Experience It [on Merely A Thought Monday]

Dogga was fast asleep just outside the back door. The early morning air was cool and the sun was shining on the deck. He found the perfect spot for a re-pouch.

I was concerned because his usual morning habit is to raise a ruckus and run in circles. His silence brought me to the back door. I was so surprised to find him sleeping that I was at first concerned but the morning was so still, so unusually quiet, that I, too, felt overcome by the peace of it all. I watched him sleep. I wanted to lay down in the sun and cool air and enjoy the rare moment.

Kirsten was here for the weekend. She and Dogga have a special bond. He was laying at her feet; sleepy eyes bobbing. I told her that Dogga was just beginning to have some old-dog behaviors. More naps. Sometimes he allows the squirrels to run across the yard without a chase. He’ll be nine years old soon.

There’s a phrase that’s recently popped up several times in my reading. The purpose of life is to experience life. I thought about that on Saturday night. Kerri was inside prepping for dinner and Kirsten was upstairs. I sat on the back deck to watch the waning light. Dogga came and rested his head on my shoulder.

There are moments that you want the world to stop, moments that you want to rest in, drink deeply and savor, yet you know they are special because they are passing. That particular combination of loves will never again coalesce in just this way. A snowflake .

The purpose of life is to experience life. In all of its snowflake forms. Fully. Deeply.

[Jim Seals passed this week. His passing has Kerri singing We May Never Pass This Way Again]

read Kerri’s blog post about WE MAY NEVER…

Drive The Backroads [on saturday morning smack-dab.]

I thought I’d always be a city rat. I love museums and galleries and concerts. And then, something happened. Now, the pull is to quiet places. Space. I still love my art museums but I no longer need to live next door.

We drive the backroads as often as possible. We are much more interested in enjoying the ride than we are in “getting there.” Surrounded as we are, by Chicago to the south and Milwaukee to the north, our meandering down the backroads is often speedier than the aggressive congested freeways. We’ve become the turtle in the race with rabbit.

Last Friday, after work, we drove the backroads to The Chicago Botanical Gardens. It was a gorgeous evening. We held hands and Bali-walked the paths through the Japanese Gardens. Walking with no desire to arrive.

read Kerri’s blog post on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Sit On The Horizon [on KS Friday]

We are the first wave of humans to experience a pace of change so fast that the media of our memories becomes irrelevant – and sometimes inaccessible – even before the paint on the memory is dry. A crank driven film camera caught a toddler version of me running down the hall in my footie pajamas on Christmas morning. Images rare and, at the time, expensive to develop, our technology makes those films seem prehistoric. Kerri and I work on computers that are separated by over a decade. Mine works lightning fast and hers…is teaching her patience.

I’ve recently been pondering a quote attributed to many: “We shape our tools, and thereafter our tools shape us.” Facebook is a tool. Twitter, too. This screen that opens entire universes for me is a tool. These screens that pull us into them are tools. Our stories, our expectations, our experience of time and space and each other, shaped by our tool. This river runs so fast that front page news is less than an afterthought tomorrow. We take so many photos and movies that we can’t remember taking them. It’s a million miles from the days of precious and rare footage in footie pajamas.

Kerri found the bin. It holds many treasures. Movies that her dad recorded of her first album release concert. Early performances. Recording of movies complete with commercial breaks (before tevo was a glimmer in its inventor’s eye). Luckily, we have a VHS player. And it works! Some night, very soon, we’ll plug in the player and I will get to see her, at the very beginning of her career, long before we met, play.

Reaching back. Racing forward. Little miracles of remembrance rendered obsolete by faster and smaller miracles of moment-capture.

We sit squarely upon the event horizon, our memories both a bin found in the basement and an intentional composition – Instagram stories, Facebook memories, a story shaped by our tools, tools shaping us, a creative act.

read Kerri’s blogpost about THE BIN

Kerri’s albums are available on iTunes & streaming on Pandora

let me take you back/as it is © 2004 kerri sherwood

Wrap It [on DR Thursday]

Christo wrapped mountains in fabric. He wrapped coastlines. He populated passes with umbrellas. When I saw the candlesticks wrapped in plastic and ready to roll out the door, I thought, “Little Christo.” Wrap it and it becomes something else. Visible, invisible.

My favorite part of Christo and Jeanne-Claude’s website was found way at the bottom. Click on the words, “Projects Not Realized.” There were so many ideas! Whacky and wonderful visions that, for one reason or another, never made it off the drawing board. Why was one building wrapped and another rejected? Why did the mountain of barrels never block the intersection? What sense is there to be made of projects that are not invested in sense-making?

