Incessant Musing [David’s blog on DR Thursday]

grasses. winter. snow. root. energy. fallow. aging. relevance.

I am ever so slowly working on a painting. In my mind it is a political statement which is why my movement is glacial. I sit in my rocking chair staring at the work-in-progress and wonder if what I want to say needs to be said. I wonder why I need to say it. I wonder if paintings that “say it” are worth painting at all. My teachers and mentors, all of them, taught me that great art happens when you “say it without saying it”.

Dogga stands in the middle of the snowy yard and barks. These are test-barks. Nothing is happening in the neighborhood and he wants something to bark about. In the absence of a meaningful bark objective, in the absence of other dogs barking in the neighborhood or the neighbor starting his car, he barks, “Is anyone out there?” Is my painting akin to Dogga barking?

Tom told me that when my beard was grey I would have a crisis of relevance. My age-peers would read my rough drafts and consider my work viable but the younger artist in my life would not. I have found that to be true. When Tom was in his middle 60’s he was arguably at the peak of his abilities yet the many, many artists whose careers he’d informed and shaped simply stopped responding to his calls. So he simply stopped trying. That was his last and perhaps greatest lesson to me: do not place your relevance in the hands of others. Follow the muse until your legs will no longer carry you. Bark and see what comes back at you.

Michelangelo sculpted his most prescient work in the last chapter of his 88 year life though he kept them under wraps since his patrons would have thought them to be irrelevant. It took the world 450 years to catch up to his Mannerist pieces.

And then there is this timeless bit of advice from a younger version of Tom: A writer writes. A painter paints. The rest is not really relevant. It’s always at this re-membrance that I stand up from my chair, put down my incessant musing, and grab my brush. A painter paints.

relevance. aging. fallow. energy. root. snow. winter. grasses.

a work in progress: Polynices & Eteocles

read Kerri’s blogpost about WINTER GRASSES

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Either Way [David’s blog on DR Thursday]

At this time of year, sleeping as we do with the window open, I have the impression that the birds sing the sun to rise. In the evening, they sing it to rest beneath the horizon. What happens between those two songs is always a surprise.

I recently read a quote by Aldous Huxley that struck a deep chord: “It’s dark because you are trying too hard. Lightly, child, lightly. Learn to do everything lightly. Yes, feel lightly, even though you’re feeling deeply…”

Dogga has been a great teacher. He is highly sensitive, keenly keyed into us. He feels everything I feel, we feel. If we start to take ourselves too seriously, he runs for his safe haven in the bathroom. At first his retreat to the safety of the bathroom brought us up short. It was like being slapped into consciousness. “We’re upsetting the dog.” We’d breathe, step back and change our tone. We’d lighten up. He’s become a barometer of whether or not we’re taking ourselves too seriously and we’ve learned to lighten up before he feels the need to retreat.

It’s possible: walking lightly through life can be learned.

“Look at the color of the sky!” she said, aiming her camera.

“It’s a Colorado sky,” I mused. The blue was intense against the new spring-green leaves.

We were slow-walking on one of our favorite trails, talking about the past decade, the seeming-forced peeling back of layers, the necessity of letting go of grievances and disappointments when she suddenly pulled her camera from her pocket. “Look at the color of the sky!” I smiled: evidence of not taking anything – especially ourselves – too seriously.

“So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and pity and despair. That’s why you must walk so lightly…”

It’s an ongoing life lesson. Feeling deeply need not be weighty. Especially now. There are, indeed, quicksands all around us, sucking at our feet. It’s always an option to disappear into the muck of fear and despair. As we have learned – and continue to learn – hopelessness is a heavy load. As is resentment. Regret is a guaranteed back-breaker. Denial is the heaviest bag of all. Our nation is currently learning this lesson.

The surprise between the birdsong? We can walk with the light astonishment of the new day or we can drag along yesterday’s heavy baggage. It’s our path, it’s our choice, either way.

[I just finished writing this post when Guitar Jim sent this gorgeous song by Darrell Scott. Serendipity, the song says it better than I ever will]:

read Kerri’s blogpost about TREES AND SKY

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Take Another Step [on Merely A Thought Monday]

At the end of the Everest documentary, The Fatal Game, Mark Whetu says, “It’s not that you are alive for such a short period of time, it’s that you are dead for so long.” It’s a film about waking up on the other side of grief. It’s a film about choosing to live.

Grief is one of the many colors on life’s palette. Had I bothered to read the small print in my handbook-for-living I suspect I’d have found a surprising number of references to suffering, sorrow, loss and fear. Colors on the palette necessary for an open heart. Essential colors for the full experience of living in the small window of time called “life”.

