Fall Into Peace [David’s blog on DR Thursday]

20 calls me The Tetris Master because I can pack a lifetime of odd-shaped accumulation into the smallest moving van. I have an innate understanding of space. In other words, I am spatial; I feel space.

The first time I stepped into the silo I felt an immediate sense of peace. It was like a little round chapel with a soaring ceiling. Cool air on a hot day. The chair placed at the center of the circle was inviting but I knew I better not sit there. I’d want to stay. I’d fall into the peace. There were too many people moving through the barn. Falling into peace, like falling into a deep meditation, is internal and best done in private.

The silo reminded me of the faerie circle. Barney showed me where it was and told me, “This is your place.” He was right. I sat in the center of the circle of trees and was immediately transported.

It had been years since we visited the gardens and I’d forgotten about the silo. When we entered the barn to look at the antiques, soaps, and clothes on display, I felt the rush of remembrance. Stepping into the cool air, the carpet and single chair were just as I remembered. So was the peace of the circle.

There were less people so I lingered for a moment or two. “Someday I’m going to sit in that chair,” I said to no one listening. I smiled at the notion: and wouldn’t this world be better if we all had a place, a space, like a magnet, that pulled us into our peace?

i’ve yet to get a descent photo of this painting but this will serve-the-turn for now

read Kerri’s blogpost about THE SILO

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Re-Realize The Beauty [David’s blog on Two Artists Tuesday]

I have thrown old journals into the fire. Letters from long lost friends have gone into the flames. Paintings, too. More than once, at a retreat, the facilitator asked us to write about fears or obstacles and ceremonially commit them to the flames. A statement of release. A marker in time: letting go.

When I was young I spent many nights in the mountains. The campfire was primal. Light and warmth against the cold dark of night. The fire was safety. In an experience that, to this day, makes me laugh and blush, camping with my brothers and dad, the fire having burned to soft embers, we climbed into our sleeping bags. Deep in the night a large animal crashed through the brush, sent us scared and scrambling to reignite the embers. We stoked a mighty roaring fire. The savage creature circled our camp for hours, snapping branches, staying just beyond the light. Running low on wood and still hours from dawn, we debated what to do. At the height of our anxiety, the peak of our fear, the imagined mountainous hungry bear moooooooo-ed. Our fire kept us safe from a wayward cow.

In our backyard we have a fire pit (a solo stove), a flame tower (propane), tiki torches of all sizes, and a chiminea. No matter the source, we light the flame and inevitably all conversation ceases. We stare, lost in thought, the flames having danced our monkey minds into quiet peace.

In the story, Prometheus steals the spark-of-life from Zeus. Fire. He wants to ignite the hearts of his creations, his humans, made from clay and sticks. He knows that Zeus will disapprove because he’s made his humans beautiful rather than the crude forms Zeus commanded him to make. That’s why he had to steal the fire. To ignite beautiful hearts, capable minds, generous souls. He was successful though Zeus, according to the story, has worked diligently to corrupt the beautiful humans and infuse them with ugliness, keeping them distant from their true nature.

Staring into the fire, with a quiet mind, it’s possible to hear Prometheus’ whisper. In the flame dances the possibility of safety, quiet mind, the capacity to let go the hurt, and for a moment, to re-realize the beauty, ignited by the spark, beating in the hearts of his humans.

read Kerri’s blogpost about FIRE

This is the first painting in a triptych I created for my performance of The Creatures Of Prometheus – with The Portland Chamber Orchestra. This is “Prometheus:Creation.” 48 x 96IN

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See Green [David’s blog on Not So Flawed Wednesday]

If we call someone “green”, we mean that they are inexperienced. Innocent or new. The term “green-on-green” implies a team that has little experience. Young pilots. Mixed doubles swatting at tennis balls. Newly minted detectives. New growth. Immature. Seedlings.

A green issue is environmental. Renewable energy. Wind power. Green is the color of nature.

In street slang, green has two possible meanings. Money. Green is the color of currency. Or, weed. Green is the color of marijuana. A surprising twist on green-on-green!

