Let Go And Breathe [on KS Friday]

We have been slow to reenter life at home. We were only gone for a few days but it feels like months. There is life before the farmhouse and life after. The time away serves as a hard line of distinction. And, because there is now a before, we are finding our reentry a bit disorienting. Nothing is the same yet everything is the same. Unrecognizable because it is familiar.

We are moving slow. We are noise averse. We are reticent to go to the store or drive on a busy road. Too much stimulus fries our wires. It’s as if we are walking through the life we know – we knew – as witnesses. There is a silent accounting: what stays, what we will let go.

Transformation is like that. Snakes shed old skin. Trees drop their leaves. People clean their closets. Letting go creates necessary space for a new rhythm and new rhythms emerge slowly over time.

Sitting on the back deck this morning, the air was still and warm. The birds were singing, the chippies foraged beneath the feeder for discarded seed, Kerri said, “This is the level of sound that I can tolerate right now.” I nodded.

Long ago, when I facilitated retreats, on the last day someone would usually ask, “How do we take what we’ve learned back into our normal lives?” They were changed by their experiences at the retreat but the circumstance of their daily lives remained unaltered. The real question was “How do I bring this feeling of openness and expansion from the protection of the retreat center to the squeeze and turmoil of the realities of life?” There isn’t a single answer to the question. In fact, there isn’t an answer. There’s a practice. There are decisions. What might fall off the list of to-dos? Spaciousness is not magic. Openness is often the result of generosity-to-self. One must slow down to see and hear and taste. Touch takes time. Positive thought takes intention and letting go of grudges. Forgiveness is a choice made again and again and again.

The first day back we walked our trail. We talked of the changes we want to make. The clearing of old baggage. Making space. Kerri stopped to photograph the honeysuckle. I took a deep breath of the sweet fragrance. Nothing more. Nothing less.

old friends revisited © 1995 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora or iHeart Radio

read Kerri’s blogpost about HONEYSUCKLE

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Meditate On It [on Merely A Thought Monday]

I was struck by how important it felt. How could something so routine seem like such a big deal! We used to do it all the time. Without thought. Nothing special. Now, it felt like a significant passage. A step toward “normal”: we took the train to Chicago.

Covid was the great disrupter. Daily patterns exploded. Social norms obliterated. It changed us in ways that we are only now beginning to comprehend. To this day – without thinking – if someone stands too close to me in the grocery store I adjust, creating distance. A dance of protection. That small adjustment away from someone is a titanic statement about how I approach social situations, about how I feel about being with others. Keep-them-at-arms-length.

In other words, I’m meditating on safety all of the time.

I don’t think I’m alone in my meditation. I believe the central meditation in my nation is safety – rather, our lack of safety. We wouldn’t be arming ourselves to the teeth if we felt safe. We wouldn’t be ripping at the seams or tolerating corrupt bullies or gobbling up conspiracies if we felt secure. People do not willingly plant their heads in the sand when times are good. In good times, people look up, people reach toward each other. Generosity of spirit engenders generosity toward others. A poverty of spirit engenders animosity toward others.

In other words, no one meditates alone. The big meditations are shared.

Of course, it is also true that people rarely make significant change when times are good. The gift of disruption is progress though the first phase is often nasty and necessarily looks precarious. I suppose we are in the nasty stage of change.

It was not so long ago that a gathering with friends began with testing to make sure no one was carrying the virus. Testing became the norm. It was routine. Am I safe? Are you? Do you remember washing your groceries or isolating your mail for 24 hours when we did not yet understand how the virus was passed? It fundamentally reoriented our experience of being with others.

I think about my safety when I enter a crowd. I look for exit routes when I enter the grocery store. And, last weekend, we stepped onto a train for the first time since the great disruption. It felt momentous. A marker in time. Rather than taking a step away, we took an intentional step toward.

The journey of a thousand miles begins with a single step and ours was a step onto a train. Each small step toward others, each reach, each moment of listening…matters. It creates the progress borne of the disruption. I look forward to taking many more small steps.

I don’t know about you but I’m more than ready for a different meditation.

read Kerri’s blogpost on THE TRAIN

coffee or share it, like it or talk to us.

Follow Your North Star [on KS Friday]

We are on a hummingbird watch. There’s an app that plots their migration. They’ve been spotted to the north of us.The little hummingbird symbols on the map show a veritable cavalry of hummingbirds approaching from the south. Our hummingbird feeders are poised and ready, filled with sugar water. Gay, Jay, and Kerri have an agreement: the first to spot a hummingbird in their yard gets a celebratory margarita.