Last week I threw up my hands and sat down in defeat. “Lots of energy out. Nothing back!” I pouted, “What’s the point?” My self-pity lasted for an hour and then I stood up, realizing there was nothing to be done but take another step. It simply doesn’t matter how old I am or what I’ve done or haven’t done. It doesn’t matter what title I staple on top of my identity or what story I tell myself. My circumstance simply does not matter. The task remains the same. This day, I reasoned, is just as vibrant either way so, rather than bury my head in darkness, I might as well breathe deeply and enjoy the sun on my face.

Sometimes the only point is to take another step.

I am – apparently – a non-stick learner. I learn lessons over and over again. I am particularly gifted at allowing life’s lessons to slide off. I have been known to teach that the actions we need to take are rarely difficult; the stories we wrap around the actions can make any step seem impossible. Dialing the phone is easy until the mind rages with the tale, “I don’t want to look stupid.”

Effortless action is a Buddhist concept. It is a practice of acting without story. Know your target. Act. Respond.

Send a resume. Write a cover letter. Submit. Take another step.

Mix the color. Choose the brush. Spatter. Take another step.

baby steps/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart radio

read Kerri’s blogpost about ONE MORE STEP

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Listen To The House [on Not So Flawed Wednesday]

When it’s humid our refrigerator has an incontinence problem. Upon entering the kitchen and stepping into the latest puddle, we call out as if it was normal, “The fridge tinkled again!” Sometimes I wonder if the neighbors can hear us. And, if they can, do they double-lock their front doors against our madness? Do they pull down their shades as we pass by?

We think we know the problem with the fridge’s urinary tract. We ordered a part months ago that arrived magically through the mail and now sits within view of the tinkling-fridge. It’s like knowing you’re going to need a hip replacement, ordering the part, and setting the titanium hip on the kitchen counter for months until you have the courage to schedule the surgery. “Yep. There’s my hip. Someday I’m going to install that thing…” Our new part has been in view for so long that I no longer see it. I’ve incorporated it into my visual expectations. We’re still working up the courage.

The refrigerator’s incontinence began when the ice-maker went on strike and refused to make ice. We met and negotiated but the ice-maker negotiating team is difficult. We’re having a hard time discerning their demands and are clueless about the original issue. We know the ice-strike and the fridge-tinkle are connected but are somewhat mystified by the humidity-trigger. So, in the meantime, thoroughly mystified but incredibly adaptive to our circumstance, we bring in ice from our beloved the corner market, Morelli’s Deli. We place towels on the kitchen floor.

And what might this have to do with living the good life? “Deferred maintenance is a fact of life!” Kerri insists and she is right. As I’ve learned from our sweet old house, there is always something to fix and that’s what gives our beautiful home its character. And, in the face of the obvious-never-ending-list, the best plan of action is to relax. Do what you can do when you can do it.

This may come as a surprise but, in the face of a long to-do-list, I had to learn to relax. I had to practice the skill of letting go. I’ve had to exercise the muscle of realistic expectations. I was not a willing student at first – I had to recognize that I had lessons to learn! …so many lessons…

How fortunate am I that our house is a master teacher? When you visit, I’ll show you how to jiggle the door. And don’t ask me about the cabinet handles in the kitchen! The first lesson from our house: explain nothing. Smile, relax, and say, “Yes. I know. It appears that needs fixing.”

read Kerri’s blogpost about ICE

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Embrace The Nincompoop [on Merely A Thought Monday]

I always appreciate when life lessons come in different forms and from multiple directions. The first time I remember hearing this lesson was standing on a street corner in San Francisco with Quinn. He pointed to the tippy top of the TransAmerica building and told me that the person sitting in the big office up there was making it up, too. Just like me. No one really knows what they are doing.

It was a message that actually scared me to death. At the time I thought everyone knew what they were doing except me. I was, in my mind, the only nincompoop in the herd. To entertain the idea that the entire herd was comprised of nincompoops… I wish I’d asked Quinn the obvious next question: If we’re all stumbling in the dark, whose driving this car, anyway?

The lesson came around again, this time while indulging in one of our favorite quirks. Before sleep, we watch hiking videos on YouTube. A recent favorite is Jack Keogh’s, Walking on A Dream. Early in his PCT through-hike, he comments that, without exception, everyone is new to the experience and just trying to figure stuff out. “Everyone has their training wheels on.” Kerri whispered, “That’s true in all of life.” As she sat up to write the phrase, I heard Quinn chuckling. He had a great chuckle.

