Moon Chat [David’s blog on DR Thursday]

Years ago, very late at night, I sat by a pool and had a conversation with the full moon. Essentially, I was letting go of my grip on safety and security. I was about to blindly step into the current. I vowed to the full moon that I would go wherever the flow would take me, I would love wherever it would lead me.

I’d completely forgotten about that long-ago-moon-chat until last weekend when, after setting the hose in the cool of the evening, I turned and was startled by the moonrise. The moon was enormous. It seemed to be staring at me, smiling. “Well?” it asked, “Do you love it? Was it worth all the tossing around in the tide?”

“Oh, yes,” I whispered. “I wouldn’t trade it for the world.”

Unfettered, 48″x48″, mixed media

read Kerri’s blogpost about THE MOON

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Joyfully Jump [David’s blog on DR Thursday]

“The true work of art is but a shadow of the divine perfection.”Michelangelo

I still marvel even though I’ve grown used to it. Without warning she suddenly jumps up and races to capture an image. Walking on the trail, mid-conversation, she suddenly disappears; I turn and find her kneeling in the dirt, her camera aimed at a new bud or the methodical march of a caterpillar. Her muse is not gentle. Her muse demands immediate action.

At first her sudden bursts of energy frightened me. I thought she saw a snake or was leaping to dodge a tarantula. I jumped, too, usually crying out, “WHAT? WHAT?” After the hundredth scare I learned to temper my response to her bursts of inspiration. I’m painfully aware that with my new conditioning it’s likely that she will someday leap to avoid a rattlesnake while I step on it, thinking she’s having a muse-call. I am certain that she will get an excellent photograph of the snake biting my ankle.

In The Artist’s Way, Julia Cameron wrote, “Creativity is God’s gift to us. Using our creativity is our gift back to God” She continued with a more tangible sentiment, one that every human being experiences: “The refusal to be creative is self-will and is counter to our true nature.”

Blunting ourselves is not natural. It is what KDOT is teaching me. Do not doubt or delay the muse. Jump with both feet into the beauty when it beckons. Play with the moment. Share what you find there.

We forget that we, too, are works of art. We’re not finished pieces but ongoing shadows of divine perfection. We express. We are most alive when we are uninhibited in our participation and celebration of what we experience. It’s called “connected”. Plugged in. Present. Flow.

The muse will open the door and like Kerri, we could all learn to joyfully jump through it. Anything less is unnatural.

from the archives: Maenads

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read Kerri’s blogpost about THE MUSE

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A Tale of Whoa! [David’s blog on Not So Flawed Wednesday]

We take so much for granted. Flip a switch and the lights come on. Twist a knob and water pours from the faucet. Turn the key or touch the button and the car starts. Flip open the computer and access the entire info-world. And then, one day, with little or no warning, the flip, the turn, the twist, the touch doesn’t produce the expected result. Easy-life evaporates.

For us, these easy-life-evaporations usually arrive in hard-clusters of three. For instance, a few weeks ago, Kerri’s computer ceased to compute. A few days later our trusty LittleBabyScion went down for the count. And then, to complete the trio, in a surprise move, our kitchen sink, in coordination with our bathroom sink, refused to drain. No amount of plunging, baking-soda-and-vinegar-elixirs, pipe-removal, coaxing or cursing…made any difference. To taunt us, black stinky muck arose from the depths. There was nothing to be done but call the plumber who listened to our tale-of-whoa! and recommended that we skip his services and call the drain guy.

There’s a nice metaphor at play in our tragic tale. First, after the drain guy successfully cleared our pipes (the blockage was deep in the system), we decided that, just like our pipes, we also had a deep blockage that required clearing. The pipe-clog not only stopped the drains from working, it also stopped us from working – something we desperately needed to do. Take a break. Think about something else for awhile. Clear our minds.

Yesterday on our hike I asked Kerri what she was thinking about and she replied, “Nothing really. My mind is just wandering.” There could be no better answer. An un-fixated mind. Thought-flow with no blockage. Spaciousness.

The computer. The car. The drains. Three modes of movement, together locking up and inhibiting our movement. They made us slow down. They made us stop. They made us hyper-aware and appreciative of our easy-life and how quickly it can evaporate.