One of my heroes, my great-aunt Dorothy, had multiple hummingbird feeders on her mountaintop yard. I remember sitting in the sun watching the hummingbird posse dart from feeder to feeder. Dorothy’s little plot of grass was a magical place. Blue bottles caught the sun, special rocks glittered, Poncho the dog lazed in the shade, Del’s old army jeep teetered on the edge of the abyss. A ride in the jeep was certain to take us up the mountain into wild, unimaginable adventure.

They did not live in the world of hurry-up and get-there. Their world was the opposite. They were not trying to be-somewhere-else. They designed their lives on experiencing the here-and-now. Their intention was to appreciate-the-fullness-of-this-moment. It was the only place in my childhood, other than my studio/bedroom, that made sense, though it’s taken me a lifetime to recognize why.

They didn’t split themselves. They chose simple living over anxious striving. When I was young I often looked at Dorothy and wanted to know what she knew, wanted to live as she lived. I loved taking walks through the mountain trails with her. I’ve only recently recognized that Kerri and I walk as Dorothy walked. Slowly. Open to what crosses our path and calls our attention. We are capable of walking the same trail each day and experiencing it anew each time.

My north star has been there all along, even in the times when I jumped into the race because it was what I thought I was supposed to do. Yesterday, I went into my upstairs office, sat at my drafting table, and drew cartoons, modifying scripts generated from chatGPT. “I can’t continue to just apply for positions,” I told myself, “I have to do something different as well.” Cartoons.

I laughed. I was full-to-overflowing with ideas. I’ve not been so happy in weeks. Something different; something sane. Something now.

This morning, while I washed dishes, I gazed out the kitchen window, watching for the hummingbirds. I remembered something Susan said to us at breakfast last week: your yard is a sanctuary. She told us that she makes a pilgrimage to our yard each year to recharge. Our yard is like Del and Dorothy’s mountaintop, not by accident, but through intention. It is the place we sit-in-the-here-and-now. To rejuvenate. To enjoy the chipmunk colony living in Barney-the-piano, the chatter of the squirrels, that flash of the cardinals. To await with great anticipation the arrival of the first hummingbird.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about TINY FEATHERS

i didn’t know/this part of the journey © 1998 kerri sherwood

Learn A New Word [on DR Thursday]

Call it a “happy accident.” Call it an unintended consequence. “I like this photo!” she exclaimed. “It reminds me of a Rothko.” A wrinkled brow and then, “I wonder when I took this?”

Last night we learned a new word that I love: Coddiwomple: to travel in a purposeful manner toward a vague destination. I’ve never heard a more appropriate definition for the life of an artist! My pursuit could not be more clear and the destination could not be any less attainable. It’s impossible to explain. Recently I tried – again – to clarify for a colleague that I know exactly what I want, I do not need career counseling or advice. I’ve always known what is mine to do. I’ve never been able to wrap words around it so it might make sense to others. An artist’s life is hyper intentional. From the outside it makes no sense at all. There is no 401k. There is no safety net. There is no certainty. Sometimes there is no shape. Always, there is no adequate answer to the question, “Why?”

There is a clear calling, an underground river running beneath how it is expressed – whether through paint or musical notes or pirouettes. My career, on paper, looks like a random romp through the woods. Galleries and symphonies and stages and boardrooms and classrooms and consultancy and facilitation and coaching (a word that still makes me wince). DEI and intercultural. Start-ups and SaaS. Canvas, all. Some of the best plays I’ve ever developed happened in cafeterias or a conference room. I knew exactly what I was doing. I was not “using improvisation” in a business setting. I wasn’t using anything. The work of my life has not been about translation or utilizing “the tools of art” in other settings.

Artistry is akin to stepping into a rocket headed into deep space for a journey of discovery. The only honest answer to the those who ask, “What are you doing?” is “I’m journeying.” Creating. Inventing. Innovating. Stepping purposefully toward a vague destination. Coddiwompling.

May You, 55x36In, mixed media

read Kerri’s blogpost about ROTHKO PHOTO

may you © 2015 david robinson

Release The Seeds [on KS Friday]

“Creative people are driven to periodic symbolic self-annihilation and rebirth, much like the mythic phoenix.” ~ Alex Grey, The Mission of Art

I loaded my truck with my paintings. I drove to the beach where there were large fire-pits. I burned the paintings, bonfire style. I had so many paintings that it took three days, three truckloads, three successive nights. People helped, strangers who held vigil for me. Only one tried to talk me out of it.