I can be green with envy. Or green with jealousy. Green is the color of illness. Apparently coveting makes us sick. “Do you feel okay? You’re looking green.” The Romans thought so. Shakespeare, too.

Google the meaning of green and you’ll find it symbolizes peace, hope, and harmony. Optimism.

In spiritual circles, green refers to fruitfulness and fertility. New leaves. New growth. And so, a full-circle return to the first meaning of green, only “new” need not imply ineptitude as much as promise. Hope. A weave of the many meanings of green!

I’m left pondering why I rarely use green in my paintings. Van Gogh did not shy away from green. He was bold enough to smear his green adjacent to vibrant reds and orange. Opposites on the color wheel. A bang to the eyes. Perhaps there is some green in my future.

On our hike today I can say with all honesty that I was completely taken with the many shades of green.

read Kerri’s blogpost about GREEN

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Enjoy The Mountain Calm [on saturday morning smack-dab.]

This one is for my dad. Actually, this one is from my dad. He was in his happy place when he had a line in the water. Catching a fish was not nearly as important as the peace and quiet he experienced while fishing. He had a special spot on the lake; the door to his sanctuary was a fishing pole.

One of my favorite memories is of the day that Columbus taught Kerri to fish. I sat on a rock jutting into the water and watched two of my favorite people enjoy the mountain calm. Late summer breezes fluttered the aspen leaves. The ziiiing of the cast. The plop of the bubble hitting the water. Click. A slow reel in. Repeat. No place better to be. Being there – and nowhere else. What could possibly be better than that?

read kerri’s thoughts on this saturday morning smack-dab.

smack-dab. © 2023 kerrianddavid.com

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Practice Letting Go [on KS Friday]

“We need, in love, to practice only this: letting each other go. For holding on comes easily; we do not need to learn it.” ~ Rainier Maria Rilke

Kathy Bates has a great line in the movie P.S. I Love You: “The thing to remember is…if we’re all alone, then we’re all together in that, too.”

It’s our aloneness that propels us to reach. Our aloneness can drive us to grab. To hold on with all of our might.

Mothers learn the lesson of letting go. Fathers, too. Children would suffocate otherwise. In time, children must also learn the lesson of letting go of their parents. It’s not an easy lesson. It’s counterintuitive.

Couples learn this lesson if they are lucky. They recognize the line between reaching and clutching. Growth is always a process of opening. Open hands. Open minds. Open hearts. Growing a relationship never comes from controlling it. And, don’t we all know the feeling when a hug lasts a bit too long?

And then there are memories. Slippery devils, they tend to fade. Even in this era of ubiquitous photos, the feel, taste, touch, sound, sight flattens and dims. Three dimensions becomes two. I grab at the memory. My hands close around air. Ephemeral-something.

Tonight I will look into the night sky and make my peace. Alone together. Together alone. I will sit on the porch, grateful beyond words to reach and hold Kerri’s hand. Together in this, too.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about BARNEY-TWO-NAILS

the box/blueprint for my soul © 1997 kerri sherwood

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Make Peace [on Not So Flawed Wednesday]

Look closely. There’s a turtle motoring through the water, scooting along the muddy bottom of the river. Turtles always elicit squeaks from Kerri. We watched this shelled-wonder for a long time. There were a few others that caught my attention, heads rising just above the water, floating peacefully in a pose of suspended animation. Turtle tai-chi.

We went to a sound meditation at the Botanical Gardens. Singing bowls and rain sticks. I was transported. I felt as if I was gifted with a turtle-moment: floating in a calm suspended animation. I recognized that feeling of ease and vowed to practice it more often. There’s wisdom in non-motion. Non-resistance. Flow by another name.

We were awake deep in the night. She asked if I could remember the places I’ve lived in my life – specifically the apartments and houses. Mostly she wanted to know if I could remember living-in-them. Making dinner. Doing laundry. How they felt. The sounds and smells. For me, there have been many. Most were creative spaces. Most of my living spaces were also studio spaces. Sacred spaces. Quiet places.

I don’t remember the day-to-day. I remember the place and time that I decided I was going to learn to cook. It was a statement of self-care. It was a decision to make all the world my studio and not just the places where I painted. Moving out from a solid center, joining the world, rather than closing off from the noise. Making peace with my out-of-step-ness. It was a decision to move into the chaotic world, to crawl with abandon and explore the river’s muddy bottom.

