Become It [on KS Friday]

and now songbox copy

Kerri wrote AND NOW for us. For me. It is the piece of music that played as I walked down the aisle. I can’t hear it without being transported back to that moment. Then is now.

The only time I’ve been in the recording studio with her was when she laid down the tracks for AND NOW. It was magic. She was completely in her element, doing what she does naturally and best. I was utterly taken by her mastery, her ease. She recorded it the week prior to our wedding, when the to-do list was endless and the guests were literally knocking on the door. Needless to say the stress was palpable. And yet, she sat at the piano in the studio and played, she stood in front of the mic and sang, and the rest of the demands of the moment simply fell away. There was nothing between her and her composition. She became her music. She lived her song.

It’s what I thought about as I walked down the aisle that day. Eternal thanks. Wonder at a universe that connected the dots. And now? Nothing more or less than living the song in the same spirit in which it was written and recorded. Nothing between us and the music.

 

AND NOW is available on iTunesiTunes & CDBaby

 

read Kerri’s blog post about AND NOW

 

BootsWeddingBoots website box copy

 

andnowcopyright2015kerrisherwood

Paint A Surprise [on DR Thursday]

and now painting copy

This painting hangs in Kerri’s studio. I painted it in secret. It was my wedding present to her.

More than once she came down the stairs into my studio while I was working on it. It’s harder than you might think to surprise someone that you are with 24/7. I’d hear the door open at the top of the stairs and scramble to put a sham painting in front of it.

“How’s it going?” she’d ask.

“Fine,” I’d pant, feigning nonchalance and hoping she wouldn’t notice that the paint on my brush didn’t match the painting on the easel. I’d dab a little here and there to sell my diversion.

She’d stand back and examine the sham painting. “Tell me what you’ve done since the last time I saw it?” she asked, puzzled.

“It’s subtle,” I’d say. “You probably can’t see the changes yet.” She’d squint and purse her lips and continue into the laundry room. I’d sigh and “work” on the sham until she went back up the stairs.

I love this painting. I love how I painted it (it was fun making a secret gift!) and I love why I painted it. It is both simple and complex (like we are). It is alive with symbols that trace stories about us, about our life together, our origin. It is a painting that becomes more “true” with each passing year.

Today, four years ago, I successfully surprised her with this painting. Later in the day, we skipped out of the church, transformed.

 

read Kerri’s blog post about AND NOW [THE PAINTING]

 

wedding pic with website copy

 

photo-1

my bride at our reception! this picture captures exactly what i adore about her.

Await The Wind [on Two Artists Tuesday]

windblown flags copy

when the wind is perfect,
the sail just needs to open and the world is full of beauty.
Today is such a day. ~ (a slice of) On A Day by Rumi

Skip wrote. His sail is open and he is full of the beauty of this world. It’s all around, the sounds, the smells, the tastes, the color and movement. Basking in the early fall sunshine.

He’s been painting regularly and I teased him: the gift of painting is the practice in seeing. Only I wasn’t teasing. It’s true. Paint everyday and something happens. Seeing is not a passive act, it is an active engagement. A relationship that opens awareness both subtle and profound.

His email stopped me in my rush to get through the day. Getting through life requires a closed sail, dulled senses. I dropped my list and imagined importance and went outside. I haven’t touched my brushes in weeks. Skip asked if I’d taken my painting materials to the island. I did but never went near them. “Too much to do,” I kept telling myself.

I told Horatio that I felt empty. The island took a lot. NO-ART-IN-ME. He smiled and assured me that the wind will return. My sail will open again.

Brushes or not, as Skip reminded me, the world is full of beauty. Today.

 

read Kerri’s blog post about WIND

 

windyHHwebsite box copy

Simplify [on DR Thursday]

Sacred Looking In with color copy 2

Horatio challenged me to do something different. I’ve long wanted to explore simplicity of line and image so I took his prompt. Simplicity. There are few variations of this image.

When I get back to the studio I will pick up my brushes and Horatio’s prompt. I could use a walk back into simplicity.

This version is Judy’s favorite. So many of my conversations with Judy are about a healthy inner life – and how there really is no separation between inner and outer life. It’s a word game to dice life up into boxes. It’s a simplicity and the thread is easy to follow: as within, so without.

