Into The Space [David’s blog on saturday morning smack-dab]

There is a space of time between when we script the cartoon and when we write our posts about the cartoon. Sometimes something – some bit of information or an experience – falls into that space and colors what we write.

A mother talking to her small child about school-shooter-drills fell into the space. It invoked a different kind of wistful. I yearn for a time in our nation when the leading cause of death among our children is something other than a bullet.

What else fell into the space? A fractal. Knowing that our pathological-liar-president is surrounded by people who perpetuate his fantasy. He is protected from the messy truth.

But wait! Take a step back. The fox protects millions of the intellectually lazy from the messy truth. It wraps them with a woeful victim tale. They are made angry and violent by the perpetual assault of an illusion. But wait! We are witness to the scrubbing of our history, the erasure of civil rights and DEI, the banning of books, the stripping of exhibits from museums…all to promote a fantasy-tale of the USA, all to protect us from the messy truth of our nation.

It’s not the first time in our nation’s short history that we-the-people have been protected from seeing the full story of our nation. We are – and have been – surrounded by a fantasy-crap-tale: it’s called manifest destiny. White-people-good; white-males-especially.

Am I feeling the fall-wistfuls yet? No. I am just incredibly sad. Today I am witness to a mother teaching her bright inquisitive child to crouch in a dark corner and try to disappear. Today I am witness to the power players of my nation protect pedophiles instead of the children they raped. They are drilling us to crouch in dark corner. They are normalizing us to the necessity of disappearing.

I yearn for a time that has not yet happened in our history: a time when we are unafraid to look in the mirror and see the whole picture, all of it; the good, the bad, the ugly. I yearn for a time when we are capable of dealing with our truth rather than whipping up fantasies.

Maybe then we will summon the capacity to protect our children from real bullets rather than perpetuating the fantasy that gun control is an infringement upon cowboy culture. Or, to pull the mask off completely: maybe we will prioritize the safety of our children above the profits of weapons manufacturers; maybe we will prioritize the rights and safety of all people above protecting the irresponsibility, the outrages of the privileged few.

Maybe. I’m capable of wrapping myself in a protective feel-good fantasy, too. I come by it naturally. I am, after all, a citizen of the USA.

read Kerri’s blogpost about WISTFUL

smack-dab © 2025 kerrianddavid.com

Right Before Our Eyes [David’s blog on Two Artists Tuesday]

If you are like me, this image took a moment to grok. All the elements are apparent yet, at first, my brain couldn’t pull the pieces together. Kerri, standing outside the front door, took the photo of Dogga on the inside staring out. What is reflection? What is image-through-the glass? It reminds me of those famous drawings that can be seen in completely different ways, the old crone and the young woman. One drawing, two possible images. An optical illusion.

After the image of Dogga-in-the-glass came into focus for me, Kerri exclaimed, “I can’t believe it took you so long to see it!”

MC Escher made a career of creating optical illusions. Stairways to nowhere. Hands drawing hands. The mathematics of art and design. We are rarely aware that our brains assign rather than discover meaning, selecting and assembling pieces in order to sense-make. Like well-worn paths through the woods, our sense-making carves default channels: we see what we expect to see. We see it because we believe it, not the other way around. That is to say, we rarely see beyond what we think. Thinking paths-of-least-resistance render us blind.

The pursuit of truth is to see beyond our well-worn paths. Escher knew that. His images play with our expectations. His images, for a moment, shock us into seeing beyond our expectation.

Factors like age or cultural orientation create biases in the making of meaning, in the assembly of the illusion. For instance, in the drawing of the old/young woman, older people will more often see the old woman while younger people will almost always see the young woman. If you happen to come from a culture that is not inundated with images (there are a few remaining on the planet), it is likely that you would only see scribbles on a page. You would see neither the old or the young woman.

Your normal is not my normal. Your well-worn thought-paths are different than mine.

Given identical experiences, your sense-making will differ from mine. It is the genius behind our system of governance. That two opposing points of view might come together, discuss what they think-they-see and compromise on a best path forward, is the foundation-stone of our democratic system. The genius begins when allowing that one party sees an old woman while the other sees a woman who is young. Both can be valid. Both can exist on the same page.

Allowing for and valuing differences of perspective leads to common ground, shared action.

On the other hand, the same system collapses when what is immediately apparent to both parties is summarily denied by one side of the aisle. It’s another type of illusion altogether: the negation of the obvious. For instance, our last presidential election endured 65 challenges in court and all were summarily thrown out for lack of evidence. Both sides knew – and know – without doubt that the election was valid, free and fair yet the red-hat team continues to fearmonger, pounding the drum of corruption, wearing another kind of thought-path in the minds of their constituents, rendering them blind.