That reminds me of a Flawed Cartoon.

read Kerri’s blogpost about TURTLES

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Restore The Heart [on KS Friday]

Last night I sat on the floor in the corner of the bathroom. It was very late and I couldn’t sleep. I said to no one, “Something, sometime, some way, has to tip in our favor.” I was disheartened after a day of exceptionally discouraging news.

“Disheartened” is an interesting word. Heart removal. An empty cavity where the energy should be. The thought made me laugh and laughter is always good for the disheartened. My laughter brought me back to my senses. I sat on the floor, shifted my focus from woe-is-me and placed it squarely on all that I am thankful for. The list is long and runs through creature comforts like hot showers and electric light to soul-comforts like a crazy Aussie dog to heart-comforts like an incredible wife. Also, there is wine on the deck. Walks in nature which imply good health, walks through imagination which imply an artistic spirit, walks with awe which imply an insatiable curiosity. Through the right lens, my life-view from the bathroom floor is remarkable.

My empty cavity filled to overflowing.

I find it’s a good practice, when fresh from a bout with self-pity, to wander the house slowly. To intentionally touch the stories that live in the furniture or the glasses or the plants. To step out of the fear-mongering and into the riches of the present moment. Laying on our dining room table is a bundle of branches Kerri gathered from a fallen pussy willow. The furry catkins glowed silver and caught my attention. They warmed me with a memory. A walk with dear friends on ground so muddy that we laughed and hopped in search of solid footing. It was cold. Trees were down; the day before the wind and rain was brutal. Finding the pussy willow branch on the ground made both Kerri and Jen giggle with delight. A treasure! So simple. Their excitement turned toward possibilities. Vases or ribbon?

Enhearten: to restore strength and courage to a saddened spirit. The memory was good medicine and sent me to bed where I fell into a deep sleep, paradoxically enlivened and peaceful. Heart restored.

Kerri’s music is available on iTunes or streaming on Pandora

read Kerri’s blogpost about PUSSYWILLOWS

watershed/as it is © 2004 kerri sherwood

Welcome The Muse [on Two Artists Tuesday]

For many years the “sitting room” was a place we passed through en route to the kitchen or our bedroom on the return trip. It was our staging ground while packing for trips. It was the place we put things when we didn’t know where else to put them. I never sat in the sitting room.

And then, one day, a muse-of-calm possessed Kerri. She wanted a space of peace instead of space of clutter. She wanted to sit in the sitting room. She wanted to hang out in the sitting room. She wanted to read and relax in the sitting room. She became a cleaning dervish. She hung meditative paintings. It was a miracle.

I stopped in my tracks the first time I attempted to pass through the sitting room post-transformation. There was air and light. There were comfy pillows and a throw blanket on the couch. I was filled with an overwhelming desire to sit in the sitting room!

I’d heard rumors of the couch in the corner of sitting room. It was one of BabyCat’s favorite nap spots. Kerri assured me that no creature could sit on that couch without falling into a deep relaxed state. I had my doubts. In my time it was the central repository of clothing overflow. I’d actually never seen the couch. Plus, that BabyCat could sleep anywhere, on any surface. BabyCat was a gifted sleeper.

Kerri appeared behind me. She was holding a book. She, too, had transformed! She was the Siren of the sitting room! I nestled into the couch and cooed, the lap blanket covering my feet. The Siren sat on the other side of the couch. She opened the book and began to read. I was like Dorothy in the poppy field. Eyes drooping. Head bobbing. Incapable of concentration. The last thing I remember was thinking, “So this is what it feels like to be a cat…”

Now, we spend hours in the sitting room, reading on the couch. Falling into a deep relaxed state. Each morning, as I pass through on my way to the kitchen, I slow down and breathe-in the calm.

Sometimes I wonder why we waited so long to create this place of tranquillity. The potential was there all along. The good news? The peace of the sitting room is spilling out into the rest of the house. The sun room is filled with plant-love. The living room is beginning a subtle transformation. We gather around our small table in our tiny kitchen and laugh and tell stories. It’s how change happens. Create the space. Grow the space. It’s how peace happens.

