The Way It Works [David’s blog on KS Friday]

She looks for hearts so, of course, she sees them everywhere. That is the way perception works. We have it backwards: we do not “believe it when we see it,” rather, “we see it because we believe it.” We see what we expect to find.

In these un-United States we are witness to the power of propaganda to shape belief. The Fox has millions believing that they are victims of a scary monster named Woke. They are steeped in the illusion of an imagined immigrant invasion. They are choking on the belief that our society is rotting from progress, under assault by the learned. None of these threats exist but that has no bearing on what the fox-mesmerized-audience perceives-and-believes. They look for boogeymen everywhere and, therefore, that is what they see. They see it because they believe it. No facts necessary. Reason cannot punch through the blindness of their hard faith. Heart is nowhere visible in their dark, mean-spirited perception.

Last night we made a pact with our pals. We vowed to slap each other awake if we grow rigid as we age. “I want to stay curious. I want to keep learning. There’s so much to learn.” Yes. And, again, yes.

I left our evening together so grateful for the people populating my life who are, like me – like us – dedicated to seeing miracles in the everyday. They look for possibility and, so, they find it. They are not afraid to challenge what they believe. They question. They step into the unknown. Their belief has not calcified, rather, it remains fluid and expansive. They grow. They check the veracity of what they are told. They do not seek to blame others for their obstacles. They seek the best in others and – you’ll not be surprised – they find it. That is the way perception works. That is the way a healthy society works.

LEGACY from the album RELEASED FROM THE HEART © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about HEART

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Cycles Of Change [David’s blog on DR Thursday]

“Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late.” ~ Joseph Campbell, The Hero With A Thousand Faces

It is a warm evening. The breeze has shifted and comes off the lake, blessed cool. The bird alights on the pinnacle of our roof. Like us it pauses in the refreshing breeze. It drinks it in and rests. This image, this moment, is ancient and I am taken by it.

In the midst of the chaos of the country, the seeming unprecedented circumstances we now face, it is somehow comforting (to me) to remember that no one escapes the cycles of mythology. Mythology is a universal growth pattern, cutting across culture, delivered through story. It is a human-life-map. It is unwise to confuse mythology with make-believe.

Our collapse of moral authority in leadership is not unique in history. Neither is the rise of our tyrant. Neither is the corruption of our court Supremes or the silent cowardice of Congress. We follow a historical pattern just as we perform a mythological cycle.

The Roman Empire fell for much the same reasons that the American Experiment is now wobbling: political corruption, the widening gap between the haves and have-nots eroding social cohesion (maga, the impact of inanity like “trickle-down-economics”, unfair taxation, granting “personhood” to corporations…), the exploitation of division, overspending on the military, limits imposed on innovation and education (the impact of DOGE and the decimation of research among other things).

When servant leadership is upended by self-serving-leadership, the path becomes explicit. It doesn’t happen all it once. It is gradual, this erosion of the foundation takes time. This is a mythological death.

Of course, each death signals the birth of something new. As Joseph Campbell wrote of times like these, it is wrongheaded and naive to try and go back in time to capture some imaginary heyday. It is equally misguided to try to force the fulfillment of some imagined ideal. Both facilitate dismemberment.

Our protests of autocracy, our resistance to brutality, plant the seeds of our transfiguration. We will never restore our democratic republic as we’ve known it. Neither will we fulfill it as first conceived: exclusive; democracy for the few. Fire transforms and what will emerge from this hot collapse is anybody’s guess. I will probably not live long enough to see it. Gestation like this takes time, too.

However, I take heart knowing that the cycle will eventually present us with a new generation of servant leaders, people who rise from the wreckage and sacrifice personal gain for the common good. People who were transformed by this current fire. They will carry in their hearts the pain of their ancestors’ regret.