Each morning since the drain guy came, we run to the bathroom sink and turn on the water. Full blast. “It’s draining!” we cheer. Then, we race to the kitchen. “Look!” we high-five in celebration of successful drainage. Something so simple. Something so completely taken for granted. But, for a few glorious days, before the gratitude disappears into the easy-life-expectation, we will celebrate the flow of water, the light at the flick of switch, the turn of a key that easily sparks the heart of LittleBabyScion into life. Each time, we will look at each other and sing with gratitude, ‘It works!”

read Kerri’s blogpost about SINKS

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Give Over [David’s blog on KS Friday]

In the pontoon boat I give over. I do not drive so I make no significant decisions. I sit in a sunny spot. I laugh with good friends or am quiet. There are snacks. I open myself to whatever comes my way. I give-over.

It seems so easy on the pontoon boat. To relax. To go with the flow. To forget the all-important-lists. To drop the illusion that I am more than I am. No need to achieve, to prove, to strive, to become. On the pontoon boat I am just this. I am with friends. We move slowly. We chase nothing. We circumnavigate the lake. On the pontoon boat I am enough – and I know because I do not think about it at all. I measure nothing. No need to measure up.

I wonder why I reserve this kind of living to time on the pontoon boat.

Yesterday was an exceedingly hard day. I filled my cup with discord and self-loathing. I was a wasteland.

The boat is not magic. The peace I feel is not given to me by the boat. I give it to myself. My friends are with me whether we ride the boat or not. The reasons for my discord existed only in my mind. A very dark cloud. In my mind I did not measure up. I withheld peace and chose inner-enmity. Why?

You would think the grace I afford myself when riding in the pontoon boat would be available when riding on the earth as we circle and circle the sun. Why is my ride on this earth any different than my ride on the pontoon boat? Why would I choose anything other than grace?

When not on the pontoon boat am I not capable of opening myself to whatever comes my way? What – other than myself – prevents me from giving-over?

I measure illusions against illusions to fully achieve my misery.

The illusions and incessant measurement are what I drop when climbing onto the pontoon boat. They are what I easily-give-over when taking my seat in the sun with friends. How much more important is it to give-over the illusions with the same ease while inhabiting this seat as I circle and circle the sun?

Time Together on the album This Part of the Journey © 1998 Kerri Sherwood

The music Kerri has recorded is available on iTunes and streaming on Pandora.

read Kerri’s blogpost about the PONTOON BOAT

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Open [David’s blog on Not So Flawed Wednesday]

“Each of us is an artist of our days; the greater our integrity and awareness, the more original and creative our time will become.” ~ John O’Donohue, To Bless the Space Between Us: A Book of Blessings

Divemaster Terry’s teaching was based on a simple principle: get neutral. In neutrality, there is no struggle. There is no fear. There is surrender to the movement of the ocean. The water cradles the diver.

The point? In the absence of struggle and fear, in the surrender to the natural movement of “something bigger,” only then is it possible to see. Only then is full awareness available beyond the control-story. Only then is it possible to experience the grace in the dive. To become.

Divemaster Terry was an artist. All the world was his studio. Every moment was his canvas. He was teaching me the essential lesson in artistry: surrender to the greater movement of the ocean. Flow with it rather than fight it. To fight the ocean is folly. And dangerous.

I thought of him as we harvested our peppers. We’ve never grown peppers before so this was new territory. Anything in the garden is relatively new territory. We do not know what we are doing. Our gardening is the equivalent of listening. She was giddy when she harvested the first peppers.

I recognized it. It was the same giddiness I felt the first time I understood – and lived – Terry’s lesson, “get neutral”. My eyes opened. My heart opened. I was inside the miracle, moving as the ocean, seeing without the obstruction of a story.

She plucked the first vibrant red pepper. For a moment she held the whole living earth in her hands. Eyes open. Heart wide open. No separation.

