Arrive [David’s blog on KS Friday]

“You must understand the whole of life, not just one part of it. That is why you must read, that is why you must look at the skies, why you must sing, dance and write poems, and suffer, and understand, for all that is life.” ~ Krishnamurti, Think On These Things

The amaryllis is making a reach for the sky. The first time I saw it – a bulb encased in pink wax – I wondered what alien life form just entered our house. We had to ask the same questions we’d need to ask if it was an alien creature: How do we take care of it? How do we feed it? The answer was simple. Leave it alone. That answer confirmed my suspicion. It was an alien after all!

There is so much in this life that I do not understand. In fact, if I am honest, I think most of this life is beyond my capacity to comprehend. Last night, not ready yet for sleep, I watched a nine-minute youtube teaching by Thich Nhat Hahn. Stop Running. The title caught my eye because so much of life feels like running. Running to explain, Running to justify. Running to judgment. Running from fear. Running toward gain. I wanted to hear some thoughts about standing still. In that way, I might understand why there is so much running. In the end, his answer was beautifully simple: rather than run, arrive. Be home.

Rob made us laugh. He’s one of several people who lately reminded Kerri and me that we are not normal. “I didn’t mean for that to sound like it did!” he exclaimed. He’s helping us sort out our plan B. It’s true. Our “normal” in comparison to others is alien like the amaryllis. Rob is attempting to help us see what is special about how we are doing life. And, like everyone, we are mostly blind to ourselves. To our unique choices. To our “one wild and precious life.”

Between the alien amaryllis growing in our sunroom, conversations with Rob and a brief teaching by Thich Nhat Hahn, I am fully confident that I need to cease all attempts at understanding anything at all. Maybe it is time to arrive. Maybe it is time to arrive, to stand still and fully breathe-in all the possible awe teeming in this mysterious ungraspable universe.

Connected from Released From The Heart, The Best So Far © 1995, 1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about AMARYLLIS

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Open The Tiny Measure [David’s blog on KS Friday]

My first question: when did UFO (unidentified flying object) become UAP (unidentified anomalous phenomenon)? I know I am late to the party on this one. Like you, I’ve been reading the UAP headlines for a few years and, each time, ask myself the same question: Why the moniker change?

I did a little research this morning and came upon this phrase from Bill Nelson at NASA: “We want to shift the conversation about UAP’s from sentimentalism to science.” Apparently, George Lucas and Steven Spielberg have our space-alien-sentimentalism dialed to an all-time high. Human imagination runs amok with unidentified flying objects and not so much with unidentified anomalous phenomenon.

Language matters. Since our reference point is…us…a flying object, like an airplane or a spaceship implies a pilot, a “being” at the controls. An anomalous phenomenon? It’s another way of saying unusual occurrence and what, exactly, is an occurrence? If it’s unusually amorphous, there is nothing to hang your hat on. The only thing to do is call a scientist or artist since the imagination needs a few parameters to light its fire.

There was another sad-ancient-yet-contemporary-cautionary-tale that popped up in my reading: “NASA recently appointed a director for UFO research, but is not divulging the identity to protect them from the kind of threats and harassment faced by the panel members during the study.” Science and art are -and always have been – dangerous business. Galileo spent his last years on earth under house arrest for publishing his science; it contradicted the firmly-held belief of the day. He was forced to recant his findings or face the fate of heretics.

Belief does not appreciate being contradicted, especially when there is evidence involved – or as is true in the current example – no evidence at all. Belief has a wonky relationship with evidence. We are witness to that all-too-human phenomenon in our times, just as was Galileo. Protecting poll workers and UAP scientists from the violence of those who are unshakable in their faith and/or “news” source (their reference point).

We do not need science (or maybe we do) to see our absurdity.

We have the capacity to exercise our imaginations in this vast universe of possibilities. We have the ability to question if we desire to use it. We have the gift of unbridled curiosity and need not go off the rails into rootless belief if we allow that, “There are more things in heaven and earth than are dreamt of in [our] philosophy”. We can be afraid of ideas, run from progress, or threaten the artists and scientists that force us to open our smallish belief and tiny measure of “normal”. Growth is always preceded by an uncomfortable step into the unknown. A challenge to what we think we “know”.