The bird on the pinnacle served as a herald of that distant day. The wind shifts, cutting through the heat, bringing with it sweet relief and the promise of the cycles of change.

read Kerri’s blogpost about THE BIRD

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A Successful Ripple [David’s blog on Not So Flawed Wednesday]

In 1890 Eugene Schieffelin released 60 starlings in Central Park. A year later he released another 40. Starlings are not native to the United States and Schieffelin “…hoped to bring all the birds mentioned in Shakespeare’s plays to North America…” It is estimated that 100 million flocks descended from his original 100 starlings. One of the 100 million took respite in our neighbors tree and their sheer number stopped us in our tracks. Beautiful individually, beautiful en masse.

That’s quite a successful ripple. It reminded me of Paul who taught me never to underestimate my power to influence the lives of others. We never know the reach of our actions, the power of our words. The ripples we launch.

A lover of metaphor, I am given to researching symbolism, the genesis of every story. I was unusually moved by the starlings, by the unity of their movement in flight, so, imagining that they were messengers, I wondered what might their message be:

“When the Starling Spirit Animal comes into your life, it suggests careful consideration as to with whom you spend time and how much they influence your thoughts and behavior. It’s great being part of a sizable group, but not every single member has a positive impact on you. You need friends. That’s normal. But always take care with whom you let into your inner circle. Stay with folks who support your growth and positive thinking.”

I laughed when I read it. Could there be a more pertinent message for our divisive times? “Take care with whom you let into your inner circle.” We’re in the process of circling our wagons. We’re recently very particular about the information we plug into, the conversations we entertain, and with whom.

And then there was this relative to starlings as symbol:

“Don’t be afraid to put your truth forward. It takes a little practice, but relationships require clarity.”

As I’ve written, these troubled times have provoked quite the ongoing debate within Kerri’s and my Melange. What are the boundaries of what we write? “Put your truth forward…relationships require clarity.”

I was also amused to read this:

“Starling Spirit Animal offers insight on how you can remain assertive, but not overbearing.”

Ask Kerri. I could definitely use some insight in not being overbearing and the starlings are no doubt great masters and a worthy place to start.

And so, 135 years ago, Eugene Schieffelin let fly a starling ripple and his messengers recently landed in my neighbor’s tree which prompted me to ponder these very worthy missives:

“Put your truth forward.

“…remain assertive, but not overbearing.”

“…take care with whom you let into your inner circle.

read Kerri’s blogpost about STARLINGS

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A Simple Equation [David’s blog on Merely A Thought Monday]

“…to the degree that each of us is dedicated to wanting there to be peace in the world, then we have to take responsibility when our own hearts and minds harden and close.” Pema Chödrön, Practicing Peace

Inside, I am wrestling. This political era is challenging everything I believe, everything I believe about humanity, everything I believe about myself. For instance, as someone who spent years facilitating DEI workshops, I have found the hard wall of intolerance; my intolerance.

My intolerance reduces difference to a simple equation. An example: My wife is a survivor of sexual assault. The harm inflicted on her by her rapist ravages her to this day. The maga candidate has been found liable for sexual abuse. He has been accused of sexual assault by dozens of women. For me, a vote for the maga candidate is no more or no less than a vote for a serial rapist. It’s a simple bottom line. Support of the rapist bespeaks acceptance of rape. Never mind the the incessant racism, the misogyny, the lies, the grift…

Another simple equation: A person who votes for the maga candidate is complicit.

For the first time in my life I am finding it impossible to stand in the other’s shoes. I can’t understand it and, more to the point, I am no longer willing to try. And so, the growth begins. I have found my edge.

I’m finding that there are very good reasons to be intolerant. There should be – there need to be – hard lines drawn in the sand. We have laws for a reason. We have separation of powers for a reason. There is a line between moral and immoral, between right and wrong – for a reason.

We’ve been watching past seasons of Alone. Our pals got us hooked on it and I am finding it helpful as I stand on my edge. People left alone in the wilderness quickly learn about their basic needs. They learn about themselves. Although adept survivalists, most nearly starve to death in a matter of weeks, yet it’s not the lack of food that defeats them. It’s the lack of human contact. As they move through their ordeal of aloneness, they become increasingly grateful for the people in their lives. They become humble. They weep. These rugged outdoors-types speak openly about what they fear. When stripped down to the basics, they meet themselves as if for the first time.