Those nights on the beach were over 20 years ago. All along I’ve understood the conflagration. What I only now understand is the necessity of fire to release the seeds. Not just one seed, but hundreds. Thousands. And not all the seeds found rich soil. Only a few. And, once rooted, most of the seedlings were trampled, overshadowed or eaten. They never made it to the sun.

But the one seed, the single seed, released in fire, without will, intention or knowledge; the fortunate seed, flung into the air by heat and flame, caught the wind at just the right moment and fell to the earth haphazardly in an opportune spot. It took root. It drank in the sun. It survived the hungry deer nibbling close-by. And over decades, through harsh winter and sunny drought, it slowly, ever-so-slowly, grew.

A thousand seeds. One strong tree. New cones, loaded with millions of seeds. Ideas ripe for the wind.

A cycle that cannot be rushed. Each loop, lovingly and faith-full, takes time.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SEEDS

part of the wind/blueprint for my soul © 1997 kerri sherwood

Hold Space [on Not So Flawed Wednesday]

I just realized why the stripped forest is having such an impact on me. While opening the back door to let Dogga out, my dials spun and it slapped me in the face. I am like the forest.

For several minutes, staring at the photograph, writing then rejecting, then writing and again rejecting what I’d written, I decided to get up and let Dogga out. This picture was making me anxious. Moving around has always been good for me when I’m thought-wrestling.

I am like this forest. Exposed. Chips and debris are everywhere. Water is overtaking the trees.

I was writing about a question Justin asked one night at dinner. “What’s your stance about secular Calvinism?” he asked.

“I don’t think I have one,” I replied. Justin’s eyebrows hit the ceiling and I made a snap decision not to follow my reply with an explanation. He was sorting his belief and searching his heart. Empty space was more useful than cramming my erudite-and-empty justification into the moment.

Insight requires space. Lots of space.

I wish I could express how rare it is for me to keep my mouth closed when I have a thought on a topic. Kerri will laugh aloud when I read this to her. “No joke!” she’ll say. I wanted to say to Justin, “I don’t have a stance because I think it’s a given.” His question was akin to asking about my stance on the existence of the moon. No culture sees itself clearly.

No person (me) sees himself clearly.

Chips and debris. The river has overrun its banks. One half of the photo is the result of natural forces. The other half is man-made. Choices. Circumstance and intention. This landscape, once so familiar, will never be the same.

I’ve spent my life cultivating my capacity to see pattern and metaphor. It’s an artist’s prerogative to make the strange familiar and the familiar strange. I am the forest. Familiar, yet completely unknown. Stripped for rejuvenation.

Insight requires space. Perspective requires distance. Perhaps the reason I left open space in my conversation with Justin is something I need do for myself, too. Searching my heart, I am the forest. Stripped of invasive plants I can see all the way to the river. So much space.

What is my stance? Right now, thankfully, I don’t think I have one. I’m holding the space for insight to come.

read Kerri’s blogpost THE FOREST

Appreciate It [on KS Friday]

“…where there are people, there is art.” ~ Alex Grey, The Mission of Art

Have you ever Googled the definition of art? I have: (noun) the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

It’s necessary to pay attention to the two phrases comprising the definition: 1) expression or application of human creative skill and imagination…2) to be appreciated primarily for their beauty or emotional power. Appreciated expression. The value measurement is beauty or emotional power.

A deeply personal expression that touches the universal. The art in a small child scribbling is not in what’s “produced” – it’s in our witness to the beauty of a new-human being discovering the joy of expression. Moms, full to overflowing with appreciation, hang the scribble on the refrigerator. There is no purer experience of art.

Very few children survive the moment when free expression tangles with expectation: now we make art. Scribble meets intention. Appreciation is less easy to attain when the circle grows beyond mom’s refrigerator. “Art” meets a bottom line valuation where beauty and emotional power sometimes take a back seat.

It sounds bleak until you look around and recognize what you see. People pointing cameras everywhere. Painted rocks on the trail. A chalk drawing on the sidewalk. Homes decorated. Magazines with recipes and gorgeous shots of possibility. Sculpture on the beach. Youtube videos abound. Architecture and the design of apps. Music! My god, the music. I passed a man whistling a tune that lifted his step and mine.

Expression. Appreciation. Imagination run amok. Mom’s refrigerator is everywhere. What could be more human?