And then, after the upset, we need to find language to describe the new world that we discover there.

Time Together/This Part of the Journey © 1997 & 2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about UFO and UAP

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Tiny Hands. Precious Gift. [David’s blog on KS Friday]

We’ve been writing our blogs together for so long (323 weeks and counting) that this post has become something of a spring ritual: the first dandelion.

Among other things, the first dandelion plucks Kerri’s parental heartstrings. Nothing throws her back in time like the first dandelion of the season. She is regularly contacted by wistful parents after they first encounter her song, Fistful of Dandelions. The power of the arts.

What those wistful parents don’t know is that her song, as well as the first dandelion, fills her cup with yearning for the days when her children freely played in the fields, rolled in the grasses, and ran to her with tiny hands clutching too many yellow dandelions.

Artists do not invent – they articulate what lives in the fields beyond language. They touch what we experience but cannot quite grasp. In her song, she reaches for what parents feel but can barely endure – what she feels but can barely endure: little legs racing across a field, tiny hands holding precious a gift: the new season’s miracle-pop of brilliant yellow. “Dandelions for Momma.”

Fistful of Dandelions © 1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about DANDELIONS

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Why Bother? [David’s blog on KS Friday]

Here’s the hazard:

“I know what will happen.” “Same old same old.” “It’s always been this way.” “Why bother?” “Nothing ever changes.” “Who cares anyway.” “Tomorrow will be the same as today.” “It doesn’t matter.” “It’s just an idea.”

Pattern thought. Repetition’s repetition. Dulled life.

Looking up, the tree line cut a diagonal across the sky. The sun peeked from behind evergreen. I could have thought, “I’ve seen it a thousand times.” And, truth be told, had that been my thought, I probably would have reduced it to something without words. A yawn. Or worse, it would have gone unnoticed as a lost moment in a mind full of complaints.

As it was, I’d never before been on this particular turn of the earth or looked at the sky at that precise moment. What, exactly, “caught my eye?”

I do not know what will happen. Nothing is ever the same. Ever. It is impossible to have been this way before because no one has ever lived this moment until now. That’s the response to “why bother.” It always changes. And I care. Tomorrow can’t possibly be the same as today so it matters.

Every idea reaches beyond the confines of “just.” Ideas are expansive. Just is reductive.

People are expansive unless they choose otherwise.

Why just live in the reductive?

Good Moments/This Part of the Journey © 1997, 2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE SUN AND TREES

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My Wise-Eyes [David’s blog on KS Friday]

We were awake in the middle of the night. I don’t mind these doughnut holes in our sleep because we tend to have heart-to-heart chats. In the dark hours we reach deep into reflection and yearning. We ponder. Last night we talked about our writing. The differences in our styles, what we have learned from each other, how we are becoming better-and-better writers because we write side-by-side, share our work and edit each other.

Every artist needs a person to view or read their work who is completely honest. No energy need be spent protecting the artist-ego. In the theatre that person is called “wise-eyes.” And, in order to take full advantage of the wise-eyes, the artist needs to have open-ears capable of hearing honest reflection. It’s a relationship of deepest trust: “Tell me what you think, see, hear…” Wise-eyes are hard to come by.

Last night, as we talked, I was suddenly overwhelmed by my good fortune: we can – and do – talk about anything. I trust her feedback and insights implicitly. She has my best interests at heart and I have hers. And so we grow. I married my wise-eyes.

The gorgeous shock of dried flowers against an impressionist’s blue sky. I would never see this image were I to walk on my own. And that’s the point. She has me opening my eyes to look at the world in ways that do not come naturally to me. Paradoxically expanding my view to include the close-in, the detail. My head is usually in the esoteric clouds. My wise-eyes-wife is teaching me to also look down, to plant my feet on the ground, to (as she says) “gear-down”. To challenge my idea of what comes naturally. I am becoming a much better artist for it.

