Walk The Path [David’s blog on DR Thursday]

It’s been awhile. I’ve fallen into an art book, Ancestral Modern: Australian Aboriginal Art. I bought this book after attending the exhibit at the Seattle Art Museum. It was – and still is – one of my favorite exhibits, reaching me on many levels. I went back again and again so I might spend quality time with a few of the paintings.

The paintings of the Aboriginal artists are mythologies, though not as we think of mythologies. They are more than dusty stories. Explanatory. They are active guides on a life path. Were I Aboriginal I’d “read” them. I’d know the stories so each piece would speak personally to me. The paintings would escort me along my life-path. Mythology as my story.

This is what amazed me most: many of the pieces were as abstract as a Rothko or Frankenthaler. Vibrant lines and color. They shimmered. Dreaming. Living foundational narrative carried in energetic swirls and dots of paint.

In my experience it is not uncommon in a gallery or museum to come across someone puzzling over a painting by a master artist and hear them say, “I don’t get it.” The abstraction is a closed door. “I could do that,” I heard a man huff while staring intently at a Jackson Pollock painting. The door is not closed between the Aboriginal artist and his or her community. The mythology has not broken down. The artist is not exclusively serving an individual expression, rather, they are maintaining an ancient connection, drawing from and carrying forward the deep well of communal story. “Meet Blue-Tongued Lizard Man…” Artists paying homage. Artists serving their role as keepers of the flame.

Kerri and I talked of our artistry as we walked the paths of the John Denver Sanctuary. He was a guide-star for her and continues to influence her work. Simple lines. Music that does not rely on acrobatics or embellishment. It was poignant that we had the sanctuary to ourselves. Sometimes it is nearly impossible to know whether or not our work-in-the-world reaches anyone or serves any real value beyond satisfying our imperative to create it. And sometimes, like that day walking the path through the sanctuary, the clouds rolling over the mountain, the Roaring Fork River singing at our side, the ancestry is clear. “This is where I come from,” she said. “This is where I belong”.

read Kerri’s blogpost about THE PATH

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All The World [David’s blog on KS Friday]

When I was on the verge of realizing my dream of creating an experiential learning school/program, I kept a poster on my office wall – the alphabet in butterfly wings. It was a layer cake of reminders: Nothing is original. Mimicking nature is a really good idea. We project our meaning onto the world and are oriented into a world of projected meaning. In other words: it’s all made-up. So, make it up!

Teachers are meant to follow a student’s questions, not stuff them with a heavy diet of unattached answers. Create a container of hot pursuit and feed the curiosity. Someday they will create and hold their own container of hot pursuit, if they are lucky enough to survive the system. That thought is not original to me. Every great teacher who I’ve known has told me some version of my borrowed-assertion.

Some day, if you are fortunate enough to take a walk with Kerri, be prepared to stop. Often. “Lookit!” she gasps for the umpteenth time and aims her camera. Stepping off the trail, kneeling in the weeds, tipping her head back to capture the clouds, hovering above an intrepid caterpillar… Catching the miracle is one of her hot pursuits. “I won’t take any more,” she says and I smile, knowingly. My job is to hold the container.

“Lookit!” she said. We were in the lobby of the theatre. Her hot pursuit is also an indoor passion. All the world is her studio. “It’s the letter K!” she smiled. “In lights!” Before I could respond she stepped away, aiming her lens at the ceiling. “It’s so cool!”

From butterfly wings to lights on the ceiling.

It occurs to me (now) that creating or holding containers of hot pursuit is one of my hot pursuits. All the world…

The Box/Blueprint for my Soul © 1996 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about K

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Epicenters of Mattering [David’s blog on DR Thursday]

If you asked me why we write I would tell you that it is because of Lydia. After reading my post Arrive, she must have sensed my low spirits and took the time to comment: Perhaps you have already arrived. Breathe. Feel the awe. In every moment. It is because of Alex who reads what I write everyday and bothers to let me know. Buffalo Bob. A simple like, telling me, “I am out here and what you write matters to me.”