 

read Kerri’s blog post about INNER LIFE

 

Sacred Looking In with color copy 2

inner life, 36 x 24IN

 

shadows on TPAC sidewalk website box copy

 

sacred series: inner life ©️ 2017 david robinson

Blow Up Your Feathers [on DR Thursday]

EarthInterrupted3 copy 2

Earth Interrupted. This painting is the third in the series. It’s not as political as it might seem. Every time change comes an earth is interrupted. Configurations dismembered and then reconfigured.

A long time ago, when working with groups on perspective shifts, I used the phrase, “Blow up your feathers so they can re-settle in a new pattern.” I liked the phrase because I love the notion that thoughts are just so many feathers that have settled into a random pattern.

This series was (and is) my attempt to blow up my artistic feathers, to interrupt my earth. My feathers are still airborne. I’ll let you know when my earth settles down, when my feathers find a new pattern.

 

read Kerri’s blog post about E.I. III

 

 

EarthInterrupted3 copy 2

E.I. III, 48x36IN, mixed media

 

seagull in fog website box copy

 

earth interrupted III ©️ 2018 david robinson

 

 

Choose Your Ladder [on Two Artists Tuesday]

ladders copy

Climbing the ladder to success has never been a useful metaphor for me. When ladder climbing, the trajectory is up. What is up there that is not already right here? Climbing up in this dog-eat-dog paradigm implies climbing over others. It certainly implies that there is a top rung with room enough for one. Limited pie. Get yours. After all, being your brother’s/sister’s keeper is a nice sentiment on Sunday but not really useful in the real world of ladder climbing.

Top rung. Ultimate achievement. Arrival. These are words of stasis. I’ve never understood why the elimination of dynamic movement would be appealing. Vitality is movement, not the absence of movement. Life is made rich by experience, surprise, curiosity, exploration, steps into the unknown. To climb the rungs to controlled living seems antithetical to the point, at least to me. A body in stasis is in poor health, indeed. A life in stasis is in poor spirit, without exception.

It is often the role of the artist to challenge the norm and the challenge is generally nothing new, rather, it is a simple perspective spin. For instance, a ladder is good for fixing things, for reaching. It is good ladder behavior to have someone spotting the climber. If someone is stuck at the top it is good practice to help them down. Fire departments use ladders to save people. Ladders to help. Ladders to serve. Ladders as a tool to reach. Ladders can be used to bridge a crevasse, to get folks to the other side.

A more useful (and realistic) ladder metaphor: reach, serve, help, bridge, save. I suppose, more to the point, success is all about the ladder you choose. As for me, standing atop a ladder on a rung built for one seems like a lousy definition of success. I’d rather be on the ground with the people who care enough to spot me. I’d rather use my ladder to help my friends and community reach the unreachable. That seems like a more worthy definition of success.

read Kerri’s blog post about LADDERS

 

neighborhood cheers website box copy

 

 

Capture The Beauty [on DR Thursday]

sketch copy

The day was stormy, the lake was unsettled, steel grey and roiling. Kerri walked to the water’s edge with her camera. I opened my sketchbook and caught a quick sketch. Perhaps a notation for a someday-painting. Perhaps a gesture with nowhere to go.

A few days later I looked at this quick sketch and laughed. It is a metaphor for our time on island. Standing at the edge of a storm not of our making. Witness to the turmoil. It blows us to and fro. It messes our hair. The sand stings our faces.  We are taken by the colors of its violence. When the winds grow too powerful, we retreat to the safety of our littlehouse. We wait for the latest flurry to calm, the waves to soften.

It is tempting to want to be done with it. To rush through a month of life. Each day I remind myself to be in it, not simply get through it. Life on this day may be stormy. It might be upsetting. Stormy and upsetting are colors on the palette. They are worthy experiences. Amidst the chaos there are instances of utter beauty –  like the moment Kerri walked to the edge of a roiling lake and I looked up, caught my breath, and reached for my sketchbook so that I’d never ever forget.

 

read Kerri’s blog post about A SKETCH

 

 

 

 

sunsetonisland website box copy

 

Give It [on Not So Flawed Wednesday]

half and half copy

Janus is a Roman god with two faces. He looks to the future and peers into the past. He is the god of beginnings and endings, transitions, doorways, and passages. He is the god of gateways, the liminal spaces, the between.