“Take time to see the quiet miracles that seek no attention” ~ John O’Donohue

read Kerri’s blogpost about THE PEPPERS

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Be Better At Bad [David’s blog on DR Thursday]

I am painting very badly. It’s not a surprise. It’s been a while since I have consistently been in the studio so it will take a while to loosen up, to stop thinking about the next step. Artistry is not so different from athletics; it takes a while to get back into shape.

Previous iterations of myself would have felt badly for painting badly. That guy would have hidden his clumsy images and too-tight-brush-strokes. These days I’m better at being bad. I like the dance. I’m more interested in cultivating a healthy process so I’m less invested in how I look. How “it” looks. “Bad” is a process step, an opportunity to learn or laugh rather than the judgement that it used to be.

It’s easy to write about the necessity of throwing many pots or writing ten-bad-pages-to get-to-one-good-page. It’s another thing to do it. Celebration of the bad is a necessary step in finding flow. And, after such a long studio hiatus, flow is nowhere to be found. Artists do not train to clear a hurdle or master the pommel horse. Artists train for flow.

We nearly lost Breck-the-aspen-tree. We kept her in a pot for too long. And then we planted her in a place that was less than optimal. She withered so we quickly moved her to another spot. It was a guess since we thought the first spot was prime. That was three years ago and today she is thriving. She is as tall as the garage and growing fast. Her trunk is no longer pencil thin. It is robust, sturdy. Birds perch in her branches. Last year she was like a gawky teenager and produced weirdly sized leaves. This year she has come into her own.

Last week, after painting especially bad, suffocatingly tight and small-brush-clumsy, I sat outside with Breck. She asked me to remember her freakish leaves. She reminded me of the strange unwieldy branch that reached like a beanstalk above all the others. It was so unusual that we worried for her survival. We worried a giant might come looking for a goose. “Growth is tricky,” she said and quaked.

Yes. Growth is tricky. Sometimes it takes a chat with the aspen tree to remember to take a breath, reach for the sun and celebrate right where you are on the path.

County Rainy Day…in process. Too tight too soon…a step on the way to flow…

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read Kerri’s blogpost about BRECK

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Gaze Inside [David’s blog on Two Artists Tuesday]

I suppose most people would first notice the beautiful glaze and transfer pattern on the outside of the cups. We were caught by the beautiful color, the glaze on the inside at the very bottom. Gorgeous. Simple.

The cups were a wedding present from Kerri’s good friend and long-time collaborator, Heidi. Together, they toured the country. Heidi telling the story of her breast cancer journey. Kerri performing her compositions written for the cause of cancer research and celebration of life. I was not in the picture when they were doing their good work but I can hear in their stories the potency, the absolute epicenter of the power of art, their art: inspiring, encouraging, healing, up-lifting spirits.

It is the same spirit that Rachel Stevens, the potter of the cups, imbued in her work. It’s why we were immediately captivated. The free flow of her artistry lifted our spirits. A perfect talisman for our union, a reminder of my favorite day of life – our wedding.

We brought out the cups for our wine. I love the delicate weight and textures, the feel when I hold them in my hand. Before pouring, I gazed again at the inside color and had a minor revelation, the kind that will simmer over the next few months:

I’m sitting in a quiet space with my artistry. The imperative to create remains as strong as it has ever been, but it is the time to journey into the root. Early in my life I created for myself, for the pure pleasure of the presence it provided. The gift of solitude. Another kind of union. Later, the root required a reaching out, a branching relationship with others, to light the dark path, ask the unanswered question, explore the uncharted territory. Yet another kind of union. The cycle is coming back around; I am returning to the pure pleasure of creating. The root. Now, there can be – there is – no other reason.

Simple. Gorgeous.

read Kerri’s blogpost about THE CUPS

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buymeacoffee is a beautiful glaze at the bottom of a delicate pottery cup that, when you hold it, makes you feel good to be alive.

Emulate Martijn [on Merely A Thought Monday]

I have a theory about why so many of us are addicted to Martijn Doolaard’s weekly installments. He’s rebuilding two stone structures, turning them into cabins, on a remote mountainside in the Italian alps. He confirmed my theory this week at the very end of installment 76. Responding to a question from his viewers he said something akin to “I focus on the process and not on goals.”

It’s magnetic. Presence.