Writing is a relationship like painting is a relationship like music is a relationship. It’s a dynamic feedback loop. A younger me would have told you that the impulse to create is internal; the current version of me wonders if there really is any such separation as internal and external. There is no actor without an audience, no writer without a reader. It’s a matter of mattering. To each other. Ultimately, the artist imperative is to share. It is hard to explain. Ours is essential. It is urgent. It is undeniable. It is an inner necessity – a word that I do not use lightly. To deny it would be to die – a statement that I do not offer lightly. Yet, without an audience, a reader, there would be no point.

We recently asked Rob his thoughts about how to get our words beyond our bubble. We love our bubble, our community of dedicated readers and listeners. However, the changes in the world of arts-as-a-business have made the work we were once paid for free for all takers. Although technology brings our words and music and art to audiences all over the world, it has also left us financially insecure. It’s an oddly mixed message of mattering. So many listeners and readers, so few pennies. Rob and others have been knocking on our noggins to open a Patreon membership. It’s taken awhile for us to embrace the realities of this brave new world.

Networks and relationships. Worth. Value. Mattering. Each of us an epicenter with lines of connection running in all directions. Sharing. Giving. Asking. So very appreciative of a “thumbs up,” so deeply moved when our words come back at us with a loving reminder to Feel the Awe. Breathe.

read Kerri’s blogpost about NETWORKS

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Small Ripples [David’s blog on Merely A Thought Monday]

We made them for a Wednesday evening film, part of a series, when we were running a performing arts center. The film was Wonder. The message was kindness. We chose that film because the local arts community had a history of being particularly unkind to each other.

Theirs was an age-old challenge: the tension between the old and the new. The conservative impulse colliding with the necessity of progress. There were territories claimed. Feelings maimed. Status games abounded. As newcomers to the community and managers of the newest facility, we were the rope in the tacit tug-of-war. We experienced both ends of the spectrum: incredible kindness. Breathtaking mean-spiritedness.

None of it was personal.

Art is never supposed to be competitive. Great art creates generous audiences for everyone. COVID ended our time there but in our brief window, we acted as peacemakers. We heard the complaints. We helped vent the pressure. We found avenues to collaboration. We drew clear boundaries. We tried hard to be impeccable to our word: say what we mean and mean what we say. Averting confusion in a community versed in double-speak.

The buttons were available beyond the screening to anyone who wanted them. It felt yummy and subversive to show a film about kindness, about looking beyond superficial appearances to find the rich beauty in others.

I’d forgotten about the buttons. So much has happened in our lives since our time at the performing arts center that I’d almost forgotten about our varied experiences and the lessons we learned there. The buttons still exist on our site. We put them up after Kerri designed them, and although everything else has dropped out of our store, the buttons remain. An epicenter, perhaps. And, thank goodness. Recently a school was organizing a Be Kind Week. They found our buttons and, in some small way, it feels extraordinarily satisfying that our buttons, borne of our desire to break through walls of discord, are now supporting their kindness initiative.

Small ripples. Simple intentions.

read Kerri’s blogpost about BE KIND

Be Kind Buttons

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Flawed [David’s blog on Merely A Thought Monday]

Over time I have grown more and more fond of our cartoon, “Flawed.” It was initially a collaboration between Kerri, 20, and me and was the source of great hope (we attempted to syndicate it) and many giggles. It was also the origin of our Wednesday melange posts: the prompt for Not So Flawed Wednesday was a Flawed Cartoon.

I noticed that writing and drawing a cartoon transforms you into a dedicated ethnographer. It necessitates paying attention to the world unfolding around you. It transforms you into a collector of the beautifully ridiculous.

The material has to come from somewhere. While we were producing Flawed, we’d move through our days with paper and pencil at the ready or we’d whip out our phone, add a note, send an email or text to ourselves. “What’d-ya see?” was a regular question. Everything was fodder for Flawed. A simple trip to the grocery store became a rich expedition for cartoon possibilities.

While hyper-focused on the actions playing out all around us, one thing became abundantly clear: people are flawed. Thank goodness. All of us are pushing our individual carts through life, gathering our stuff, stacking our importance, wishing other people would get out of our way – until we need them – and then we are grateful for their assistance. We rarely see that we are shopping together, all sharing the same store, the same road, all attending to our aloneness in the midst of abundant and ubiquitous support.

