I look.

figure it out/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

Listen to Craig’s music here or visit his site here

read Kerri’s blogpost about EDM

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buymeacoffee is a full body ecstatic dance of appreciation for the artists who get you there;-)

Add More Layers [David’s blog on KS Friday]

As I write this I have my feet under a blanket. I’m wearing three layers of clothes beneath my favorite Patagonia vest and I can say with all certainty, with deepest conviction, that I am not warm. It’s been trying to snow all day. I want another pair of socks on top of the pair that I’m already wearing. Fear not! This is normal winter behavior for me. I am always cold.

The silver lining in piling on layers and layers of clothing is that I look like a bigger guy. Someone with muscle and heft. Also, my perpetually cold red nose makes me look like I’ve just come from the bar. A passerby might confuse me for someone who is raucous and boisterous instead of the meek introvert that I am. In truth, beneath all of this clothing, I am only exuberant in my writing. Corner me at a party or in the lobby of a theatre and I will almost certainly convince you that I am a nincompoop or in a whisky stupor since you’ll no doubt confuse my red nose as booze-induced. I have no reputation to uphold so I’m good with your misperception either way.

Our favorite neighbor, John, rarely wears a coat. He is in shirt-sleeves even when ice is forming on my eyebrows. I envy his inner warmth though my envy is not green but ice-blue. I consider him the 8th wonder of the world since his capacity to thrive coatless in the subarctic temperatures is a pyramid-sized-wonder. His wife, Michele (also our favorite neighbor), recently texted, “I know it’s cold because John put a coat on.” I ran out to see if it was true. John dons a coat maybe once a century. It was true. He had a coat on so as a preventative measure I ran back inside and quickly added several more layers, then dove beneath a quilt.

Kerri called this photograph, “Snow Burden”. I immediately identified with it. “That’s me!” I thought, my teeth clacking. A skinny stalk bending beneath the weight of the cold, cold snow. Leaves wilted, curling and brittle in the frozen air. Afraid to move for fear of shattering. Dreaming of the sun.

This is no joke. Kerri just had the audacity to ask, “I’m-hot-you-hot?” I said nothing, incredulous that she could look at me shivering (though beefy in my many layers) and somehow miss my crimson-red nose.

“Oh, the weather outside is frightful…”

waiting/joy! a christmas album © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SNOW BURDEN

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Mind The Deer [David’s blog on KS Friday]

We don’t always see them but we know they are present. The deer. We note their tracks and have learned where they usually cross the path. They follow careful pathways, game trails that are visible when we are walking slow enough to spot them.

As a symbol, they are heart-centered. They are associated with gentleness and it’s easy to understand why. They are gentle creatures. Even when bounding away, their leap is graceful and quiet, as if they are careful not to disturb the grasses and ground. They are mindful of their impact on the world.

We feel fortunate when we see them. It sometimes feels as if they show themselves to us. They seem to know when our hearts are hurting so reveal themselves, even for a moment, to help fill us with peace. It’s always true that we stop all movement, all thinking, all worry, all despair…when they show themselves. They are like magical makers of space, instantly turning tumult into vast acres of serenity. They look at us with large black eyes to make sure our spirits are calm, our hearts refreshed, and then they disappear as quickly as they appeared. “What were we talking about?”

“I can’t remember.”

The calm stays with us as we become like the deer, filled with their intentional spirit, quiet and innocent. Present, that special place beyond our future worries and past regrets.

watershed/as it is © 2004 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE DEER

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Imagine It [David’s blog on KS Friday]

It looked like a spiny dragon’s tail or Nudibranch that abandoned ship eons ago and, somehow, its petrified remains traveled from the deep of the sea to a trail in Wisconsin. Perhaps it was the skeleton tip-of-the-tail of a dinosaur. My imagination flooded with mythic-creature-possibilities. As Kerri knelt to snap her photos, I carefully scanned the woods. One cannot be too careful when dragons and dinosaurs might be lurking about.

While I was pretending to be watched by Jurassic critters, it occurred to me that imagination is a muscle. In order to exercise it, to make it strong, it must be used. With intention.

In truth, we (humans) daily exercise our imaginations though we don’t know it. Imagining that we can control what other people see or think. Imagining that the worst will happen. Imagining what might have been. Imagining that our day will be mundane. Imagining ourselves too small in the story of our lives. Imagining ourselves as superheroes saving the day.