They become effusive in their gratitude because they become clear about what matters and what does not.

I feel that I am – we are- learning about ourselves as a nation. We are certainly in the process of being stripped down. The basics of our beliefs – beyond the rhetoric – are being excavated and revealed. And, as I discover the inflexibility of my intolerance, clear about what matters, I am also plumbing the depths of a deeper well of gratitude.

It is not an exaggeration to say that I am thankful for people who ask questions en route to the truth – people who desire to be informed beyond their own comfortable belief. I am thankful for courageous people who can no longer stomach the rot – who place country over personal gain. I am thankful for people who honor and fight to hold the line of decency and democracy.

I am grateful for meeting my intolerance.

I am grateful for people who still think sexual assault is a crime and anyone who sexually assaults should be imprisoned rather than rewarded with the highest office in our land. A bottom line. A line drawn in the sand. A simple equation.

read Kerri’s blogpost about GRATITUDE

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Open The Tiny Measure [David’s blog on KS Friday]

My first question: when did UFO (unidentified flying object) become UAP (unidentified anomalous phenomenon)? I know I am late to the party on this one. Like you, I’ve been reading the UAP headlines for a few years and, each time, ask myself the same question: Why the moniker change?

I did a little research this morning and came upon this phrase from Bill Nelson at NASA: “We want to shift the conversation about UAP’s from sentimentalism to science.” Apparently, George Lucas and Steven Spielberg have our space-alien-sentimentalism dialed to an all-time high. Human imagination runs amok with unidentified flying objects and not so much with unidentified anomalous phenomenon.

Language matters. Since our reference point is…us…a flying object, like an airplane or a spaceship implies a pilot, a “being” at the controls. An anomalous phenomenon? It’s another way of saying unusual occurrence and what, exactly, is an occurrence? If it’s unusually amorphous, there is nothing to hang your hat on. The only thing to do is call a scientist or artist since the imagination needs a few parameters to light its fire.

There was another sad-ancient-yet-contemporary-cautionary-tale that popped up in my reading: “NASA recently appointed a director for UFO research, but is not divulging the identity to protect them from the kind of threats and harassment faced by the panel members during the study.” Science and art are -and always have been – dangerous business. Galileo spent his last years on earth under house arrest for publishing his science; it contradicted the firmly-held belief of the day. He was forced to recant his findings or face the fate of heretics.

Belief does not appreciate being contradicted, especially when there is evidence involved – or as is true in the current example – no evidence at all. Belief has a wonky relationship with evidence. We are witness to that all-too-human phenomenon in our times, just as was Galileo. Protecting poll workers and UAP scientists from the violence of those who are unshakable in their faith and/or “news” source (their reference point).

We do not need science (or maybe we do) to see our absurdity.

We have the capacity to exercise our imaginations in this vast universe of possibilities. We have the ability to question if we desire to use it. We have the gift of unbridled curiosity and need not go off the rails into rootless belief if we allow that, “There are more things in heaven and earth than are dreamt of in [our] philosophy”. We can be afraid of ideas, run from progress, or threaten the artists and scientists that force us to open our smallish belief and tiny measure of “normal”. Growth is always preceded by an uncomfortable step into the unknown. A challenge to what we think we “know”.

And then, after the upset, we need to find language to describe the new world that we discover there.

Time Together/This Part of the Journey © 1997 & 2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about UFO and UAP

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My Wise-Eyes [David’s blog on KS Friday]

We were awake in the middle of the night. I don’t mind these doughnut holes in our sleep because we tend to have heart-to-heart chats. In the dark hours we reach deep into reflection and yearning. We ponder. Last night we talked about our writing. The differences in our styles, what we have learned from each other, how we are becoming better-and-better writers because we write side-by-side, share our work and edit each other.

Every artist needs a person to view or read their work who is completely honest. No energy need be spent protecting the artist-ego. In the theatre that person is called “wise-eyes.” And, in order to take full advantage of the wise-eyes, the artist needs to have open-ears capable of hearing honest reflection. It’s a relationship of deepest trust: “Tell me what you think, see, hear…” Wise-eyes are hard to come by.