No one is perfect. No one has answers to the big questions. No one is free of flaws or quirks or trespasses or cracked-yearnings. It’s possible that our flaws are what bind us. Wabi-sabi. We are kintsugi held together, made better and stronger by the pure gold of our imperfections. That was – that is – the idea behind Flawed Cartoon.

A few Flawed Cartoon Designs on Society6

read Kerri’s blogpost about FLAWED

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Secret Sauce [David’s blog on Not So Flawed Wednesday]

The Des Plaines river spilled out onto the flood plain. The trees, not at all surprised, rose tall through the murky water in this yearly ritual of spring. “Has it ever been so high?” she asked. I shrugged.

We walked the path. It mostly rose above the waterline. With water lapping on both sides, the trail sometimes resembled a bridge. A crystal clear day teased forward the colors of the birch and grasses. The world was vibrant and strange. We had the sense that we were walking in another dimension. Second attention; alternate reality.

The beaver tree made more dynamic by its reflection in the water stopped us in our tracks. Were I judging sculpture in nature’s competition, this would be a clear winner. The massive tree, already tipped and chipped at a precarious angle, compounded by the image mirrored in the river overflow gave the illusion of a sphere without roots and heightened the tension of the unstable tree. Weebles wobble and, despite their reputation, sometimes they fall down.

Creative tension. The secret sauce of all good art. Between the river challenging its boundaries, the trail snaking and in danger of disappearing, the vibrant color teased forward by the sun’s eclipse, and the good work of an aesthetic beaver with the notable assistance of the water’s reflection, this walk was as artistically rich, inspiring and refreshing as any day I’ve spent in a gallery.

read Kerri’s blogpost about THE TREE

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On The Cusp [David’s blog on DR Thursday]

The phrase “On the cusp” can be misleading. There is rarely a single point, a moment of before-and-after in the passage from this-to-that. I smiled when she named this photograph “winterspring.” Yes. both/and. Not-this-and-not-that.

No passage is immediate. Caterpillars do not become butterflies in a snap. Teenagers do not become adults overnight. Transitions take time. Becoming is less a journey with an arrival than a discovery that “I am no longer that.”

Artistry is like that, too. Passions change. Not overnight but over time. What was vital to explore ten years ago seems distant, passé. The body of an artist’s work serves as a roadmap for their becoming, for their dedication to essence. Flip through the work of Matisse or Chagall. They grew simpler at the end of their lives as if pulled into a center. Michelangelo is another. At the end of his life, he broke form, entirely. It took the world 500 years to understand what he was chasing at the end.

We have been on the cusp for quite some time. Not-this-and-not-that.

Yesterday we walked the trail during the eclipse. The glasses were sold out everywhere so we didn’t see it. But we felt it in the light. We felt it when the light returned. The deer seemed to feel it too. Usually skittish, they held a quiet vigil. They allowed us to pass within a few feet. We reveled in the magic we experienced during the moon’s passage between the earth and the sun. We listened to news reports of people cheering. We talked of the intensity of the color.

“Someday we will look back on this time.” I said. “And, this is what we will remember.”

Three Graces, 32″ x 56″, acrylic on canvas

read Kerri’s blogpost about THE CUSP

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My Wise-Eyes [David’s blog on KS Friday]

We were awake in the middle of the night. I don’t mind these doughnut holes in our sleep because we tend to have heart-to-heart chats. In the dark hours we reach deep into reflection and yearning. We ponder. Last night we talked about our writing. The differences in our styles, what we have learned from each other, how we are becoming better-and-better writers because we write side-by-side, share our work and edit each other.

Every artist needs a person to view or read their work who is completely honest. No energy need be spent protecting the artist-ego. In the theatre that person is called “wise-eyes.” And, in order to take full advantage of the wise-eyes, the artist needs to have open-ears capable of hearing honest reflection. It’s a relationship of deepest trust: “Tell me what you think, see, hear…” Wise-eyes are hard to come by.

Last night, as we talked, I was suddenly overwhelmed by my good fortune: we can – and do – talk about anything. I trust her feedback and insights implicitly. She has my best interests at heart and I have hers. And so we grow. I married my wise-eyes.