There is a clear distinction between sorting out differences and creating them to exploit fear.

Coming together, in an attempt to see beyond expectations, respecting differing perspectives, valuing the multiple perceptions of a diverse nation in order to stand on common ground is democracy at its best. Creating division, whipping up disunity, negating and devaluing the perspectives and values of others spells the end of democracy. It intentionally pulls the nation apart.

Democracies pursue truth. Autocracies thrive on falsehoods. The choice we face is abundantly clear and right before our eyes. As a nation, all we need do is step off our well-worn thought-paths and open our eyes.

read Kerri’s blog about ILLUSIONS

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How Utterly Good [David’s blog on KS Friday]

I’ve been pondering something Horatio said during our call yesterday. “Circumstances change but that doesn’t change how you have to live.” he added, “You still have to live a good life.”

It is not a new concept. How many times have I said to groups, as if I knew what I was talking about, “You are not your circumstance.” In the school of hysterical irony, I am constantly catching myself teaching what I most need to learn. I heard in Horatio’s comment something often spoken but discerned for the first time: You still have to live a good life.

What does it mean to live a good life? What does it mean to me? To you?

In a broad sense we were discussing the many changes we’ve experienced over the past decade. Decades. Aging. Climate. Loss of loved ones. Pandemic. The politics/division of our times. Technology. A flurry of fast moving circumstance. What seemed so important a decade ago is now barely a shadow memory. Aptly, an illusion.

You still have to live a good life.

Horatio spoke of going into his studio. “Immersing in the tangible,” he said. Painty fingers. Music. Charcoal dust. The smell of coffee and conté crayons. Exiting the noise and inhabiting the now. That’s a good life. I recognize that place.

Inhabiting the now. Kerri and I walk the trail arm in arm until she spots the next photo-op. “Lookit!” she chimes, showing me her new image-capture. “Green on green,” spoken with the enthusiasm of a five year old. Our walks are immersions in the tangible. We’ve had so much rain lately, there is an explosion of green in our world. We walk slowly so we might see it. Sense it. The shapes are as extraordinary as the many shades of green.

Horatio’s comment struck an ancient chord in me.

Sitting in our stream in the mountains of Colorado, Kerri and I talked about the next phase of our lives. A intentional creation. “The Sweet Phase,” she called it. It is inaccurate to suggest that we will create The Sweet Phase as much as we will inhabit it. The tangible. The now. Just like entering the studio. We’ve already started. Our practice is to not get swept into the swirling drama of circumstance. “…that doesn’t change how you have to live.”

It’s a question of recognizing it. Regardless of the circumstance, how utterly good living life really is.

I Didn’t Know/This Part of the Journey © 1997, 2000, Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about GREEN ON GREEN

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Enter Happiness [David’s blog on Not So Flawed Wednesday]

The day brought to mind Avalon, the mythical island hidden from sight by the spells of the wise women who rule there or perhaps by charms cast by King Arthur’s sister, Morgaine. It is where Arthur was taken after he was gravely wounded in battle. To heal or to die. It depends on which version of the legend that you read. As I watched her take the picture I wondered if Avalon could pop-up off the coast of Lake Michigan. If it can be spelled and disappear from sight it certainly can be spelled to appear wherever Morgaine chooses. Magic is magic. Possibility is open-ended until doubt or belief renders it otherwise.

While I was studying the photo, pondering what I might write, Kerri played a song by John Denver. I didn’t recognize it and looked over her shoulder. It was the last song he wrote before he died. Yellowstone (Coming Home). He did not know it would be his last song. He had no expectation of dying on the day his plane dropped from the sky into the ocean. I have sometimes wondered what would be my last painting or the final piece I might write. In my imagining, I always know. “This is the last,” I think and set down my brush, one more step in preparing to enter the mist.

I read somewhere that the real key to happiness is to lose your self-importance. It’s counter-intuitive in a culture that identifies through individual achievement. Climbing the ladder. Top dog. Happiness as a by-product of achievement and possession. Yet, it seems simple if you think about it. Happiness, not as an acquisition but as as an aspect of presence. Happiness enters when we are present in our moment and, in order to actually be present in the moment, the eyes and heart and mind need to let go of the desire to be other places, future or past. Happiness finds us when enough is truly enough and everything else, all the imagined importance, the yearning and the lack, disappear into the fog of time’s illusion.

read Kerri’s blogpost about FOG

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A New Day [David’s blog on DR Thursday]

A new day.