Untitled Interlude/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about DRIED FLOWERS AND BLUE SKY

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Edge Of Time [David’s blog on KS Friday]

It was here for a moment. The snow on the wall. The tall grasses bowing beneath the weight. Today the grass is standing. Time moves on. Circumstances flow and change.

Yesterday we sat at a counter in the Public Market and ate gumbo. Kerri and the server, a young woman, talked about the oddities of aging. It was Kerri’s 65th birthday so the topic was vital and current. Both women laughed at how out-of-sync they feel relative to the number of their spins around the sun. “What is this supposed to feel like?” they asked in unison. The old man sitting next to us almost spit out his salmon.

We arrived at the art museum an hour before closing. She said, for her birthday, she wanted to visit her boys: Richard Diebenkorn. Ellsworth Kelly, and Mark Rothko. We sat in front of the Rothko for several minutes and I swear, like a good wine, the painting opened. The longer we sat with it the more it beckoned. The richer the color became. “I wish there was a bench in front of Richard,” she said. She loves her other boys but Diebenkorn is her favorite.

On our way out we stopped by the enormous Anselm Kiefer painting, Midgard. The mythical serpent doing battle at the end of the world. It’s a metaphor in darkness: cycles of renewal amidst constant destruction. A crucible. I always visit Anselm as he is a favorite of my friend David. I sent him a photo of the painting and realized that it has been almost eight years since I have seen him.

Catching a glimpse of my image in the window and not fully recognizing the man that looked back, I said, “This time thing is crazy.” She squeezed my hand.

“Tell me about it,” she said. And then asked, “So, what’s the next part of our adventure?”

Boundaries/Right Now © 2010 Kerri Sherwood

Kerri’s albums are available in iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SNOW

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Learn Mu [David’s blog on KS Friday]

“The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?” ~ MIlan Kundera, The Unbearable Lightness of Being

It’s too easy to boil life’s weighty decisions down into two easy choices. Go left or go right. Say it or don’t say it. Stop or go. It’s to imagine a kind of clarity that doesn’t really exist. Sink or swim.

I’ve been rolling the Japanese word, Mu, around in my head these past several months. Mu is a useful third choice, an escape from the imagined duality. It means, “Nothing.” Make no choice. When I berate myself, demanding an absolute answer to the question, “What do I do now?” I know to whisper, “Mu.” Decide not to decide. Stand still. Mu is a third way. The constant nest.

In Mu I’ve learned that frustration is a choice. And anger. When fear takes me by the throat, rather than choose to wrestle with it or attempt to control it (that which I cannot control), I ask myself to make a choice other than fight or flight. “Mu,” I whisper. Choose anything else.

I’ve learned that the weight of the burden is only a small part of what keeps a person’s feet on the ground. The greater part is how the burden is held – rather – when it is held. Future fear or past regret? Ah, there it is – another too easy choice, both crushingly heavy.

Mu. There is lightness in standing still, in choosing nothing. In nothing there is presence with what might seem a heavy burden. Instead of fearing what will be or grinding against what was, I am learning Mu. There is lightness of being in the midst of swirling turmoil, not unbearable, Mu, with feet both firmly planted on the ground, holding in my hands only what is…

[this is one of my favorite of Kerri’s compositions]

The Way Home/This Part of the Journey © 1997/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE NEST

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After All [David’s blog on KS Friday]

“Food is the most primitive form of comfort.” ~ Sheilah Graham Westbrook

In anyone’s book, our circumstances at present are extreme. And so, we cook.

My role in the kitchen is sous chef and clean-up. Kerri is the master chef though she is generous and does not require me to address her as “Yes, Chef!” Dogga is the third member of our team. He is an enthusiastic taste-tester and also serves the role of floor clean-up. We are a good team. The simple action of cooking together is large part of our recipe for cooking-up-comfort. We love it.