The gorgeous shock of dried flowers against an impressionist’s blue sky. I would never see this image were I to walk on my own. And that’s the point. She has me opening my eyes to look at the world in ways that do not come naturally to me. Paradoxically expanding my view to include the close-in, the detail. My head is usually in the esoteric clouds. My wise-eyes-wife is teaching me to also look down, to plant my feet on the ground, to (as she says) “gear-down”. To challenge my idea of what comes naturally. I am becoming a much better artist for it.

Untitled Interlude/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about DRIED FLOWERS AND BLUE SKY

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Deal In Imagination [David’s blog on Not So Flawed Wednesday]

“The imagination is not a state: it is the human existence itself.” ~ William Blake

I think a lot about artists that were influential but financially unsuccessful. The list is much longer than you might imagine. Most artists fit into that category. William Blake shook the cultural foundations but died a pauper. Mozart. Van Gogh. Artists that are successful according to our recognized standard are the exception and not the rule. Thankfully, there is an imperative that reaches deeper than money. A need to create. A need to come together. There is a resonance that we recognize with the currency of genuine appreciation.

Occasionally I revisit a book by Wayne Muller, How Then Shall We Live. It’s about giving meaning to life, bringing purpose to it as opposed to finding purpose in it. Although Wayne Muller might not recognize it, his book is about imagination. Imagination is what we bring to life (yes, a double entendre). Imagination is where we create our purpose. We imagine ourselves whole.

Wander your neighborhood for an hour and comprehend the truth that everything you see sprang from someone’s imagination. The plumbing and electrics, the structures and finishes; someone, somewhere, imagined it before it came into three dimensions. Form and function chasing each other. Someone imagined how to make life easier or prettier or more secure. We are a rolling anthill of roiling imagination. We might think our imagination is self-serving but even the most dedicated expressionist needs an audience to fulfill their purpose. No one throws paint on a canvas or dances on a stage without imagining the witness of others. The moving of spirits to join together. No one builds a road so they alone can drive on it.

Look around. Imagination is abundant. The paper napkins are designed. The silverware is crafted. In our old house, the wood floors were laid by someone who cared about their work; caring is a function of imagination.

So is remembrance; my wild imagination loves to toy with the past: this is how I remember it! This is how I’d like to remember it.

When I am lost and afraid, like you, I imagine myself warm at home. It keeps we walking.

Artists deal in imagination and, so, are stewards of a special kind of riches: the power to bring even the most lost heart back to itself, the power to bring a room full of dedicated strangers into a single shared story.

read Kerri’s blogpost about FLOWERS

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Welcome This [David’s blog on DR Thursday]

My series, Earth Interrupted, is as yet incomplete. I started it like I start most things – a happy accident – or more accurately, my brush giving voice to something rising from the deep that had not yet hit my brain. I completed five canvases and then stepped away. It needed to simmer. I needed to simmer.

The Lost Boy – my play with-and-about Tom Mck – took over a decade to germinate and find its place on the stage. My new play, Diorama, is an idea that has been with me, stewing, for many years. Last fall it rolled out of me in a process that felt easy though I know better. It took a long time to find “easy”. Now the real work comes: finding the path to performance and release into the world.

I spent the morning looking at my Earth Interrupted series. I’ve not visited these pieces since just prior to the pandemic – so it’s been awhile. The original impulse must have stewed long enough because the series is calling me back – though not in the usual sense. I have no images in my mind. I have no real passion to explore the initial notion behind them. I do, however, want to get lost in what I know will be the slow evolution, the process of allowing the image to find me, not through my mind, but through my quiet. I yearn for the quiet. I quite literally ache for the stillness that I experience when I paint. It’s the process that calls.

This series began as a meditation. It feels as if the sun is reaching through a thick layer of clouds. I am lucky. I listen for the voice rising from the deep. It’s been a long time. I welcome this meditation returning, breaking the surface at long last, and signaling that it’s time to come back home.

Earth Interrupted 1, 48″x53″, mixed media

read Kerri’s blogpost about THE SUN AND CLOUDS

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