Sometimes it takes a storm blowing through to make you realize what has value and what does not. The tornado takes the house, scatters the possessions, but the family is safe. No one is harmed. The wind takes the clutter and leaves a certain clarity.

I once knew an accomplished artist who lost his life’s work in a house fire. What I assumed would be tragic, for him was an opportunity: “I’m alive,” he said, elated. “Now I have a completely clean slate and can discover my work all over again.”

The storm comes. The veil falls. The Great and Powerful Oz is nothing more than a man with levers and illusions of grandeur hiding his real face behind a curtain. Dorothy suddenly knows without doubt what is true and what is fabrication. It’s quietly liberating.

She watches The Great and Powerful drift away in his hot air balloon and clumsy illusion. Dorothy realizes that no one can give her what she already possesses, an integrity of purpose, a vibrant spirit, surrounded by honest people who love her in a place she calls “home.”

A new day.

Nap with DogDog & BabyCat, 36″x48″, mixed media

read Kerri’s blogpost about A NEW DAY

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Take The Back Road [David’s blog on KS Friday]

Even in our race to Milwaukee to meet a deadline, we decided to take the back roads. We’ve learned that the time difference between the freeway and the less-stressful-backroads is often only 15 minutes. I’m finding that getting-there-faster is generally an illusion that always produces heightened stress. We have enough stress as it is so we look for ways to feed-the-calm. To reinforce presence. 15 minutes seems like a fair trade for less angst. Even in a race.

We’re regularly passed on the road by a car-in-a-hurry. We inevitably catch them at the next light. All the aggression, all of the get-out-of-my-way, achieves a car length of advantage. I try and keep that in mind in our age of more/faster, a by-product of information inundation. Aggressive drivers have become something of a metaphor. It takes time to process information. It takes time to suss out relevance. Very little is actually gained by going faster to go faster. Except more stress. It is an un-win-able race.

On our back road drive to Milwaukee we marveled at the clarity of the storm cloud’s line of demarcation. It was as if a giant X-Acto knife cut the clouds exposing a swatch of blue-blue that extended to the horizon. We literally drove under the line. In a moment we moved from shadow to sun. In a moment, the gloom and weight of the stormy day transformed to warmth and rejuvenation. In a moment.

I wondered if the angry driver swerving through traffic, speeding toward a destination, even noticed the line. I wondered if the warmth and rejuvenation we experienced was available amidst the dedicated hurry-hurry. I wonder at the ubiquitous story of needing-to-get-there-faster, getting there first. What is actually gained? What is actually lost?

It takes time to suss out relevance. It takes time to notice the warmth and welcome rejuvenation when it becomes available. It takes time to actually see – to see – another human being on the road to somewhere. It takes time – and taking time, as it turns out, is nothing more or less than a choice, something as simple as taking the back road.

Holding Steadfast/Blueprint for My Soul © 1997 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE LINE

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buymeacoffee is a stop on the road to somewhere.

Grok The Rule [David’s blog on Two Artists Tuesday]

“A good poem looks life straight in the face, unflinching, sincere, equal to revelation through loss or gain.” ~ David Whyte

A good rule of thumb in the visual arts: areas of high contrast, in color-or-value, come forward while areas of low contrast retreat. Landscape painters use this rule to create the illusion of foreground and distance. Abstract painters use this rule to move the eye around a composition.

Storytellers and poets use the same rule. High contrast creates interest. It grabs attention. Low contrast sets the environment, the mood. “Some kind of relaxed and beautiful thing/ kept flickering in with the tide/ and looking around./ Black as a fisherman’s boot, with a white belly…” Dogfish by Mary Oliver.

Misused, it’s the rule-behind-the-reason that most of our news is “Breaking News!” False contrast. Hype. It’s the reason our national portrait is continually painted as divisive. High contrast pulls focus. The money follows the ratings so attention-grabbing is highly prized. Low contrast – like agreement, collaboration, sameness, community…truth – doesn’t generate the same level of interest or income.

Like all rules, there are worthy reasons to wield them. In the arts, the contrast principle is used to illuminate unity. To break an individual through to the experience of something bigger. To open questions. In our news-of-the-day, the rule is used to whistle a song-and-dance of discord and distraction. To separate into tribes. To manufacture the illusion of depth while sitting in shallow water.

The reasons to wield the rule are diametrically opposed.

It was a sad day when the young man, standing in our living room, told me that he would educate his child at home. His reason? He didn’t want his son to be stuffed with ideas. “Just the facts,” he said. “Just the facts.”

