Peacehenge [David’s blog on KS Friday]

The stones are placed by human hands, as clearly as the menhirs at Stonehenge. For a moment I had the odd illusion that the smaller stones set in the amphitheater where once monolithic and time had worn them to nubs. Ancient remnants of once grande structures. A fingerprint.

At the Sanctuary, the standing stones are engraved with lyrics or wisdoms. I wondered at the human impulse to use stones – giant stones – as monuments. To memorialize. To ritualize. 4000 year old standing stones can be found in Asia, Africa, and Europe. Now they are found in North America – to be discovered by humans 4000 years from now. The lyrics may wash away over the centuries leaving our distant descendants a mystery: why did those people stand these stones in this place? What was the purpose of this henge?

It was no small task for people to erect the monoliths at Stonehenge. A mind-boggling task. Likewise, it was no small feat to create a sanctuary, a place inspiring inner-quiet in honor of a musician who sang of peace. I hope the lyrics do not wash away. I believe our distant descendants would find comfort in the discovery of a Peacehenge, proof positive that we were not all violence, divisive, warmongering and tumultuous but took the time to set standing stones in honor of a poet who believed in our better nature, who sang of goodwill and possibility.

Longing/As It Is © 2004 Kerri Sherwood

Hope © 2005 Kerri Sherwood

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Walk The Path [David’s blog on DR Thursday]

It’s been awhile. I’ve fallen into an art book, Ancestral Modern: Australian Aboriginal Art. I bought this book after attending the exhibit at the Seattle Art Museum. It was – and still is – one of my favorite exhibits, reaching me on many levels. I went back again and again so I might spend quality time with a few of the paintings.

The paintings of the Aboriginal artists are mythologies, though not as we think of mythologies. They are more than dusty stories. Explanatory. They are active guides on a life path. Were I Aboriginal I’d “read” them. I’d know the stories so each piece would speak personally to me. The paintings would escort me along my life-path. Mythology as my story.

This is what amazed me most: many of the pieces were as abstract as a Rothko or Frankenthaler. Vibrant lines and color. They shimmered. Dreaming. Living foundational narrative carried in energetic swirls and dots of paint.

In my experience it is not uncommon in a gallery or museum to come across someone puzzling over a painting by a master artist and hear them say, “I don’t get it.” The abstraction is a closed door. “I could do that,” I heard a man huff while staring intently at a Jackson Pollock painting. The door is not closed between the Aboriginal artist and his or her community. The mythology has not broken down. The artist is not exclusively serving an individual expression, rather, they are maintaining an ancient connection, drawing from and carrying forward the deep well of communal story. “Meet Blue-Tongued Lizard Man…” Artists paying homage. Artists serving their role as keepers of the flame.

Kerri and I talked of our artistry as we walked the paths of the John Denver Sanctuary. He was a guide-star for her and continues to influence her work. Simple lines. Music that does not rely on acrobatics or embellishment. It was poignant that we had the sanctuary to ourselves. Sometimes it is nearly impossible to know whether or not our work-in-the-world reaches anyone or serves any real value beyond satisfying our imperative to create it. And sometimes, like that day walking the path through the sanctuary, the clouds rolling over the mountain, the Roaring Fork River singing at our side, the ancestry is clear. “This is where I come from,” she said. “This is where I belong”.

read Kerri’s blogpost about THE PATH

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Beyond Words [David’s blog on Not So Flawed Wednesday]

Sometimes the obvious is hard to write about. A heart path. A heart on the path. My mind jumped to the easiest association: a heart path is a metaphor for a spiritual life. Despite the countless tomes written across cultures and through the ages, including the current river of memes flowing across our screens, a spiritual life is impossible to wrap in words. Yet we have a long and complex history of trying.

I have friends who are Buddhist, friends who are Christian, friends who are Jewish, friends who are Muslim. I’ve spent time with Hindu priests and I’ve been introduced to the Tao. As they say, many paths, one destination. Heart paths, all. It is worth remembering that no single path is better or worse than any other. As Joseph Campbell suggested, religions are vehicles. A ride share.

A spiritual path need not require a deity or a book of rules. As Kerri says, “If it’s not about kindness it’s not about anything.” Kindness is an expression of the heart. Kind-heartedness. Warm-heartedness. Tender-heartedness. A heart path invokes this quality: selflessness. Deities and rulebooks can be twisted, human-made as they are, to serve un-kind, selfish intentions. Stoke divisions. Division is the opposite of a heart path. Kindness is an expression of unity.