That’s one way of exercising the muscle. Another way is to imagine possibilities. Imagine the ridiculous. Pop open the expanse of conceivability. In this direction of imagination exercise, it’s hard to take yourself so seriously.

And, I suppose, that’s the point. Hope slips in when life is held lightly. Hope and imagination-in-the-direction-of-impossible-possibilities are one and the same thing. Spacious. Surrender. In my reckoning, when I have been in the tightest bind or stuck in the worst scenario, the person who shows up, the door that opens, the hand that extends…is beyond my imagining and arrives when I let go.

Last night, deep in the night, I lay awake and listened to Kerri’s soft breathing and Dogga’s gentle old-dog snores. The window was cracked to allow in the cool night air. The chimes sang softly in the midnight breeze. A decade ago, I couldn’t have believed such riches of life would be mine.

But like a dinosaur watching me in the woods, I must have, somewhere way back then, closed my eyes and imagined it.

blueprint for my soul © 1996 kerri sherwood

Kerri’s music is available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SPINY STICK

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See Like Seuss [David’s blog on KS Friday]

If you’ve ever pondered where Dr. Seuss got his idea for the fabulous hairstyles on many of his characters, look no further than the dried flowers in the field. Thing One and Thing Two wave to us as we walk by. The Grinch wrinkles his nose and grins.

Of course, I made that up. I have no idea where the good doctor found his inspiration. It’s a good bet that he, like most creators of characters, found a visual spark from the crazy shapes and wild styles in nature. I look at the zany filaments of this yellowing pod and see a cartoon henchman, narrowing eyes beneath a spiky do. Of course, my henchman, like all good cartoon thugs, has no real power. He likes to think he can intimidate, an omega with alpha delusions. It’s what makes him lovable. I’ll name him Thistle.

I personify everything. Projecting my human-ness on everything is a quality that identifies me as uniquely human. We see angry volcanoes. Trees that talk. Cartoons animals are a festival of personification. Wily Coyote. Humorless gods in the sky. A cat in a hat. Mother Earth.

We are a miracle of creativity, whether we recognize it or not. Projecting ourselves, infusing our fears and fantasies, the sacred and profane, on every mountain, rock and weed. Even on other people. What we see is…what we see. A creative lens. Is it any wonder we’ve filled volume after volume seeking but never finding truth? Agreement is the best we can do.

Now, if you’ll excuse me, I think I just saw a fox in socks…

transience/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THISTLE

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Be In Cahoots [David’s blog on KS Friday]

“I’m making old guy sounds,” I said. All morning I’ve been extra-moaning-and-groaning. Clearing my throat. “I’m making the sound my dad used to make!” She laughed. We are in cahoots, partners in this aging thing.

The temperatures are dropping and my inner weather station is alerting me to the changes. Achy joints. Sinus headaches. I’m not sure why an inner weather station is necessary. I can see the snow on the ground. The cold wind is hard to miss. The back door is sticking. There are plenty of indicators that the seasons are changing. “I know! I know already!” I say to my buckling knees. They seem to think that I missed the temperature plummet. “As if I didn’t already know.”

She laughs.

Sometimes when I walk across the parking lot toward the grocery store I pretend to be really old. She punches my arm and whispers “Stop it!” And then she looks around to make sure no one is watching my antics. “What! I’m practicing!” I say. “Practice makes perfect.” Another punch. “It’s the only way to Carnegie Hall!” I shout, defending my self. A third punch. And then she laughs.

Mission accomplished.

The view is near. The view is far. The day we met we climbed out a window onto the roof, drank wine, and shared life stories. The wind was cold off the lake so we wrapped blankets around ourselves. When it was too cold we came inside, sat in front of a fire, and shared more life stories. She read a story to me, something she’d written. She wanted me to know. She played the piano for me. I wanted to know.

We don’t have decades of shared memory so we share stories. We want to know. Looking back as we move forward. Comparing newly discovered aches and pains. Dusting off old heartbreaks, roads not taken. We are in cahoots, partners in this life thing.

And, to my great delight, captive witness to my endless antics, mostly, she laughs.

[let me take you back will not only take you back but will also give you a lift]

let me take you back/as it is © 2004 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about NEAR AND FAR

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