“Poor souls,” I thought of this man and his young child. How will they ever stare into the fiery face of democracy – an ongoing idea born of high contrast and wild ideas – the artistic kind, meant to bring people together in one nation under every possible god – like a poem. They won’t recognize democracy’s death when without question it slips like ashes through the fact of their fingers.

As for me, I’ll stick with the high and low contrast of Rumi, MLK, Shakespeare, Kahlil Gibran, Mary Oliver, Maya Angelou…

“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.” ~ Rumi

[another worthy rule of thumb: never read the headlines prior to writing a post. All the icky-mush rushes to the foreground and permeates my brain]

read Kerri’s blogpost about FOG

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buymeacoffee is a counterintuitive, highly appreciated, offering of support amidst a high contrast environment that keeps the artists among us hopping and hoping.

Gain Some Perspective [David’s blog on Not So Flawed Wednesday]

If you’ve not yet bumped into Piet Mondrian’s paintings of trees, this is your chance. Not only are the paintings beautiful but if you’ve ever scratched your head at his more famous abstract/geometric paintings, you will find the forest through his trees. Things are not always what they seem and, in the era of contemporary art, it is necessary to grok the context in order to fully appreciate the content. Of course, that rule also applies in this age of info-tsunami: content rushing across the screen is regularly embraced whole-cloth – sans context – so truth and lie have equal standing.

In the art world, placing content (an individual painting) into context (the historic era, the long-body-exploration of the artist’s work, the source of the exploration) is called “gaining perspective”. Because things are not always what they seem, it is drilled into every artist to regularly stand back, to clear their eyes, to get perspective on their work-in-progress. It is also (or used to be) drilled-in to offer the same courtesy to the work of other artists. Stand back from snap judgments. Check the sources. Understand the exploration. Grasp the historical context. It is never as simple as “liking” or “not liking”; appreciation opens a vast color palette beyond the numbing mindset of thumbs-up or down.

Gaining perspective and learning are the same thing. The most well-educated people I know are not lawyers or doctors. They are actors, directors, dancers, and painters. Gaining perspective takes a lifelong dedication to questioning and researching and double-checking. It is to peek behind the curtain of popular and not get caught in the current reality spin. It is to know that things are not what they seem. It is to know that reactions are easy answers; questions take time. Gaining perspective takes time.

Sometimes she stops so quickly that it propels me forward a few stumbling steps. While I tumbled forward she knelt at a puddle and aimed her camera at a leaf. Or so I thought. I have learned (daily) that she sees things that I do not. I have learned that my assumptions are almost always wrong. She smiled when she stood up. “Look,” she said.

I gasped. I was terrifically wrong. The leaf was nowhere in sight. The reflection of trees in a puddle on the asphalt trail. A festival of texture. A masterpiece of illusion. Piet Mondrian must have knelt at a puddle reflection just like this! “Trees through an icy window,” I said.

Things are rarely – if ever – what they seem.

read Kerri’s blogpost about THE TREES

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buymeacoffee is exactly what you make of it.

See Like Seuss [David’s blog on KS Friday]

If you’ve ever pondered where Dr. Seuss got his idea for the fabulous hairstyles on many of his characters, look no further than the dried flowers in the field. Thing One and Thing Two wave to us as we walk by. The Grinch wrinkles his nose and grins.

Of course, I made that up. I have no idea where the good doctor found his inspiration. It’s a good bet that he, like most creators of characters, found a visual spark from the crazy shapes and wild styles in nature. I look at the zany filaments of this yellowing pod and see a cartoon henchman, narrowing eyes beneath a spiky do. Of course, my henchman, like all good cartoon thugs, has no real power. He likes to think he can intimidate, an omega with alpha delusions. It’s what makes him lovable. I’ll name him Thistle.

I personify everything. Projecting my human-ness on everything is a quality that identifies me as uniquely human. We see angry volcanoes. Trees that talk. Cartoons animals are a festival of personification. Wily Coyote. Humorless gods in the sky. A cat in a hat. Mother Earth.

We are a miracle of creativity, whether we recognize it or not. Projecting ourselves, infusing our fears and fantasies, the sacred and profane, on every mountain, rock and weed. Even on other people. What we see is…what we see. A creative lens. Is it any wonder we’ve filled volume after volume seeking but never finding truth? Agreement is the best we can do.

Now, if you’ll excuse me, I think I just saw a fox in socks…

transience/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THISTLE

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buymeacoffee is an animated feature length movie comprised of characters drawn from nature who unwittingly support the artists that drew them. It’s a must see.