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about ICE

nurture me/released from the heart © 1995 kerri sherwood

Peel Open [on DR Thursday]

The pods peel open at just the right moment. The fine fluff catches the wind and carries the seed. Nature’s dispersal system. Hope on a sail. The destination is determined by the direction and strength of the wind, not the intention of the seed.

In the United States of America, today is a day of thanks giving. Families gather. Traditional recipes prepared. A pause in the fast moving river for a moment of gratitude. Stories shared; recipes, smells and tastes like seeds are planted in the next generation.

Sitting at a card table with cousins, the adults packed around the kitchen table. Cranberry in a dish, shaped like a can. Blue blue Colorado sky. The crisp air dancing with the sun’s warmth. Coffee. Pumpkin pie. My memories rise from my senses.

Last Thanksgiving, Covid kept us isolated. Our families are far away. Despite our best plans, we will, once again, give our thanks together yet alone. We will walk a trail. We will love on the Dogga. We will make a special meal and tell stories of gratitude. Rob came through for a visit. Dwight called. Mark remains a rock. We heard from Kate. There is no lack of love or laughter in our house.

This pod will peel open at just the right moment. We are burgeoning with hope. In the meantime, we prepare our fine fluff, knowing full well that, despite our best intention, our destination will be determined by the direction and strength of the wind.

read Kerri’s blogpost about THE SEED

Tango With Me, 39x52IN, mixed media

tango with me © 2018 david robinson

Embrace The Flaw [on Merely A Thought Monday]

Every week in our website inbox, I find an ominous message: “There are some serious flaws in your code.” No kidding. If they only knew half the stuff that runs through my mind!

The message also warns that the serious-flaws-in-my-code are making it hard for Google to find me. Suddenly, I’m not so sure having flaws in my code is a bad thing. Maybe I don’t want Google to find me. In this brave-new-world, I like the idea that my every move isn’t easily tracked and translated into data miraculously transformed into personalized advertisements.

I realize that the flaws in my data will probably mean that I am less successful than I otherwise might be. I will accumulate less “likes” and my pool of “followers” and “friends” will not reach as wide or deep as it otherwise might. I’m regularly chastised about my flawed code. My shallow success is possibly attributed to my inept working of the social net.

The goal is to gather the audience, with no regard whether or not there is anything worthwhile to say. I’d say that’s a fair summation. It’s a popularity contest sans rules or decorum. It’s the same thin philosophy that confuses a test score with learning or a banana-taped-to-the-wall as meaningful art. We are the story Jane Goodall tells: the monkey banging the garbage can is leader for a day until the pack recognizes that his noise is just that: noise. Not leadership.

I’m more than grateful that I have serious flaws in my code. I may or may not have anything worthwhile to say. That is not for me to decide. As Sam once advised me so many years ago, the quality of my friends matter. Not the number.

Google’s divining rod might have trouble finding my well but I’m comfortable knowing my well is plentiful either way.

[Happy Halloween, by-the-way]

read Kerri’s blogpost about Explore Beyond

Drop The Veneer [on KS Friday]

It was common during coaching calls, for clients, especially at the beginning, to self-diagnose. Essentially saying, “This is what is wrong with me.” It was an odd start to a process that is about fulfillment of intention or creation of desire. A coaching relationship isn’t therapy and a good coach – one that knows what they are doing – is careful not to let the relationship become about fixing-what-is-wrong. Moving through a creative block or clarifying a fuzzy vision in not an indication of a character flaw. The post-it note on my desk read, “Nothing is broken. Nothing needs to be fixed.”

The self-diagnosis was a veneer. A protective layer, like armor. People have innumerable strategies for hiding their fire, for blunting their passions. Succeeding or creating often implies exposure. Being seen. Stepping into the light can be scary business.

Rather than deal with the diagnosis, a useful and often surprising question to ask is, “What’s beneath that?” What’s beneath the protective layer?

It was also common, after taking the time to take off the armor, after dropping the I’m-broken-veneer, to hear a voice whisper, “You know what I really want? I want to be a writer.” Or a painter. Or a dancer. Stepping into the light is scary business and hearing your voice say what you really want, even in a whisper – especially in a whisper – is powerful stuff!

I loved those moments. Their world spins. The eddy of “fixing” slips into the current and there’s no turning back. Their path forward may be gnarly and steep but that tiny whisper clarifies the picture, releases the desire.

Careful not to be too effusive, I’d say, “Good. Now, what’s the next step?”

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost on VENEER

holding on/letting go on the album right now © 2010 kerri sherwood