This I know: the muse-of-calm is not yet done with us. I can’t wait to see what happens to the rest of the house and beyond.

read Kerri’s blogpost about THE SITTING ROOM

Unroll And Tune In [on KS Friday]

I did a stupid thing. A few years ago I rolled several of my canvases and stacked the many heavy rolls. Stacking them was my crime. The weight crushed the bottom rolls, potentially leaving ripples in the paintings. I know better. I’m unrolling each, one roll at a time, weighting the flat canvas so any potential wave is pressed. So far there is no damage.

I have opened three rolls. I have three more rolls to go. The opened rolls remain flat on the ground with the next roll layered on top. A new type of stack. Sedimentary paintings. Each layer provides weight to help flatten the previous roll. It’s slow going. I am being careful. I am treating the canvas – my paintings – with the respect that I should have afforded them long ago.

We took a walk on the road when we were up north. It was snowing and the world became snow-quiet. As without, so within. I became snow-quiet. The gang walked ahead as Kerri took a photo of the silent woods. I turned my face to the snow and felt the sting of each flake. Sometimes, when deep in the snow-quiet, the life-canvas is blank and affords the opportunity to discover the world anew; snow on my face for the first time. This earth is heartbreakingly beautiful.

Unrolling each roll of paintings is like turning my face to the falling snow. It makes me quiet. I am seeing paintings – my paintings – that I have not seen for a few years. I am afforded the opportunity to discover my world anew. I’m finding, as I carefully weight them, hoping the ripples are not permanent, that I have new eyes and new appreciation for my life and work. Unrolling the rolls, caring for the pieces, evokes peace in me.

I painted each of these paintings for the same reason. Standing before my easel quiets my mind and tunes me into something bigger than my tiny frets and future worries. It connects me – and that is whole point of the arts. It connects us. Unites us.

With each roll revealed, just as with each new painting, I become clear, if only for a moment. Like a walk through the woods on a snowy day.

[Peace is one of my favorites of Kerri’s compositions]

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SNOWY WOODS

peace/as it is © 2004 kerri sherwood

Feel The Dope Slap [on Not So Flawed Wednesday]

This morning I awoke agitated. Restless. I’m blaming my dreams. I know I had tons of dreams last night but I can’t remember a single one. I find it useful to blame my restlessness on something as slippery as an unremembered dream. It prevents any significant self-reflection or responsibility for my unease.

I just popped Rob on the head for diminishing his own work. He’s a prolific and gifted playwright and referred to his latest piece as “…another corpse being thrown on a mass grave of scripts.” After I sent the email-head-pop I admitted to myself that I was actually ALSO popping myself on the head. I used his head as a proxy. Popping other people on the head is also useful for avoiding any significant self-reflection. Although I admitted to myself that my head deserved a good slap, I successfully transferred the impact to Rob. No further self-reflection needed! I’ll wait for Rob to write me back with a return dope-slap. He’s a great friend and I deserve nothing less. Really, I deserve a good slap but I refuse to slap myself. That would require taking responsibility for my actions and my indulgent restlessness is getting in the way.

I’ve known for years that Dogga is a master teacher. Among his many lessons is contentment. And, what constitutes contentment is unique to each individual. For instance, most folks want to find a nice beach to lay on. Not Dogga! His nirvana is found in a deep pile of snow. He’s never happier than when the temperature plummets and the white stuff falls. He can linger for hours on the snowy deck in blissful satisfaction, doing nothing more than appreciating his moment. His teaching method is gentle. Unlike me, he eschews head slaps. He lives his peace, affording me the opportunity to emulate it or not.

The other thing I appreciate about Dogga’s lessons: he has absolutely no investment in how long it might take for me to learn. He is not concerned about whether or not I ever learn his lesson of contentment. His job is to make the offer. He is not concerned at all with the reception.

Perhaps the cure to what currently ails me is a few moments sitting with Dogga in the snow. I think I’ll invite Rob. It’s the least I could do after using his head to slap mine.

read Kerri’s blogpost about SNOWDOG