Last night, as we talked, I was suddenly overwhelmed by my good fortune: we can – and do – talk about anything. I trust her feedback and insights implicitly. She has my best interests at heart and I have hers. And so we grow. I married my wise-eyes.

The gorgeous shock of dried flowers against an impressionist’s blue sky. I would never see this image were I to walk on my own. And that’s the point. She has me opening my eyes to look at the world in ways that do not come naturally to me. Paradoxically expanding my view to include the close-in, the detail. My head is usually in the esoteric clouds. My wise-eyes-wife is teaching me to also look down, to plant my feet on the ground, to (as she says) “gear-down”. To challenge my idea of what comes naturally. I am becoming a much better artist for it.

Untitled Interlude/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about DRIED FLOWERS AND BLUE SKY

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Ponder It [on DR Thursday]

As you know, Breck-the-aspen-tree almost didn’t make it. Three years in a pot and one ill-conceived planting in the backyard left our poor Breck withered. A new spot in the yard restored Breck’s health but her growth was minimal. We removed dead branches. We assumed we’d stunted Breck’s growth so she would always be beloved and diminutive.

And then…It seems Breck is growing an inch every day. We began the summer looking down at her. Now, we crane our necks to see the new leaves sprouting at the top of her gangly reach. We joke that Breck is doing her Jack-In-The-Beanstalk imitation, though, at this rate of growth, it’s no joke. I confess to having a sit-down chat with her, cautioning her to not grow up too fast.

Last night I was awake most of the night. I thought about Breck and new growth. I thought about the cicadas, a surprising new form emerging from a discarded old body. I hoped against all hope that nature was talking to me, sending me a message. Be patient. All in good time. I’ve been sitting in the hallway for a very long time.

Perhaps, like Breck, I too am waiting for the optimal time, some intrinsic trigger and, suddenly and without warning or inhibition, I will reach to the sky. Perhaps, like the cicadas, in a moment of surprise, my new form will burst out of the old body, amazed at the sudden addition of wings.

In the meantime, I continue to do as I was taught: my job is to “put it out there”. The rest is out of my control [meantime: the intervening time. The hallway]. The operative word is “it”. It. I write and publish almost everyday. I paint and publish. We cartoon and publish. I toss resumes into the wind.

In the dark of night, thinking of aspen trees and cicadas, I ponder worthy questions. Breck needed assistance to move to new soil and then required recovery time. Storing energy for the right moment. The cicada lived underground until it felt an internal imperative to climb – an imperative that I imagine made no sense but had to be heeded just the right moment. For me, if nature is talking to me, it has me pondering what else – that I’ve not yet considered – might “it” be that I should “put out there”? Or better, does “it” matter at all? Perhaps all that I lack is the right moment. And there’s nothing to be done about that.

weeping man, 48x36IN, mixed media

My Site. Up and Running. At Long Last.

read Kerri’s blogpost about BRECK

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Unroll And Renew [on DR Thursday]

During the past weeks I have rectified a wrong that I did to myself. A few years ago, after several water disruptions in my basement studio, with the space in disarray and too full of stuff, I had a fit of “what-am-I-going-to-do-with-all-of-these-paintings. With no thought to the future, I rolled several of my canvases. There are many, many paintings so I made multiple heavy rolls. And then I stacked them. The stacking was my crime. The weight of the top rolls pressed those on the bottom. Left too long and the canvas warps; the paint cracks.

I feel as if I am emerging from a dream. The past. Dried flowers in springtime.

At breakfast on Monday, Liam asked if I had been painting. I blinked, not ashamed of my reply but mostly shocked at the truth of it. “I just finished a painting,” I said, “the first I’ve completed in three years.” Three years ago I rolled my paintings to keep them out of the water – to get them out of the way. Broken wrists, lost jobs, pandemic, an uncanny series of water issues…A pause. Or, I feared, a finish?

I carefully unrolled the paintings. Flattened the waves in the first canvas roll with books. I built successive layers of flat paintings, using the weight that caused the problem to my advantage. Opening the rolls was like taking a walk back through my life. Two of the rolls were paintings from the early 1990’s. A self portrait in orange on an Oregon beach. I recognized the paintings but had to reach to find the painter. Dried flowers. A dream. The past.