A heart is a good symbol for the path because we all have one – every single one of us. Skin color, cultural orientation, systems of belief, sexual identity…do not alter the simple fact: we have hearts in common. Many hearts (plural) reaching for the single shared heart. One heart (singular).

Transcendent.

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One And The Same [David’s blog on Two Artists Tuesday]

[Embrace of Life by Mimi Webster in the John Denver Sanctuary]

She shared a video posted by a friend: elephants drinking from a watering hole. The opportunity of a lifetime to see it. Yet, it is something that happens everyday if you live in that part of the world. The ordinary and the miraculous, one-and-the-same.

He wrote that he was helping his granddaughter move from college for summer break. His love was palpable. The task was nothing more or less than an opportunity for shared time. Time shared, nothing better.

We took a walk along the lake, my dear-friend, long lost and newly found. We were catching-up on missed chapters and yet talked as if we were picking up a conversation that we started yesterday, as if no time passed between our last meeting and today. In the telling we consciously wove together the rich tapestry of our friendship-story, the necessary sharing of triumphs and tragedies. All important colors on the palette.

“When was the last time we were here?” she asked as we crossed the bridge into the sanctuary. More than a few years. “So much has happened,” she whispered. So much. We are different than the couple who held hands and crossed this bridge in the past. We no longer swim against the current. The wisdom of exhaustion. She saw the sculpture, Embrace of Life, turned and threw open her arms, mimicking the pose and said, “Yes!”

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Step Out. Step In [David’s blog on Merely A Thought Monday]

“In rivers, the water you touch is the last of what has passed and the first of that which comes: so it is with time present.” ~ Leonardo da Vinci

I might say that, in the mountains, in the sanctuary, we stepped out of time.

We sometimes forget that time is a relatively new invention in human history. The mechanical measurement of our moments. So, when we say that we “stepped out of time”, I literally mean that we temporarily exited the quantification of our moving experience. Future/past. To-do lists and locators. It begs the question, “If we step out of time what do we step into?”

Everyone knows the word “present”. The present. It’s a very big little word. The English language would have us understand it as a place. An arrival. We look for it, strive for it and, paradoxically, we enter it by forgetting to look or strive. It is where we are – always – and yet we so rarely know it. It’s where meaning is found and connection. It’s where peace and beauty are realized.

A poet might write that to die is to step out of time. To be born is to step into it. It’s the epicenter of our mythology, this cycle of dying and rebirth. Into and out of time. Winter and spring.

We stepped into the sanctuary and stepped out of time. Our cares dropped away. We took a deep breath. Sometime later, we stepped back into time and both felt renewed. Of course.

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Prepare For The Freeze [David’s blog on saturday morning smack-dab]

In our home there is no task so daunting as the cleaning-out of her closet. We’ve had several near-attempts. Occasionally, small dents have been made to the outer layer. But, in the end, all forward progress shuts down. This mountain is too formidable to climb. With the closet door open she stands staring in; frozen.

I understand. It’s not simply clothes to be tossed. It’s memories. Associations. The archeology of a lifetime. For my story-thready wife, taking her old clothes to the Goodwill is like tossing her memories into an abyss.

I’ve suggested leaving it alone and building another closet to make badly needed new space for the present-and-future clothes. My suggestion always inspires THAT look. So, I’ve learned to keep silent. Hold my tongue. I’ve learned the art of the silent head-nod.

Now I know, on those dubious occasions she declares, “This is the day…” my job is to prepare for the emotional-lock-up, the mental freeze. The inevitable zombie-stare of defeat. I fluff extra pillows for her favorite chair. I position the hassock so I can rub her feet. I open a bottle of wine.

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Look-At-Me-Look-At-You [David’s blog on KS Friday]

It struck me that as the crowd gathered to watch the family of foxes, the foxes, in turn, gathered to observe the rabble of humans. Look-at-me-look-at-you. I wondered if they thought of us as wild, uncultivated. I know they were delighted that a makeshift fence stood between us and them.

The mother fox leapt onto a stone and seemed to pose for photographs but I was certain she was drawing attention away from her brood. Look-at-me-not-at-them. She knew how to make her frolicking children disappear. And they did. Once safe, she stepped off her platform, no rush, and also disappeared.

A local woman walking her dog saw the crowd and asked, “Is it the foxes?” I nodded. “Thought so,” she said and nonchalantly continued on her way. A family of foxes in the center of town. Nothing new. For her it happens every day. For us, passers-through, it was a surprise. A delight. A family of foxes have never rollicked on our street at home. I may never see this again. She will see it again on her stroll tomorrow, just like yesterday. Thus, the power of perspective.