Effortless action is a concept in the Buddhist tradition and Martijn is a stellar example. The work is heavy, dirty and sometimes impossible, yet he rarely seems stressed or burdened. He is never in a hurry. He is present in his task. He’s not pushing for an outcome or holding himself to a schedule. He’s creating a process that is as elegant as it is efficient, fully engaging the task at hand. He’s a craftsman from another era. No resistance to “what is”. Consequently, he achieves more in a week than most people realize in a month.

And, amidst the dawn to dusk workdays, he films the process. Beautifully.

His work is his meditation.

Watching him build a stone arch doorway for his utility shed, I had a minor revelation. Most, if not all, spiritual traditions embrace a version of “make no assumptions.” The absence of assumption is presence. The lilies of the field. The release of control. Flow. The path of least resistance. Deal with what is there, not what you think is there.

We watch Martijn because we desire to know what he knows. We desire to work as he works. Why is he never exhausted? How is it possible for him to bake bread over a fire, make beautiful meals, after a full day of digging in rocky soil and hauling impossibly large slabs of stone?

Whether the task is answering 150 emails or lifting a one ton stone from the roof of a shed, his answer is abundantly clear. Make no assumptions. Release the notion of where you should be and be where you are. Beautifully.

read Kerri’s blogpost about NO ASSUMPTIONS

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Study Flow [on Not So Flawed Wednesday]

Kerri just reflected that, so far this week, my posts have been cynical. “Now that wasn’t snarky at all!” she said after reading my Tuesday post. The unintentional theme of the week has been the silencing of people. That makes me sarcastic. Irritable. Sad. She suggested that I lean over and read my Post-It-note-life-reminder: Grace. Questions not answers.

It’s true. I need daily to remind myself to move toward rather than push against. Flow rather than resistance. I am more of an idealist than I care to admit so resistance comes easy. Seeing what-is-wrong-with-the-world is embedded in my DNA. It’s the dark-side of the idealist moon.

Because resistance is natural, flow has been my study. It is my life lesson. It is why I am drawn to tai-chi. Yoga, the physical art of opposition. Polarity and the other Hermetic principles. Circles and cycles rather than lines and achievements. These are my masterclass of balance: there is a time for resistance. There is a time for flow. Both/And.

Grace is a word of flow. Nimbleness. Poise. Ease.

The water flowing off the roof of our neighbor’s garage froze the vines on the fence into a crystal ice chandelier. The watercourse way slowed so we might appreciate it. It slowed so I might understand it: flow and resistance are two forms of the same thing. Ice is water. Water is ice.

Grace. Nature is an excellent teacher. Better than my Post-It note. Sans cynicism. Gorgeous in its lessons.

read Kerri’s blogpost about FLOW

Stay On The Root [on KS Friday]

“Energy cannot be created or destroyed; it can only be changed from one form to another.” ~ Albert Einstein

Saul’s words have been ringing in my memory: “Stay on the root.” He was a tai chi master.

He might have said, “Stay grounded,” but his reference to “the root” is more dynamic. When on “the root” there is absolutely no resistance to circumstance. Nothing can knock you off center. You are solid, rooted; not for resistance or fight but for flow. No kinks in the energy-hose.

Presence is a requirement of being on “the root.” If your mind jumps into fear-of-the-future it will pull you off center. If your heart dives into regret of the past, it will yank you off balance. Saul might remind us that our bodies are always present. What else? Our minds story us into stress and, mostly, the horror stories we tell ourselves never actually occur. Or did occur.

Here’s the most important part of his instruction: when staying firmly on”the root,” a place of no-resistance, flow is possible. In fact, anything is possible. That may, to some, sound like new-age nonsense but it is actually age-old wisdom. It’s a practice of getting out of your own way. Assume nothing. Lilies-of-the-field, etc. There’s a timeless fable about a farmer and a horse…

A week ago we walked our trail and the leaves were vibrant with color, electric. Now, they are mostly on the ground. Transforming. Nutrient for the soil. I doubt the leaves felt fear of falling or spent an ounce of life-energy in regret.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE LEAF

figure it out/right now © 2010 kerri sherwood