Sense-making follows experience and, in these times with so much media shouting for attention and propagandizing belief, it’s very hard to have a direct experience. I suppose that’s why Christo wrapped mountains. It takes an extreme act of non-sense to shock us into silent what-the-heck-ness.

I saw his umbrellas popping vibrant yellow along the pass from Bakersfield to LA. Giant dandelions stretching for miles. What I most remember as I stopped to get a closer look: children found it impossible not to dance at their bases. Make sense of that.

read Kerri’s blogpost about CANDLESTICKS

greet the world © 2011 david robinson

See The Glue [on Not So Flawed Wednesday]

It’s a new phrase to me but I liked it immediately. I liked it because I have known some amazing people, those rare birds who keep the runaway-egos focused on the project, who naturally and seemingly without effort coalesce disparate talents into a cohesive creative team. The ‘glue people’ is a perfect description.

Glue people intuitively understand power as something that is created between people, not something wielded over people. I suspect that is the epicenter of their glue-gift: they see beyond the parts to the sweeping possibility of the whole. They know that “every man/woman for themself” is a recipe for disaster.

Despite our dedicated cowboy mythos, innovation is never the province of a single person. There may be a single visionary but the vision is never accomplished in a vacuum. Inventions, like organizations or nations, come to fruition through the efforts and skills of the many-working-as-one. Glue people generate “the-working-as-one.”

Stage managers, production managers, executive assistants, contractors…those highly overlooked people at the center of the information, who quietly make sure the work of creation happens without collision while also making certain all the parts and pieces know how much they are valued.

Meaning makers. Making value explicit. Glue people. Just try to get an idea off the runway without them.

read Kerri’s blogpost about GLUE PEOPLE

Do It Together [on Two Artists Tuesday]

Our house is beginning to breathe. As each bag or box leaves, as another load goes to Goodwill, space opens. Air moves. Stuck spaces relax. New possibilities circle our imagination. And, as the house takes a deep inhale and long slow exhale, so do we.

This is a task she must do on her own. In the past I tried to make it happen and only created more turmoil. I am a relative newcomer to this house so my memories do not run as deep. What looks like junk to me might carry a sacred family story.

That is the continual lesson of my life. My eyes can never see the full extent of your story. Your eyes can never see the complexity of my story. The creation of “our” story requires constant tending. It’s always best to ask a question. “Our” story becomes vital, rich, and inspiring the moment I cease trying to get you to see my way. There’s a space between – called “relationship”- that we can both see because, together, we create it. Together, we speak to it.

Those few simple lessons apply to all relationships, even the most casual.

And so, while I’m working upstairs, she is downstairs unpacking boxes and bins. Sometimes I hear her sigh. Sometimes there is laughter and I know a good story will come my way. Each day, before I climb the stairs, I ask, “Is there anything I can do to help?” Her reply is always the same. “I don’t know but, if there is, I’ll let you know.”

read Kerri’s blog post about CLEANING OUT

Unearth Your Modtro [on Merely A Thought Monday]

Our latest late-night binge is Bad Hikers. An adorable young couple hiking the John Muir Trail. Never have two people hiked the JMT in such modtro style. Goth meets urban chic. They are at home in their style, comfortable in their bodies, so they are both unaffected and affected at the same time. Glimmers of Mad Max on the JMT. I love it. Their spirit inspires us.

William Blake is another in the canon of artists unrecognized during his lifetime but now considered a creative titan, one of the great artists of the Romantic era. His contemporaries thought he was crazy because he was not like them. He stood out and no amount of hammering would make him fit the mold.

In the dance between the conservative and the creative impulses, the conservative will always claim the safe ground, plant their flag in “normal.” Tradition. “We’ve always done it this way.” The creative will swim to the margins, climb to the tops of the mountains where they can see more clearly. “What’s over the next horizon?” All people are a mix of both impulses, conservative and creative. We dance between the poles.

One of the first lessons I learned in art school is that, in the western tradition, every era reacts against the previous standard (I laughed when it occurred to me that our tradition is to react against our tradition – no wonder we are always at war with ourselves!) Realists rise in response to the Romantics. Impressionism reacts to Realism. And on and on. The other side of that equation is that the artists are generally tuned into societal and technological advances. Picasso’s cubism and Einstein’s theory of relativity hit the world within a few months of each other. Reactivity holds hands with innovation.

And so it goes with clothes, too. To dress as is expected. To dress as a statement. To dress as is comfortable. To find your style. To define yourself within your era. Clothes are how we publicly locate ourselves relative to the two poles. “This is me!” We shop at the same stores, we buy the same brands, all to express our individuality relative to the expectation-of-the-day. Sometimes you find your style and sometimes it finds you. And, mostly, your style changes as you do. Tie-dye puts on a suit and tie.