I read that foxes are observers. They easily meld into their surroundings. They vanish so they can watch. So they can see. “If Fox has chosen to share its medicine with you, it is a sign that you are to become like the wind, which is unseen yet is able to weave into and through any location or situation. You would be wise to observe the acts of others rather than their words at this time.”

Tom Mck told me that as he aged he felt that he grew invisible. I feel much the same way these days though my encounter with the foxes has made me realize that I have mostly lived my life as an observer of others. Like the wind. I much preferred coaching people over the phone: I could listen purely – no negotiating of image – and easily hear the message behind the words. Perhaps I have not grown invisible but am only now fully realizing the truth of one of my gifts. Weaving through any location or situation: Look-at-me-look-at-you.

Every Breath/As It Is © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Do The Opposite [David’s blog on DR Thursday]

This is a simple story of wrong assumptions.

When we travel we rarely eat out. We prefer to cook. Exhaustion brought us to the decision to order a meal to take out.

We’d walked passed the Kenosha Grill in Breckenridge multiple times over our several visits. We thought it funny that the name of our home town was a prominent business on the main street of our favorite mountain town. “Someday,” we said, scoping the menu, “we’ll have to go in there.” It seemed too pricey for us. Dark and lodge-like. Not a place for us.

Exhaustion forced a path-of-least-resistance choice. We remembered The Kenosha Grill had a burger. It was a five minute walk from our lodging. We walked down the hill and into The Grill. It was nothing like I had imagined. Instead of dark and steak-housey, it was light in color and in spirit. We were directed to the bar to order our take out.

The bar was in the back, next to the doors that opened onto a deck that overlooked the river and the mountains. The doors were open and the cool evening mountain air begged us to sit. We ordered our take-out burger and then, with nary more than a look at each other, signaled the bartender that we’d stay. We’d eat at the bar. We ordered a glass of wine to share. We relaxed into the laughter of our bar mates. We basked in the low sun and mountain air.

Instead of further depletion, as I’d presumed, the cheery bartender, the light spirit of The Kenosha Grill, the sleepy dog holding court on the deck soaking up pets…gave us energy. Restored our spirits.

“We need to do this more often,” she said, feeling the energy return to our souls.

“Yes.” I said, and thought, “We need to more often challenge our assumptions.” We almost missed the very balm that we needed, the opposite of what I’d supposed.

read Kerri’s blogpost about THE KENOSHA GRILL

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Where [David’s blog on Not So Flawed Wednesday]

Where to now? It’s the ever-present-topic of conversation.

On our recent trip to the mountain, we speculated. What was going to happen? What did we want to happen? What did we hope or fear would happen? Supposition is a kind of storytelling. Building a container for the unknown.

On the way home we recounted what happened. We discussed the gems, the surprises. We talked of the special moments that we anticipated and the hard moments that we predicted. We reveled in the fulfillment of intention, a visit to the sanctuary, a return to the stream. Narrating our experiences is a kind of storytelling. Sense-making. Building a container for the known.

Both types of container are too small. There is only so much anticipation that can be held. There is infinite sense to be made so story choices are necessary: what goes into the container and what must be let go? How will I make meaning of what just happened? And what does that mean for the next container of supposition that we must build?

They are connected questions. Where have I been? Where to now? Of necessity, despite all expectation, neither question ever arrives at an answer.

read Kerri’s blogpost about STORIES

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Then And Now [David’s blog on Two Artists Tuesday]

Then and now.

The moment we knew we were going to Aspen, we looked at each other and said, “John Denver Sanctuary”. It is a special place. A place of peace and quiet in an angry noisy world.

We first visited The Sanctuary In 2016, the year after we were married. John Denver has always been an inspiration to Kerri. Simple. Straight forward. Positive. A bard who dreamed of a better world. In music. We found the monument stone that carried his lyrics to Annie’s Song, – a special wedding song for us -crawled onto the stone and Kirsten took our picture. That was then.

Nearly a decade later, a wedding brought us back to Aspen and to The Sanctuary. In the middle of May we walked the paths and stepped over the streams all by ourselves. No one else was there. We found Annie’s Song, set the timer on the camera, and scurried to the stone to get into the frame. Now.

We lingered there, talking of all that had happened in the decade between the two photos. So many stories! So much life! Who we were then. Who we are now. Who we are becoming.

And, as is always the case, remembering that the sanctuary isn’t just a place, it is also a way of being. We always have the option of bringing the sanctuary with us – being it. That’s what we hope for our becoming. In our artistry. It’s what we’ve always hoped for – then and now.

read Kerri’s blogpost about THE SANCTUARY

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