Janus must certainly be the god that we dance with on this island, a community defined by divisions, married to its conflicts but also, at least rhetorically, desiring peace.

Kerri and I are the stewards of a performing arts center that is, as Julian Dawson said, punching above its weight. It is the symbol of division in the community, the epicenter of discord, the rope in a very ugly tug-of-war. All of the fault lines run through it. Yet, as Janus would remind us, it then must also hold the path to unity, the potential for common ground.

All in the community want the doors to be wide open; none want the responsibility that comes with access. They want the center, the art, to serve them. They do not yet comprehend that any alive and vital art space is, in fact, the opposite: a place of service to others. Arts spaces and the artists the enliven them are keepers of the commons, the stewards of the stories that unite.

In another life I ran an educational theatre company. It boomed into life the day that the artists, the students, grocked that art was in fact a gift given to others, something they brought to people, not something (like attention or fame or a spotlight) that they got from people.

This island, this center, will someday boom into life. They will discover that the rope in the tug of war goes slack when they walk toward each other. Pulling in opposition exhausts everyone. They will come alive when they cease asking, “What do we get?” and start asking, “What do we bring?”

 

read Kerri’s blog post about EDGES

 

handshadowstones website box copy

 

Contrast [on Two Artists Tuesday]

contrast principle copy

It is the ultimate cliche’: we only know light because of dark. 20 calls this the contrast principle. Images juxtaposed illuminate. It’s how stories are told in film. Once. Upon. A. Time. It is how images pop off the canvas, blue next to orange, green meets purple. Contrast makes the eye move. Contrast makes shapes emerge. Movement has no meaning without stillness.

It’s relative. Related. Relationship. Without relativity, without contrast, nothing makes sense. Or, more to the point, nothing is sensed. Difference, in fact, is the secret sauce necessary for knowing anything. Category. Class. Classification. Group. What is like what? What is related? What is unrelated? Cubicle. Caste. Lines on a map.

Contrast can be wielded like a sword. They are not us. Division.

Or, contrast can be used to unify. A crossroads of diverse perspectives, innovation.

Nature is dynamic at its edges. Water meets beach. Earth meets water. Air breathes fire. Hot meets cold. Convection current. Contrast. Changing energies. Creative movement.

Kerri stopped during our walk. “Look!” she exclaimed. Her eye was drawn to the lone daisy in the midst of the sea of black-eyed susans. “Beautiful,” she whispered as she approached with her camera. “Look at the contrast.”

So similar. So different. Yellow meets white. Black meets yellow.

 

read Kerri’s blog post about CONTRAST

 

tpacwebsitebox copy

 

daisy in the black-eyed susans ©️ 2019 kerri sherwood

Open To It [on Not So Flawed Wednesday]

stripes of grey copy

I stood gobsmacked on the deck. The horizon, the straight line bank of clouds. It was a piece of contemporary art worthy of Richard Diebenkorn or Ellsworth Kelly. A study in grays and greens and purples. Monumental.

Sometimes I forget that the very best art can only approximate what already exists in nature.  Try to capture the totality of a sunset. We simply can’t do it. We can approach the feeling but our scope will always be smaller, less dimensional. Our work is to see it – to see beyond the thought of it. To dance with it. To be vulnerable to it. To share the dance.

Last night we saw author/musician Michael Perry on stage. He closed his performance with thoughts about gratitude. He told his audience that, as an artist, he is vulnerable every time that he takes the stage or publishes a book. Opening himself to the thoughts and judgements of others is not an easy thing to do. It is, however, a necessity for an artist. But, here’s the gift: vulnerability becomes gratitude. If you are never vulnerable, living in a fortress, you will never arrive at gratitude. Gratitude is forged from the fire of vulnerability.

Openness begets openness. There is a full spectrum of color, an embarrassment of riches that vibrates between vulnerability and gratitude. Grays and greens and purples. Stand on the deck and open to it. Stand on the stage and open to it. Stand with your neighbor and open to it. The best of contemporary art. Monumental.

 

read Kerri’s blog post about GRAY

 

sunsetonisland website box copy