I’m working on a special project. I’ve volunteered to copy one of my paintings. yes, it’s true, I’m copying myself. Now, isn’t that a scary thought! Every few days 20 comes down into my studio to check my progress. He scrutinizes the original and then squints at the copy and asks a variation of this question: How did you know how to…? My answer is always the same: I don’t know. I’m making it up as I go.

What’s remarkable to me is the ease of my answer. I have no idea. The younger version of me, the one Quinn took to the city to administer a lesson, thought he needed to know. The younger version of me thought that to be competent meant “to know.” The younger version of me, when asked, “How did you know how to…?” made up some profoundly stupid answers. And, to my great relief, usually the questioner would nod their head as if what I said was actually plausible. “What a nincompoop,” I’d think, meaning both me and the questioner.

I am, at long last, able to fully grasp the lesson. Competency has nothing to do with knowing. It has everything to do with being able to “figure it out.” Shorthand: questions are much more valuable than answers since an answer is merely a single step on the path of a life filled with questions. Questions, like life, keep rolling along. I now know that had I asked the obvious next question, “Whose driving this car, anyway?” Quinn would have answered without hesitation, “No one and everyone.”

There I go again, thinking that life is about getting somewhere. It is, after all, the common mistake that defines the nincompoop herd: we consistently miss the point. No one knows what tomorrow will bring. No one controls their moment, spinning on this little orb as it hurtles through infinite space. It’s best to hold the hand of the one you love, enjoy the moment, make it up together, and embrace life as a bona fide nincompoop.

read Kerri’s blogpost about TRAINING WHEELS

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Note The Evidence [on saturday morning smack-dab.]

Never let it be said that I am incapable of learning. As evidence of the rare penny-drop, please note the absence of question or comment after the first panel of this cartoon. This implies that I am either listening without need “to solve” or that I recognize a comment in any direction might end my life. Either way, a remarkable demonstration of learning.

Also note that I am off-screen. I will leave the reason for my cartoon-suggestion-of-healthy-distance up to your interpretation.

Learning! I’m learning!

read Kerri’s blogpost on COMFORT TOP

smack-dab © 2023 kerrianddavid.com

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Learn The Language of Color [on DR Thursday]

Earlier this week I wrote of DeMarcus’ notes on color made when he was a first year art student. I flipped through the fading pages before placing the notebook back on my shelf and lingered on these gems:

“If we wish to create we must learn the Language of Color.”

“Color stands for JOY in this world of seeing.”

“Through the language of COLOR, we add JOY to the world of seeing.”

His notes are from a lecture. In my mind I see some fantastic art teacher, a life teacher, standing before a class of enthusiastic hearts that included the young DeMarcus, infusing them with a purpose that demanded they pay attention to others, to their reason for creating. Bring joy. Through the language of color, speak to a world that doesn’t know how to see. Speak to a world desperately in need of Joy. Color theory as community tending. Igniting the idea in the students, the teacher then set them free to explore how, through color, to bring joy to the world. The lesson was simultaneously both practical and existential.

I wish I knew the name of DeMarcus’ instructor. I’d send a deep debt of gratitude into the universe.

It is profoundly easy to diminish the role of artists in our culture. Note the dearth of art programs in schools. The emaciated National Endowment for the Arts relative to other budget lines. What might be more important in our times than artists striving to weave togetherness through the language of color? What might be more necessary than opening eyes to see beyond grey assumptions? We diminish ourselves when we devalue our art.

I knew DeMarcus when he was in his 90’s. Those early lessons still twinkled in his eyes. Or, perhaps, a lifetime of speaking the language of color, a lifetime of offering the joy of seeing, brought a permanent twinkle to his eye . He understood artistry as more than indulgent self-expression. He understood – and helped me understand – that artistry came with a responsibility to others as well as to the self. Service. See, in order to help others see, through the language of color, joy.

prayer of opposites, 48x48IN, acrylic on panel © 2006

my-as-yet-still-unfinished-site [I hope you’re not holding your breath]

read Kerri’s blogpost on COLOR

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Eat! [on Merely A Thought Monday]

Sitting at the dining room table late at night on xmas eve, in a lively post-dinner discussion, I suddenly remembered Ms. Brunell. I hadn’t thought of her in years.

She was in her eighties and lived alone in an apartment nearby. Ms. Brunell loved to cook. I was seventeen years old and would visit from time to time, to help her with odd jobs, cleaning her apartment or simply to sit at the table and chat. And eat. Chatting required food. Lots of food.

Thanksgiving day, after eating an enormous meal with my family, I was slipping into a food coma when the phone rang. It was Ms. Brunell wondering where I was. She’d made a Thanksgiving meal for me. She forgot to invite me.