The actual food that we cook is, of course, a huge part of the comfort infusion. We range from chicken soup to Kerri’s pasta sauce. Lately, we’ve been making grilled cheese sandwiches and, I’ve noticed, recipes that require mashed potatoes. Truthfully, we could probably strip everything else off the plate but the mashed potatoes are the essential. They are the epicenter of comfort. We have in the past made mashed potatoes all-by-themselves and feasted on an intentional mainline of food-cheer.

My theory of comfort food is paradoxical (and obvious). Comfort food takes you back in time. Kerri’s mom made comfort-mashed-potatoes so they are a direct connection to Beaky. Comfort food also drops you into the present moment. The delicious fulfillment of warm expectation. There’s nothing like taste and smell – a happy dance of two senses – to pull everything into the right-here-and-now. And in this moment, wrapped in a yummy warm blanket of tasty comfort, all is well. At least for now. And, in the end, it makes us realize that this bite, this moment, is all that we have. Things are not so bad after all.

right now/right now © 2010 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about MASHED POTATOES

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Take The Back Road [David’s blog on KS Friday]

Even in our race to Milwaukee to meet a deadline, we decided to take the back roads. We’ve learned that the time difference between the freeway and the less-stressful-backroads is often only 15 minutes. I’m finding that getting-there-faster is generally an illusion that always produces heightened stress. We have enough stress as it is so we look for ways to feed-the-calm. To reinforce presence. 15 minutes seems like a fair trade for less angst. Even in a race.

We’re regularly passed on the road by a car-in-a-hurry. We inevitably catch them at the next light. All the aggression, all of the get-out-of-my-way, achieves a car length of advantage. I try and keep that in mind in our age of more/faster, a by-product of information inundation. Aggressive drivers have become something of a metaphor. It takes time to process information. It takes time to suss out relevance. Very little is actually gained by going faster to go faster. Except more stress. It is an un-win-able race.

On our back road drive to Milwaukee we marveled at the clarity of the storm cloud’s line of demarcation. It was as if a giant X-Acto knife cut the clouds exposing a swatch of blue-blue that extended to the horizon. We literally drove under the line. In a moment we moved from shadow to sun. In a moment, the gloom and weight of the stormy day transformed to warmth and rejuvenation. In a moment.

I wondered if the angry driver swerving through traffic, speeding toward a destination, even noticed the line. I wondered if the warmth and rejuvenation we experienced was available amidst the dedicated hurry-hurry. I wonder at the ubiquitous story of needing-to-get-there-faster, getting there first. What is actually gained? What is actually lost?

It takes time to suss out relevance. It takes time to notice the warmth and welcome rejuvenation when it becomes available. It takes time to actually see – to see – another human being on the road to somewhere. It takes time – and taking time, as it turns out, is nothing more or less than a choice, something as simple as taking the back road.

Holding Steadfast/Blueprint for My Soul © 1997 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE LINE

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buymeacoffee is a stop on the road to somewhere.

Learn About Silence [David’s blog on KS Friday]

Sometimes an action is not what it seems. For instance: she decided to sell her cello. It sounds so simple, doesn’t it?

When she broke both of her wrists in the same fall, she worried that she’d lose the ability to play her many instruments. To bow a cello requires a flexible and strong wrist. It healed and she recovered. Bowing the cello was not a problem. And then there was the second fall. A newly mopped floor with no signage. Her first words, laying on the wet linoleum, writhing in pain, holding her right wrist: Oh God! Oh, god, I can’t believe it!”

She lost degrees of movement in the second fall. It sounds mathematical, doesn’t it? Simple math. On a good day she has half the degrees of movement that she had before she met the wet floor. Enough to open a door but far short of bowing a cello.

After three years and countless hours learning about degrees of silence, she decided to sell the cello. “It needs to be played,” she said. “It deserves to be with someone who can play it.”

A simple action. A very complicated story. A heartbreaking moment when the luthier handed her a check. She touched her cello, turned, head down so the man could not see her tears, and walked away.

Last I Saw You/This Part of the Journey © 1997/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE CELLO

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buymeacoffee is what you make of it.