And so, this long and winding road brings me to a caution: do not, when you unearth the box of sponge curlers in your basement, exclaim as I did, “Oh my god! Who on earth ever used these things! Why do we have these in our house?” My laughter fizzled the moment I realized that the obvious answer was standing right next to me.

read Kerri’s blogpost about SPONGE CURLERS

Live Wealthy [on saturday morning smack-dab.]

A moment ago I passed the bookshelf and noticed a title. Die Broke. I laughed and said, “No problem there!”

“What did you say?” Kerri asked from the other room.

“You can’t take it with you,” I replied, smiling. I heard the wave of confusion rising in her.

“What are you talking about?”

“Artistry,” I shrugged. “Or, maybe books I’ve never read.” She stared. Flummoxed. “Really, living a good life,” I said and sat next to her. “Now, that’s what I’m talking about!”

“Sometimes you worry me,” she said, returning to her magazine.

“It’s nice to have someone on this earth worry about you,” I said. “That makes me a very rich man, indeed.”

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Look Closer [on KS Friday]

As the cowboy rode passed us he asked if we’d noticed the Mayapples. We laughed. This same cowboy, a few years ago, taught us about the Mayapples. He’d forgotten but seemed pleased when we reminded him. “That cowboy loves his Mayapples,” I said as he rode on down the trail.

We see each other through soda straws. A few brief encounters, a man on a horse dressed as if he just rode in from Wyoming, a lover of Mayapples. I really know nothing of his story or the realities of his life. I thought about him as we continued our walk. He might be a surgeon or a professor of botany. He might be an apparition. I doubt that “cowboy, lover of Mayapples” is the totality of his identity. I have many story-possibilities rolling for the cowboy, yet, my bet is that I’d be surprised if I had more than a straw’s view into his life.

Most of our judgments about others is a result of the straw’s view. We are master storytellers and only require the slightest prompt to spin a full tale. We see a 30 second news spot and believe we have the complete story of someone’s life. I suspect most of what we fear about other people is mostly soda-straw concoction. Laura Blumenfeld’s book, Revenge, is a great reminder of what is possible when the soda-straw view, the assigned role, expands into a full human portrait. A closer look always reveals a richer human story.

Later down the trail I howled with laughter. We’ve been fans of the Mayapple since our first encounter with the cowboy yet never knew there was a blossom hidden beneath the canopy of leaves. “Oh, my god!” Kerri exclaimed, lifting the broad leaf, exposing the white bloom. We lifted a few more leaves, each hiding a surprise flower. “I had no idea!” we chirped in unison.

“Have you noticed the Mayapples?” asked the cowboy. Apparently not.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about MAYAPPLES

nurture me/released from the heart © 1995 kerri sherwood

Sit In The Quiet [on DR Thursday]

Years ago I directed a production of Into The Woods and I wanted a set design alive with David Hockney colors. The production was gorgeous. The set the designer created was a vibrant fantasyland with the dark undertones wrought by dinosaur-size-too-big foliage. Tiny people in an oversized children’s pop-up book.

If I were going to direct the musical again today, I’d approach it through a different lens. I wouldn’t place it in the vivid palette of fantasyland; this world we journey through is fantastic just as it is. When Kerri and I walk, I am sometimes stunned to silence by the shapes and patterns and pops of color. Ominous and serene. Alive.

For reasons that have nothing to do with reason, I started using imagined leaf shapes, plant-symbols in my paintings. I know when I someday return to my easel, the plant shapes will be present – perhaps even dominant. There is no end to the eye-popping variations. Our walks in nature have me “seeing” again.

A few years ago, Brad and I talked about the deep backstory of why an artist creates. Of course, there’s not a single driving reason – it changes over time as we change over time. I know many artists who’ve set down their brushes, singers who stopped singing. They satisfied their backstory. They channel their creative juices into other forms. Based on the evidence, these days I am a writer. Lately, I spend more time drawing cartoons than painting paintings. And yet, I still think of myself as a painter.

In the past, a step away from the easel was acknowledging a fallow season, letting my batteries recharge. This time, the step away is different. My reasons are spinning, changing. The younger me-artist was finding a place to transform pain into presence. The middle-age-artist-me entered the studio because it was the only place on earth that made sense. It was a sanctuary. A quiet place.

Each day I walk down the stairs and stand for a few moments with the canvas on my easel. It’s a stranger. I hear my easel whisper, “Not yet. Soon.” I am content with soon. I feel as if I am in an extended meditation, borrowing a tradition from Japanese masters, sitting in the quiet until there is no space between me and the brush, no space between me and the motion. No space between me and the shape, the pop of color, the infinite variance of pattern. No space between me and the surprise-of-what-will-happen. No space between me and the story.

read Kerri’s blogpost about TRILLIUM

joy © 2014 david robinson