I was desperate. I knew the meal she prepared would come in many courses. She was Italian, and rich, thick lasagna was most certainly on the menu. She was old-school so each bite would be replenished by another scoop of food. “Eat!” she’d chirp and smile, reloading your plate. Food was her love language.

As I drove to her apartment I pondered my-death-by-overindulgence. I was caught in the-good-boy-trap and wrestled mightily with my dilemma. Do I confess that I’d already eaten and disappoint her? Do I lie and tell her that I was starving and find some way to put down yet one more spoonful of food? Neither option seemed tenable. How do I reconcile my moral code of honesty-at-all-times with my third-child-need-to-please?

Ms. Brunell was excitedly waiting for me at her front door. Her shining face resolved my dilemma. I have little memory of that meal. I ate. And ate. And ate. I must have blacked-out somewhere after the second course. Death-by-over-indulgence seemed the only option. My honesty-code didn’t stand a chance when faced with the-need-to-please.

Listening to the laughter at our late-night table this xmas eve, a discussion of impossible dilemmas, I sat back in my chair awash in gratitude both for Ms. B., for surviving her generosity, and for the Thanksgiving meal that taught me that shining faces are sometimes more important that made-up-moral-codes. Real life is never as simple as it seems in the code reduction.

The best thing to do when faced with a genuine quandary; eat! And eat again.

read Kerri’s blogpost about FOOD

Use Your Fingers [on DR Thursday]

They call them life lessons because they cycle back again and again. Each successive cycle peels off another layer and reveals a new simplicity. Currently, I am having another layer peeled.

My layer is a renewed appreciation and deeper understanding of a famous Picasso quote: “It took me four years to paint like Raphael, but a lifetime to paint like a child.” I think I may be shedding some dedicated self-importance and a thick-headed notion of what I ought to be. What I should have been.

I am surrounded by paintings of my own making. They are serious stuff! They are meant to move people and mountains. Some make me smile. Most make me knit my brow. They are generally absent of fun.

I’ve taken a vacation from my serious pursuit and thank goodness! In the meantime, I’m drawing cartoons. And, most importantly, I am painting rocks. We are painting rocks. No thought. No necessity. Just because we can. It is the most fun I’ve had in years.

It is the fun, the complete abandonment of taking-myself-too-seriously that may bring me back to art-as-play. Fun at my easel.

I have fingers so there may or may not be brushes involved.

read Kerri’s blogpost about FISH!

snowflake with possibilities/flawed cartoon © 2016 david robinson, kerri sherwood, john kruse

Be A Zebra [on KS Friday]

The Post-It note beside my desk reads “Zebra.” It is a reminder to be more like the zebra. After a near miss with a lion, the zebra does not return to the herd and perpetuate their stress by recounting the story over and over to any other zebra that will listen. The zebra shakes off the adrenaline rush and moves on. No extra stress necessary.

For many years I’ve known that most actions are relatively easy to perform, the stress we experience comes from the story we wrap around the action. There’s a full range of stress stories, from “I can’t do it” to “I have to be…” The it-has-to-be-done-now story is pervasive. At some point in my youth I got it into my human head that faster was better. It’s not a good story since it requires the lion to be on your heels all the time. Watch people sitting in a traffic jam: the story of stuckness has otherwise rational people red-faced and pounding on their steering wheels. The I-have-to-be-there-now story is a recipe for never being present. Running, running, running. Lion on your tail.

Zebra.

When I moved in Kerri cautioned me that the to-do list would never be done. We live in an old house and, like an old body, extra care and patience is required. It’s been quite a transition. This house has become my teacher. It’s in my nature to get-things-done. True confession: If I start a project, I become myopic until it’s finished. All my life, after starting a painting, I lay awake at night rolling the possibilities over and over in my mind until the final brush stroke hits the canvas.

This old house has taught me to let go of my story of need-to-finish. It’s softened the edges of my Puritan work ethic. I’ve grown to appreciate having to tighten the handle on the backdoor once a week. Some day we’ll get to putting knobs on the kitchen cabinets. I’ve come to appreciate jiggling the burner to make the stove work. Our monthly puddle-prevention-thaw of the freezer is part of the rhythm of our lives.

Zebra. No resistance. It’ll get done when it gets done.

Life is infinitely better without an imaginary lion on my heels. It makes me wonder why I spent so much of my life creating stress for myself. I’ll save my stress for the real lions and you can bet when one of those appear, I’ll tell you about it. Again and again. I’m a human after all. Half the fun of being human is telling the tale so I want to make certain my tale, if I’m going to perpetuate my stress, has bonafide lions snapping at my hooves.

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read Kerri’s blogpost about THE REFRIGERATOR

i didn’t know/this part of the journey © 1998 kerri sherwood