Kerri wrangled carpet tubes from a big box store. We cut them and carefully rerolled the paintings, now with a solid center so they cannot be smashed. We devised a strategy to stand the tubes, protected from any future water problem.

Emerging from the dream. Perfect timing. It is the season of renewal. Spring.

read Kerri’s blogpost about DRIED DAISIES

Look In [on Not So Flawed Wednesday]

“I want to stand as close to the edge as I can without going over. Out on the edge you can see all kinds of things you can’t see from the center.” ~Kurt Vonnegut

Yesterday I applied for a job that is all about narratives told from the edges of society. I’m not sure why it surprised me to find such a cool-to-me job; our community seems addicted to shattering so there are plenty of small edges to be found. Small edges are fallacious and serve a myriad of false centers. Our survival will depend upon whether or not we can awaken from the shatter-narrative and make the decision to direct our broken focus toward a common center. No small feat.

It is the role of the shaman, the explorer, the artist, the researcher to stand on the edge and report back to the community what is seen and unseen. The voice from the edge is rarely welcome since the report is capable of popping delusions or pulling the sheep’s clothing from the wolf. Page one of the autocrats’ handbook instructs the elimination of artists and educators. Making an enemy of the eyes-that-see, demonizing educators and thinkers – the people who recognize pattern and metaphor. The game of Us-and-Them necessitates silencing the voices capable of calling out the wolf. Autocrats require blind sheep that follow without question.

Some famous edge sitters: Galileo. Cesar Chavez. Rosa Parks. Nelson Mandela. Susan B. Anthony. Albert Einstein. Frederick Douglass, a former slave and leader of the abolitionist movement, wrote extensively about what we call Critical Race Theory; it was clear in his view from the edge. It’s not a new theory. It’s an old pattern with a new name. I think he might denounce his Republican party affiliation were he alive today; they would certainly silence his voice. He would be fired were he a professor in Florida today. As would Martin Luther King, another famous voice from the edge.

Voices of reason are often voices from the edges. Voices of the future are always voices from the edges. Galileo was silenced for suggesting that the earth circled the sun and not the other way around. Over time, the voices from the edge, when authentic, always make the center better, the community stronger. Susan B. Anthony spent her life on the edge, lobbying the center, to secure for women the right to vote.

Progress. Growth. They are rarely inspired from the tight grip at the center. Silence the edges and the community atrophies. Stop the movement and the body dies. That page was left out of the autocrats’ handbook for obvious reasons.

read Kerri’s blogpost about EDGES

Stop And Rest [on KS Friday]

At the height of the pandemic she recorded music on her phone and posted it for the community. It was a warm blanket, a comfort sent to people separated by the virus. Yesterday, she stumbled upon the recordings. There are hundreds. She played one for me. Pressing pause, she looked surprised and said, “These were good.”

I appreciated her honesty. I smiled at her surprise. Having been taught that it’s not nice to brag, she rarely acknowledges the scope and depth of her gift. Her pat response when I genuinely gush about her latest composition: “It’s okay.” It is good medicine for a gifted artist to say to herself, “My work is good.”

Also yesterday, she had a “talk” with me. She advised that I be less hard on myself. “Hold yourself softly,” she said. She was spot on. She can see it in me because she can see it in herself. She was telling me that, like her, my work is good. I swallowed my immediate response, “It’s okay.”

“Okay” is a hard word. It comes from a long road of vulnerability and a dedication to getting better and better. Minimizing is both armor and a practice. The path of artistic passion runs through, “Love what you do.” Yes, love it, but don’t get lost in it.

A life of mastery is built upon a mountain-range of mistakes and a dedication to never arriving. Keep walking. Keep growing and opening. Keep discovering ways to say more with less. Every once in awhile, it’s nourishing for the artistic soul to stop for a rest and crawl under the warm generous blanket of, “My work is good.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about QUILTS

and goodnight/and goodnight…a lullaby album © 2005 kerri sherwood